DOCSLIB.ORG

Aga Khan Museum Program Guide

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Aga Khan Museum Program Guide FALL SEPT–DEC 2019 EXPLORE AGA KHAN MUSEUM PROGRAM GUIDE SHOP VIBRANT Finish your holiday VENUE shopping early this year with our one-of-a-kind fall For your next big collection of fine jewellery, occasion — from fashion, and home décor. weddings and holiday parties to conferences — we are the elegant and inspired choice. Join us for our fifth anniversary celebrations! We first opened our doors on September 18th, 2014, becoming North America’s first museum dedicated to Islamic art, changing perceptions, and sparking dialogue. From Spain to China, Japan to Scandinavia, and Mughal India to modern Syria, we’ve had the honour of presenting hundreds of world-renowned artists, musicians, and thought leaders over the past five years. Thank you to everyone who has contributed to connecting cultures: our ever-curious visitors, our generous supporters, DIWAN and our tireless volunteers and staff! Delicious flavours, a delightful menu, and an Let’s celebrate together at our First Five Fest on August 31 (12– authentically designed 10 pm) and September 1 (12 –6 pm) with live music, tasty food, space make for an art, and activities for all ages. irresistible dining experience. AGAKHANMUSEUM.ORG EXPLORE SEPT-DEC 2019 Experience new dimensions of a vast and complex continent with a world-class lineup of art, BUILDING BLACK: CIVILIZATIONS performances, and talks in our fall season, Africa! September 21, 2019 – February 23, 2020 Contemporary Ghanaian-Canadian artist Ekow Nimako CARAVANS OF GOLD, FRAGMENTS IN TIME speaks to Africa’s remarkable history and its powerful future in an Afrofuturist exhibition, featuring a series of September 21, 2019 – February 23, 2020 surrealist sculptures built with over 100,000 black LEGO© Bricks. Caravans of Gold, a groundbreaking exhibition, transports you to medieval times when western Africa was at the heart of a global economy, stretching to CHALLENGING WHAT WE KNOW Europe, the Middle East, and beyond — a history Our season’s vibrant array of educational programming largely left out of our Western textbooks. spotlights the history of African art and cultural exchange. You’ll encounter stunning masterpieces set beside new Illuminating showcases from African embassies, archeological discoveries, revealing how western Africa thought-provoking local artists, and speakers from fuelled the world with ideas, luxuries, and coveted the Smithsonian National Museum of African Art and commodities, like ivory, salt, and gold. You’ll also meet the Northwestern’s Block Museum of Art will challenge legendary Mansa Musa — thought to be one of the us to rethink the world’s past, present, and future. wealthiest people of all time. Featuring major loans from Mali, Morocco, and Nigeria — never before seen in Canada — you won’t want to miss this PAN-AFRICAN MUSIC AND FILM surprising look into medieval history. From Madagascar’s Toko Telo to the Okavango African Orchestra, our pan-African focus comes to life in our Caravans of Gold, Fragments in Time: Art, Culture, and Exchange across Medieval 2019/20 Performing Arts season, Listening to Each Other, Saharan Africa is organized by the Block Museum of Art and has been made possible in part by the National Endowment for the Humanities: Exploring the human which pays tribute to the role of the performative arts in endeavor, as well as by Northwestern University’s Buffett Institute for Global connecting communities, preserving culture, and spurring Studies. Two anonymous donors made possible the exhibition’s travel to the social change. National Museum of African Art, Smithsonian Institution. Additional support is provided by the National Endowment for the Arts, the Myers Foundations, the Alumnae of Northwestern University, the 2019 Performing Arts programs supported by Robert Lehman Foundation, the Elizabeth F. Cheney Foundation, and the Illinois Arts Council Agency. an Ontario government agency un organisme du gouvernement de l’Ontario Nuit Blanche 5th annual DUENDE Flamenco festival FREE POP-UP PERFORMANCES Saturday, October 5, 7 pm – Sunday, October 6, 7 am November 13–23 Enjoy intimate performances from a diverse lineup of talented local Arrivals and Encounters: Sama In our fifth year, we bring you bold and innovative PERFORMANCES artists in the Museum’s public Our dusk-till-dawn art celebration will transport you, revealing the dance from two of the world’s top flamenco performers Esmeralda Enrique’s Spanish Dance Company & spaces and galleries. ephemeral and the enduring. — Eduardo Guerrero and Isaac Tovar — along with iconic Opening Reception with Tablao Flamenco Toronto Wednesdays: 5, 6, and 7 pm local dancers and acclaimed Spanish cinema. Saturday, Nov. 16, 6 pm FREE MUSEUM ADMISSION! From inside such tranquil spaces as Mongolian yurts, a First Nations’ teepee, Saturdays & Sundays: and a geodesic dome you will discover the many faces of Toronto: sleepless Event pricing and ticket package details available online: Dance a Mile in My Shoes/Bells 12, 1, and 3 pm When you purchase a ticket to a performance, city, site for sacred discovery, and scene of unexpected encounters. agakhanmuseum.org/Duende2019 by Carmen Romero and Bageshree Vaze Sama, Arabic for listening, is the night’s inspiration and we invite you Sunday, Nov. 17, 7 pm Generously supported by talk, or workshop, you get to explore the Museum FREE FILMS to experience genre-blurring live music, whirling dervishes, opera for free, including our Museum Collection and Camarón: Flamenco y revolución Desplante by Eduardo Guerrero performances, a virtual reality art installation, theatre, and much more! Thursday, Nov. 21, 8:30 pm special exhibitions. Wednesday, Nov. 13, 7 pm Polígono Sur Nuit Blanche is supported by the City of Toronto, Ontario Arts Council, and Canada Council for the Arts. Encuentro by Isaac Tovar Wednesday, Nov. 20, 7 pm Saturday, Nov. 23, 8 pm September October November December LAST CHANCE TO SEE 7 1 9 1 2 1 3 PERFORMANCE INSIGHT TOUR FALL FILM SERIES OFFSITE PERFORMANCE PERFORMANCE TALK INSIGHT TOUR THE MOON! Stree Shakti: Celebrating Women in Music Saharan Pathways of Islamic Art Nollywood Babylon Naseer Shamma & Orontes: Flamenco Night The Maghreb Project Trade Networks and Empires: African Art’s Many On Blue with Arati Ankalikar-Tikekar with Dr. Michael Chagnon Get an electric look at the powerhouse that is Nigeria’s at the Bluma Appel Theatre, 27 Front St. East Move to the beat of a 9-piece ensemble, crossing cultural Golden Ages with Dr. Augustus Casely-Hayford with Bita Pourvash Enjoy performances, talks, and Travel across the Sahara Desert, gaining insight into film industry, one of the largest in the world. borders to bring you the sounds of North Africa’s Sahara. Hear the Director of the Smithsonian National Museum interactive activities See one of India’s top classical vocalists, performing songs Feel Flamenco rhythms from one of the world’s pre- Discover why the colour blue is a symbol for mystics and masterpieces from medieval African empires. Wednesday, 6 pm Saturday, 8 pm of African Art discuss how art can carve out empires and Wednesdays from 4 to 8 pm, associated with female deities. eminent oud masters and a Syrian guitar quartet. lovers in Islamic art. Free $35, $31.50 Friends, $26.25 students and seniors under Luke Jerram’s Moon Saturday, 7 pm Tuesday, 6:30 pm Friday, 7:30 pm shape history. Tuesday, 6:30 pm Presented in collaboration with Batuki Music Sunday, 2 pm sculpture, extended until $40 orchestra, $30 balcony, and 10% off for Friends $20, $18 Friends, $12 students and seniors Presented in partnership with the National Film Board. For tickets, please visit stlc.com. $20, $18 Friends, $12 students and seniors September 15. A co-production with Canadian Arabic Orchestra $20, $18 Friends, $12 students and seniors An associate partnership with Raag-Mala Toronto For details, visit: agakhanmuseum.org/FarewellMoon 11 – 12 16 3 7 5 8 FILM FALL FILM SERIES PERFORMANCE PERFORMANCE LUNCHTIME TALK FALL FILM SERIES Toronto Middle Eastern and North African Youssou N’Dour: I Bring What I Love Charsu Festival of Arabic Music and Arts: Picking up the Pieces: Amazing Grace 12 22 Film Festival Venture into the controversy that arose when this Be whisked away by classical pieces from Iranian and Greek Arabia Concert Reimagining Black Civilizations Witness Aretha Franklin’s soul-stirring talent in this LUNCHTIME TALK KEYNOTE TALK Dive into new worlds with a showcase of powerful Senegalese pop superstar released a deeply spiritual Canadian composers in this spirited chamber concert. Journey from the Acropolis to Constantinople with classical with Ekow Nimako documentary featuring never-before-seen footage. dramas and documentaries. album about Islam. Sunday, 3 pm music that intertwines Greek and Arabic melodies. Sunday, 1 pm Behind the Scenes of Our First Five Years Telling the Story of Medieval Africa Find out what inspired our feature artist to devote 600 hours Friday, Oct. 11: 5–9 pm Wednesday, 6 pm $40, $36 Friends, $30 students and seniors Thursday, 7:30 pm to building a 6x6 ft. sculpture out of black LEGO Bricks. Free How do you build a museum? Join five of our senior staff with Dr. Kathleen Bickford Berzock Saturday, Oct. 12: 2–7:30 pm Free An associate partnership with Charsu $45 orchestra, $40 balcony Thursday, 1 pm to hear stories about everything from building design to Hear the curator of Caravans of Gold discuss western Day Pass: $50, $45 Friends, $37.50 students and seniors 10% off for Friends, students, and seniors Free with Museum admission exhibition planning. Africa’s remarkable
Load more

Recommended publications
  • Le Musée Aga Khan Célèbre La Créativité Et Les Contributions Artistiques Des Immigrants Au Cours D’Une Saison Qui Fait La Part Belle À L’Immigration
    Le Musée Aga Khan célèbre la créativité et les contributions artistiques des immigrants au cours d’une saison qui fait la part belle à l’immigration Cinquante-et-un artistes plasticiens, 15 spectacles et 10 orateurs représentant plus de 50 pays seront à l’honneur lors de cette saison dédiée à l’immigration. Toronto, Canada, le 4 mars 2020 - Loin des gros-titres sur l’augmentation de la migration dans le monde, le Musée Aga Khan célèbrera les contributions artistiques des immigrants et des réfugiés à l’occasion de sa nouvelle saison. Cette saison dédiée à l’immigration proposera trois expositions mettant en lumière la créativité des migrants et les contributions artistiques qu’ils apportent tout autour du monde. Aux côtés d’artistes et de leaders d’opinion venant du monde entier, ces expositions d’avant-garde présenteront des individus remarquables qui utilisent l’art et la culture pour surmonter l’adversité, construire leurs vies et enrichir leurs communautés malgré les déplacements de masse, le changement climatique et les bouleversements économiques. « À l’heure où la migration dans le monde est plus importante que jamais, nous, au Musée Aga Khan, pensons qu’il est de notre devoir de réfuter ces rumeurs qui dépeignent les immigrants et les réfugiés comme une menace pour l’intégrité de nos communautés », a déclaré Henry S. Kim, administrateur du Musée Aga Khan. « En tant que Canadiens, nous bénéficions énormément de l’arrivée d’immigrants et des nouveaux regards qu’ils apportent. En saisissant les occasions qui se présentent à eux au mépris de l’adversité, ils incarnent ce qu’il y a de mieux dans l’esprit humain.
    [Show full text]
  • Learning at the Aga Khan Museum: a Curriculum Resource Guide for Teachers, Grades One to Eight
    Learning at the Aga Khan Museum A Curriculum Resource Guide for Teachers Grades One to Eight INTRODUCTION TO THE AGA KHAN MUSEUM The Aga Khan Museum in Toronto, Canada is North America’s first museum dedicated to the arts of Muslim civilizations. The Museum aims to connect cultures through art, fostering a greater understanding of how Muslim civilizations have contributed to world heritage. Opened in September 2014, the Aga Khan Museum was established and developed by the Aga Khan Trust for Culture (AKTC), an agency of the Aga Khan Development Network (AKDN). Its state-of-the-art building, designed by Japanese architect Fumihiko Maki, includes two floors of exhibition space, a 340-seat auditorium, classrooms, and public areas that accommodate programming for all ages and interests. The Aga Khan Museum’s Permanent Collection spans the 8th century to the present day and features rare manuscript paintings, individual folios of calligraphy, metalwork, scientific and musical instruments, luxury objects, and architectural pieces. The Museum also publishes a wide range of scholarly and educational resources; hosts lectures, symposia, and conferences; and showcases a rich program of performing arts. Learning at the Aga Khan Museum A Curriculum Resource Guide for Teachers Grades One to Eight Patricia Bentley and Ruba Kana’an Written by Patricia Bentley, Education Manager, Aga Khan All rights reserved. No part of this publication may be Museum, and Ruba Kana’an, Head of Education and Scholarly reproduced, stored in a retrieval system, or transmitted in any Programs, Aga Khan Museum, with contributions by: form or by any means, electronic, mechanical, photocopying, or otherwise, without prior consent of the publishers.
    [Show full text]
  • Aga Khan Museum and Ismaili Centre As Alternative Planning Model for Mosque Development
    Aga Khan Museum and Ismaili Centre as alternative planning model for mosque development. Haris S. Khan A Major Paper submitted to the Faculty of Environmental and Urban Change in partial fulfillment of the requirements for the degree of Master in Environmental Studies, York University, Toronto, Ontario, Canada. April 12, 2021 ABSTRACT Multiculturalism is widely celebrated in Toronto as a cornerstone of our society. When multiculturalism moves outside festivals and food, groups make spatial claims of citizenship and identity, the experience is somewhat different. There is no doubt that some racialized minorities have fared well in the Greater Toronto Area. Their growth is no longer confined to low-income enclaves within the City of Toronto but into city suburbs. This growth comes with the increased demand for spatial citizenship through culturally suited social, recreational, commercial and religious space. It is here where the experience of multiculturalism changes. The inherently political and contentious process of land use planning and its response to individual groups needs for certain type of developments is the broad focus of this paper. The paper looks at how the practice of planning in the Greater Toronto Area has responded to social diversity in cities by studying the specific process of mosque development for Muslim Canadians. Mosque development has faced challenges in the planning arena through staunch opposition that often hides behind legitimate planning technicalities to express the personal distaste for a group of people. My goal was to understand the role of planning departments in recognizing and responding to the rise of these conflicts in land use development.
    [Show full text]
  • Aga Khan Museum Set to Reopen After Three-Month Closure with New Safety Measures and Reinvented Programming
    PRESS RELEASE Aga Khan Museum Set to Reopen after Three-Month Closure with New Safety Measures and Reinvented Programming The Museum’s Rebuild 2020 program features three exhibitions highlighting human stories of strength and resilience Toronto — Monday, June 22, 2020 — The Aga Khan Museum is set to reopen its door with a slew of new programming and safety measures encouraging visitors to reconnect with art and culture in an inspiring, physical-distancing-friendly environment. Following a provincial directive allowing the reopening of museums and galleries in Toronto, the Museum, including all galleries, the Shop, and the Diwan restaurant, will open its doors on Saturday, June 27, 2020. A host of new safety measures is already in place. All visitors, staff, and volunteers will be expected to follow new guidelines designed to protect everyone who steps inside the building. The flow of visitors will be controlled through the use of timed-entry ticketing, and new signage will help prevent clustering and remind visitors to maintain proper distance. The Museum has implemented enhanced cleaning protocols, installed touch-free automatic doors, and added new hand-sanitizing stations to limit the spread of germs. “The safety of our visitors and staff is our primary focus,” said Henry Kim, the Museum’s Director and CEO. “Our intention is to make their return to the Museum a safe and enjoyable experience. For this reason, we have instituted a number of measures that don’t just comply with public health directives, but exceed them to ensure the highest standards for keeping people safe.” In addition, the Museum has announced its redeveloped slate of programming for the year.
    [Show full text]
  • Atlasmarrakech
    Corso di Laurea Magistrale in Architettura e innovazione Pianificazione e politiche per la città, il territorio e l’ambiente Progettazione dei paesaggi turistici e culturali - prof. João Rocha 13.10.2018 - 22.12.2018 I Esame 23.02.2018 I cfu tipologia D Report sintesi visiting professor AtlasMarrakech 1 planimetria, medina di Marrakech planimetria di Marrakech, 1941 1:2000 2 AtlasMarrakech Indice Programma 4 Pianificazione sintesi delle lezioni 7 Esercizio I+II 9 Esercizio III 12 Programma di viaggio a Marrakech 19 Bibliografia 20 Eventi nel ambito del corso 21 Fotografie viaggio 22 Fotografie del laboratorio 23 Attività di ricerca 25 Testi allegati 27 3 Programma The program runs as the interplay between the course di Laurea Magistrale in Architettura e innovazione Pianificazione e politiche per la città, il territorio e l’ambiente e il corso Progettazione dei paesaggi turistici e culturali. The programma runs as a seminar within the Studio where notions about the culture and history of Islamic territories are placed within a contemporary interpretative and conceptual frame of work. The goal is the development of an architectural project and at the same time a writing of a theoretical and conceptual manifestation an illustrated document atlasmarrakech which depicts the student capacity to understand the methodology of research with an architectural modus operandis. The velocity, with which the Arabs in the seventh and eighth centuries have conquered much of the Mediterranean and Asia, almost to the confines of China, created a great astonishment. Unlike many other ephemeral invasions, the dominion of the caliphs, successors of Mahomet, was built upon their religious belief and culture - Dar al-Islam - which naturally also encompasses their architecture legacy.
    [Show full text]
  • Learning at the Aga Khan Museum a Curriculum Resource Guide for Teachers Grades One to Eight INTRODUCTION to the AGA KHAN MUSEUM
    Learning at the Aga Khan Museum A Curriculum Resource Guide for Teachers Grades One to Eight INTRODUCTION TO THE AGA KHAN MUSEUM The Aga Khan Museum in Toronto, Canada is North America’s first museum dedicated to the arts of Muslim civilizations. The Museum aims to connect cultures through art, fostering a greater understanding of how Muslim civilizations have contributed to world heritage. Opened in September 2014, the Aga Khan Museum was established and developed by the Aga Khan Trust for Culture (AKTC), an agency of the Aga Khan Development Network (AKDN). Its state-of-the-art building, designed by Japanese architect Fumihiko Maki, includes two floors of exhibition space, a 340-seat auditorium, classrooms, and public areas that accommodate programming for all ages and interests. The Aga Khan Museum’s Permanent Collection spans the 8th century to the present day and features rare manuscript paintings, individual folios of calligraphy, metalwork, scientific and musical instruments, luxury objects, and architectural pieces. The Museum also publishes a wide range of scholarly and educational resources; hosts lectures, symposia, and conferences; and showcases a rich program of performing arts. Learning at the Aga Khan Museum A Curriculum Resource Guide for Teachers Grades One to Eight Patricia Bentley and Ruba Kana’an Written by Patricia Bentley, Education Manager, Aga Khan All rights reserved. No part of this publication may be Museum, and Ruba Kana’an, Head of Education and Scholarly reproduced, stored in a retrieval system, or transmitted in any Programs, Aga Khan Museum, with contributions by: form or by any means, electronic, mechanical, photocopying, or otherwise, without prior consent of the publishers.
    [Show full text]
  • Options for the Aga Khan Museum
    INTERACTIVITY IN MUSEUMS: OPTIONS FOR THE AGA KHAN MUSEUM by Tihmily Li HBA, Communications, Culture, Information, and Technology, University of Toronto, 2015 A Major Research Paper presented to Ryerson University in partial fulfillment of the requirements for the degree of Master of Digital Media in the Program of Digital Media. Toronto, Ontario, Canada, 2017 ©Tihmily Li, 2017 Author’s Declaration for Electronic Submission of an MRP I hereby declare that I am the sole author of this MRP. This is a true copy of the MRP, including any required final revisions. I authorize Ryerson University to lend this MRP to other institutions or individuals for the purpose of scholarly research. I further authorize Ryerson University to reproduce this MRP by photocopying or by other means, in total or in part, at the request of other institutions or individuals for the purpose of scholarly research. I understand that my MRP may be made electronically available to the public. ii INTERACTIVITY IN MUSEUMS: OPTIONS FOR THE AGA KHAN MUSEUM Master of Digital Media, 2017 Tihmily Li Master of Digital Media, Ryerson University ABSTRACT This paper examines the various methods by which digital media is integrated into museum spaces. With the Aga Khan Museum trying to improve the impact and educational outreach of, and engagement with, their permanent collection, digital media can serve as a way to bridge the current gap that exists between visitor knowledge and the information conveyed in the permanent collections gallery. By structuring narratives into the artifacts, a stronger empathetic understanding between visitor and the histories related to these objects is encouraged.
    [Show full text]
  • Dr Margaret S. Graves Education Employment Fellowships
    Dr Margaret S. Graves Associate Professor of Islamic Art Department of Art History Indiana University, 1229 E. Seventh St. Bloomington, IN 47405 Email: [email protected] Education 2006–2010: Ph.D., University of Edinburgh, History of Art (Supervisor: Robert Hillenbrand). Thesis: Worlds Writ Small: Four Studies on Miniature Architectural Forms in the Medieval Middle East 2004–2005: M.Sc. (Res.), University of Edinburgh, History of Art (Supervisors: Robert Hillenbrand and Ulrike al-Khamis). Dissertation: The East in the West: Nineteenth-Century Moroccan Pottery in the Royal Museum of Scotland. Awarded a Distinction 1997–2002: M.A. Fine Art (Hons), University of Edinburgh and Edinburgh College of Art. Awarded a distinction in History of Art Employment 2018–present: Associate Professor, Department of Art History, Indiana University Adjunct Associate Professor, Middle Eastern Languages and Cultures, Indiana University 2019–2020: Interim Director, Islamic Studies Program, Indiana University 2014–2018: Adjunct Assistant Professor, Near Eastern Languages and Cultures, Indiana University 2012–2018: Assistant Professor, Department of Art History, Indiana University Other IU affiliations: Islamic Studies Program (Advisory Committee 2016-present); African Studies Program (Executive Committee 2019-present); Center for the Study of the Middle East; Inner Asian & Uralic National Resource Center; Medieval Studies Institute; Renaissance Studies Program 2010–2012: Research Associate, Aga Khan Trust for Culture, Geneva Fellowships 2020–21: Research Fellowship
    [Show full text]
  • Lebanese Winner of the 2016 Aga Khan Award for Architecture Announced
    MEDIA ADVISORY Aga Khan Award for Architecture EMBARGO until 3 October 2016 LEBANESE WINNER OF THE 2016 AGA KHAN AWARD FOR ARCHITECTURE ANNOUNCED Abu Dhabi, UAE, 3 October 2016 – The Issam Fares Institute, a new building for the American University of Beirut’s campus, is a winner of the Aga Khan Award for Architecture. The project’s architects are: Zaha Hadid Architects. For a full on-line press kit, which includes briefs on each of the winning projects, high resolution images, broadcast-quality video (for use by television stations and websites) and other information, please see www.akdn.org/2016AwardWinners Previous Lebanese winners of the award include the Great Omari Mosque in Sidon (1989), a project that was commissioned by Lebanese Department of Islamic Awqaf and designed by architect Saleh Lamei-Mostafa. In 2001, Lebanese architect Vladimir Djurovic received the Award for Samir Kassir Square, in Beirut. Mr. Djurovic went on to design a park adjacent to the Aga Khan Museum in Toronto. The other five winning projects in 2016 – which will share the US$ 1 million prize – are in Bangladesh, China, Denmark and Iran: • Bait Ur Rouf Mosque, Dhaka (Architect: Marina Tabassum) A refuge for spirituality in urban Dhaka, selected for its beautiful use of natural light • Friendship Centre, Gaibandha (Architect: Kashef Chowdhury / URBANA) A community centre which makes a virtue of an area susceptible to flooding in rural Bangladesh • Micro Yuan’er Children’s Library and Art Centre, Beijing (Architect: ZAO / standardarchitecture / Zhang Ke) A
    [Show full text]
  • A Museum Without Walls
    A Museum Without Walls Investing in the Aga Khan Museum The Aga Khan Museum has a bold mission to connect cultures and change perceptions through art. The potential for our impact is far-reaching, but only if we can engage and inspire even more people — beyond the more than 120,000 visitors and 7,000 schoolchildren who step inside our doors each year. To become a true catalyst for global change, we must build a Virtual Museum, harnessing technology and forging partnerships to share our collections, exhibitions, performing arts, and education programs with individuals and communities around the world. Your gift to this Changing Perceptions Campaign priority will empower us to transcend borders and cultures, multiplying our impact exponentially. Investment Opportunities $7.5 million Virtual Museum Fund $5,000,000 Digital Learning Fund $2,000,000 Travelling Exhibition Program $500,000 1 Virtual Museum Fund: $5 million Where do Muslims live? What languages do they speak? What are the sounds of India? The answers to these and countless other questions are at the heart of improved understanding about Islamic civilizations, yet there is currently no single source for learning about these diverse cultures. With your help, we will undertake a dramatic expansion of the Aga Khan Museum’s website, creating the world’s first comprehensive, interactive resource about Islamic civilizations featuring clickable maps; performance videos; online lectures; educational games; and fully digitized versions of the Museum’s collection, exhibitions and library for use by academic researchers, students, teachers, families, and community members around the world. WHAT YOUR GIFT WILL FUND THE DIFFERENCE YOU WILL MAKE • Development, testing and launch of Your support will help dramatically extend the the Aga Khan Virtual Museum with a Aga Khan Museum’s reach and impact beyond global advisory committee of experts in the Museum’s walls and the barriers of time, museology, technology, education, geography and budget.
    [Show full text]
  • AKM Explore Spring 2016
    SPRING APR–JUN 2016 EXPLORE AGA KHAN MUSEUM PROGRAM GUIDE SPRING APR–JUN 2016 1 Islam and Muslims in the 21st Century Hybrid Identities: Muslim Arab Youth and the West Sunday, June 12, 2–3 pm Media, Muslims, and Free Speech Bessma Momani is Associate Professor of Political Science, Sunday, April 17, 2–3 pm University of Waterloo and 2015 Scholar of the Pierre Elliott Throughout his 48 years of reporting and supervising Trudeau Foundation. Her book Arab Dawn: Arab Youth coverage of Canada at the Toronto Star, Haroon Siddiqui and the Demographic Dividend They Will Bring (2015) is explored Canada’s model of pluralism and the optimistic about the future of the Middle East. representation of Islam and Muslims in the media. Communing with the Divine: The Qur'an in the 21st Century Contemporary Mystical Traditions and the Arts Sunday, May 1, 2–3 pm Sunday, June 26, 2–3 pm Walid Saleh, Associate Professor and Chair of the Institute Ali Asani, Professor of Indo-Muslim Religion and Cultures of Islamic Studies, University of Toronto, is a pioneer on and Director of Prince Alwaleed bin Talal Islamic Studies the study of the textual and interpretative relationship Program at Harvard University, is an expert on the between the Qur’an and the Bible. historical and contemporary Shia and Sufi devotional traditions in South Asia and the Ismaili mystical traditions. Of Hockey and Hijab: New Reflections on Being Female, Canadian, and Muslim Refugees, Immigrants, and Citizens: Sunday, May 15, 2–3 pm The Muslim Diaspora Experience in the West Sheema Khan, columnist for The Globe and Mail, is the author Sunday, July 10, 2–3 pm of Of Hockey and Hijab: Reflections of a Canadian Muslim Doug Saunders is a journalist and author of The Myth of Woman (2009).
    [Show full text]
  • Enlightenment on Middle Eastern History and Culture Through Artwork
    10/7/2020 Enlightenment On Middle Eastern History And Culture Through Artwork 871 views | Oct 6, 2020, 09:20am EDT Enlightenment On Middle Eastern History And Culture Through Artwork Chadd Sco Contributor Arts I cover the intersection of art and travel. Michael Rakowitz (Detail of new work, on view for the rst time, commissioned by the Ruth and Elmer ... [+] COURTESY OF THE ARTIST AND RHONA HOFFMAN GALLERY, CHICAGO. Assyria. Babylonia. Persia. These ancient empires covered an area generally consisting of modern-day Iraq and Iran. Museum goers can learn more https://www.forbes.com/sites/chaddscott/2020/10/06/enlightenment-on-middle-eastern-history-and-culture-through-artwork/#5b16471c58aa 1/12 10/7/2020 Enlightenment On Middle Eastern History And Culture Through Artwork about these cultures through exhibitions of their artistic expressions across North America. When Western audiences imagine artwork from this region, carpets often first come to mind. One of the most extraordinary examples of which can be seen now at the Aga Khan Museum, 15 minutes outside of downtown Toronto. The Wagner Garden Carpet makes its first ever appearance in Canada through January 17, the last stop on a three-city tour that also included the Museum of Fine Arts, Houston, and the Metropolitan Museum of Art. A rarely-travelling masterpiece of Islamic art, this monumental carpet–over 13x16 feet–made in 17th-century Kirman, Iran, is one of the oldest surviving Persian garden carpets. Considering its size, age, craftsmanship–each square centimeter has about 100 individually hand tied wool knots–and near pristine condition, the object is a true wonder.
    [Show full text]