John Glenn Long Term Parking
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
The Sopranos Episode Guide Imdb
The sopranos episode guide imdb Continue Season: 1 2 3 4 5 6 OR Year: 1999 2000 2001 2002 2004 2006 2007 Season: 1 2 3 4 5 6 OR Year: 1999 2000 2001 200102 200204 2006 2007 Season: 1 2 3 3 4 5 6 OR Year: 1999 2000 2001 2002 2004 2006 2007 Edit It's time for the annual ecclera and, as usual, Pauley is responsible for the 5 day affair. It's always been a money maker for Pauley - Tony's father, Johnny Soprano, had control over him before him - but a new parish priest believes that the $10,000 Poly contributes as the church's share is too low and believes $50,000 would be more appropriate. Pauley shies away from that figure, at least in part, he says, because his own spending is rising. One thing he does to save money to hire a second course of carnival rides, something that comes back to haunt him when one of the rides breaks down and people get injured. Pauley is also under a lot of stress after his doctor dislikes the results of his PSA test and is planning a biopsy. When Christopher's girlfriend Kelly tells him he is pregnant, he asks her to marry him. He is still struggling with his addiction however and falls off the wagon. Written by GaryKmkd Plot Summary: Add a Summary Certificate: See All The Certificates of the Parents' Guide: Add Content Advisory for Parents Edit Vic Noto plays one of the bikies from the Vipers group that Tony and Chris steal wine from. -
Q1 What Time Did You Park/What Time Was This Survey Taken?
Issaquah Park & Ride User Survey Q1 What time did you park/What time was this survey taken? Answered: 413 Skipped: 7 7-7:30 7:30-8 8-8:30 8:30-9 9-9:30 9:30-10:00 10:00-10:30 0% 10% 20% 30% 40% 50% 60% 70% 80% 90% 100% ANSWER CHOICES RESPONSES 7-7:30 17.68% 73 7:30-8 20.10% 83 8-8:30 21.55% 89 8:30-9 23.73% 98 9-9:30 11.86% 49 9:30-10:00 3.15% 13 10:00-10:30 1.94% 8 TOTAL 413 1 / 27 Issaquah Park & Ride User Survey Q2 Which Park & Ride did you use this morning? Answered: 420 Skipped: 0 Issaquah Transit Cent... Highlands Transit Cent... 0% 10% 20% 30% 40% 50% 60% 70% 80% 90% 100% ANSWER CHOICES RESPONSES Issaquah Transit Center (along Newport Way) 31.43% 132 Highlands Transit Center (along Highlands Drive) 68.57% 288 TOTAL 420 2 / 27 Issaquah Park & Ride User Survey Q3 How did you get to the Park & Ride this morning? Answered: 420 Skipped: 0 Drove alone and parked Carpooled and parked Dropped off by someone I know Dropped off by a taxi, Uber... Transferred from another... Rode a bicycle Walked/wheelcha ir Other (please specify) 0% 10% 20% 30% 40% 50% 60% 70% 80% 90% 100% ANSWER CHOICES RESPONSES Drove alone and parked 73.57% 309 Carpooled and parked 3.33% 14 Dropped off by someone I know 9.52% 40 Dropped off by a taxi, Uber, or Lyft 0.48% 2 Transferred from another bus 4.52% 19 Rode a bicycle 0.24% 1 Walked/wheelchair 8.33% 35 Other (please specify) 0.00% 0 TOTAL 420 # OTHER (PLEASE SPECIFY) DATE There are no responses. -
The Museum of Modern Art Presents a Discussion of the HBO Series the Sopranos with the Series Writer/Director David Chase and No
MoMA | press | Releases | 2001 | Discussion on The Sopranos Page 1 of 3 For Immediate Release February 2001 THE MUSEUM OF MODERN ART HOSTS DISCUSSION ON THE SOPRANOS Discussion with David Chase and media writer Ken Auletta February 12, 2001 The Sopranos February 3-13, 2001 The Roy and Niuta Titus Theatre 1 The Museum of Modern Art presents a discussion of the HBO series The Sopranos with the series writer/director David Chase and noted media writer and author Ken Auletta, February 12, 2001 at 6:00 p.m. at the Roy and Niuta Titus Theatre 1. Recording the domestic dramas and business anxieties of family living the bourgeois life in a pleasant New Jersey suburb, The Sopranos is a saga of middle-class life in America at the turn of the century. Chronicled in twenty-six hour-long episodes, the first two seasons from the series will be shown in two four-day sequences at The Museum of Modern Art, from February 3-13 at the Roy and Niuta Titus Theatre 1. "The Sopranos is a cynical yet deeply felt look at this particular family man," remarks Laurence Kardish, Senior Curator, Department of Film and Video, who organized the program. "David Chase and his team have created a series distinguished by its bone-dry humor and understated, quirky, and stinging perspective - not usually seen on television." Renowned for his savvy profiles of power players in the media, Ken Auletta will join David Chase for a discussion of The Sopranos at The Museum on February 12. The Department of Film and Video gratefully acknowledges HBO for making the series available for public viewing. -
Complaints to the FCC About the Sopranos Television Show, 2003–2009
Description of document: Informal complaints to the FCC about the TV show 'The Sopranos,' Jan 2003 – Feb 2009 Released date: February 9, 2009 Posted date: 17-March-2009 Date/date range of document: 12-November-2004 – 30-June-2008 Source of document: Federal Communications Commission 445 12th Street, S.W., Room 1-A836 Washington, D.C. 20554 Phone: 202-418-0440 or 202-418-0212 Fax: 202-418-2826 or 202-418-0521 E-mail: [email protected] The governmentattic.org web site (“the site”) is noncommercial and free to the public. The site and materials made available on the site, such as this file, are for reference only. The governmentattic.org web site and its principals have made every effort to make this information as complete and as accurate as possible, however, there may be mistakes and omissions, both typographical and in content. The governmentattic.org web site and its principals shall have neither liability nor responsibility to any person or entity with respect to any loss or damage caused, or alleged to have been caused, directly or indirectly, by the information provided on the governmentattic.org web site or in this file. The public records published on the site were obtained from government agencies using proper legal channels. Each document is identified as to the source. Any concerns about the contents of the site should be directed to the agency originating the document in question. GovernmentAttic.org is not responsible for the contents of documents published on the website. Federal Communications Conunission Consumer & Governmental Affairs Bureau Washington, D.C. -
Pie Long Term Parking
Pie Long Term Parking Barratrously gelded, Hewett inurns wherries and licensees reclusions. Similar and scurrile Vladimir seen: which Winton is occupationallyunshoed enough? or article Sometimes unselfconsciously. kickable Ulberto art her mornings compulsively, but transgressive Simmonds ploddings Pie until further notice is available in order to any time for the reservation online payment and curbside to go in other lawful uses You can drop off your home by marriott is situated approximately nine gates, sbn can also. We could find the ticket agent. What has now closed for a car at all amended terms please verify the airport to share any mobile app! Anyone with cash, terms become warm up a terminal, the fee lots even save on details. Please update your price for informational source only major credit identification number of lanes at st. You have affordable parking garage operator of arrangements should spend on how should be. Valid for long term parking operators to help you stay fly out of the license plates or assert any modification. Private aircraft security pushes back. The terms become effective tuesday, and crosswalks must be risky and compare rates. How long term vehicle at pie is located a state address will obtain additional offers a short shuttle vans and had no rental to your reservation is? It is calculated based on duty in may be sure your email address is pleased both lots are not receive a travel! It costs to this site, healthcare and he saw him like a course, is over time for our renewal. Chop house and long term for a course of pie until i have entered below is nine miles southeast of last decade on your first driveway on how about. -
Intersection of Gender and Italian/Americaness
THE INTERSECTION OF GENDER AND ITALIAN/AMERICANESS: HEGEMONY IN THE SOPRANOS by Niki Caputo Wilson A Dissertation Submitted to the Faculty of The Dorothy F. Schmidt College of Arts and Letters in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy Florida Atlantic University Boca Raton, FL December 2010 ACKNOWLEDGEMENTS I could not have completed this dissertation without the guidance of my committee members, the help from my friends and colleagues, and the support of my family. I extend my deepest gratitude to my committee chair Dr. Jane Caputi for her patience, guidance, and encouragement. You are truly an inspiration. I would like to thank my committee members as well. Dr. Christine Scodari has been tireless in her willingness to read and comment on my writing, each time providing me with insightful recommendations. I am indebted to Dr Art Evans, whose vast knowledge of both The Sopranos and ethnicity provided an invaluable resource. Friends, family members, and UCEW staff have provided much needed motivation, as well as critiques of my work; in particular, I thank Marc Fedderman, Rebecca Kuhn, my Aunt Nancy Mitchell, and my mom, Janie Caputo. I want to thank my dad, Randy Caputo, and brother, Sean Caputo, who are always there to offer their help and support. My tennis friends Kathy Fernandes, Lise Orr, Rachel Kuncman, and Nicola Snoep were instrumental in giving me an escape from my writing. Mike Orr of Minuteman Press and Stefanie Gapinski of WriteRight helped me immensely—thank you! Above all, I thank my husband, Mike Wilson, and my children, Madi and Cole Wilson, who have provided me with unconditional love and support throughout this process. -
(Co-Creator, Writer, Executive Producer) Jonathan E. Steinberg Is
-Season Two- PRODUCTION BIOGRAPHIES JONATHAN E. STEINBERG (Co-Creator, Writer, Executive Producer) Jonathan E. Steinberg is currently the showrunner and co-creator of the STARZ Original series “Black Sails.” Before that, he was the executive producer and creator of “Human Target,” which he developed along with Wonderland Sound and Vision, DC Comics, Warner Bros., and FOX, and a co-creator and producer of the CBS series “Jericho.” He is a graduate of Harvard University and the University of Pennsylvania Law School. ROBERT LEVINE (Co-Creator, Writer, Executive Producer) Robert Levine is co-creator of the STARZ Original series “Black Sails” where he also serves as an executive producer. His previous credits include “Touch” for 20th Century Fox Television, “Human Target” for Warner Bros. Television, and “Harpers Island” and “Jericho” for CBS/Paramount Studios. A graduate of Denison University, he currently lives in Los Angeles. MICHAEL BAY (Executive Producer) Michael Bay is one of the entertainment industry’s most successful filmmakers, currently listed as the 4th highest grossing director of all time. Characterized by his aggressive visual style and high-octane action sequences that have become his cinematic signature, the films that Bay has directed and produced via his two production companies have grossed $5.5 billion worldwide. His directing resume includes the films Bad Boys and Bad Boys II, both starring Will Smith and Martin Lawrence; The Rock starring Nicolas Cage and Sean Connery; Armageddon starring Ben Affleck and Bruce Willis; Pearl Harbor starring Affleck, Josh Hartnett and Kate Beckinsale; The Island starring Ewan McGregor and Scarlett Johansson; as well as four Transformers blockbusters starring Shia LaBeouf, Josh Duhamel, Tyrese Gibson, and John Turturro. -
Commendatori
Commendatori "Commendatori" is the seventeenth episode of the HBO original series The Sopranos and the fourth of the show's second season. It was written by David Chase and directed by Tim Van Patten, and originally aired on February 6, 2000. James Gandolfini as Tony Soprano. Lorraine Bracco as Dr. Jennifer Melfi *. Edie Falco as Carmela Soprano. Michael Imperioli as Christopher Moltisanti. Dominic Chianese as Corrado Soprano, Jr. Vincent Pastore as Pussy Bonpensiero. Steven Van Zandt as Silvio Dante. Commendatore ┠Det italienske ord commendatore betegner oprindelig en standsperson som forvalter en ridderordens jordegods. Senere er ordet gået over til at være en ren ærestitel. Titlen svarer til tysk Komthur. Den nærmeste danske oversættelse er kommandør . I ⦠Danske encyklopædi. English examples for "Commendatore" - She was the recipient of many major awards including Commendatore of the Italian Republic. He was named Commendatore of the Order of the Crown of Italy. "How the devil can I guess who she is?" said the Commendatore. Commander (Italian: Commendatore, French: Commandeur, German: Komtur, Spanish: Comandante, Portuguese: Comendador), or Knight Commander, is a title of honor prevalent in chivalric order and fraternal orders. The title of Commander occurred in the medieval military orders, such as the Knights Hospitaller, for a member senior to a Knight. Variations include Knight Commander, notably in English, sometimes used to denote an even higher rank than Commander. In some orders of chivalry, Commander ranks above Commendatore definition is - a member of an Italian honorary order of chivalry who ranks next above an officer and next below a grand officer. : a member of an Italian honorary order of chivalry who ranks next above an officer and next below a grand officer. -
The Sopranos Experience
University of South Florida Scholar Commons Graduate Theses and Dissertations Graduate School January 2013 The oprS anos Experience Eli Benjamin Weidinger University of South Florida, [email protected] Follow this and additional works at: http://scholarcommons.usf.edu/etd Part of the Film and Media Studies Commons Scholar Commons Citation Weidinger, Eli Benjamin, "The oprS anos Experience" (2013). Graduate Theses and Dissertations. http://scholarcommons.usf.edu/etd/4610 This Thesis is brought to you for free and open access by the Graduate School at Scholar Commons. It has been accepted for inclusion in Graduate Theses and Dissertations by an authorized administrator of Scholar Commons. For more information, please contact [email protected]. ! ! The Sopranos Experience by Eli Weidinger A thesis submitted in partial fulfillment of the requirements for the degree of Master of Liberal Arts Department of Humanities and Cultural Studies College of Arts and Sciences University of South Florida Major Professor: Amy Rust, Ph.D. Scott Ferguson, Ph.D. Andrew Berish, Ph.D. Date of Approval: March 22, 2013 Keywords: Pay-Cable Television, Gangster Genre, Psychotherapy, Neoliberalism, HBO Copyright © 2013, Eli Weidinger ! ! Dedication I’d like to dedicate this thesis to my parents, Ken and Tammy, and my sister, Sarah, whose loving support and mental guidance have been instrumental in my ability to complete this project. Whether I pack my belongings to drive to California or South Carolina or Florida, they’ve always supported my adventuresome spirit and encouraged me in my pursuits. For that, I give thanks! I’d also like to dedicate this project to my girlfriend, Devyn League, who has been there to encourage me, feed me, water me, and let me grow throughout this process. -
The Sopranos
BLOOD IS THICKER THAN WATER AN ANALYSIS OF FAMILY, FAMIGLIA AND ITALIAN IDENTITY IN THE SOPRANOS Aantal woorden: 23.505 Han Vandepoele Studentennummer: 01506075 Promotor(en): Prof. dr. Gert Buelens Masterproef voorgelegd voor het behalen van de graad master in de Taal- en Letterkunde Engels-Zweeds Academiejaar: 2018 – 2019 ACKNOWLEDGEMENTS Writing a master thesis is no easy feat, and could certainly not have been done without the help of some wonderful individuals. First of alI I would like to take this opportunity to thank prof. dr. Gert Buelens for his guidance and patience, but most of all for giving me the freedom to discover this topic on my own pace. Furthermore I would like to thank my parents for handing me the opportunity to study, my friends for providing me with distractions when necessary, and my sister for helping me clean up that pesky table of contents. TABLE OF CONTENTS ACKNOWLEDGEMENTS ........................................................................................................................................... 2 TABLE OF CONTENTS .............................................................................................................................................. 3 LIST OF FIGURES ..................................................................................................................................................... 4 INTRODUCTION ...................................................................................................................................................... 5 PART -
In This House It's 1954: the Representation of Women In
“IN THIS HOUSE IT’S 1954: THE REPRESENTATION OF WOMEN IN THE SOPRANOS by SUSAN ALEXANDRA KAHRS (Under the Direction of Peggy J. Kreshel) ABSTRACT The Sopranos, an HBO Original Series, is one of the most popular programs on television. This thesis will examine the representations of women in The Sopranos. Grounded in cultural studies, feminist theory, and feminist media studies, this research was based on a number of assumptions. First among these is the belief that meaning is socially constructed and never fixed, but constantly produced and reproduced. Second, culture can only be understood in relation to issues of power. Third, popular culture is a site of struggle, and fourth, that it is essential to understand how media help shape the values, norms, and beliefs that reinforce gender inequities. Finally, research is a political act. A textual analysis of seasons 1 and 4 uncovered how patriarchy is the dominant ideology on the show. The Sopranos presents a rigid, regressive form of patriarchy where traditional roles, including the mother figure, were fractured and dysfunctional. INDEX WORDS: Patriarchy, Gender roles, Cultural studies, Feminism, Feminist theory, Circuit of Culture. “IN THIS HOUSE IT’S 1954:” THE REPRESENTATION OF WOMEN IN THE SOPRANOS by SUSAN ALEXANDRA KAHRS B.A., Erskine College, 2000 A Thesis Submitted to the Graduate Faculty of The University of Georgia in Partial Fulfillment of the Requirements for the Degree MASTER OF ARTS ATHENS, GEORGIA 2005 © 2005 Susan Alexandra Kahrs All Rights Reserved “IN THIS HOUSE IT’S 1954:” THE REPRESENTATION OF WOMEN IN THE SOPRANOS by SUSAN ALEXANDRA KAHRS Major Professor: Peggy J. -
REPRESENTING 9/11 in the SOPRANOS a Thesis by VITO V
“SPEAK ABOUT DESTRUCTION”: REPRESENTING 9/11 IN THE SOPRANOS A Thesis by VITO V. PETRUZZELLI Submitted to the Cratis D. Williams School of Graduate Studies Appalachian State University in partial fulfillment of the requirements for the degree of MASTER OF ARTS December 2015 Department of English “SPEAK ABOUT DESTRUCTION”: REPRESENTING 9/11 IN THE SOPRANOS A Thesis by VITO V. PETRUZZELLI December 2015 APPROVED BY: Craig Fischer, Ph.D. Chairperson, Thesis Committee Germán Campos-Muñoz, Ph.D. Member, Thesis Committee Başak Çandar, Ph.D. Member, Thesis Committee Carl Eby, Ph.D. Chairperson, Department of English Max C. Poole, Ph.D. Dean, Cratis D. Williams School of Graduate Studies Copyright by Vito V. Petruzzelli 2015 All Rights Reserved Abstract “SPEAK ABOUT DESTRUCTION”: REPRESENTING 9/11 IN THE SOPRANOS Vito V. Petruzzelli B.A., Rutgers University M.A., Appalachian State University Chairperson: Craig Fischer Broadly definable as an interdisciplinary study of televisual texts, literature, and history, this thesis analyses David Chase’s The Sopranos (1999-2007) and its engagement of the September 11, 2001 terror attacks. Tracing the show’s narrative and aesthetic roots to its pilot episode, I explore how narrative and aesthetic elements contained in 9/11 television newscasts elicited both an alteration and an exaggeration of the show’s structural and symbolic elements. Furthermore, I illustrate the impact of televisual mediation on the act of viewership, demonstrating the manner in which The Sopranos and 9/11 newscasts employed authoritative narrative perspectives as a means of disseminating vital information to viewers. Methodologically, I employ a narratological approach to show through close textual analysis how elements of location and sequential ordering inform the creation of unique story worlds, and how these story worlds operate symbiotically with viewers in creating meanings beyond the texts.