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D2492609215cd311123628ab69
Acknowledgements Publisher AN Cheongsook, Chairperson of KOFIC 206-46, Cheongnyangni-dong, Dongdaemun-gu. Seoul, Korea (130-010) Editor in Chief Daniel D. H. PARK, Director of International Promotion Department Editors KIM YeonSoo, Hyun-chang JUNG English Translators KIM YeonSoo, Darcy PAQUET Collaborators HUH Kyoung, KANG Byeong-woon, Darcy PAQUET Contributing Writer MOON Seok Cover and Book Design Design KongKam Film image and still photographs are provided by directors, producers, production & sales companies, JIFF (Jeonju International Film Festival), GIFF (Gwangju International Film Festival) and KIFV (The Association of Korean Independent Film & Video). Korean Film Council (KOFIC), December 2005 Korean Cinema 2005 Contents Foreword 04 A Review of Korean Cinema in 2005 06 Korean Film Council 12 Feature Films 20 Fiction 22 Animation 218 Documentary 224 Feature / Middle Length 226 Short 248 Short Films 258 Fiction 260 Animation 320 Films in Production 356 Appendix 386 Statistics 388 Index of 2005 Films 402 Addresses 412 Foreword The year 2005 saw the continued solid and sound prosperity of Korean films, both in terms of the domestic and international arenas, as well as industrial and artistic aspects. As of November, the market share for Korean films in the domestic market stood at 55 percent, which indicates that the yearly market share of Korean films will be over 50 percent for the third year in a row. In the international arena as well, Korean films were invited to major international film festivals including Cannes, Berlin, Venice, Locarno, and San Sebastian and received a warm reception from critics and audiences. It is often said that the current prosperity of Korean cinema is due to the strong commitment and policies introduced by the KIM Dae-joong government in 1999 to promote Korean films. -
K O R E a N C in E M a 2 0
KOREAN CINEMA 2006 www.kofic.or.kr/english Korean Cinema 2006 Contents FOREWORD 04 KOREAN FILMS IN 2006 AND 2007 05 Acknowledgements KOREAN FILM COUNCIL 12 PUBLISHER FEATURE FILMS AN Cheong-sook Fiction 22 Chairperson Korean Film Council Documentary 294 206-46, Cheongnyangni-dong, Dongdaemun-gu, Seoul, Korea 130-010 Animation 336 EDITOR-IN-CHIEF Daniel D. H. PARK Director of International Promotion SHORT FILMS Fiction 344 EDITORS Documentary 431 JUNG Hyun-chang, YANG You-jeong Animation 436 COLLABORATORS Darcy Paquet, Earl Jackson, KANG Byung-woon FILMS IN PRODUCTION CONTRIBUTING WRITER Fiction 470 LEE Jong-do Film image, stills and part of film information are provided by directors, producers, production & sales companies, and Film Festivals in Korea including JIFF (Jeonju International Film Festival), PIFF APPENDIX (Pusan International Film Festival), SIFF (Seoul Independent Film Festival), Women’s Film Festival Statistics 494 in Seoul, Puchon International Fantastic Film Festival, Seoul International Youth Film Festival, Index of 2006 films 502 Asiana International Short Film Festival, and Experimental Film and Video Festival in Seoul. KOFIC appreciates their help and cooperation. Contacts 517 © Korean Film Council 2006 Foreword For the Korean film industry, the year 2006 began with LEE Joon-ik's <King and the Clown> - The Korean Film Council is striving to secure the continuous growth of Korean cinema and to released at the end of 2005 - and expanded with BONG Joon-ho's <The Host> in July. First, <King provide steadfast support to Korean filmmakers. This year, new projects of note include new and the Clown> broke the all-time box office record set by <Taegukgi> in 2004, attracting a record international support programs such as the ‘Filmmakers Development Lab’ and the ‘Business R&D breaking 12 million viewers at the box office over a three month run. -
Korean Film Nights 2018
Korean Cultural Centre UK presents KOREAN FILM NIGHTS 2018 MARCH TO JUNE Korean Novels on Screen KOREAN FILM NIGHTS 2018 The Korean Cultural Centre UK would like to welcome audiences once again to Korean Film Nights, our year-round programme of film screenings and talks. With the aim of fostering a deeper knowledge and appreciation of Korean cinema amongst London audiences through thematically curated strands, these screenings have presented everything from little-known classics to UK premieres of rare indie gems over the past 10-years. After a successful 2017 that saw audiences pack into screenings across three distinct film seasons - horror, migration and essay films - 2018 continues in a similar vein, splitting the year into two strands. This first programme will run from the end of March to June and will focus on films adapted from Korean novels. This follows on from a 2014 programme that came about when the London Book Fair shone a spotlight on Korea as their featured country that year. Appreciation for Korean literature has continued to rise thanks to the success of Han Kang’s International Man Booker Prize winning The Vegetarian, and the release last year of Familiar Things, a new work from famed novelist and political activist, Hwang Sok-yong, amongst others. Returning to the topic of Korean literature and film, the Korean Novels on Screen season focuses on stories that cover the key historical events that have shaped modern Korea. Going back to the period of Japanese occupation and subsequent independence, through both the Korean and Vietnam Wars, and then onto the anti-authoritarian government and pro-democracy protests that have risen over the years, prominent writers have often focused their own perspectives and personal experiences onto the page. -
Domestic Hallyu: K-Pop Metatexts and the Media's Self-Reflexive Gesture
International Journal of Communication 11(2017), 2308–2331 1932–8036/20170005 Domestic Hallyu: K-Pop Metatexts and the Media’s Self-Reflexive Gesture MICHELLE CHO1 McGill University, Canada Television serves as a crucial medium for shaping the South Korean public’s response to the success of hallyu, or the Korean Wave, in news reports, variety shows, and celebrity interview programs. Further, in the last decade, several K-pop idols have been cast in serial narrative television shows that fictionalize hallyu creative industries. These metatextual shows domesticate transnational idol pop celebrities by contributing layers of televisual intimacy to their star personae and by seeming to expose the inner workings of the entertainment industries. This essay focuses on two notable examples, Dream High (2011, KBS2) and Answer Me 1997 (2012, tvN), to consider what this proliferation of popular narratives about media production and reception on South Korean television signifies. I argue that the intertextual presentation of K-pop on Korean television negotiates a complex relationship between popular culture and public culture in South Korea. The metatextual relay revealed in these shows—what I characterize as the media’s self-reflexive critical gesture—provides access to the ideological impasses of the attempt to produce intimate national publics through globalized contents. Keywords: metatextuality, television, K-drama, K-pop, hallyu, Korean Wave If the ideological function of mass culture is understood as a process whereby otherwise dangerous and protopolitical impulses are “managed” and defused, rechanneled and offered spurious objects, then some preliminary step must also be theorized in which these same impulses—the raw material upon which the process works—are initially awakened within the very text that seeks to still them. -
As Viewed Through the Pages of the New York Times in 2010 & 2011
THE KOREAN THE KOREAN WAVE AS VIEWED THROUGHWAVE THE PAGES OF THE NEW YORK TIMES IN 2010 & 2011 THE KOREAN WAVE AS As Viewed Through the Pages of The New York Times in 2010 & 2011 THE KOREAN THE KOREAN WAVE AS VIEWED THROUGH THE PAGES OF THE NEW YORK TIMES IN 2010 & 2011 THE KOREAN WTHE KOREAN WAVE AS VIEWED THROUGHWAVE THE PAGES OF THE NEW YORK TIMES IN 2010 & 2011 THE KOREAN WAVE AS As Viewed Through the Pages of The New York Times in 2010 & 2011 This booklet is a collection of 43 articles selected by Korean Cultural Service New York from articles on Korean culture by The New York Times in 2010 & 2011. THE KOREAN THE KOREAN WAVE AS VIEWED THROUGHWAVE THE PAGES OF THE NEW YORK TIMES IN 2010 & 2011 THE KOREAN WAVE AS As Viewed Through the Pages of The New York Times in 2010 & 2011 First edition, November 2012 Edited & Published by Korean Cultural Service New York 460 Park Avenue, 6th Floor, New York, NY 10022 Tel: 212 759 9550 Fax: 212 688 8640 Website: http://www.koreanculture.org E-mail: [email protected] Copyright © 2012 by Korean Cultural Service New York All rights reserved. No part of this book may be reproduced in any form or by any means, electronic or mechanical, including photocopying, recovering, or by any information storage and retrieval system, without permission in writing from the publisher. From The New York Times 2012 © 2012 The New York Times. All rights reserved. Used by permission and protected by the Copyright Laws of the United States. -
Korean Cinema of Perseverance: Pushing the Boundaries of Quality During the Park Chung Hee Authoritarian Era, 1961-1970
Korean Cinema of Perseverance: Pushing the Boundaries of Quality During the Park Chung Hee Authoritarian Era, 1961-1970 By Ae-Gyung Shim A Dissertation submitted for the degree of Doctor of Philosophy (English, Media and Performing Arts) at the UNIVERSITY OF NEW SOUTH WALES 2010 Table of Contents Tables and Figures page vi Abbreviations vii Acknowledgements viii Abstract x Originality Statement xi Introduction: Korean Cinema Now and Then 1 Revisiting the Golden Age: Cinema of Perseverance 5 Methodology 11 Chapter Summaries 14 Chapter 1. Building A Propaganda Factory 17 1. Restructuring the Film Industry 18 1) Establishment of the National Film Production Centre 18 Newsreels (Daehan News) 20 Cultural Film (Munhwa Yeonghwa) 21 2) Consolidation: Pre-MPL Period 23 2. Rebuilding of the Film Industry with the Motion Picture Law (MPL) 25 1) Producer Registration System (PRS) 26 2) Censorship 32 3) Import Policy 38 Import Recommendation System (IRS) 39 Import Licence Reward System (ILRS) 40 3. Resistance: Anti-MPL Campaign 41 4. Conclusion: Impact of the MPL on Production, Direction and Genre 46 Chapter 2. Producer Registration System: Forming An Industry Cartel 48 1. The Cartel 50 1) The Janus Trade: Daemyeong Jejak 55 2) Import Licences as a Cash Cow 59 ii 3) Bobbing for Presales with the Exhibitor-Investors 63 2. Shin Film and the Success of Industrialisation 66 1) The Political Favourite 68 2) Leading by Internationalisation 72 3) Focus on Education 76 3. Conclusion: Cartel – Core of the Golden Age 77 Chapter 3. Propaganda Production and Anticommunist Filmmaking Efforts 79 1. Origins of the Anticommunist Genre 81 2. -
Is It Possible for Turkey to Create the Turkish Wave? Merve Müftüoğlu
REMODELLING OF THE KOREAN WAVE:IS IT POSSIBLE FOR TURKEY TO CREATE THE TURKISH WAVE? MERVE MÜFTÜOĞLU IŞIK UNIVERSITY 2019 APPENDIX B REMODELLING OF THE KOREAN WAVE: IS IT POSSIBLE FOR TURKEY TO CREATE THE TURKISH WAVE? MERVE MÜFTÜOĞLU Faculty of Art and Sciences, Management Informatıon Systems, Işık University, 2017 Graduate School of Social Sciences, Executive MBA, Işık University, 2019 Submitted to the Graduate School of Social Science in partial fulfillment of the requirements for the degree of Master of Business Administration IŞIK UNIVERSITY 2019 REMODELLING OF THE KOREAN WAVE: IS IT POSSIBLE FOR TURKEY TO CREATE THE TURKISH WAVE? Abstract Today's economic and political developments have led to an intense competitive environment in which countries compete in the international arena. In this competitive environment, differentiation of countries from other countries, preserving the country's image, creating new market shares to develop the economy, expanding country's targets and meeting the demands of citizens are directly related to government strategies. It is an inevitable fact that governments have turned to different strategic areas as an element of soft power and evaluated their alternatives; It has created many new economic leverages such as cultural and technological developments that will directly contribute to the national economy. New development strategies of countries are influenced by many factors such as global, political, economic and technological. Nation and nation image, sales of its products, how other nations perceive and position the country in their minds have recently become an important factor in the country's policies. For this reason, governments, looking for new ways to develop the country's economy, have understood the importance of creating a successful nation branding and have started to take part in the international arena with new strategies. -
ACTA ASIATICA VARSOVIENSIA No. 32
Institute of Mediterranean and Oriental Cultures Polish Academy of Sciences ACTA ASIATICA VARSOVIENSIA No. 32 PL ISSN 0860-6102 e-ISSN 2449-8653 ISBN 978-83-7452-091-1 Warsaw 2019 1 Institute of Mediterranean and Oriental Cultures Polish Academy of Sciences ACTA ASIATICA VARSOVIENSIA No. 32 Warsaw 2019 2 Editor-in-Chief Board of Advisory Editors NICOLAS LEVI ABDULRAHMAN AL-SALIMI MING-HUEI LEE Editorial Assistant IGOR DOBRZENIECKI THUAN NGUYEN QUANG KENNETH OLENIK English Text Consultant JOLANTA JO HARPER SIERAKOWSKA-DYNDO Subject Editor BOGDAN SKŁADANEK KAROLINA ZIELIŃSKA HAIPENG ZHANG Acta Asiatica Varsoviensia no. 32 was granted a financial support of the Ministry of Science and Higher Education, grant no. 709/P-DUN/2019 © Copyright by Institute of Mediterranean and Oriental Cultures, Polish Academy of Sciences, Warsaw 2019 PL ISSN 0860–6102 eISSN 2449–8653 ISBN 978–83–7452–091–1 3 Contents ARTICLES: • ROBERT WINSTANLEY-CHESTERS: Forests in Pyongyang’s web of life: trees, history and politics in North Korea ........................ 5 • LARISA ZABROVSKAIA: Russia’s position on Korean conceptions of reunification ................................................................. 25 • BILL STREIFER, IREK SABITOV: Vindicating the USS Swordfish ............................................................................................... 43 • NATALIA KIM: Discourse on motherhood and childrearing: the role of women in North Korea ......................................................... 61 • ROSA MARIA RODRIGO CALVO: Parallel development -
Korean Journal of the Science of Emotion Sensibility Paper List (1998-2016).Xlsx
Korean Journal of the science of Emotion & sensibility Author Title Vol No pp Year 강인구(Kang In-ku) 한국의 감성과학: 지나 온 길과 나아갈 길(Emotional science in Korea: The way of the past and the way of 1 1 1~2 1998 the future) Kwang Myung Kim Philosophical Discussion on the Science of Emotion and Sensibility - Under Aspect of Sensitive Cognition 1 1 3~11 1998 Koo Hyoung Lee Sensibility Ergonomics in Social and Industrial Environment 1 1 13~17 1998 Chan Sup Chung Psychological aspects of the science of sensibility 1 1 19~24 1998 Tae Woo Han, Ju Ho Lee, Realistic Facial Expression Animation and 3D Face Synthesis 1 1 25~31 1998 Hyun S. Yang Kyung Hee Lee, Jae Phil Ko, Facial Feature Extraction for Face Expression Recognition 1 1 33~40 1998 Hye Ran Byun , Yill Byung Lee, Chan Sup Chung Jae Hyun Han , Chan Sup Mapping facial expressions onto internal states 1 1 41~58 1998 Chung J. M. Choi, M. C. Whang, B. Quantification of Positive and Negative Emotions by Single-Channel Brain Wave 1 1 59~67 1998 H. Bae, E. K. Yu, S. H. Oh, S. Y. Kim, C. J. Kim Dai Jin Kim, Jae Seung Effects of Total Sleep Deprivation on the First Positive Lyapunov Exponent of the Waking EEG 1 1 69~78 1998 Jeong , Jeong Ho Chae, Soo Yong Kim, Hyo Jin Go, In Ho Paik Jin Hun Sohn, Im Gap Yi, Patterns of Autonomic Responses to Affective Visual Stimulation: Skin Conductance Response, Heart 1 1 79~91 1998 Kyung Hwa Lee, Sang Sup Rate and Respiration Rate Vary Across Discrete Elicited-Emotions Choi, Estate M. -
Interrogating Constitutional Justice
The Sciences Po Series in International Relations and Political Economy Series Editor , Alain Dieckhoff This series consists of works emanating from the foremost French researchers from Sciences Po, Paris. Sciences Po was founded in 1872 and is today one of the most pres- tigious universities for teaching and research in social sciences in France, recognized worldwide. This series focuses on the transformations of the international arena, in a world where the state, though its sovereignty is questioned, reinvents itself. The series explores the effects on international relations and the world economy of regionaliza- tion, globalization (not only of trade and finance but also of culture), and transnational flows at large. This evolution in world affairs sustains a variety of networks from the ideological to the criminal or terrorist. Besides the geopolitical transformations of the globalized planet, the new political economy of the world has a decided impact on its destiny as well, and this series hopes to uncover what that is. Published by Palgrave Macmillan: Politics In China: Moving Frontiers edited by Fran ç oise Mengin and Jean-Louis Rocca Tropical Forests, International Jungle: The Underside of Global Ecopolitics by Marie-Claude Smouts, translated by Cynthia Schoch The Political Economy of Emerging Markets: Actors, Institutions and Financial Crises in Latin America by Javier Santiso Cyber China: Reshaping National Identities in the Age of Information edited by Fran ç oise Mengin With Us or Against Us: Studies in Global Anti-Americanism