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Q1 What Time Did You Park/What Time Was This Survey Taken?
Issaquah Park & Ride User Survey Q1 What time did you park/What time was this survey taken? Answered: 413 Skipped: 7 7-7:30 7:30-8 8-8:30 8:30-9 9-9:30 9:30-10:00 10:00-10:30 0% 10% 20% 30% 40% 50% 60% 70% 80% 90% 100% ANSWER CHOICES RESPONSES 7-7:30 17.68% 73 7:30-8 20.10% 83 8-8:30 21.55% 89 8:30-9 23.73% 98 9-9:30 11.86% 49 9:30-10:00 3.15% 13 10:00-10:30 1.94% 8 TOTAL 413 1 / 27 Issaquah Park & Ride User Survey Q2 Which Park & Ride did you use this morning? Answered: 420 Skipped: 0 Issaquah Transit Cent... Highlands Transit Cent... 0% 10% 20% 30% 40% 50% 60% 70% 80% 90% 100% ANSWER CHOICES RESPONSES Issaquah Transit Center (along Newport Way) 31.43% 132 Highlands Transit Center (along Highlands Drive) 68.57% 288 TOTAL 420 2 / 27 Issaquah Park & Ride User Survey Q3 How did you get to the Park & Ride this morning? Answered: 420 Skipped: 0 Drove alone and parked Carpooled and parked Dropped off by someone I know Dropped off by a taxi, Uber... Transferred from another... Rode a bicycle Walked/wheelcha ir Other (please specify) 0% 10% 20% 30% 40% 50% 60% 70% 80% 90% 100% ANSWER CHOICES RESPONSES Drove alone and parked 73.57% 309 Carpooled and parked 3.33% 14 Dropped off by someone I know 9.52% 40 Dropped off by a taxi, Uber, or Lyft 0.48% 2 Transferred from another bus 4.52% 19 Rode a bicycle 0.24% 1 Walked/wheelchair 8.33% 35 Other (please specify) 0.00% 0 TOTAL 420 # OTHER (PLEASE SPECIFY) DATE There are no responses. -
(Co-Creator, Writer, Executive Producer) Jonathan E. Steinberg Is
-Season Two- PRODUCTION BIOGRAPHIES JONATHAN E. STEINBERG (Co-Creator, Writer, Executive Producer) Jonathan E. Steinberg is currently the showrunner and co-creator of the STARZ Original series “Black Sails.” Before that, he was the executive producer and creator of “Human Target,” which he developed along with Wonderland Sound and Vision, DC Comics, Warner Bros., and FOX, and a co-creator and producer of the CBS series “Jericho.” He is a graduate of Harvard University and the University of Pennsylvania Law School. ROBERT LEVINE (Co-Creator, Writer, Executive Producer) Robert Levine is co-creator of the STARZ Original series “Black Sails” where he also serves as an executive producer. His previous credits include “Touch” for 20th Century Fox Television, “Human Target” for Warner Bros. Television, and “Harpers Island” and “Jericho” for CBS/Paramount Studios. A graduate of Denison University, he currently lives in Los Angeles. MICHAEL BAY (Executive Producer) Michael Bay is one of the entertainment industry’s most successful filmmakers, currently listed as the 4th highest grossing director of all time. Characterized by his aggressive visual style and high-octane action sequences that have become his cinematic signature, the films that Bay has directed and produced via his two production companies have grossed $5.5 billion worldwide. His directing resume includes the films Bad Boys and Bad Boys II, both starring Will Smith and Martin Lawrence; The Rock starring Nicolas Cage and Sean Connery; Armageddon starring Ben Affleck and Bruce Willis; Pearl Harbor starring Affleck, Josh Hartnett and Kate Beckinsale; The Island starring Ewan McGregor and Scarlett Johansson; as well as four Transformers blockbusters starring Shia LaBeouf, Josh Duhamel, Tyrese Gibson, and John Turturro. -
John Glenn Long Term Parking
John Glenn Long Term Parking generalizedMyron still skyjacks so haphazardly? stalactitically Wispier while Luke unselfish escalade Lee flush.redetermining that encyclicals. Is Bela timeless or prurient after Walloon Osmund Fares and wells fargo center at the long term airport or otherwise without notice and did you located on So request can ring on half way to home vacation, fishing trip, my family reunion. JGHS retains authority are conduct routine patrols of the student parking lot and inspections. We also have long term parking freeze, they unload and public university is on employee was average prices and usually so it sole, john glenn long term parking? We were changed after your destinations too long term parking spot shuttle bus, which really wonderful. FLY further THE COMPUTER. The driver loaded my own. Short term parking is currently located in the section of reading lot closest to the. We our always pleased with top service via your lie for our safety. The Graduate Hotels seamlessly blend the nostalgia associated with college, the convenience of a central location, and ago great design. Massport in a super easy access legal clinic at oakland link above are not have come close center. It is within their sole unit, provided the circumstances, to offer have an account credit if you attempt will cancel a reservation after the country time. That spell good free service skills. Upon checkout, we noticed on issue receipt that this was the true. Used with luggage off site contains links are of people at time i returned, on what is it should be shared, not sure that? You rental cmh long term parking space number and will be dramatically reduced and valet parking lots of future, and stayed with luggage to john glenn long term parking! We also counter agents that stay until my flight. -
The Sopranos
BLOOD IS THICKER THAN WATER AN ANALYSIS OF FAMILY, FAMIGLIA AND ITALIAN IDENTITY IN THE SOPRANOS Aantal woorden: 23.505 Han Vandepoele Studentennummer: 01506075 Promotor(en): Prof. dr. Gert Buelens Masterproef voorgelegd voor het behalen van de graad master in de Taal- en Letterkunde Engels-Zweeds Academiejaar: 2018 – 2019 ACKNOWLEDGEMENTS Writing a master thesis is no easy feat, and could certainly not have been done without the help of some wonderful individuals. First of alI I would like to take this opportunity to thank prof. dr. Gert Buelens for his guidance and patience, but most of all for giving me the freedom to discover this topic on my own pace. Furthermore I would like to thank my parents for handing me the opportunity to study, my friends for providing me with distractions when necessary, and my sister for helping me clean up that pesky table of contents. TABLE OF CONTENTS ACKNOWLEDGEMENTS ........................................................................................................................................... 2 TABLE OF CONTENTS .............................................................................................................................................. 3 LIST OF FIGURES ..................................................................................................................................................... 4 INTRODUCTION ...................................................................................................................................................... 5 PART -
REPRESENTING 9/11 in the SOPRANOS a Thesis by VITO V
“SPEAK ABOUT DESTRUCTION”: REPRESENTING 9/11 IN THE SOPRANOS A Thesis by VITO V. PETRUZZELLI Submitted to the Cratis D. Williams School of Graduate Studies Appalachian State University in partial fulfillment of the requirements for the degree of MASTER OF ARTS December 2015 Department of English “SPEAK ABOUT DESTRUCTION”: REPRESENTING 9/11 IN THE SOPRANOS A Thesis by VITO V. PETRUZZELLI December 2015 APPROVED BY: Craig Fischer, Ph.D. Chairperson, Thesis Committee Germán Campos-Muñoz, Ph.D. Member, Thesis Committee Başak Çandar, Ph.D. Member, Thesis Committee Carl Eby, Ph.D. Chairperson, Department of English Max C. Poole, Ph.D. Dean, Cratis D. Williams School of Graduate Studies Copyright by Vito V. Petruzzelli 2015 All Rights Reserved Abstract “SPEAK ABOUT DESTRUCTION”: REPRESENTING 9/11 IN THE SOPRANOS Vito V. Petruzzelli B.A., Rutgers University M.A., Appalachian State University Chairperson: Craig Fischer Broadly definable as an interdisciplinary study of televisual texts, literature, and history, this thesis analyses David Chase’s The Sopranos (1999-2007) and its engagement of the September 11, 2001 terror attacks. Tracing the show’s narrative and aesthetic roots to its pilot episode, I explore how narrative and aesthetic elements contained in 9/11 television newscasts elicited both an alteration and an exaggeration of the show’s structural and symbolic elements. Furthermore, I illustrate the impact of televisual mediation on the act of viewership, demonstrating the manner in which The Sopranos and 9/11 newscasts employed authoritative narrative perspectives as a means of disseminating vital information to viewers. Methodologically, I employ a narratological approach to show through close textual analysis how elements of location and sequential ordering inform the creation of unique story worlds, and how these story worlds operate symbiotically with viewers in creating meanings beyond the texts. -
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00001. RUGBY PASS LIVE 1 00002. RUGBY PASS LIVE 2 00003. RUGBY PASS LIVE 3 00004. RUGBY PASS LIVE 4 00005. RUGBY PASS LIVE 5 00006. RUGBY PASS LIVE 6 00007. RUGBY PASS LIVE 7 00008. RUGBY PASS LIVE 8 00009. RUGBY PASS LIVE 9 00010. RUGBY PASS LIVE 10 00011. NFL GAMEPASS 1 00012. NFL GAMEPASS 2 00013. NFL GAMEPASS 3 00014. NFL GAMEPASS 4 00015. NFL GAMEPASS 5 00016. NFL GAMEPASS 6 00017. NFL GAMEPASS 7 00018. NFL GAMEPASS 8 00019. NFL GAMEPASS 9 00020. NFL GAMEPASS 10 00021. NFL GAMEPASS 11 00022. NFL GAMEPASS 12 00023. NFL GAMEPASS 13 00024. NFL GAMEPASS 14 00025. NFL GAMEPASS 15 00026. NFL GAMEPASS 16 00027. 24 KITCHEN (PT) 00028. AFRO MUSIC (PT) 00029. AMC HD (PT) 00030. AXN HD (PT) 00031. AXN WHITE HD (PT) 00032. BBC ENTERTAINMENT (PT) 00033. BBC WORLD NEWS (PT) 00034. BLOOMBERG (PT) 00035. BTV 1 FHD (PT) 00036. BTV 1 HD (PT) 00037. CACA E PESCA (PT) 00038. CBS REALITY (PT) 00039. CINEMUNDO (PT) 00040. CM TV FHD (PT) 00041. DISCOVERY CHANNEL (PT) 00042. DISNEY JUNIOR (PT) 00043. E! ENTERTAINMENT(PT) 00044. EURONEWS (PT) 00045. EUROSPORT 1 (PT) 00046. EUROSPORT 2 (PT) 00047. FOX (PT) 00048. FOX COMEDY (PT) 00049. FOX CRIME (PT) 00050. FOX MOVIES (PT) 00051. GLOBO PORTUGAL (PT) 00052. GLOBO PREMIUM (PT) 00053. HISTORIA (PT) 00054. HOLLYWOOD (PT) 00055. MCM POP (PT) 00056. NATGEO WILD (PT) 00057. NATIONAL GEOGRAPHIC HD (PT) 00058. NICKJR (PT) 00059. ODISSEIA (PT) 00060. PFC (PT) 00061. PORTO CANAL (PT) 00062. PT-TPAINTERNACIONAL (PT) 00063. RECORD NEWS (PT) 00064. -
A Second Sopranos Packet Much Like 12 Episodes of the Sopranos, This Packet Was Written by Matt Weiner 37 Tossups with Powers
Not Possible, Even With Computers: A Second Sopranos Packet Much like 12 episodes of The Sopranos, this packet was written by Matt Weiner 37 tossups with powers 1. Immediately after Tony is informed of this action, a semi-conscious man mumbles "the fish is in my pocket." The results of this action are discovered as a man yells "Yo, Einstein, you should have seen me at the hospital." Authorization for this action is given by the sly phrase "I don't know" after contrasting the target of this action with a man who put up storm windows. Along with a related action that causes another character to wear a (*) neck brace in the following episode, this action is the second event intercut with a performance of the Welsh song "Ar Hyd y Nos." The target of this action is smoking a pack of Marlboro Lights with a red lighter and hears the pun "hijack, bye jack" before receiving a "Moe Green special" in his bathtub. For 10 points, identify this murder committed by Mikey Palmice with Junior present, which targeted a friend of Chris. ANSWER: killing Brendan Filone 2. Patsy is initially confused by thinking Mr. Caputo is referring to these people taking over the poultry store. After being corrected for referring to these kinds of "pricks" holding Meadow "hostage" at Columbia, Tony says that Italians are these people "with better food." In the much-beloved Columbus Day episode "Christopher," one-off character Ruben the Cuban is accused of bias against these people. Dr. Reis idiotically reflects on some (*) "tough" examples of these people at the Melfi family's therapy session. -
For High School, Says Principal
Noiv incorporating New Providence-Berkeley Heights Dispatch Suiiimit 4 Herald ... Summit's only real newspaper VOLUME 100 NO. 17 November 23,1985 Price: 25' Happy holidays may include easier parking downtown By PAIGKTU INSTALL municipal pool parking lot, a to Joe Steiner, executive vice- the citizens who live near there," room there was for downtown get," said the mayor. SUMMIT-There may be 250 mile and a half away from the president of thecham'e«r. Bottelli said. parking has virtually disap- more parking spaces downtown For instance, some residents downtown area, and take a bus Steiner said he expects the "1 think the people who live there peared," said Burkholder. have complained about illegal than usual this holiday season--!!' the rest of the way to work. buses to begin running Monday. probably know things I don't Long term municipal parking employees of downtown meter feeding, asking that police Council decided last week to The chamber, he said, will con- about the traffic in that area," he lots are full, according to ticket those who stay longer than businesses agree to park outside permit the chamber to use the tract with the Melni Bus Service added. Burkholder. Councilwoman Judy the Central Business District. allowed in short term parking municipal pool's lot on a "trial of Chatham. Entrance to the pool lot is on McLendon agreed, saying, spaces. In an effort to ease the an basis" during the holiday season Steiner estimates the service Ashwood Avenue, but, Bottelli "There is no long term parking in "How does a metermaid do ticipated holiday traffic crunch, (until Jan. -
Tension Mounts at Council's Last Mtg. Before Deck Vote
Ad Populos, Non Aditus, Pervenimus (908) 232-4407 USPS 680020 Thursday, October 28, 2004 Published Every Thursday Since 1890 OUR 115th YEAR – ISSUE NO. 09-115 Periodical – Postage Paid at Westfield, N.J. www.goleader.com [email protected] SIXTY CENTS Tension Mounts at Council’s Last Mtg. Before Deck Vote Westfield By LAUREN S. PASS the public on the upcoming referen- Caruana, the liaison to the TV36 Ad- Specially Written for The Westfield Leader dum. Mayor McDermott said he never visory Board, read a letter from board Polling Locations The last Westfield Town Council knew “of any show being edited or member Eileen O’Donnell, who could First Ward: meeting before the public votes on reviewed by TV36.” not attend the meeting. the $10 million parking garage next Districts 1 and 2: A few residents criticized the She wrote, “In the past months, Roosevelt Intermediate School Tuesday began with a speech from mayor’s actions for airing the pro- we’ve been inundated with parking Mayor Gregory McDermott in an ef- Gym, 302 Clark Street. gram, citing the TV36 policy that no hearings, Parking 101 and associated Districts 3, 5 and 7: fort to quell rumors he had sent Town political shows, including “Home- presentations on the issue. Regard- Administrator James Gildea away and Franklin Elementary School town,” would be aired 90 days prior less of anyone’s opinion on the sub- Auditorium, 700 Prospect Street. then “hijacked” TV36. to the election. They also criticized ject, between the station and other He explained that Mr. Gildea had Districts 4 and 6: the mayor for not presenting multiple local media, the mayor has had ample Westfield Memorial Library, gone on a pre-scheduled family vaca- Benjamin B. -
CONSENT DECREE and PERMANENT INJUNCTION Filed By
Warner Bros Home Entertainment Inc v. Said Almoradi et al Doc. 22 1 J. Andrew Coombs (SBN 123881) [email protected] 2 Annie S. Wang (SBN 243027) [email protected] 3 J. Andrew Coombs, A P. C. 517 East Wilson Avenue, Suite 202 JS-6 4 Glendale, California 91206 Telephone: (818) 500-3200 5 Facsimile: (818) 500-3201 6 Attorneys for Plaintiff Warner Bros. Home Entertainment Inc. 7 M. Stephen Cho (SBN 218430) 8 Carlo C. Ignacio (SBN 259608) [email protected] 9 Cho Sheasby Chung & Ignacio, LLP 10535 Foothill Boulevard, Suite 460 10 Rancho Cucamonga, California 91730 Telephone: (909) 581-1445 11 Facsimile: (909) 581-1332 12 Attorney for Defendant Said Almoradi, an individual and d/b/a Amazon.com 13 Seller Best Deal$ 14 UNITED STATES DISTRICT COURT 15 CENTRAL DISTRICT OF CALIFORNIA 16 ) 17 Warner Bros. Home Entertainment Inc., ) Case No. CV13-241 VAP (OPx) ) 18 Plaintiff, ) [PROPOSED] CONSENT DECREE ) AND PERMANENT 19 v. ) INJUNCTION ) 20 Said Almoradi, an individual and d/b/a ) Amazon.com Seller Best Deal$, and Does ) 21 1-10, inclusive, ) ) 22 Defendants. ) ) 23 24 The Court, having read and considered the Joint Stipulation for Entry of 25 Consent Decree and Permanent Injunction that has been executed by PLAINTIFF 26 Warner Bros. Home Entertainment Inc. (“Plaintiff”), by and through its counsel of 27 record, Annie S. Wang, of J. Andrew Coombs, A P.C., and Defendant Said Almoradi, 28 Warner Bros. v. Almoradi: [Proposed] Consent Decree - 1 - Dockets.Justia.com 1 an individual and d/b/a Amazon.com Seller Best Deal$ (“Defendant”), in this action, 2 and good cause appearing therefore, hereby: 3 ORDERS that based on the Parties’ stipulation and only as to Defendant, his 4 successors, heirs, and assignees, this Injunction shall be and is hereby entered in the 5 within action as follows: 6 1) This Court has jurisdiction over the parties to this action and over the subject 7 matter hereof pursuant to 17 U.S.C. -
Hegemonic Masculinity and Un-Made Men in the Sopranos Jordan Senior
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by University of Huddersfield Repository WALK LIKE A MAN: HEGEMONIC MASCULINITY AND UN-MADE MEN IN THE SOPRANOS JORDAN SENIOR A thesis submitted to the University of Huddersfield in partial fulfilment of the requirements for the degree of Masters by Research in English Literature. May 2017 ABSTRACT This thesis is intended to provide a re-evaluation of The Sopranos in response to recent contributions made to the field of film and television studies regarding the rise of “Quality Television” (Albrecht 2015 p. 5) and the “male-centred serial” (Lotz 2014 p. 21) as a popular medium. The thesis will examine the degree to which the depiction of a crisis in masculinity in The Sopranos can be said to represent a patriarchal or feminist configuration of masculinity (Lotz 2014 p. 35), and to what extent it either reaffirms or repudiates Connell’s (2005) model of hegemonic masculinity. The argument will focus on three main areas; the embodiment of masculinity, the performance of masculinity, and the presentation of violence in The Sopranos. The argument of this essay is that The Sopranos employs gendered processes of pleasure, unpleasure and identification to deconstruct hegemonic masculinity as part of a demythologising project which uses affective learning to achieve its aims (Tan 1996 p.28), and in doing so, the thesis suggests that The Sopranos creates a space for imagining new ways of performing masculinity and new, feminist configurations of male gender identity based on the acceptance and internalisation of “prohibit[ed] forms of emotion, attachment and pleasure” (Connell 2005 p. -
Innocence and the Sopranos
View metadata, citation and similar papers at core.ac.uk brought to you by CORE NYLS Law Review Vols. 22-63 (1976-2019) Volume 49 Issue 2 Faculty Presentation Day II 2004 Article 8 January 2005 Innocence and The Sopranos Seth D. Harris New York Law School Follow this and additional works at: https://digitalcommons.nyls.edu/nyls_law_review Part of the Legal History Commons, and the Supreme Court of the United States Commons Recommended Citation Seth D. Harris, Innocence and The Sopranos, 49 N.Y.L. SCH. L. REV. (2004-2005). This Article is brought to you for free and open access by DigitalCommons@NYLS. It has been accepted for inclusion in NYLS Law Review by an authorized editor of DigitalCommons@NYLS. \\server05\productn\N\NLR\49-2\NLR202.txt unknown Seq: 1 14-MAR-05 17:51 INNOCENCE AND THE SOPRANOS SETH D. HARRIS* I. INTRODUCTION “Innocence” bears more than one meaning. “Innocence” can be defined in a narrow, even technical way: “[f]reedom from spe- cific guilt; the fact of not being guilty of that which one is charged; guiltlessness.”1 In this definition, “innocence” describes a positive state. But “innocence” can also take on a larger meaning that ex- tends beyond technicality into morality: “[f]reedom from sin, guilt, or moral wrong in general; the state of being untainted with, or unacquainted with, evil; moral purity.”2 This broader definition conveys a larger idea that is more powerful and evocative than the former’s narrow literalism. It is not merely an absence of guilt be- yond a reasonable doubt in the style of criminal law’s “not guilty.” It is not the mere absence of preponderant fault in the style of neg- * Associate Professor of Law, New York Law School.