Practical Benefits of Literature in Law, and Their Limits
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Presentations of the Self As Author in Prefaces and Autobiographies. (Volumes I and II)
Louisiana State University LSU Digital Commons LSU Historical Dissertations and Theses Graduate School 1990 Authorial Introductions: Presentations of the Self as Author in Prefaces and Autobiographies. (Volumes I and II). Laurie Frances Leach Louisiana State University and Agricultural & Mechanical College Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_disstheses Recommended Citation Leach, Laurie Frances, "Authorial Introductions: Presentations of the Self as Author in Prefaces and Autobiographies. (Volumes I and II)." (1990). LSU Historical Dissertations and Theses. 4998. https://digitalcommons.lsu.edu/gradschool_disstheses/4998 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Historical Dissertations and Theses by an authorized administrator of LSU Digital Commons. For more information, please contact [email protected]. INFORMATION TO USERS The most advanced technology has been used to photograph and reproduce this manuscript from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand corner and continuing from left to right in equal sections with small overlaps. -
The First Amendment and Film Censorship from 1915-1952, 41 Hastings Const
Hastings Constitutional Law Quarterly Volume 41 Article 4 Number 2 Winter 2014 1-1-2014 From Spectacle to Speech: The irsF t Amendment and Film Censorship from 1915-1952 Jessica J. Hwang Follow this and additional works at: https://repository.uchastings.edu/ hastings_constitutional_law_quaterly Part of the Constitutional Law Commons Recommended Citation Jessica J. Hwang, From Spectacle to Speech: The First Amendment and Film Censorship from 1915-1952, 41 Hastings Const. L.Q. 381 (2014). Available at: https://repository.uchastings.edu/hastings_constitutional_law_quaterly/vol41/iss2/4 This Note is brought to you for free and open access by the Law Journals at UC Hastings Scholarship Repository. It has been accepted for inclusion in Hastings Constitutional Law Quarterly by an authorized editor of UC Hastings Scholarship Repository. For more information, please contact [email protected]. From Spectacle to Speech: The First Amendment and Film Censorship from 1915-1952 by JESSICA J. HWANG* Congress shall make no law respecting an establishment of religion, or prohibiting the free exercise thereof; or abridging the freedom of speech, or of the press; or the right of the people peaceably to assemble, and to petition the Government for a redress of grievances. - U.S. CONST. amend. I Introduction The First Amendment, often hailed as the great protector of free expression and speech, has not always meant what it means to us today. Though it boldly prohibits Congress from enacting any law "abridging the freedom of speech," the exact meaning of that phrase has changed over time. The modern First Amendment grants "special protection" to "speech on matters of public concern."' And though the United States Supreme Court recently referred to the First Amendment as "the essence of self-government,"2 such a view * J.D. -
"Compulsion": the Fictionalization of the Leopold-Loeb Case and The
Northern Michigan University NMU Commons All NMU Master's Theses Student Works 5-2015 "Compulsion": The icF tionalization of the Leopold- Loeb Case and the Struggle for Creative Control of "The rC ime of the Century" Maria L. Zambrana Northern Michigan University, [email protected] Follow this and additional works at: https://commons.nmu.edu/theses Part of the Literature in English, North America, Ethnic and Cultural Minority Commons Recommended Citation Zambrana, Maria L., ""Compulsion": The ictF ionalization of the Leopold-Loeb Case and the Struggle for Creative Control of "The Crime of the Century"" (2015). All NMU Master's Theses. 41. https://commons.nmu.edu/theses/41 This Open Access is brought to you for free and open access by the Student Works at NMU Commons. It has been accepted for inclusion in All NMU Master's Theses by an authorized administrator of NMU Commons. For more information, please contact [email protected],[email protected]. Compulsion: The Fictionalization of the Leopold-Loeb Case and the Struggle for Creative Control of the “Crime of the Century” By M.L. ZAMBRANA THESIS Submitted to Northern Michigan University In partial fulfillment of the requirements For the degree of MASTER OF ARTS English Department Copyright May 2015 by M.L. Zambrana SIGNATURE APPROVAL FORM Title of Thesis: Compulsion: The Fictionalization of the Leopold-Loeb Case and the Struggle for Creative Control of “The Crime of the Century” This thesis by Maria L. Zambrana is recommended for approval by the student’s Thesis Committee and Department Head in the Department of English and by the Assistant Provost of Graduate Education and Research. -
Vol. 1 No. 2 $1.00
' EVERGREEN BOOKS LIBRAA~' 00 NOT REM~VE GRQuE~R@%IDENC~.~~~ by He,mo" Melrllle $1.25 THE VERSE IN ENGLISH OF RICHARD CRASHAW .. ... .. .. $1.25 SELECTED WRITINGS OF THE INGENIOUS MRS. APHRA bEHN $1.45 COUNT D'ORGEL by Roymond Radiguel . $1.25 THE SACRED FOUEIT by Henry Jo THE MAROUIS DE SADE by Simone With Seledons from His Wriling FLAUBERT: A BIOGRAPHY by Philip IMMORTALITY by Ashley Mcntagu JAPANESE LlTERATURE: An lnlrodu bv Donald Keene IE.10) EAKTH by Emile Zola 1.75 lE.11) TO THE HAPPY FEW: THE SELECTED LETTERS OF STENDHAL . $1.45 (E.14) LITTLE NOVELS OF 51ClLY by Giovanni Verga - Ironrlrrlcd by D. H. Lowrenre 1.25 IE.16) CHEKHOV: A LIFE by Dorid Mogarrhork . $1.45 IE.17) MASTRO-DON GESUALDO by Gioronni V lrontlmed by D. H. Lawrence 1.45 (E.18) MOLLOY by Somuel Beckett . $1.45 IE-211 GERMlNlE by Edmond and Juler de Goncourt $1.25 IE-221 THE INSULTED AND INJURED by Fyodor Do~toersky $1.45 IE-231 OEDIPUS-MYTH AND COMPLEX: A Review of Pry~hoonolyti~Theory by Pmrick Mullahy . $1.45 IE-24) JUNG'S PSYCHOLOGY AND ITS SOCIAL MEANING by Ira Progolf . $1.25 IE-25) PUDD'NHEAD WILSON by Mork Twoin (E-26) MID-CENTURY FRENCH POETS by Wollore Forhe . .... (E-27) VIRGIN SOIL by Iran Turgener (E-281 MAN0 MAJRA by Khushwonl Singh (E-29) THE POEMS OF CATULLUS Ironslaled by Horace Gregory. $1.25 (E-30) THREE EXEMPLARY NOVELS by Miguel de Unomuno . $1.45 (E-31) DEMOCRACY AND DICTATORSHIP by 2. -
Law and Literature: Joining the Class Action
Valparaiso University Law Review Volume 29 Number 2 Symposium on Legal Education pp.665-859 Symposium on Legal Education Law and Literature: Joining the Class Action Elizabeth Villiers Gemmette Follow this and additional works at: https://scholar.valpo.edu/vulr Recommended Citation Elizabeth Villiers Gemmette, Law and Literature: Joining the Class Action, 29 Val. U. L. Rev. 665 (1995). Available at: https://scholar.valpo.edu/vulr/vol29/iss2/4 This Symposium is brought to you for free and open access by the Valparaiso University Law School at ValpoScholar. It has been accepted for inclusion in Valparaiso University Law Review by an authorized administrator of ValpoScholar. For more information, please contact a ValpoScholar staff member at [email protected]. Gemmette: Law and Literature: Joining the Class Action LAW AND LITERATURE: JOINING THE CLASS ACTION ELIZABETH VILLIERS GEMMETTE" When once the itch of literature comes over a man, nothing can cure it but the scratching of a pen. 1 Samuel Lover I. INTRODUCTION: THE WHERE, WHAT, AND WHY OF LAW AND LrrERATURE When my first article on law and literature was published in 1989,2 it did not occur to me that I would once again undertake another survey related to the same topic, although I had noted that "the itch of literature" was upon many law professors' minds and that there was much "scratching of [the] pen."' Yet, when I was asked by several law school professors and one liberal arts college professor whether I would consider updating my earlier work, I must confess that I found myself wondering whether the pen-scratching spiders were now revealing their "curious" wares to more flies and whether they were making the parlour a more "habitable" place.4 In an attempt to determine which law schools offered some version of a law and literature course within the law school curriculum in 1987, questionnaires were sent to 175 American Bar Association accredited institutions, and the , Union College (B.S., 1979); College of St. -
Chapter Two Genesis the Creation of the Clergy Consultation Service
Chapter Two Genesis The Creation of the Clergy Consultation Service The Clergy Consultation Service on Abortion was conceived at a luncheon on September 6, 1966.Larry Lader met with three ministers interested in the abortion issue: two Episcopal priests, John Krumm of New York and Lester Kinsolving of San Francisco, and Howard Moody, a Baptist minister from Greenwich Village's Judson Memorial Church. The ministers asked Lader what they could contribute to his abortion rights campaign, and he replied, "Start with the women. Organize the clergy to refer women to qualified doctors. II Though the abortion issue was a pre-planned topic of conversation, a clergy referral service was not. "I had no idea what [the ministers] wanted [to do]." recalls Lader. "The clergy service probably just popped into my head at lunch that day." This seminal meeting has faded from Moody's memory, but he wrote that "out of Lader's encouragement was born the first concept of what later would become the Clergy Consultation Service on Abortion."! The fortuitous consequence of Lader's lunch meeting on September 6 was not only the birth of the clergy referral movement, but the drafting of Howard Moody into the growing ranks of abortion activists. Lader and Moody were not strangers to each other in 1966,and though neither of them can remember exactly how they met, Lader speculates that they probably became acquainted through Democratic reform politics. Lader remembers their relationship as an inevitability, as though two such members of New York's City's elite circle of progressives would necessarily be acquainted prior to any significant collaboration. -
Robert Shulman Defendant-Appellant
COURT OF APPEALS OF THE STATE OF NEW YORK People of the State of New York, Respondent - against – Robert Shulman Defendant-Appellant. BRIEF OF THE ASSOCIATION OF THE BAR OF THE CITY OF NEW YORK AS AMICUS CURIAE Joshua L. Dratel* Committee on Capital Punishment, Ass’n of the Bar of the City of New York 14 Wall Street, 28th floor New York, New York 10005 (212) 732-0707 *Counsel of record for Amicus Curiae 21569547v1 TABLE OF CONTENTS TABLE OF CONTENTS..................................................................................................... i TABLE OF AUTHORITIES .............................................................................................iii FEDERAL CASES ................................................................................................iii NEW YORK STATE CASES ...............................................................................iii STATUTES..........................................................................................................viii OTHER AUTHORITIES.....................................................................................viii INTEREST OF AMICUS CURIAE ................................................................................... 1 PRELIMINARY STATEMENT AND SUMMARY OF ARGUMENT ........................... 3 ARGUMENT...................................................................................................................... 5 I. THE STRICT SCUTINY STANDARD APPLIES TO NEW YORK SUBSTANTIVE DUE PROCESS CLAIMS INVOLVING THE DEATH PENALTY ............................................................................................................. -
The Lawyer As Limo: a Brief History of the Hired Gun Michael I
The University of Chicago Law School Roundtable Volume 8 | Issue 2 Article 5 1-1-2001 The Lawyer as Limo: A Brief History of the Hired Gun Michael I. Krauss Follow this and additional works at: http://chicagounbound.uchicago.edu/roundtable Recommended Citation Krauss, Michael I. (2001) "The Lawyer as Limo: A Brief History of the Hired Gun," The University of Chicago Law School Roundtable: Vol. 8: Iss. 2, Article 5. Available at: http://chicagounbound.uchicago.edu/roundtable/vol8/iss2/5 This Article is brought to you for free and open access by Chicago Unbound. It has been accepted for inclusion in The nivU ersity of Chicago Law School Roundtable by an authorized administrator of Chicago Unbound. For more information, please contact [email protected]. THE LAWYER AS LimO: A BRIEF HISTORY OF THE HIRED GUN MICHAEL I. KRAUSSt The defense lawyer has to be a maverick; he has to be able to buck the system to make it work. "A trial lawyer in a contentious case is a paid professional fighter," I once told a reporter. "The one word that comes closest to what he ought to be is 'renegade.' That's why most good criminal lawyers are loners. A hundred years ago 1 you saw them walking down some dusty street, shooting people." Sitting down to write a paper tracing the history of the "hired gun" notion of lawyering, the first image to pop into my head was, of course, "Paladin." Aside from the practical matter that a reference to Richard Boone in the 1960s Western television series Have Gun Will Travel would leave a numerous popula- tion of younger readers scratching their heads in bewilderment, the Paladin metaphor would be substantively inappropriate. -
Suggested Solution to the Riddle of Obscenity
[Vol.112 A SUGGESTED SOLUTION TO THE RIDDLE OF OBSCENITY ALBERT B. GERBER t In his concurring opinion in Bantam Books, Inc. v. Sullivan,' Mr. Justice Douglas relates an anecdote concerning a well-known Rus- sian author who was banished to Siberia because of the "pernicious" character of a manuscript found by the police during a search of his home. The author had previously sent the article to a magazine for publication and while he was in Siberia it cleared censorship and was published in a widely circulated and well-respected magazine.2 This happened under the tyranny of the Russian Czars. One would like to believe that it could not happen in the United States today. Under our law of obscenity, however, it not only could happen, but variations on the theme occur with monotonous regularity. "For the most part, the purpose of the criminal law is only to induce external conformity to rule," 3 and to accomplish its purpose the people, or at least the lawyers and judges, must be able to understand and apply the rule. But the criminal law of obscenity has become such a jungle of verbiage that no one could clearly set forth its rules of conduct. Today authors, publishers, distributors, and vendors of books and periodicals have no guide for determining what is and what is not obscene. Under normal conditons a careful businessman employs able counsel, follows his advice carefully, and can look forward to remaining free of criminal charges. Such is not the case with respect to obscenity. In this twilight zone no one knows the answer in a given situation until the Supreme Court renders a decision.4 A startling example is t B.S. -
Jesuit Hollywood
JESUIT HOLLYWOOD Shaun Willcock BIBLE BASED MINISTRIES First published in 2015 for Bible Based Ministries by New Voices Publishing Cape Town, South Africa www.newvoices.co.za Bible Based Ministries www.biblebasedministries.co.uk [email protected] Bible Based Ministries’ worldwide contact: Contending for the Faith Ministries 695 Kentons Run Ave Henderson, NV 89052 United States of America [email protected] IMPORTANT NOTICE: The author has no objection whatsoever to anyone reproducing this book in printed form for free distribution, provided it is reproduced in full, including the cover, without being altered or edited in any way. His desire is for this book to be as widely distributed as possible. However, anyone wanting to print the book for sale, must obtain permission from the author. ABOUT THE SOURCES REFERRED TO IN THIS BOOK: In writing this book, factual information was compiled from a number of sources, which are referred to in this book for documentation purposes. However, reference to a particular source does not by any means necessarily imply agreement with the doctrinal position of the author, nor with every statement in the work referred to. ISBN-PRINT: 987-0-620-66718-0 ISBN-EBOOK: 978-0-620-66719-7 2 - CONTENTS Introduction 5 Chapter 1: The Jesuit Use of the Dramatic Arts 8 Chapter 2: The Jews Create Hollywood 19 Chapter 3: Protestants, Roman Catholics and Film Censorship in the Early Years 35 Chapter 4: Jesuit Regulation of the Movie Industry: The Production Code 52 Chapter 5: Joseph I. Breen and The Code 72 -
The Jewish Unions in America Pages of History and Memories
BERNARD WEINSTEIN The Jewish Unions in America Pages of History and Memories TRANSLATED AND ANNOTATED BY MAURICE WOLFTHAL To access digital resources including: blog posts videos online appendices and to purchase copies of this book in: hardback paperback ebook editions Go to: https://www.openbookpublishers.com/product/612 Open Book Publishers is a non-profit independent initiative. We rely on sales and donations to continue publishing high-quality academic works. The Jewish Unions in America Pages of History and Memories by Bernard Weinstein, translated and annotated, with an introduction by Maurice Wolfthal https://www.openbookpublishers.com © 2018 Maurice Wolfthal This work is licensed under a Creative Commons Attribution 4.0 International license (CC BY 4.0). This license allows you to share, copy, distribute and transmit the work; to adapt the work and to make commercial use of the work providing attribution is made to the author (but not in any way that suggests that they endorse you or your use of the work). Attribution should include the following information: Maurice Wolfthal, The Jewish Unions in America: Pages of History and Memories. Cambridge, UK: Open Book Publishers, 2018, http://dx.doi.org/10.11647/OBP.0118 In order to access detailed and updated information on the license, please visit https:// www.openbookpublishers.com/product/612#copyright Further details about CC BY licenses are available at http://creativecommons.org/licenses/ by/4.0/ All external links were active at the time of publication unless otherwise stated and have been archived via the Internet Archive Wayback Machine at https://archive.org/web Digital material and resources associated with this volume are available at https://www. -
The End of New York Movie Culture 152
Freedom to Offend This page intentionally left blank FREEDOM TO OffEND How New York Remade Movie Culture RAYMOND J. HABERSKI JR. THE UNIVERSITY PRESS OF KENTUCKY Publication of this volume was made possible in part by a grant from the National Endowment for the Humanities. Copyright © 2007 by The University Press of Kentucky Scholarly publisher for the Commonwealth, serving Bellarmine University, Berea College, Centre College of Kentucky, Eastern Kentucky University, The Filson Historical Society, Georgetown College, Kentucky Historical Society, Kentucky State University, Morehead State University, Murray State University, Northern Kentucky University, Transylvania University, University of Kentucky, University of Louisville, and Western Kentucky University. All rights reserved. Editorial and Sales Offices: The University Press of Kentucky 663 South Limestone Street, Lexington, Kentucky 40508-4008 www.kentuckypress.com 11 10 09 08 07 5 4 3 2 1 Library of Congress Cataloging-in-Publication Data Haberski, Raymond J., 1968- Freedom to offend : how New York remade movie culture / Raymond J. Haberski, Jr. p. cm. Includes bibliographical references and index. ISBN-13: 978-0-8131-2429-2 (hardcover : alk. paper) ISBN-10: 0-8131-2429-8 (hardcover : alk. paper) 1. Motion pictures— Censorship—New York (State)—New York—History. 2. Film criticism— New York (State)—New York—History. 3. Motion pictures—New York (State)—New York—History. I. Title. PN1995.64.N495 2007 363.3109747’1—dc22 2006039696 This book is printed on acid-free recycled paper meeting the requirements of the American National Standard for Permanence in Paper for Printed Library Materials. Manufactured in the United States of America. Member of the Association of American University Presses This book is dedicated to the memory of Raymond E.