DOCSLIB.ORG

HYANG CHO 1974 Born in Seoul, Korea Currently Lives and Works in Guelph, ON, Canada Education 2009 Master of Fine Arts, Univers

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
HYANG CHO 1974 Born in Seoul, Korea Currently Lives and Works in Guelph, ON, Canada Education 2009 Master of Fine Arts, Univers HYANG CHO 1974 Born in Seoul, Korea Currently lives and works in Guelph, ON, Canada Education 2009 Master of Fine Arts, University of Guelph, Guelph, Canada 2007 Bachelor of Fine Arts, Alberta College of Art and Design, Calgary, Canada 1998 Bachelor of Arts in History, Sogang University, Seoul, Korea Selected Solo Exhibitions 2018 at randon, Open Space, Victoria, BC, Canada Something, Nothing, Everything, Georgia Scherman Projects, Toronto, ON, Canada 2016 Counterpoint, Modern Fuel, Kingston, ON, Canada 2015 Nothing Much, Georgia Scherman Projects, Toronto, Canada 2013 Repeat, Georgia Scherman Projects, Toronto, Canada Procès, OPTICA, Un Centre d’art contemporain, Montreal, Canada 2011 Being, Thing, Something, Georgia Scherman Projects, Toronto, Canada 2010 Some Deviation, Georgia Scherman Projects, Toronto, Canada 2009 That’s How It Is, Macdonald Stewart Art Centre, Guelph, Canada 2006 Open System, Marion Nicoll Gallery, Calgary, Canada Selected Group Exhibitions 2018 The Brain is wider than the Sky, Kitchener-Waterloo Art Gallery, ON, Canada 2017 Bedlam & Balance, curated by Magda Gonzalez-Mora, Art Yard, Frenchtown, NY, USA 2016 Tongues, Echoes, curated by Areum Kim, Access Gallery, Vancouver, BC, Canada Life Bearings, curated by Magda Gonzalez-Mora, Georgia Scherman Projects, Toronto, Canada (touring) Ephemeral Frontiers, curated by Esther Shipman, Design at Riverside (Design Exchange), Cambridge, ON, Canada (through September 18) 2015 In the Making, curated by Diana Sherlock, Kenderdine Art Gallery, Saskatchewan, Canada (touring) 2014 Carte Blanche, DNA Art Space, London, Canada In the Making, curated by Diana Sherlock, Illingworth Kerr Gallery, ACAD, Calgary, Canada (touring) 2013 Hyang Cho, K. Nicol and Joseph Beuys: predisposed (…to thinking through the eye of mutual convenience), curated by Ihor Holubizky, The McMaster Museum of Art, Hamilton, Canada (catalogue) 2012 Letter Rip! Art, Words and Toronto, Onsite [at] OCAD University, Toronto, Canada Information, Hyang Cho, Eleanor King, Mark Stebbins, OCAD University Graduate Gallery, curated by Jennifer Simaitis, Toronto, Canada Sediment, G Gallery, Toronto, Canada 2011 The Black and the White: An Allegory of Colour, 5th KWAG Biennial, curated by Robert Enright, Kitchener-Waterloo Art Gallery, ON, Canada Autofunction, G Gallery, Toronto, Canada Permutations, two-person exhibition, Truck Contemporary Art Gallery, Calgary, Canada 2009 1:15 – University of Guelph MFA Show, Georgia Scherman Projects, Toronto, Canada GEORGIA SCHERMAN PROJECTS, INC. 133 TECUMSETH ST TORONTO ON M6J 2H2 CANADA 416 554 4112 GEORGIASCHERMAN.COM 2007 Hit or Miss – An Exhibition of Contemporary Drawing, Triangle Gallery, Calgary, Canada Hair, Stride Gallery, Calgary, Canada 2007 Board of Governors Award Nominees Exhibition, Illingworth Kerr Gallery, Calgary, Canada 2006 That Which Remains, Little Gallery, Calgary, Canada Heavy, HiFi Club, Calgary, Canada Selected Bibliography 2019 Walsh, Meeka. “Papier 19 | Editor’s Picks Day 1,” Border Crossings, April 26, 2019 2018 Chaykowski, Natasha. “Hyang Cho,” Spotlight in Canadian Art. Summer, 2018. p. 87 2016 In the Making, Exhibition Catalogue, essay by Nicole Burisch and Diana Sherlock, Alberta College of Art + Design Kim, Areum. "Tongues, Echoes", Exhibition Text. Access Gallery, Vancouver, BC. December 2016. Print DiRisio, Michael. “Hyang Cho: Counterpoint.” Exhibition Text. Modern Fuel, Kingston, ON. September 2016. Print. Predisposed To Thinking Through The Eye Of Mutual Convenience, Exhibition Catalogue, essay by Ihor Holubizky, McMaster Museum of Art 2015 Prata, Rosie. “Hyang Cho Gets Nothing Much Just Right,” Canadian Art online, November 24, 2015 Whyte, Murray. “On the wall…Hyang Cho: Nothing Much,” The Toronto Star, Visual Arts, Tue Nov 03 2015 2013 Bédard, Geneviève. "Procès." Exhibition Text. Optica, Montréal, QC. March. Print. McLaughlin, Bryne. “Papier13 Strategy Pays Off, Striking Art-Fair Balance” Canadian Art Online, 3 May 2012 Jager, David. “By the Books” Now Magazine, Toronto, Canada, Vol 31, No. 51, 16- 23 August 2011 Beaulieu, Derek. "Permutations". Exhibition Text. Truck, Calgary, AB. January 2011. Print. 2010 Dault, Gary Michael. “Gallery Going. Hyang Cho at Georgia Scherman Projects,” The Globe and Mail, Toronto, Canada, 5 March Sandals, Leah. “Monster Mania,” National Post, Toronto, Canada, 13 March 2009 Happé, Amanda. “Pretty Good Odds,” torontoist.com, Toronto, Canada, 4 August Selected Awards/Grants 2018 Canada Council for the Arts Ontario Arts Council 2017 Canada Council for the Arts, Project Grant for Visual Artist 2016 Ontario Arts Council, Exhibition Assistance Grant Ontario Arts Council, Artist Project Grant 2015 Ontario Arts Council, Exhibition Assistance Grant 2014 Canada Council for the Arts, Project Grant for Visual Artist 2014 Ontario Arts Council, Artist Project Grant 2013 Ontario Arts Council, Exhibition Assistance Grant 2012 Ontario Arts Council, Artist Project Grant GEORGIA SCHERMAN PROJECTS, INC. 133 TECUMSETH ST TORONTO ON M6J 2H2 CANADA 416 554 4112 GEORGIASCHERMAN.COM Other Activities 2018 Artist Talk, Open Space, Victoria, BC 2016 University of Lethbridge, Art Now visiting speakers, artist lecture Conversation with Curator Areum Kim, Access Gallery, Vancouver, BC Material Art Fair, Ed Video, Mexico City 2010 Theatre of Erosion or I Hate Work Which is Not a Play with Geoffrey Farmer, thematic residency, Banff Centre for the Arts, AB GEORGIA SCHERMAN PROJECTS, INC. 133 TECUMSETH ST TORONTO ON M6J 2H2 CANADA 416 554 4112 GEORGIASCHERMAN.COM .
Load more

Recommended publications
  • C H R I S C R a N R C a Born 1949, Ocean Falls, British Columbia Lives
    C H R I S C R A N R C A Born 1949, Ocean Falls, British Columbia Lives and works in Calgary, Alberta, Canada E D U C A T I O N 1979 Alberta College of Art and Design, Graduate with Honours, Calgary, Alberta 1976 Kootenay School of Art, Nelson, British Columbia S E L E C T E D E X H I B I T I O N S Solo 2015 That's an Excellent Question!, Wilding Cran Gallery, Los Angeles, CA 2011 Reading Room, Trepanier Baer Gallery, Calgary, AB 2010 “if something appears to be photographic, it is” Trepanier Baer Gallery, Calgary, AB 2009 Bright Spiral Standard, Clint Roenisch Gallery, Toronto Ont. Chris Cran: Diversions, Trépanier Baer Gallery, Calgary, Alberta 2008 The Secret Ecstasy of the Whole World, 809 Gallery, Calgary, Alberta 2006 Novel, TrépanierBaer, Calgary, Alberta Chris Cran: The Return of the Beautiful Hayseed, Clint Roenisch Gallery, Toronto, Ontario 2005 Camera Obscura, Theatre, One Yellow Rabbit’s High Performance Rodeo, Calgary, Alberta Chris Cran: Camera Obscura Theatre, Calgary Science Centre, Calgary, Alberta 2004 Inspirational Themes and Sublime Sales, TrépanierBaer, Calgary, Alberta Camera Obscura Theatre, One Yellow Rabbit’s High Performance Rodeo, Calgary, Alberta 2003 Big Opening!!!, Sable-Castelli Gallery, Toronto, Ontario And Now It’s Personal, Owens Art Gallery, Sackville, New Brunswick Camera Obscura Theatre, One Yellow Rabbit’s High Performance Rodeo, Calgary 2001 Fully Visible, Harcourt House, Edmonton Art Gallery, Edmonton, Alberta 2000 The Second Hundred Years, TrépanierBaer, Calgary, Alberta Surveying the Damage, 1977-1997,
    [Show full text]
  • CURTIS CUTSHAW Born in Edmonton, Alberta 1967 Lives in Calgary, Alberta
    CURTIS CUTSHAW Born in Edmonton, Alberta 1967 Lives in Calgary, Alberta Artist Statement Curtis Cutshaw’s paintings show us how a painting is made. Each step of the Artist’s process can be seen. Each choice is there for the viewer to unravel, as if stopped in time. Each piece shows a choice, a step forward to the final realization of the complete painting. Fractured and deconstructed images on individual birch wood tiles create a sense of removal of meaning. Scratched, rubbed, marked, erased and distressed images hint at repurposing and the multiple pieces appear to have had a history, where in fact the artist creates them. The viewers’ mind wants to reassemble the pieces and use what is there to create what is not there. Cutshaw does not allow for the accidental. The works may appear spontaneous, yet every piece, every mark; whether it is painted, drawn or scratched, is intentional and created by the artist. The artists’ touch, his hand and his construction are at the center of each work. Cutshaw has an ongoing dialogue with the picture plane. Depending on what the artist does with each piece in the painting, he either adds to or denies spatial reference. A mark scratched into the surface flattens the picture plane, denying illusionistic space, bringing the viewers’ eye to the surface; where half of a circle implies the whole, creating illusionistic space. Through Cutshaw’s paintings, the viewer can experience this dichotomy and the viewer is able to see one choice and a thousand choices through assemblage. Each shape is a record of a moment that can be seen, experienced, and arrived.
    [Show full text]
  • Ted Godwin: Last of the Regina Five
    TED GODWIN: LAST OF THE REGINA FIVE FOLDFORMING: OF LIGHT AND LUSTRE Fall 2012 ANACHRONISMS IN CLAY BEES IN BERLIN ACAD IN ACTION FALL.2012 | ACAD Publisher External Relations Statements, opinions and Account Director Stephanie Hutchinson viewpoints expressed by the Managing Editor Miles Durrie writers of this publication do Creative Director Anders Knudsen not necessarily represent the (Diploma in Visual Communications, 1988) views of the publisher. Art Director Venessa Brewer (Bachelor of Design, 2002) Alberta College of Art + Design Contributors Kelley Abbey, Shelley Arnusch, in partnership with RedPoint Carol Beecher, Miles Durrie, Kim Alison Media & Marketing Solutions. Fraser, Mackenzie Frère, Kevin Kurytnik, Alison Miyauchi, Jared Sych, Lori Van Copyright 2012 by RedPoint Rooijen, Colin Way Media Group Inc. No part of this Project Manager Kelly Trinh publication may be reproduced Production Manager Mike Matovich without the express written consent of the publisher. Cover Illustration Karen Klassen BFA Print Media, 2005 To view more of Karen’s work go to www. karenklassen.com 100, 1900 – 11th Street SE Alberta College of Art + Design Calgary, Alberta T2G 3G2 1407 – 14th Avenue NW Phone: 403.240.9055 Calgary, Alberta T2N 4R3 Media & Marketing Solutions redpointmedia.ca Phone: 403.284.7600 TRAVEL TO THE ANCIENT STONE VILLAGE OF LARAOS, PERU AND ITS SPECTACULAR STONE TERRACES. 14 DAYS OF ESCORTED DAY TRIPS INTO THE SURROUNDING NATIONAL PARK WILL CONCLUDE OVERNIGHT AT A HISTORIC PLANTATION, NOW RENOWNED AS A FINE DINING DESTINATION.
    [Show full text]
  • Canadian Prairie Watercolour Landscapes
    This material may be copied for personal use. Photocopying or reproduction by any means for classroom or commercial use is subject to approval by the author, phone 306 242-4350, e-mail [email protected] All copies must contain this heading. (c) 1997 Terry Fenton CANADIAN PRAIRIE WATERCOLOUR LANDSCAPES I VISITORS WEST FOR THE PURPOSES OF watercolour landscape painting in prairie Canada (with the exception of Paul Kane and Lewis Hine who traveled overland earlier in the century and were concerned primarily with documentation) our history begins in 1887 when William Van Horne, then general manager and subsequently president of the Canadian Pacific Railway. Van Horne issued railroad passes to artists, encouraging them to paint scenery from the interior of the new country — especially what were to become the mountain parks. He shrewdly judged that the images would attract both tourists and settlers both of whom would be obliged to use the railway. In a sense, this use repeated the conditions of the Grand Tour as well as Turner’s visits to the Alps and Italy in search of the picturesque and the sublime: both the purpose and character of the trip and the scenery pursued were English in spirit — one can imagine the artists perusing and applying the principles of Ruskin’s Modern Painters throughout the journey. Equally English were the means chosen — the artists worked from nature in watercolour as often as not, and produced large “exhibition watercolours” based upon them. They also painted oils, but like so many of their British counterparts of the day, their oils tended to be still and pedestrian.
    [Show full text]
  • Une Bibliographie Commentée En Temps Réel : L'art De La Performance
    Une bibliographie commentée en temps réel : l’art de la performance au Québec et au Canada An Annotated Bibliography in Real Time : Performance Art in Quebec and Canada 2019 3e édition | 3rd Edition Barbara Clausen, Jade Boivin, Emmanuelle Choquette Éditions Artexte Dépôt légal, novembre 2019 Bibliothèque et Archives nationales du Québec Bibliothèque et Archives du Canada. ISBN : 978-2-923045-36-8 i Résumé | Abstract 2017 I. UNE BIBLIOGraPHIE COMMENTÉE 351 Volet III 1.11– 15.12. 2017 I. AN ANNOTATED BIBLIOGraPHY Lire la performance. Une exposition (1914-2019) de recherche et une série de discussions et de projections A B C D E F G H I Part III 1.11– 15.12. 2017 Reading Performance. A Research J K L M N O P Q R Exhibition and a Series of Discussions and Screenings S T U V W X Y Z Artexte, Montréal 321 Sites Web | Websites Geneviève Marcil 368 Des écrits sur la performance à la II. DOCUMENTATION 2015 | 2017 | 2019 performativité de l’écrit 369 From Writings on Performance to 2015 Writing as Performance Barbara Clausen. Emmanuelle Choquette 325 Discours en mouvement 370 Lieux et espaces de la recherche 328 Discourse in Motion 371 Research: Sites and Spaces 331 Volet I 30.4. – 20.6.2015 | Volet II 3.9 – Jade Boivin 24.10.201 372 La vidéo comme lieu Une bibliographie commentée en d’une mise en récit de soi temps réel : l’art de la performance au 374 Narrative of the Self in Video Art Québec et au Canada. Une exposition et une série de 2019 conférences Part I 30.4.
    [Show full text]
  • DAVEANDJENN Whenever It Hurts
    DAVEANDJENN Whenever It Hurts January 19 - February 23, 2019 Opening: Saturday January 19, 3 - 6 pm artists in attendance detail: “Play Bow” In association with TrépanierBaer Gallery, photos by: M.N. Hutchinson GENERAL HARDWARE CONTEMPORARY 1520 Queen Street West, Toronto, M6R 1A4 www.generalhardware.ca Hours: Wed. - Sat., 12 - 6 pm email: [email protected] 416-821-3060 DaveandJenn (David Foy and Jennifer Saleik) have collaborated since 2004. Foy was born in Edmonton, Alberta in 1982; Saleik in Velbert, Germany, in 1983. They graduated with distinction from the Alberta College of Art + Design in 2006, making their first appearance as DaveandJenn in the graduating exhibition. Experimenting with form and materials is an important aspect of their work, which includes painting, sculpture, installation, animation and digital video. Over the years they have developed a method of painting dense, rich worlds in between multiple layers of resin, slowly building up their final image in a manner that is reminiscent of celluloid animation, collage and Victorian shadow boxes. DaveandJenn are two times RBC Canadian Painting Competition finalists (2006, 2009), awarded the Lieutenant Governor of Alberta’s Biennial Emerging Artist Award (2010) and longlisted for the Sobey Art Award (2011). DaveandJenn’s work was included in the acclaimed “Oh Canada” exhibition curated by Denise Markonish at MASS MoCA – the largest survey of contemporary Canadian art ever produced outside of Canada. Their work can be found in both private and public collections throughout North America, including the Royal Bank of Canada, the Alberta Foundation for the Arts, the Calgary Municipal Collection and the Art Gallery of Hamilton.
    [Show full text]
  • Macaulay & Co Fine
    MACAULAY & CO. FINE ART WWW.MFINEART.CA 293 EAST 2nd AVENUE [email protected] VANCOUVER BC CANADA 604 764 6706 V5T 1B8 ATTILA RICHARD LUKACS EDUCATION 1985 Graduated (Honours) Emily Carr College of Art and Design, Vancouver, British Columbia SELECTED EXHIBITIONS 2017 HOBBS: Attila Richard Lukacs, Macaulay & Co Fine Art, Vancouver, British Columbia 2016 Attila Richard Lukacs, Samuel Jeffery, Darri Lorenzen, MAVRA Gallery, Berlin, Germany 2016 Becoming Animal/ Becoming Landscape, Belkin Art Gallery, Vancouver, British Columbia Drama Queer: Seducing Social Change, Roundhouse Gallery, Vancouver, British Columbia 2015 Attila Richard Lukacs & Lawrence Paul Yuxweluptun, Macaulay & Co. Fine Art, Vancouver, British Columbia Gordon Smith’s Personal Collection, West Vancouver Museum, West Vancouver, British Columbia 2014 Over the Rainbow, Museum of Contemporary Canadian Art, Toronto, Ontario Attila Richard Lukacs, Macaulay & Co. Fine Art, Vancouver, British Columbia (solo) 2013 Full Frontal, Belkin Satellite, Vancouver, British Columbia Attila Richard Lukacs, Winsor Gallery, Vancouver, British Columbia (solo) 2011 Shore, Forest and Beyond Art from the Audain Collection, Vancouver Art Gallery, Vancouver, British Columbia Toronto International Art Fair, Toronto, Ontario, Winsor Gallery Attila Richard Lukacs from the Collection of Salah J. Bachir, Art Gallery of Hamilton, Hamilton, Ontario (solo) from the collection: Unreal, Vancouver Art Gallery, Vancouver, British Columbia Attila Richard Lukacs, Winsor Gallery, Vancouver, British Columbia (solo) Attila
    [Show full text]
  • Alberta College of Art + Design
    Catalyst FALL 2013 art + design in our community and beyond ALBERTA COLLEGE OF ART + DESIGN art + design in our community and beyond ALBERTA COLLEGE OF ART + DESIGN President’s Message 1 On Campus Academic Update 2 ACADSA Show + Sale 2 Nurturing the Creative Entrepreneur – Centre for Creativity + Entrepreneurship 3 White Walls, Infinite Possibilities – Illingworth Kerr Gallery 4 The Art of Learning – Extended Studies 5 Telling ACAD’s Stories SCHOOL OF CRAFT + EMERGING MEDIA Code + Clay– Katrina Chaytor 6 Andy Nichols Photography EDITORIAL PHOTOGRAPHY Ground Control to Major Tom – Catherine Larose 8 Computer Canvases – Paul Robert 10 Brieanne Biblow Alex Middleton Shifting Gears – Natalie Lauchlan 12 Kara Tersen WRITING SCHOOL OF CRITICAL + CREATIVE STUDIES Natalie Sit Zombies, Dinosaurs, Ghosts, Oh My! – Alex Link 14 EDITING A Wicked Problem – John Calvelli 16 GOOD Company Wordplay – Derek Beaulieu 18 DESIGN Molding Theory – Nicole Burisch 20 McAra Printing PRINTING ACAD at a Glance 22 ALBERTA COLLEGE OF ART + DESIGN Telling ACAD’s Stories (continued) 1407 - 14 AVE NW CALGARY, ALBERTA CANADA SCHOOL OF COMMUNICATION DESIGN T2N 4R3 403.284.6238 WWW.ACAD.CA An Unexpected Journey – Wayne Traudt 28 Back to Basics – Ray Ferraro 30 Make Art for your Friends – Geoff McFetridge 32 A Student of the Medium – Tim Okamura 34 SCHOOL OF VISUAL ART 36 COVER PHOTO: Susan Turcot. Hide and A Life Aquatic – Laurel Johannesson Seek (2012). Charcoal on paper, each 39 Finding Home – Marty Kaufman 38 x 53 cm. Courtesy the artist and Illingworth Kerr Gallery. Critic’s Choice – Don Kottmann 40 Presented as part of the exhibition Susan From Pencil to Lens – Yuqi Kang 42 Turcot, Illingworth Kerr Gallery, September 26 to October 26, 2013.
    [Show full text]
  • Heffel.Com News
    News Release Heffel's $22.8-million Fine Art Auction Sets New Bench Mark as Best Canadian Auction May 23, 2007, 11.30pm (PT) The fine art auction season had a grand launch at Vancouver's Sheraton Wall Centre Hotel this evening. Heffel Fine Art Auction House raised the bar to another high standard - selling $22.8-million worth of Canadian art - easily surpassing their conservative presale estimate of a $12 to $16-million sale. This is a new Canadian record and is almost double the value of the previous record $12.5-million sale, also set by Heffel, on November 25, 2005. The top four lots of the evening each exceeded one million dollars; two of them by Group of Seven artist Lawren Harris; two by Tom Thomson. The spectacular 32 x 38 inch cover lot - Pine Tree and Red House, Winter, City Painting II - painted by Lawren Harris, went for an astounding price of $2,875,000 (all prices include a 15% Buyer's Premium). This makes it the second most valuable Canadian painting to ever sell at auction. Paul Kane's Scene from the Northwest - Portrait is the top seller at $5,062,500. An 18 x 20 inch oil on canvas Snow, Algonquin Park by Lawren Harris sold for $1,035,000. Two 12 x 15 inch oil on board paintings by Lawren Harris surpassed their estimates. Lake Superior Sketch X (Pic Island) and Ice Berg, Smith Sound, II sold for $575,000 each. Four rare Tom Thomson sketches, each oil on board image measuring 8-1/2 x 10-1/2 inches were strong in this sale.
    [Show full text]
  • ICA Boston, Boston, MA*
    GEOFFREY FARMER Born: 1967, Vancouver, British Columbia Lives and works in Vancouver, British Columbia EDUCATION 1992 Emily Carr Institute of Art and Design, Vancouver, British Columbia 1990-1991 San Francisco Art Institute, San Francisco, California AWARDS AND RESIDENCIES 2015 The Watermill Center Residency, Watermill, NY 2014 Edinburgh Printmakers, Artist in Residence, Edinburgh 2013 Gershon Iskowitz Prize 2011 Hnatyshyn Foundation Visual Arts Award Kadist Art Foundation 2010 God’s Dice, Artist in Residence, The Banff Centre, Banff, Alberta SOLO EXHIBITIONS (*publication/catalogue) 2018 Casey Kaplan, New York, NY (forthcoming) 2017 The Care With Which The Rain Is Wrong, Schinkel Pavillion, Berlin Geoffrey Farmer & Gareth Moore. A Dark Switch Yawning, Neptune Skeletons Thronging, Black Bucket Prolonging, World Turtle Longing, Sink Plug Wronging, Salzburger Kunstverein, Salzburg, Austria The Kitchen, Catriona Jeffries, Vancouver Canadian Pavilion, Venice Biennale, Venice 2016 ICA Boston, Boston, MA* 2015 How Do I Fit This Ghost In My Mouth?, Vancouver Art Gallery, Vancouver * 2014 Cut nothing, cut parts, cut the whole, cut the order of time, Casey Kaplan, New York, NY Every day needs an urgent whistle blown into it, Art Gallery of Ontario, Toronto Let’s Make the Water Turn Black, Kunstverein Hamburg, Hamburg; Pérez Art Museum Miami, Miami, FL* The Grass and Banana go for a walk, Catriona Jeffries, Vancouver 2013/2014 Let’s Make the Water Turn Black, Migros Museum, Zurich, Switzerland; Nottingham Contemporary, Nottingham* 2013 The Surgeon
    [Show full text]
  • Ruth Cuthand CV
    RUTH CUTHAND Born in 1954 in Prince Albert, SK, Canada. Lives and works in Saskatoon, SK, Canada. EDUCATION 1992 MFA, University of Saskatchewan, Saskatoon, SK, Canada 1983 BFA, University of Saskatchewan, Saskatoon, SK, Canada SOLO EXHIBITIONS 2016 Don’t Breathe, Don’t Drink, dc3 Art Projects, Edmonton, AB, Canada 2015 Don’t Drink, Don’t Breathe, Mann Art Gallery, Prince Albert, SK, Canada 2014 BACK TALK: Ruth Cuthand (works 1983-2009), Plug In ICA, Winnipeg, MB, Canada 2013 BACK TALK: Ruth Cuthand (works 1983-2009), Thunder Bay Art Gallery,Thunder Bay, ON, Canada 2012 BACK TALK: Ruth Cuthand (works 1983-2009), Confederation Art Centre, Charlottetown, PEI, Canada BACK TALK: Ruth Cuthand (works 1983-2009), Mount Saint Vincent University Art Gallery, Halifax, NS, Canada 2011 BACK TALK: Ruth Cuthand (works 1983-2009), Mendel Art Gallery, Saskatoon, SK, Canada 2010 Dis-Ease, Red Shift Gallery, Saskatoon, SK, Canada 1999 Indian Portraits: Late 20th Century, Wanuskewin Museum, Saskatoon, SK, Canada 1993 Location/Dislocation, Mendel Art Gallery, Saskatoon, SK, Canada 1992 Misuse is Abuse II, MFA Exhibition, University of Saskatchewan, Saskatoon, SK, Canada 1990 Misuse is Abuse, Mendel Art Gallery, Saskatoon, SK, Canada Traces of the Ghost Dance, Artists with Their Work, MacKenzie Art Gallery, Regina, SK, Canada SELECTED GROUP EXHIBITIONS 2016 Counter History and the Other, Wanuskewin Heritage Park, Saskatoon, SK, Canada 2015 Oh, Canada, Glenbow Museum, Illingworth Kerr Gallery, The Esker Foundation and Nickle Galleries, Calgary, AB, Canada
    [Show full text]
  • WILLIAM JAMES RODGERS / CV Canadian Citizen Born: September 29, 1952
    WILLIAM JAMES RODGERS / CV Canadian Citizen Born: September 29, 1952 EDUCATION 1976 Undergraduate Study; Painting, Drawing, Pre-Columbian Art History - Institute Allende, SAN MIGUEL, Mexico 1975 Diploma, Honours - Painting & Drawing Alberta College of Art, Calgary, Alberta AWARDS 2002 Alberta College of Art and Design Alumni, Award of Excellence 1995 Canada Council Grant (B) 1991 Canada Council (Project Costs) 1986 Canada Council Grant (B) 1984 Canada Council Grant (Short-term) 1982 Canada Council Grant (Short-term) 1975 Instituto Allende, Tuition Scholarship Alberta Culture Cultural Assistance Grant Alberta Distillers Award 1972 James Kerr Scholarship EXHIBITIONS and PROFESSIONAL ACTIVITY 2020 “A Separate and Pleasant View” Jarvis Hall Gallery, Calgary, Ab (solo) 2018 “Revolutionaries and Ghosts, Memory, Witness, and Justice in a Global Canadian Context” MacKenzie Art Gallery, Regina Sask. (group) 2017 “Studies in Citizenship, Fiction”, Jarvis Hall Gallery, Calgary, Ab (solo) 2016 “ From the Page”, Jarvis Hall Gallery, Calgary, Ab. (solo) 2014 “Journeyman, Ten Year Survey of Work”, Nickle Galleries, University of Calgary, Calgary, Ab. curated by Liz Wylie (solo) “ Made in Calgary, The 90’s”, Calgary Contemporary, Calgary, Ab. curated by Nancy Tousley “Oilman”, Skew Gallery/ Eighth Ave. Place, Calgary Ab. (solo) 2013 “Journeyman, Ten Year Survey of Work” Kelowna Art Gallery, Kelowna BC, curated by Liz Wylie (solo) 2012 “ Road Trip”, Skew Gallery, Calgary, Alberta (solo) “ Made in Alberta” MOCA, Calgary, Alberta, curated by Jeff Spalding “We Tell Ourselves Stories”, Nickle Galleries, University of Calgary, Calgary, Ab. curated by Christine Sowiak Exhibitions and Professional Activity cont. 2011 “ Crazed” , Skew Gallery, Calgary, Alberta (solo) 2009 “Studies in Citizenship” , Skew Gallery, Calgary, Alberta (solo) “Small Displacement(s)” Kelowna Art Gallery, Kelowna B.C.
    [Show full text]