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Chicago Tribune THE INC. COLUMN Ellen Warren & Terry Armour The INC. spot Armour gets jazzy with Jenna Sexton Michael Some don’t agree. I guess Mammina you either love them or hate them. Among jazz purists, Mammina, A - (Laughs) I love Yes. My 35, has made a name for herself first rock concert when I was 9 because her musical style runs years old was Yes. I was the gamut from old-school jazz hooked. to rock to folk. Mammina has Inc. - Any other favorites? her own label, Mamma Grace A - Have you ever heard Records (jennamammina.com), Sammy Cahn’s “Dedicated to on which she released her debut You”? (She begins to sing). Of CD, “Under the Influence.” course, Abbey Lincoln has been She performs on Thursday for a great influence on me, in writ- the “Have a Heart for Sickle ing and as a person in my life. Cell Anemia” gala in the Inc. - Is so-called ‘smooth Skyline Room at Navy Pier. jazz’ as strong as, say, what John Coltrane or Charlie Inc. - Your musical tastes are “Bird” Parker did? rather eclectic, from Elvis A - Smooth jazz is a marketing Costello and Led Zeppelin to machine, but traditional jazz is Nat “King” Cole and Abbey Singer Jenna Mammina says traditional jazz still still out there, on a certain level Lincoln. makes an impression on young people. and with a vengeance. It’s just A - It comes from growing up not appreciated in the marketing in a musical family. My older sense. But more and more kids brothers and sister, they listened love the tunes: Joni Mitchell, Elvis Costello and are coming up listening to Col- to groups like Led Zeppelin. I Yes. trane and Bird and saying, “I inherited those records. My Inc. - Yes? I’ve often felt that for a rock think this is what I want to do.” mom sang Nat “King” Cole group, Yes kicked free-form jazz up a notch. songs to me when I was little. I .

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Midnight Special Songlist
west coast music Midnight Special Please find attached the Midnight Special song list for your review. SPECIAL DANCES for Weddings: Please note that we will need your special dance requests, (I.E. First Dance, Father/Daughter Dance, Mother/Son Dance etc) FOUR WEEKS in advance prior to your event so that we can confirm that the band will be able to perform the song(s) and that we are able to locate sheet music. In some cases where sheet music is not available or an arrangement for the full band is need- ed, this gives us the time needed to properly prepare the music and learn the material. Clients are not obligated to send in a list of general song requests. Many of our clients ask that the band just react to whatever their guests are responding to on the dance floor. Our clients that do provide us with song requests do so in varying degrees. Most clients give us a handful of songs they want played and avoided. Recently, we’ve noticed in increase in cli- ents customizing what the band plays and doesn’t play with very specific detail. If you de- sire the highest degree of control (allowing the band to only play within the margin of songs requested), we ask for a minimum of 100 requests. We want you to keep in mind that the band is quite good at reading the room and choosing songs that best connect with your guests. The more specific/selective you are, know that there is greater chance of losing certain song medleys, mashups, or newly released material the band has.
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Rolling Stone Magazine's Top 500 Songs
Rolling Stone Magazine's Top 500 Songs No. Interpret Title Year of release 1. Bob Dylan Like a Rolling Stone 1961 2. The Rolling Stones Satisfaction 1965 3. John Lennon Imagine 1971 4. Marvin Gaye What’s Going on 1971 5. Aretha Franklin Respect 1967 6. The Beach Boys Good Vibrations 1966 7. Chuck Berry Johnny B. Goode 1958 8. The Beatles Hey Jude 1968 9. Nirvana Smells Like Teen Spirit 1991 10. Ray Charles What'd I Say (part 1&2) 1959 11. The Who My Generation 1965 12. Sam Cooke A Change is Gonna Come 1964 13. The Beatles Yesterday 1965 14. Bob Dylan Blowin' in the Wind 1963 15. The Clash London Calling 1980 16. The Beatles I Want zo Hold Your Hand 1963 17. Jimmy Hendrix Purple Haze 1967 18. Chuck Berry Maybellene 1955 19. Elvis Presley Hound Dog 1956 20. The Beatles Let It Be 1970 21. Bruce Springsteen Born to Run 1975 22. The Ronettes Be My Baby 1963 23. The Beatles In my Life 1965 24. The Impressions People Get Ready 1965 25. The Beach Boys God Only Knows 1966 26. The Beatles A day in a life 1967 27. Derek and the Dominos Layla 1970 28. Otis Redding Sitting on the Dock of the Bay 1968 29. The Beatles Help 1965 30. Johnny Cash I Walk the Line 1956 31. Led Zeppelin Stairway to Heaven 1971 32. The Rolling Stones Sympathy for the Devil 1968 33. Tina Turner River Deep - Mountain High 1966 34. The Righteous Brothers You've Lost that Lovin' Feelin' 1964 35.
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265 Edward M. Christian*
COPYRIGHT INFRINGEMENT ANALYSIS IN MUSIC: KATY PERRY A “DARK HORSE” CANDIDATE TO SPARK CHANGE? Edward M. Christian* ABSTRACT The music industry is at a crossroad. Initial copyright infringement judgments against artists like Katy Perry and Robin Thicke threaten millions of dollars in damages, with the songs at issue sharing only very basic musical similarities or sometimes no similarities at all other than the “feel” of the song. The Second Circuit’s “Lay Listener” test and the Ninth Circuit’s “Total Concept and Feel” test have emerged as the dominating analyses used to determine the similarity between songs, but each have their flaws. I present a new test—a test I call the “Holistic Sliding Scale” test—to better provide for commonsense solutions to these cases so that artists will more confidently be able to write songs stemming from their influences without fear of erroneous lawsuits, while simultaneously being able to ensure that their original works will be adequately protected from instances of true copying. * J.D. Candidate, Rutgers Law School, January 2021. I would like to thank my advisor, Professor John Kettle, for sparking my interest in intellectual property law and for his feedback and guidance while I wrote this Note, and my Senior Notes & Comments Editor, Ernesto Claeyssen, for his suggestions during the drafting process. I would also like to thank my parents and sister for their unending support in all of my endeavors, and my fiancée for her constant love, understanding, and encouragement while I juggled writing this Note, working full time, and attending night classes. 265 266 RUTGERS UNIVERSITY LAW REVIEW [Vol.
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1 Hey Jude the Beatles 1968 2 Stairway to Heaven Led Zeppelin 1971 3 Stayin' Alive Bee Gees 1978 4 YMCA Village People 1979 5
1 Hey Jude The Beatles 1968 2 Stairway To Heaven Led Zeppelin 1971 3 Stayin' Alive Bee Gees 1978 4 YMCA Village People 1979 5 (We're Gonna) Rock Around The Clock Bill Haley & His Comets 1955 6 Da Ya Think I'm Sexy? Rod Stewart 1979 7 Jailhouse Rock Elvis Presley 1957 8 (I Can't Get No) Satisfaction Rolling Stones 1965 9 Tragedy Bee Gees 1979 10 Le Freak Chic 1978 11 Macho Man Village People 1978 12 I Will Survive Gloria Gaynor 1979 13 Yesterday The Beatles 1965 14 Night Fever Bee Gees 1978 15 Fire Pointer Sisters 1979 16 I Want To Hold Your Hand The Beatles 1964 17 Shake Your Groove Thing Peaches & Herb 1979 18 Hound Dog Elvis Presley 1956 19 Heartbreak Hotel Elvis Presley 1956 20 The Twist Chubby Checker 1960 21 Johnny B. Goode Chuck Berry 1958 22 Too Much Heaven Bee Gees 1979 23 Last Dance Donna Summer 1978 24 American Pie Don McLean 1972 25 Heaven Knows Donna Summer & Brooklyn Dreams 1979 26 Mack The Knife Bobby Darin 1959 27 Peggy Sue Buddy Holly 1957 28 Grease Frankie Valli 1978 29 Love Me Tender Elvis Presley 1956 30 Soul Man Blues Brothers 1979 31 You Really Got Me The Kinks 1964 32 Hot Blooded Foreigner 1978 33 She Loves You The Beatles 1964 34 Layla Derek & The Dominos 1972 35 September Earth, Wind & Fire 1979 36 Don't Be Cruel Elvis Presley 1956 37 Blueberry Hill Fats Domino 1956 38 Jumpin' Jack Flash Rolling Stones 1968 39 Copacabana (At The Copa) Barry Manilow 1978 40 Shadow Dancing Andy Gibb 1978 41 Evergreen (Love Theme From "A Star Is Born") Barbra Streisand 1977 42 Miss You Rolling Stones 1978 43 Mandy Barry Manilow 1975
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Simon and Garfunkel.Pptx
Simon & Garfunkel Created by Group 2 Kao-wei Chen, Rebecca Galarowicz, Bri@any Kelly, David Oberg, Nikolas Sell Kao-wei Chen Why Simon & Garfunkel? They were one of the first folk performers make it big in the music industry and became future role models for the upcoming generaon of folk rock singers. http://en.wikipedia.org/wiki/File:SimonandGarfunkel.jpg Background Informaon • Real Names • Paul Simon • Art Garfunkel • Both were born 1941, sll alive today • First met each other in elementary school • Realized their potenKal when singing together Doo-wop songs found on the radio at an early age h@p://www.last.fm/music/Simon+&+Garfunkel/ +images/138461 Beginning of Simon & Garfunkel • At age 16, they recorded their first single composed by Simon Ktled ‘’Hey Schoolgirl’’ • Peaked at the top 50 on the Billboard under Tom & Jerry • Late 50s/early 60s- both worked together ocassionally but were solo acts during this me • 1964, release of their debut album ‘’Wednesday Morning, 3 A.M.’’ • release did poorly • 1964-1965, Tom Wilson, a folk-rock producer, revised Simon’s & Garfunkel’s track Ktled ‘’The Sound of Silence’’ and released it in the market • Track rose to #1 in 1965 • Song was edited by incorporang electric bass, guitar and drums The High & End Life of S&G v 1966, placed 3 albums and four singles in the top 30 of the Billboard v E.g. ‘’The Sound of Silence’’, ‘’I Am A Rock’’, and ‘’Parsely, Sage, Rosemary & Thyme’’ v 1966-1969, their career was at a turning point v WriKng of songs and recording significantly took longer v Simon’s & Garfunkel’s
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Uptownlive.Song List Copy.Pages
Uptown Live Sample - Song List Top 40/ Pop 24k Gold - Bruno Mars Adventure of A Lifetime - Coldplay Aint My Fault - Zara Larsson All of Me (John Legend) Another You - Armin Van Buren Bad Romance -Lady Gaga Better Together -Jack Johnson Blame - Calvin Harris Blurred Lines -Robin Thicke Body Moves - DNCE Boom Boom Pow - Black Eyed Peas Cake By The Ocean - DNCE California Girls - Katy Perry Call Me Maybe - Carly Rae Jepsen Can’t Feel My Face - The Weeknd Can’t Stop The Feeling - Justin Timberlake Cheap Thrills - Sia Cheerleader - OMI Clarity - Zedd feat. Foxes Closer - Chainsmokers Closer – Ne-Yo Cold Water - Major Lazer feat. Beiber Crazy - Cee Lo Crazy In Love - Beyoncé Despacito - Luis Fonsi, Daddy Yankee and Beiber DJ Got Us Falling In Love Again - Usher Don’t Know Why - Norah Jones Don’t Let Me Down - Chainsmokers Don’t Wanna Know - Maroon 5 Don’t You Worry Child - Sweedish House Mafia Dynamite - Taio Cruz Edge of Glory - Lady Gaga ET - Katy Perry Everything - Michael Bublé Feel So Close - Calvin Harris Firework - Katy Perry Forget You - Cee Lo FUN- Pitbull/Chris Brown Get Lucky - Daft Punk Girlfriend – Justin Bieber Grow Old With You - Adam Sandler Happy – Pharrel Hey Soul Sister – Train Hideaway - Kiesza Home - Michael Bublé Hot In Here- Nelly Hot n Cold - Katy Perry How Deep Is Your Love - Calvin Harris I Feel It Coming - The Weeknd I Gotta Feelin’ - Black Eyed Peas I Kissed A Girl - Katy Perry I Knew You Were Trouble - Taylor Swift I Want You To Know - Zedd feat. Selena Gomez I’ll Be - Edwin McCain I’m Yours - Jason Mraz In The Name of Love - Martin Garrix Into You - Ariana Grande It Aint Me - Kygo and Selena Gomez Jealous - Nick Jonas Just Dance - Lady Gaga Kids - OneRepublic Last Friday Night - Katy Perry Lean On - Major Lazer feat.
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PAUL SIMON and ROBERT PLANT Move to NEWCASTLE ENTERTAINMENT CENTRE
PAUL SIMON AND ROBERT PLANT move to NEWCASTLE ENTERTAINMENT CENTRE Saturday 30th March PAUL SIMON Special Guest: Rufus Wainwright Platinum Reserved Seating $199 / Gold Reserved Seating $149 / Silver Reserved Seating $99 (plus handling and payment processing fees) Sunday 31st March ROBERT PLANT & the Sensational Space Shifters Special Guests: Blind Boys Of Alabama Platinum Reserved Seating $199 / Gold Reserved Seating $149 / Silver Reserved Seating $99 (plus handling and payment processing fees) Saturday 9th March 2013 Chugg Entertainment today confirmed the move of this Easter’s two-fold line-up; Paul Simon and Robert Plant, from the Hunter Valley’s Hope Estate to the Newcastle Entertainment Centre. Each concert will play the same dates previously scheduled: Paul Simon (with Rufus Wainwright) on Saturday 30th March and Robert Plant (with Blind Boys of Alabama) on Sunday 31st March, now at the Newcastle Entertainment Centre. Executive Chairman, Michael Chugg said, “We’re moving to the Newcastle Entertainment Centre, which will be a more intimate environment for these two artists.” Chugg added, “I encourage all fans to take the opportunity to see these two iconic artists. These guys are legends and now Newcastle is seeing them in the most intimate venue on the tour.” Both Paul Simon and Robert Plant will be performing career-spanning sets and promise numerous favourites and greatest hits from their rich catalogues, including their solo careers, and Simon & Garfunkel and Led Zeppelin, respectively. New tickets for the Newcastle Entertainment Centre shows go on-sale at midday this Monday March 11 from ticketek.com.au or 132 849. The Newcastle Entertainment Centre Box Office has extended its hours today until 4pm to assist with enquiries (02 4921 2121) but exchanges will not commence until Thursday March 14.
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Inside the Cages of the Zoo
The Library of America • Story of the Week From Shake It Up: Great American Writing on Rock and Pop from Elvis to Jay Z (Library of America, 2017), pages 151–65. Originally published in Trips: Rock Life in the Sixties (1973). Copyright © by Ellen Sander. ▼ Ellen Sander Ellen Sander (b. 1944) was The Saturday Review’s rock critic in the mid- to late sixties and also wrote on rock for Vogue, The Realist, Cavalier, The L.A. Free Press, the Sunday New York Times Arts & Leisure section, and many other venues. She is the author of Trips: Rock Life in the Sixties (1973), an important source for those seeking to understand the texture and allure of 1960s rock culture. A unique aspect of that culture was captured in Sander’s piece “The Case of the Cock- Sure Groupies” (1968), a remarkably clear- eyed and nonjudgmental account of one of rock’s less celebrated scenes. After her years of rock writing, Sander worked in various capacities in the software industry, from tech writing to computational linguistics. She then returned to her first love, poetry; most recently she served as the Poet Laure- ate of Belfast, Maine (2013–2014). Several collections of her rock journalism are available as Kindle ebooks. ▼ ▼ ▼ ▼ ▼ ▼ ▼ ▼ ▼ ▼ ▼ ▼ ▼ ▼ ▼ ▼ ▼ ▼ ▼ ▼ ▼ ▼ ▼ ▼ Inside the Cages of the Zoo Some years later, a group called Led Zeppelin came to America to make it, taking a highly calculated risk. The group had been put together around Jimmy Page, who had a heavy personal following from his previous work with the Yardbirds, an immensely popular British group that generated a great deal of charisma in the States.
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Introduction to Rock Music
A Beginner’s Guide to Rock Music By Christian Dubeau For the teachers: The purpose of this document is to teach students some basics about well-known rock musicians and commonly used instruments in rock bands. The first slide serves to teach the students about the musical alphabet (a,b,c,d,e,f,g). This slide is not essential for the student’s understanding of the document as a whole, but I have included it in case there is interest. The next few slides each give a brief background about an individual musician or band. Before explaining the information on each slide, the instructor should play an excerpt of a song by the artist on that slide. Recordings of pieces by these artists can be easily found on www.youtube.com. Here are my suggestions for songs to play: 1). Michael Jackson: Beat It 2). Bob Dylan: Blowin in the Wind 3). The Beatles: Let It Be 4). Led Zeppelin: Stairway to Heaven The last few slides show a picture of and give a brief background on different instruments that are commonly used in rock bands. Again, the instructor should show the students what each instrument sounds like before explaining the details provided on the slides. Again, I have provided some suggestions for recording to play, all of which can be found on YouTube. In each case, only an excerpt needs to be played, as some of the recordings are quite long. 1). Guitar: The Star Spangled Banner (Jimi Hendrix version) 2). Bass: Money (by Pink Floyd)-the beginning of the song 3).
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Led Zeppelin Ruling Is Already Affecting Copyright Litigation by Alexander Kaplan, Sandra Crawshaw-Sparks and Simona Weil (April 3, 2020)
Led Zeppelin Ruling Is Already Affecting Copyright Litigation By Alexander Kaplan, Sandra Crawshaw-Sparks and Simona Weil (April 3, 2020) Based on the first two decisions applying the U.S. Court of Appeals for the Ninth Circuit’s March 9 en banc decision in the Skidmore v. Led Zeppelin "Stairway to Heaven" case, the recent trajectory of the law governing music copyright infringement appears to have changed. It had been widely believed that the Ninth Circuit’s 2018 decision in the infamous "Blurred Lines" case, Williams v. Gaye,[1] set too liberal a standard for providing copyright protection to components of a musical composition and that the decision would lead to a stifling of creativity and an increase in copyright infringement lawsuits. Alexander Kaplan More specifically, there had been concern that in affirming the jury’s verdict finding infringement in Williams, the Ninth Circuit condoned granting copyright protection to building blocks of music over which no artist should hold a monopoly. A strongly worded dissent warned that the majority opinion “establishes a dangerous precedent that strikes a devastating blow to future musicians and composers everywhere.”[2] A fair reading of the Ninth Circuit’s en banc Skidmore v. Led Zeppelin decision, which, it should be noted, did not face the procedural roadblocks to an analysis of the protectability of the music that the Williams panel Sandra Crawshaw- did,[3] suggested that the court swung the pendulum toward more Sparks circumspect protection of short musical phrases and compositional elements found in popular music, and the selection and arrangement of those individual, unprotectable components.
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Pink Floyd - Dark Side of the Moon Speak to Me Breathe on the Run Time the Great Gig in the Sky Money Us and Them Any Colour You Like Brain Damage Eclipse
Pink Floyd - Dark Side of the Moon Speak to Me Breathe On the Run Time The Great Gig in the Sky Money Us and Them Any Colour You Like Brain Damage Eclipse Pink Floyd – The Wall In the Flesh The Thin Ice Another Brick in the Wall (Part 1) The Happiest Days of our Lives Another Brick in the Wall (Part 2) Mother Goodbye Blue Sky Empty Spaces Young Lust Another Brick in the Wall (Part 3) Hey You Comfortably Numb Stop The Trial Run Like Hell Laser Queen Bicycle Race Don't Stop Me Now Another One Bites The Dust I Want To Break Free Under Pressure Killer Queen Bohemian Rhapsody Radio Gaga Princes Of The Universe The Show Must Go On 1 Laser Rush 2112 I. Overture II. The Temples of Syrinx III. Discovery IV. Presentation V. Oracle: The Dream VI. Soliloquy VII. Grand Finale A Passage to Bangkok The Twilight Zone Lessons Tears Something for Nothing Laser Radiohead Airbag The Bends You – DG High and Dry Packt like Sardine in a Crushd Tin Box Pyramid song Karma Police The National Anthem Paranoid Android Idioteque Laser Genesis Turn It On Again Invisible Touch Sledgehammer Tonight, Tonight, Tonight Land Of Confusion Mama Sussudio Follow You, Follow Me In The Air Tonight Abacab 2 Laser Zeppelin Song Remains the Same Over the Hills, and Far Away Good Times, Bad Times Immigrant Song No Quarter Black Dog Livin’, Lovin’ Maid Kashmir Stairway to Heaven Whole Lotta Love Rock - n - Roll Laser Green Day Welcome to Paradise She Longview Good Riddance Brainstew Jaded Minority Holiday BLVD of Broken Dreams American Idiot Laser U2 Where the Streets Have No Name I Will Follow Beautiful Day Sunday, Bloody Sunday October The Fly Mysterious Ways Pride (In the Name of Love) Zoo Station With or Without You Desire New Year’s Day 3 Laser Metallica For Whom the Bell Tolls Ain’t My Bitch One Fuel Nothing Else Matters Master of Puppets Unforgiven II Sad But True Enter Sandman Laser Beatles Magical Mystery Tour I Wanna Hold Your Hand Twist and Shout A Hard Day’s Night Nowhere Man Help! Yesterday Octopus’ Garden Revolution Sgt.
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Bandworks Song List **Please Circle All Songs You Would Like to Perform in the Next Session**
BandWorks Song List **Please circle all songs you would like to perform in the next session** After Midnight (Eric Clapton) Break on Through (Doors) Don’t Change Horses [In the Middle A Hard Day’s Night (Beatles) Breathe (Pink Floyd) of a Stream] (Tower of Power) Ain’t That Peculiar (Marvin Gaye) Brick House (Commodores) Don’t Let the Sun Catch You Cryin’ Ain’t Wastin’ Time No More (Allman Bros.) Brown-Eyed Girl (Van Morrison) (Ray Charles) Alison (Elvis Costello) Buddy Holly (Weezer) Don’t Lose Your Cool (Albert Collins) Alive (Pearl Jam) Burning Down the House (Talking Heads) Don’t Speak (No Doubt) All Along the Watchtower (Bob Dylan) Burn to Shine (Ben Harper) Don’t Talk About My Mama All Apologies (Nirvana) By the Way (Red Hot Chili Peppers) (Mem Shanon) All For You (Sister Hazel) Cabron (Red Hot Chili Peppers) Don’t Throw That Mojo on Me All My Love (Led Zeppelin) Caldonia (Bb King) (Wynona Judd) All You Need Is Love (Beatles) Caledonia Mission (The Band) Do Your Thing (Lyn Collins) All Your Love (Otis Rush) California (Lenny Kravitz) Down Payment Blues (AC/DC) Alone (Susan Tedeschi) Callin’ San Francisco (Tommy Castro) Dreams (Fleetwood Mac) American Girl (Tom Petty) Call Me the Breeze (Lynyrd Skynyrd) Dr. Feelgood (Aretha Franklin) American Idiot (Green Day) Can’t Find My Way Home (Blind Faith) Drive South (John Hiatt) And It Stoned Me (Van Morrison) Can’t Get Next to You (Al Green) Drops of Jupiter (Train) And She Was (Talking Heads) Canteloupe Island (Herbie Hancock) Elevation (U2) Angel (Jimi Hendrix) Caravan (Van Morrison)
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