Remember This Song? Programnr: 01058/Ra14

Total Page:16

File Type:pdf, Size:1020Kb

Remember This Song? Programnr: 01058/Ra14 Over to You 2001/2002 Remember This Song? Programnr: 01058/ra14 Remember This Song? – A 2001 Musical Quiz Manus: Claes Nordenskiöld Producent: Claes Nordenskiöld Sändningsdatum: 14/11, 2001 Längd: 14’31 Music: D12 "Purple Hills" Speaker (Claes Nordenskiöld): Welcome to Remember This Song?– the program that gives you a chance to remember a few of the hits of the past year – A 2001 Musical Quiz. What you're hearing in the background is D12 and their song "Purple Hills". Well, whatever kind of music you like, whether it's hip-hop, heavy metal, rock or pop, there'll be something for you in this program – because there's a lot of good music out there. What you need is a piece of paper and a pencil. I’m looking for two words with 10 letters. Together they make up the answer, which is... Nah, I’m of course not going to tell you right now. So write the numbers 1 to 10 on the left-hand side of your paper. I will play parts of several songs. Each part is a clue to the answer. The clues may be titles of songs, or names of groups or singers. Let's get started with the clue for number 4. Faith Hill, country singer turned mainstream, in "There You'll Be". The song was the theme song to a successful film, so for number 4, I'd like you to write the first letter in the name of the film. Music: Faith Hill "There You'll Be" CN: Which film featured that Faith Hill song? Write the answer at number 4. On to number 2. An American band that finally entered the European music scene was Staind. Their album "Break the Cycle" was a real break for them, and they even had a hit single. Write the title of this song at number 2. Here's Staind. Music: Staind "It's Been Awhile" CN: At number 2, write the first letter in the title of that song by Staind. And from heavy and tough to heartbreaking stuff. This was a big hit for… Over to You 2001/2002 Remember This Song? Programnr: 01058/ra14 Well, for number 5, write the name of the singer of "One in a Million". Music: Bosson "One in a Million" CN: Who sang "One in a Million"? Write the first letter of his name at number 5. This intro probably sounds familiar. For number 10 I'd like you to write the name of the singer who made a huge comeback this year. Here's "Come Along". Music: Titiyo "Come Along" CN: Who sang "Come Along"? Write the first letter of her name at number 10. Time for number 9. A Camp was formed by singer Nina from the Cardigans, and they released their first album this fall. What you need to know is the title of this song, which was one of the singles from the album. Write the first letter in the title at number 9. Music: A Camp "I Can Buy You" CN: What is the title of that song? Write it at number 9. Difficult? Well, things that some of us see as difficult others find very easy. How about this next song: One of Shaggy's hits this year. What is the title? Write it at number 6… Music: Shaggy "It Wasn't Me" CN: Shaggy in…? Write the first letter in the name of the song at number 6. We're more than halfway through. You should have six letters right now. Time for a new one. Who sings "Get UR Freak Out"? You hear it in the background. Write the singer's name at number 3. Music: Missy Elliott "Get UR Freak Out" CN: "Get UR Freak Out" – write the first letter in the singer's name at number 3. Time for yet another smash hit. For number 1, I'm looking for the first letter in this actress/singer's last name. Here's "Love Don't Cost a Thing". Music: Jennifer Lopez "Love Don't Cost a Thing" CN: Who sang that song? Write the singer's last name at number 1. Only two letters left. Here's a new band and a new hit: "Follow Me" by… This band's name consists of two words. Write the first letter of the second Over to You 2001/2002 Remember This Song? Programnr: 01058/ra14 word at number 8. Music: Uncle Kracker "Follow Me" CN: "Follow Me" by a band whose name consists of two words. For number 8 you should write the first letter in the second word. And now, the very last letter. I want the last letter in the name of this band. Some people call them an animated version of Blur, since the band is lead by Blur's singer Damon Albarn. A huge hit called "Clint Eastwood" and for number 7, we want the last letter in the band's name. Music: Gorillaz "Clint Eastwood" CN: For number 7, write the last letter in that band's name. So we're finished. While you get your answers straight, we'll actually play one of the biggest hits of the past year. You hear it in the background – Daddy DJ in "Daddy DJ". Music: Daddy DJ "Daddy DJ" CN: You can't get away from that song. It's the kind of song that'll stay in your head for the rest of the day, you'll wake up with it, have breakfast while it continues to plague you… Well, at least it'll be there while we give you the answers… Here goes: · The first letter was L – for Lopez, as in Jennifer Lopez. · The second letter was I – "It's Been Awhile" by Staind. · Number three was M – for Missy Elliott. · The fourth letter was P – for Pearl Harbor. Faith Hill sang "There You'll Be". · And this is where the second word starts... · The fifth letter was B – for Bosson crooning "One in a Million". · Number six was I – "It Wasn't Me" by Shaggy. · The seventh letter was Z – the last letter in the name Gorillaz…and their song "Clint Eastwood" · The eighth letter was K – as in the second word of Uncle Kracker. · The ninth letter was also I – "I Can Buy You" by A Camp. · And finally the tenth and last letter was T – Titiyo in her incredible hit "Come Along". And if you didn’t have it before, you have the answer now – LIMP BIZKIT, the very successful American hip-hop heavy rock band. Their Over to You 2001/2002 Remember This Song? Programnr: 01058/ra14 latest CD "Chocolate Starfish and the Hot Dog Flavored Water" was released in the year 2000, but stayed on the charts for a better part of this year as well. Here they are in their new single "Take a Look Around". Thanks for listening, this is Limp Bizkit. Music: Limp Bizkit "Take a Look Around".
Recommended publications
  • Q Casino Announces Four Shows from This Summer's Back Waters
    Contact: Abby Ferguson | Marketing Manager 563-585-3002 | [email protected] February 28, 2018 - For Immediate Release Q Casino Announces Four Shows From This Summer’s Back Waters Stage Concert Lineup! Dubuque, IA - The Back Waters Stage, Presented by American Trust, returns this summer on Schmitt Island! Q Casino is proud to announce the return of our outdoor summer experience, Back Waters Stage. This summer, both national acts and local favorites will take the stage through community events and Q Casino hosted concerts. All ages are welcome to experience the excitement at this outdoor venue. Community members can expect to enjoy a wide range of concerts from all genres from modern country to rock. The Back Waters Stage will be sponsoring two great community festivals this summer. Kickoff to Summer will be kicking off the summer series with a free show on Friday, May 25. Summer’s Last Blast 19 which is celebrating 19 years of raising money for area charities including FFA, the Boy Scouts, Dubuque County Fairgrounds and Sertoma. Summer’s Last Blast features the area’s best entertainment with free admission on Friday, August 24 and Saturday, August 25. The Back Waters Stage Summer Concert Series starts off with country rappers Colt Ford and Moonshine Bandits on Saturday, June 16. Colt Ford made an appearance in the Q Showroom last March to a sold out crowd. Ford has charted six times on the Hot Country Songs charts and co-wrote “Dirt Road Anthem,” a song later covered by Jason Aldean. On Thursday, August 9, the Back Waters Stage switches gears to modern rock with platinum recording artist, Seether.
    [Show full text]
  • 'I Spy': Mike Leigh in the Age of Britpop (A Critical Memoir)
    View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Glasgow School of Art: RADAR 'I Spy': Mike Leigh in the Age of Britpop (A Critical Memoir) David Sweeney During the Britpop era of the 1990s, the name of Mike Leigh was invoked regularly both by musicians and the journalists who wrote about them. To compare a band or a record to Mike Leigh was to use a form of cultural shorthand that established a shared aesthetic between musician and filmmaker. Often this aesthetic similarity went undiscussed beyond a vague acknowledgement that both parties were interested in 'real life' rather than the escapist fantasies usually associated with popular entertainment. This focus on 'real life' involved exposing the ugly truth of British existence concealed behind drawing room curtains and beneath prim good manners, its 'secrets and lies' as Leigh would later title one of his films. I know this because I was there. Here's how I remember it all: Jarvis Cocker and Abigail's Party To achieve this exposure, both Leigh and the Britpop bands he influenced used a form of 'real world' observation that some critics found intrusive to the extent of voyeurism, particularly when their gaze was directed, as it so often was, at the working class. Jarvis Cocker, lead singer and lyricist of the band Pulp -exemplars, along with Suede and Blur, of Leigh-esque Britpop - described the band's biggest hit, and one of the definitive Britpop songs, 'Common People', as dealing with "a certain voyeurism on the part of the middle classes, a certain romanticism of working class culture and a desire to slum it a bit".
    [Show full text]
  • LOCAL Album Charts
    LOCAL Album Charts DISC-laimer: Since many of the stores participating in this feature deal in vintage vinyl, these charts are not meant to be volume-based sales indicators (although there is some of that here). Rather, they are a mix of popular titles and best-sellers combined with unique and rare finds that have come through each store’s stacks over the last month. The idea is to let music collectors know who is carrying what type of product. If you like this feature, tell the stores you saw them listed in The Marquee. Absolute Vinyl Albums On The Hill Angelo’s CDs Bart’s Record Shop Bizarre Bazaar 5360 Arapahoe Ave, 1128 13th St. • 937 E. Colfax Denver 1625 Folsom St, 1014 S. College Ave. 303.863.8668 Boulder Boulder Boulder Fort Collins • 1959 S. Broadway 303.444.1760 303.955.1519 303.447.0159 Denver 303.798.6378 970.484.1699 1. MY BLOODY VALENTINE 1. GORILLAZ 1. DAVID BOWIE 1. BOB’S BURGERS 1. BAD BRAINS Before Loveless (red wax) Humanz Ziggy Stardust The Bob’s Burgers Music Rock For Light 2. DINOSAUR JR. 2. KENDRICK LAMAR 2. BEATLES Album 2. DICK DALE AND HIS You’re Living All over Me Damn The White Album 2. MAC DEMARCO DEL-TONES 3. THE PAINS OF BEING PURE 3. BROTHER ALI 3. ALICE COOPER This Old Dog Surfers’ Choice AT HEART All The Beauty In This Whole Welcome To My Nightmare 3. GORILLAZ 3. BOB DYLAN The Pains of Being Pure at Life 4. PAVEMENT Humanz Blonde on Blonde Heart (white wax) 4.
    [Show full text]
  • Concert History of the Allen County War Memorial Coliseum
    Historical Concert List updated December 9, 2020 Sorted by Artist Sorted by Chronological Order .38 Special 3/27/1981 Casting Crowns 9/29/2020 .38 Special 10/5/1986 Mitchell Tenpenny 9/25/2020 .38 Special 5/17/1984 Jordan Davis 9/25/2020 .38 Special 5/16/1982 Chris Janson 9/25/2020 3 Doors Down 7/9/2003 Newsboys United 3/8/2020 4 Him 10/6/2000 Mandisa 3/8/2020 4 Him 10/26/1999 Adam Agee 3/8/2020 4 Him 12/6/1996 Crowder 2/20/2020 5th Dimension 3/10/1972 Hillsong Young & Free 2/20/2020 98 Degrees 4/4/2001 Andy Mineo 2/20/2020 98 Degrees 10/24/1999 Building 429 2/20/2020 A Day To Remember 11/14/2019 RED 2/20/2020 Aaron Carter 3/7/2002 Austin French 2/20/2020 Aaron Jeoffrey 8/13/1999 Newsong 2/20/2020 Aaron Tippin 5/5/1991 Riley Clemmons 2/20/2020 AC/DC 11/21/1990 Ballenger 2/20/2020 AC/DC 5/13/1988 Zauntee 2/20/2020 AC/DC 9/7/1986 KISS 2/16/2020 AC/DC 9/21/1980 David Lee Roth 2/16/2020 AC/DC 7/31/1979 Korn 2/4/2020 AC/DC 10/3/1978 Breaking Benjamin 2/4/2020 AC/DC 12/15/1977 Bones UK 2/4/2020 Adam Agee 3/8/2020 Five Finger Death Punch 12/9/2019 Addison Agen 2/8/2018 Three Days Grace 12/9/2019 Aerosmith 12/2/2002 Bad Wolves 12/9/2019 Aerosmith 11/23/1998 Fire From The Gods 12/9/2019 Aerosmith 5/17/1998 Chris Young 11/21/2019 Aerosmith 6/22/1993 Eli Young Band 11/21/2019 Aerosmith 5/29/1986 Matt Stell 11/21/2019 Aerosmith 10/3/1978 A Day To Remember 11/14/2019 Aerosmith 10/7/1977 I Prevail 11/14/2019 Aerosmith 5/25/1976 Beartooth 11/14/2019 Aerosmith 3/26/1975 Can't Swim 11/14/2019 After Seven 5/19/1991 Luke Bryan 10/23/2019 After The Fire
    [Show full text]
  • Software Sequencers and Cyborg Singers
    Edinburgh Research Explorer Software Sequencers and Cyborg Singers Citation for published version: Prior, N 2009, 'Software Sequencers and Cyborg Singers: Popular Music in the Digital Hypermodern', New Formations: A Journal of Culture, Theory, Politics, vol. 66, no. Spring, pp. 81-99. https://doi.org/10.3898/newf.66.06.2009 Digital Object Identifier (DOI): 10.3898/newf.66.06.2009 Link: Link to publication record in Edinburgh Research Explorer Document Version: Publisher's PDF, also known as Version of record Published In: New Formations: A Journal of Culture, Theory, Politics Publisher Rights Statement: © Prior, N. (2009). Software Sequencers and Cyborg Singers: Popular Music in the Digital Hypermodern. New Formations, 66(Spring), 81-99 doi: 10.3898/newf.66.06.2009. General rights Copyright for the publications made accessible via the Edinburgh Research Explorer is retained by the author(s) and / or other copyright owners and it is a condition of accessing these publications that users recognise and abide by the legal requirements associated with these rights. Take down policy The University of Edinburgh has made every reasonable effort to ensure that Edinburgh Research Explorer content complies with UK legislation. If you believe that the public display of this file breaches copyright please contact [email protected] providing details, and we will remove access to the work immediately and investigate your claim. Download date: 26. Sep. 2021 SOFTWARE SEQUENCERS AND CYBORG SINGERS: POPULAR MUSIC IN THE DIGITAL HYPERMODERN Nick Prior It has been almost twenty years since Andrew Goodwin’s classic essay, ‘Sample and Hold’, claimed that pop music had entered a new phase of digital reproduction.1 If the digital sampler was postmodernism’s musical engine, then hip hop was its recombinant form, and the erosion of divisions between original and copy the celebrated consequence.
    [Show full text]
  • SWR3 Pressevorlage
    Pressemappe SWR3 New Pop Festival 2018 13.–15. September 2018, Baden-Baden Presse-Akkreditierungsanfragen richten Sie bitte an: [email protected] 1 PRESSEKONTAKT Corinna Scheer · Telefon 07221 929 22986 · [email protected] · SWR3.de/presse SWR3 NEW POP FESTIVAL 2018 Inhalt „SWR3 New Pop Festival – Das Special“ mit Revolverheld, Álvaro Soler, The BossHoss, Eagle-Eye Cherry und Amy Macdonald ................. 3 Line-up des „SWR3 New Pop Festivals” .............................................................................................. 4 Konzertübersicht .................................................................................................................................... 6 Programm der Live-Bühne ..................................................................................................................... 7 SWR3 ist mehr als Radio Hintergründe, Profil und Entwicklung ...................................................... 10 Impressum ............................................................................................................................................ 12 2 PRESSEKONTAKT Corinna Scheer · Telefon 07221 929 22986 · [email protected] · SWR3.de/presse SWR3 NEW POP FESTIVAL 2018 „SWR3 New Pop Festival – Das Special“ mit Revolverheld, Álvaro Soler, The BossHoss, Eagle-Eye Cherry und Amy Macdonald Musikshow mit Guido Cantz / Ausstrahlung: 21. September 2018, 23:30 Uhr, im Ersten Guido Cantz moderiert am 13. September die TV-Show „New Pop Festival – Das Special“ im Baden-Badener Festspielhaus.
    [Show full text]
  • L the Charlatans UK the Charlatans UK Vs. the Chemical Brothers
    These titles will be released on the dates stated below at physical record stores in the US. The RSD website does NOT sell them. Key: E = Exclusive Release L = Limited Run / Regional Focus Release F = RSD First Release THESE RELEASES WILL BE AVAILABLE AUGUST 29TH ARTIST TITLE LABEL FORMAT QTY Sounds Like A Melody (Grant & Kelly E Alphaville Rhino Atlantic 12" Vinyl 3500 Remix by Blank & Jones x Gold & Lloyd) F America Heritage II: Demos Omnivore RecordingsLP 1700 E And Also The Trees And Also The Trees Terror Vision Records2 x LP 2000 E Archers of Loaf "Raleigh Days"/"Street Fighting Man" Merge Records 7" Vinyl 1200 L August Burns Red Bones Fearless 7" Vinyl 1000 F Buju Banton Trust & Steppa Roc Nation 10" Vinyl 2500 E Bastille All This Bad Blood Capitol 2 x LP 1500 E Black Keys Let's Rock (45 RPM Edition) Nonesuch 2 x LP 5000 They's A Person Of The World (featuring L Black Lips Fire Records 7" Vinyl 750 Kesha) F Black Crowes Lions eOne Music 2 x LP 3000 F Tommy Bolin Tommy Bolin Lives! Friday Music EP 1000 F Bone Thugs-N-Harmony Creepin' On Ah Come Up Ruthless RecordsLP 3000 E David Bowie ChangesNowBowie Parlophone LP E David Bowie ChangesNowBowie Parlophone CD E David Bowie I’m Only Dancing (The Soul Tour 74) Parlophone 2 x LP E David Bowie I’m Only Dancing (The Soul Tour 74) Parlophone CD E Marion Brown Porto Novo ORG Music LP 1500 F Nicole Bus Live in NYC Roc Nation LP 2500 E Canned Heat/John Lee Hooker Hooker 'N Heat Culture Factory2 x LP 2000 F Ron Carter Foursight: Stockholm IN+OUT Records2 x LP 650 F Ted Cassidy The Lurch Jackpot Records7" Vinyl 1000 The Charlatans UK vs.
    [Show full text]
  • Gender, Ethnicity, and Identity in Virtual
    Virtual Pop: Gender, Ethnicity, and Identity in Virtual Bands and Vocaloid Alicia Stark Cardiff University School of Music 2018 Presented in partial fulfilment of the requirements for the degree Doctor of Philosophy in Musicology TABLE OF CONTENTS ABSTRACT i DEDICATION iii ACKNOWLEDGEMENTS iv INTRODUCTION 7 EXISTING STUDIES OF VIRTUAL BANDS 9 RESEARCH QUESTIONS 13 METHODOLOGY 19 THESIS STRUCTURE 30 CHAPTER 1: ‘YOU’VE COME A LONG WAY, BABY:’ THE HISTORY AND TECHNOLOGIES OF VIRTUAL BANDS 36 CATEGORIES OF VIRTUAL BANDS 37 AN ANIMATED ANTHOLOGY – THE RISE IN POPULARITY OF ANIMATION 42 ALVIN AND THE CHIPMUNKS… 44 …AND THEIR SUCCESSORS 49 VIRTUAL BANDS FOR ALL AGES, AVAILABLE ON YOUR TV 54 VIRTUAL BANDS IN OTHER TYPES OF MEDIA 61 CREATING THE VOICE 69 REPRODUCING THE BODY 79 CONCLUSION 86 CHAPTER 2: ‘ALMOST UNREAL:’ TOWARDS A THEORETICAL FRAMEWORK FOR VIRTUAL BANDS 88 DEFINING REALITY AND VIRTUAL REALITY 89 APPLYING THEORIES OF ‘REALNESS’ TO VIRTUAL BANDS 98 UNDERSTANDING MULTIMEDIA 102 APPLYING THEORIES OF MULTIMEDIA TO VIRTUAL BANDS 110 THE VOICE IN VIRTUAL BANDS 114 AGENCY: TRANSFORMATION THROUGH TECHNOLOGY 120 CONCLUSION 133 CHAPTER 3: ‘INSIDE, OUTSIDE, UPSIDE DOWN:’ GENDER AND ETHNICITY IN VIRTUAL BANDS 135 GENDER 136 ETHNICITY 152 CASE STUDIES: DETHKLOK, JOSIE AND THE PUSSYCATS, STUDIO KILLERS 159 CONCLUSION 179 CHAPTER 4: ‘SPITTING OUT THE DEMONS:’ GORILLAZ’ CREATION STORY AND THE CONSTRUCTION OF AUTHENTICITY 181 ACADEMIC DISCOURSE ON GORILLAZ 187 MASCULINITY IN GORILLAZ 191 ETHNICITY IN GORILLAZ 200 GORILLAZ FANDOM 215 CONCLUSION 225
    [Show full text]
  • International Delegates International Delegates
    15th – 17th October 2015 International delegates International delegates 3 Brandon Young Sync ACTIVISION BLIZZARD DIRECTOR, MUSIC AFFAIRS Andrea von Foerster USA FIRESTARTER MUSIC MUSIC SUPERVISOR Activision Publishing, Inc. is a leading worldwide developer, USA publisher and distributor of interactive entertainment and leisure products. Andrea von Foerster is a music supervisor for film, television and As the head of music for Activision Publishing, Inc., Brandon Young online projects based in Los Angeles. Throughout her extended has been an integral part of each brands music direction and inte- time in the industry, her credits include independent films such as gration for the company for over 10 years, and has spent a great (500) Days Of Summer, From Prada To Nada, Bellflower, and Begin deal of time managing relationships and partnerships with top in- Again; studio films such as Journey 2: The Mysterious Island, Chron- dustry artists ranging from Aerosmith, Van Halen, and Metallica, to icle, Chasing Mavericks, Devil’s Due, and Fantastic Four; music doc- pop-country superstar Taylor Swift, to Jay-Z and Eminem among umentaries such as The White Stripes Under Great White Northern many others. In addition to this he and his team have been Lights and Butch Walker: Out Of Focus. Her television work includes responsible for licensing over 3,000 songs on more than 130 titles Dollhouse, Stargate Universe, Don’t Trust the B in Apt. 23 and nu- in his tenure with the company. Activision Publishing, Inc. is one merous MTV shows such as Run’s House
    [Show full text]
  • Ben Hillier You Get Asked to Produce and Then You Have to Take Control of the Project in a Practical Sense
    How do you feel about the distinction between producer and engineer? Ben Hillier You get asked to produce and then you have to take control of the project in a practical sense. Every album I do is different but the thing I always do the same Blur’s latest album Think Tank has enjoyed critical acclaim yet it’s creation did not follow a when I produce is finish it and get it done. That is your job. traditional course. ZENON SCHOEPE talks to the man who took it from London, to It is funny when you go in to a project not as the producer but end up as the producer, which is Marrakech, to Devon. effectively how it happened with this Blur album. Where did you start working on the project? We started working in 13 and the majority of the tracking was done there in two weeks at the end of EN ALMOST BECAME a professional him to edit. This combined with a good knowledge of 2001. Blur are great to work with because they do classical percussionist until sessions for Virgin sequencing got him working and then his clients regular and sensible hours. We had nine songs at the BClassics with Floating Earth recording led to realised he could engineer as well. end of that, some of which were finished, and then him assisting on a handful of sessions. In his own His move in to production started with Elbow’s first another two weeks in January-February by which point words he’d ‘caught the bug’.
    [Show full text]
  • 2020-RSD-Drops-List.Pdf
    THESE RELEASES WILL BE AVAILABLE AUGUST 29TH DROP ARTIST TITLE FORMAT QTY August Marie-Mai Elle et Moi 12” Vinyl 400 August The Trews No Time For Later (Limited Edition) 2XLP 750 August Ron Sexsmith Hermitage (RSD20EX) 12” Vinyl 250 August Milk & Bone Dive 12” Vinyl 250 August You Say Party XXXX (10th Anniversary Limited Edition) 12” LP 200 August Teenage Head Drive In 7” Single 500 August The Neil Swainson Quintet 49th Parallel 500 12” Double August Rascalz Cash Crop 1000 Vinyl 12” Double August Offenbach En Fusion-40th anniversary 500 Vinyl August Ace Frehley Trouble Walkin' LP Penderecki/Don Cherry & The New Eternal August Actions LP 1500 Rhythm August Al Green Green Is Blues Sounds Like A Melody (Grant & Kelly Remix August Alphaville LP by Blank & Jones x Gold & Lloyd) Heritage II: Demos/Alternate Takes 1971- August America LP 1976 August Andrew Gold Something New: Unreleased Gold LP LP RSD August Anoushka Shankar Love Letters EXCL 7" RSD August August Burns Red Bones EXCL August Bastille All This Bad Blood RSD EXCL August Biffy Clyro Moderns LP LP RSD August Billie Eilish Live at Third Man EX 12"RSD August Bob Markley Redemption Song EXCL August Bone Thugs N Harmony Creepin on Ah Come Up RSD EXCL LP RSD August Brian Eno SOUNDTRACK RAMS EXC August Brittany Howard Live at Sound Emporium LP RSD LP RSD August Buffy Sainte-Marie Illuminations EXCL 10" RSD August Buju Banton Trust & Steppa EXCL 7"RSD August Cat Stevens But I Might Die Tonight EXCL August Charli XCX Vroom Vroom EP LP LP RSD August Charlie Parker Jazz at Midnight
    [Show full text]
  • Monitoring the Cross-Border Circulation of European Music Repertoire
    Monitoring the cross-border circulation of European music repertoire within the European Union Report commissioned by EMO & Eurosonic Noordeslag Emmanuel Legrand January 2012 1 About this report: The music scene in Europe is very strong, creative and diversified. Each country within the European Union has a solid local music scene. However, due to the structure of the various national markets, the existence of language diversity and different cultural behaviours, the flow of repertoire across borders within the EU is far from reflecting the notion of one single market. Although there have been embryonic attempts to document the situation of European music repertoire in Europe, the full scale of the situation has never been fully monitored. The European Music Office, in partnership with Eurosonic Noordeslag and Nielsen, has undertaken a preliminary study aimed at monitoring and analysing the cross-border flows of repertoire within the EU in 2011. The study provides quantifiable data on the circulation of repertoire with the ambition of becoming the foundation for an observatory of the circulation of repertoire in Europe. This report has been made possible with the contributions from the following organisations: [NB: the views expressed in this report are those of its author and do not represent those of EMO of Eurosonic Noordeslag.] 2 Executive Summary The study on the circulation of European repertoire within the European Union was commissioned by the European Music Office and Dutch conference and festival Eurosonic Noordeslag. Its purpose is to analyse the flow of repertoire between EU countries, based on statistical data on radio airplay and digital downloads.
    [Show full text]