Chapter Two Genesis the Creation of the Clergy Consultation Service
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Faith Voices Letter
In Support Of Keeping Houses Of Worship Nonpartisan August 16, 2017 Dear Senator: As a leader in my religious community, I am strongly opposed to any effort to repeal or weaken current law that protects houses of worship from becoming centers of partisan politics. Changing the law would threaten the integrity and independence of houses of worship. We must not allow our sacred spaces to be transformed into spaces used to endorse or oppose political candidates. Faith leaders are called to speak truth to power, and we cannot do so if we are merely cogs in partisan political machines. The prophetic role of faith communities necessitates that we retain our independent voice. Current law respects this independence and strikes the right balance: houses of worship that enjoy favored tax-exempt status may engage in advocacy to address moral and political issues, but they cannot tell people who to vote for or against. Nothing in current law, however, prohibits me from endorsing or opposing political candidates in my own personal capacity. Changing the law to repeal or weaken the “Johnson Amendment” – the section of the tax code that prevents tax-exempt nonprofit organizations from endorsing or opposing candidates – would harm houses of worship, which are not identified or divided by partisan lines. Particularly in today’s political climate, engaging in partisan politics and issuing endorsements would be highly divisive and have a detrimental impact on congregational unity and civil discourse. I therefore urge you to oppose any repeal or weakening of the Johnson Amendment, thereby protecting the independence and integrity of houses of worship and other religious organizations in the charitable sector. -
Presentations of the Self As Author in Prefaces and Autobiographies. (Volumes I and II)
Louisiana State University LSU Digital Commons LSU Historical Dissertations and Theses Graduate School 1990 Authorial Introductions: Presentations of the Self as Author in Prefaces and Autobiographies. (Volumes I and II). Laurie Frances Leach Louisiana State University and Agricultural & Mechanical College Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_disstheses Recommended Citation Leach, Laurie Frances, "Authorial Introductions: Presentations of the Self as Author in Prefaces and Autobiographies. (Volumes I and II)." (1990). LSU Historical Dissertations and Theses. 4998. https://digitalcommons.lsu.edu/gradschool_disstheses/4998 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Historical Dissertations and Theses by an authorized administrator of LSU Digital Commons. For more information, please contact [email protected]. INFORMATION TO USERS The most advanced technology has been used to photograph and reproduce this manuscript from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand corner and continuing from left to right in equal sections with small overlaps. -
What Is a Dance? in 3 Dances, Gene Friedman Attempts to Answer Just That, by Presenting Various Forms of Movement. the Film Is D
GENE FRIEDMAN 3 Dances What is a dance? In 3 Dances, Gene Friedman attempts to answer just that, by presenting various forms of movement. The film is divided into three sections: “Public” opens with a wide aerial shot of The Museum of Modern Art’s Sculpture Garden and visitors walking about; “Party,” filmed in the basement of Judson Memorial Church, features the artists Alex Hay, Deborah Hay, Robert Rauschenberg, and Steve Paxton dancing the twist and other social dances; and “Private” shows the dancer Judith Dunn warming up and rehearsing in her loft studio, accompanied by an atonal vocal score. The three “dances” encompass the range of movement employed by the artists, musicians, and choreographers associated with Judson Dance Theater. With its overlaid exposures, calibrated framing, and pairing of distinct actions, Friedman’s film captures the group’s feverish spirit. WORKSHOPS In the late 1950s and early 1960s, three educational sites were formative for the group of artists who would go on to establish Judson Dance Theater. Through inexpensive workshops and composition classes, these artists explored and developed new approaches to art making that emphasized mutual aid and art’s relationship to its surroundings. The choreographer Anna Halprin used improvisation and simple tasks to encourage her students “to deal with ourselves as people, not dancers.” Her classes took place at her home outside San Francisco, on her Dance Deck, an open-air wood platform surrounded by redwood trees that she prompted her students to use as inspiration. In New York, near Judson Memorial Church, the ballet dancer James Waring taught a class in composition that brought together different elements of a theatrical performance, much like a collage. -
Union Collective
The magazine of Union Theological Seminary Spring 2019 UNION COLLECTIVE A More Plural Union At the Border Radical Legacy Black and Buddhist Union students and alums travel to Tijuana How James Cone’s work helped one Ga. Rima Vesely-Flad ’02, ’13 describes first-ever to protest U.S. abuse of migrants | p.2 town confront its racist past | p.4 gathering of Black Buddhist teachers | p.5 IN THIS ISSUE UNION COLLECTIVE Spring 2019 Published by Union Theological Seminary in the City of New York 3041 Broadway at 121st Street New York, NY 10027 TEL: 212-662-7100 WEB: utsnyc.edu Editor-in-Chief Emily Enders Odom ’90 Editorial Team Benjamin Perry ’15 Robin Reese Kate Sann EDS at union Writers 9 Emily Enders Odom ’90 Kelly Brown Douglas ’82, ’88 The Borders We Must Cross Simran Jeet Singh Dozens of Episcopal leaders visit the U.S. /Mexico border Serene Jones Pamela Ayo Yetunde Kenneth Claus ’70 Tom F. Driver ’53 articles Harmeet Kamboj ’20 Benjamin Perry ’15 LaGrange and the Lynching Tree 4 Lisa D. Rhodes Audrey Williamson Black and Buddhist 5 School of Sacred Music Alumni/ae Outliving Expectations 6 Copy Editor A More Plural Union 11 Eva Stimson Alumnae Receive Awards for Activism 20 Art Direction & Graphic Design Building a Legacy 25 Ron Hester Cover Photograph DEPARTMENTS Ron Hester 1 Letter from the President Back Cover Photographs 2 Union Making News Mohammad Mia ’21 9 Episcopal Divinity School at Union Highlights 15 Union Initiatives Stay Connected 18 Faculty News @unionseminary 21 Class Notes 23 In Memoriam 25 Giving Give to Union: utsnyc.edu/donate From the President Dear Friends, We are moving into a season of profound Union has long been a place that prepares change and spiritual renewal at Union people for ministry of all sorts, and while Theological Seminary. -
A Map of Free Meals in Manhattan
washington heights / inwood north of 155 st breakfast lunch dinner ARC XVI Fort Washington m–f 12–1 pm 1 4111 BROADWAY Senior Center $2 ENTER 174th ST (A 175 ST) 2 ARC XVI Inwood Senior Center m–f 8:30– m–f 12–1 p m 84 VERMILYEA AVE (A DYCKMAN ST) 9:30 am $1 $1.50 Church on the Hill Older Adults 3 Luncheon Club 2005 AMSTERDAM AVE m–f 1 p m A map of free meals in Manhattan (C 163 ST AMSTERDAM AVE) $1.50 W 215 ST m–f 9– m–f 12–1:30 washington 4 Dyckman Senior Center heights & 3754 TENTH AVE (1 DYCKMAN ST) 10:30 am 50¢ pm $1 BROADWAY inwood Harry & Jeanette Weinberg m–f, su map key symbols key 5 Senior Center 54 NAGLE AVE 12–1 pm (1 DYCKMAN ST) $1.50 2 TENTH AVE SEAMEN AVE Moriah Older Adult Luncheon m-th 1:15–2 pm All welcome Mobile kitchen Residents only 204 ST 11 — 207 ST 6 f 11:45–12:15 pm Club 90 BENNETT AVE (A 181 ST) $1.50 — 205 ST Brown bag meal Only HIV positive 4 Riverstone Senior Center m–f 12–1 Senior Citizens — 203 ST 7 99 FORT WASHINGTON AVE (1 ,A,C 168 ST) pm $1.50 VERMILYEA SHERMANAVE AVE AVE POST AVE — 201 ST m–f m–f 12–1 pm Must attend Women only 8 STAR Senior Center 650 W 187th ST (1 191 ST) 9 a m $1.50 Under 21 services ELLWOOD ST NINTH NAGLE AVE UBA Mary McLeod Bethune Senior m–f 9 am m–f 12–1 pm 9 Center 1970 AMSTERDAM AVE ( 1 157 ST) 50¢ $1 HIV Positive Kosher meals 5 Bethel Holy Church 10 tu 1–2 pm 12 PM 922 SAINT NICHOLAS AVE (C 155 ST) Women Must call ahead to register The Love Kitchen m–f 4:30– BROADWAY 11 3816 NINTH AVE (1 207 ST) 6:30 pm W 191 ST Residents AVE BENNETT North Presbyterian Church sa 12–2 pm 8 W 189 ST 12 525 W 155th ST (1 157 ST) 6 W 187 ST W 186 ST W 185 ST east harlem W 184 ST 110 st & north, fifth ave–east river breakfast lunch dinner harlem / morningside heights ST AVE NICHOLAS W 183 ST 110 155 Corsi Senior Center m–f 12– st– st; fifth ave–hudson river breakfast lunch dinner 63 W 181 ST 307 E 116th ST ( 6 116 ST) 1 pm $1.50 WADSWORTH AVE WADSWORTH 13 Canaan Senior Service Center m–f W 180 ST W 179 ST James Weldon Johnson Senior m–f 12– 10 LENOX AVE (2 ,3 CENTRAL PARK NO. -
The First Amendment and Film Censorship from 1915-1952, 41 Hastings Const
Hastings Constitutional Law Quarterly Volume 41 Article 4 Number 2 Winter 2014 1-1-2014 From Spectacle to Speech: The irsF t Amendment and Film Censorship from 1915-1952 Jessica J. Hwang Follow this and additional works at: https://repository.uchastings.edu/ hastings_constitutional_law_quaterly Part of the Constitutional Law Commons Recommended Citation Jessica J. Hwang, From Spectacle to Speech: The First Amendment and Film Censorship from 1915-1952, 41 Hastings Const. L.Q. 381 (2014). Available at: https://repository.uchastings.edu/hastings_constitutional_law_quaterly/vol41/iss2/4 This Note is brought to you for free and open access by the Law Journals at UC Hastings Scholarship Repository. It has been accepted for inclusion in Hastings Constitutional Law Quarterly by an authorized editor of UC Hastings Scholarship Repository. For more information, please contact [email protected]. From Spectacle to Speech: The First Amendment and Film Censorship from 1915-1952 by JESSICA J. HWANG* Congress shall make no law respecting an establishment of religion, or prohibiting the free exercise thereof; or abridging the freedom of speech, or of the press; or the right of the people peaceably to assemble, and to petition the Government for a redress of grievances. - U.S. CONST. amend. I Introduction The First Amendment, often hailed as the great protector of free expression and speech, has not always meant what it means to us today. Though it boldly prohibits Congress from enacting any law "abridging the freedom of speech," the exact meaning of that phrase has changed over time. The modern First Amendment grants "special protection" to "speech on matters of public concern."' And though the United States Supreme Court recently referred to the First Amendment as "the essence of self-government,"2 such a view * J.D. -
The Ephesian Church © 1999 by Morris Mcdonald
The Ephesian Church © 1999 by Morris McDonald Published by Far Eastern Bible College Press 9A Gilstead Road, Singapore 309063 Republic of Singapore ISBN: 981-04-1723-3 Cover Design by Charles Seet. 2 The Ephesian Church Contents The Ephesian Church .........................................................................4 The Ephesian Church — Its Formation A Church Chosen, Acts 18, 19 .....................................................7 The Ephesian Church — Its Foundation A Church Chosen, Acts 20 .........................................................22 The Ephesian Church — Its Fulness A Church Challenged, Ephesians 1-3.........................................40 The Ephesian Church — Its Focus A Church Challenged, Ephesians 4, 5 ........................................58 The Ephesian Church — Its Focus A Church Challenged, Ephesus 6 ...............................................76 The Ephesian Church — Its Failing A Church Chastened, Revelation 2:1-7 ......................................93 Contents 3 The Ephesian Church The Ephesian Church is unique in the treatment it receives in the New Testament as three inspired writers record God’s evaluation of the work there. Luke wrote of its formation, Acts 18,19, then of its foundation, Acts 20. Paul recorded its fulness in Ephesians 1-3, then its focus in Ephesians 4-6. John was inspired to point to the Ephesian church’s failing in Revelation 2:1-7. Paul wrote to the church at Corinth, before committing to a visit there, saying, I will tarry at Ephesus until Pentecost. For a great door and effectual is opened unto me, and there are many adversaries, I Corinthians 16:8,9. Three things may be observed about the great missionary apostle here. First, he was a man who followed plans in doing the work of the Lord, second, he always viewed his ministry in terms of opportunity to do a work for God, and third, he thrived on opposition. -
Carolee Schneemann, Sanctuary: Judson’S Movements, Artforum, Vol
E s ARIFORUM H A L CAROLEE SCHNEEMANN Carolee Schneemann, Sanctuary: Judson’s Movements, Artforum, Vol. 57, September 2018, p. 231, 238-239 London, 7 Bethnal Green Road, El 6LA. + 44 (0)20 7033 1938 New York, 547 West 20th Street, NY 10011. + 1 646 590 0776 www.halesgallery.com f W � @halesgallery H A L E s CATHERINEDAMMAN DEBORAHHAY CLAUDIALA ROCCO YVONNERAINER CAROLEESCHNEEMANN DEBORAHJOWITT LA MONTEYOUNG DOROTHEAROCKBURNE BARBARAMOORE STEVEPAXTON ON JULY6 , 1962 , seventeen members and affiliates of Robert Ellis Dunn's composition class convened at the Judson Memorial Church in Greenwich Village for an unorthodox concert of dance , "There should have been something for everybody , including a nap if desired ," wrote the critic Jill Johnston in her ebullient Village Voice review. "In fact there was so much that special moments arose as expected and at least three dances provoked a big response from everybody." That evening and some evenings after collec tively became known as the Judson Dance Theater. The program was a signpost for both democracy and postmodernism , an unlikely pair. Probably it didn't have much to do with either. Probably the wax of nostalgia obscures harsh realities. But it remains an attractive parable for how some brilliant young people made movements together , and how that togetherness was-like all togethernesses-a tricky congregation of differences amid a sameness. This month, "Judson Dance Theater : The Work Is Never Done " opens at the Museum of Modern Art in New York. In honor of the occasion , Artforum invited art historian CATHERINE DAMMAN and writers DEBORAHJOWITT and CLAUDIA LA ROCCO to consider the performances ' influence and legacies. -
Read the Full List of 2020 Grant Approvals
Grant Approvals Community Development and Philanthropy Dollar amount approved in 2020 American Cabaret Theatre Central Indiana Community Indianapolis, IN Foundation (CICF) General operating support 100,000 Indianapolis, IN Support for racial equity fund 500,000 American Enterprise Institute for Public Policy Research Central Indiana Corporate Partnership Washington, DC (CICP) Foundation General operating support 100,000 Indianapolis, IN Building a digital technology ecosystem 36,000,000 American Red Cross CICP charitable, educational and scientific programs 1,500,000 Washington, DC Disaster relief 7,500,000 Children’s Museum of Indianapolis Indianapolis, IN Arts Council of Indianapolis Power of Children expansion planning 48,950 Indianapolis, IN Art & Soul at the Artsgarden 52,000 General operating support 300,000 Coalition for Homelessness Intervention and Prevention Indianapolis, IN Association for Research on General operating support 260,000 Nonprofit Organizations & Voluntary Action (ARNOVA) Indianapolis, IN The Conversation US Waltham, MA General operating support 240,000 Philanthropy Journalism Collaboration 3,600,000 Support for legal expenses for the Atlas Economic Research Foundation Philanthropy Journalism Collaboration 17,500 (Atlas Network) Arlington, VA General operating support 500,000 Crossroads Rehabilitation Center (Easterseals Crossroads) Indianapolis, IN Benjamin Harrison Presidential Site Continuation of the Autism Family Support Indianapolis, IN Center and related programs 750,000 Capital campaign 1,500,000 Respite -
Myanmar on Mission
Volume 11, No. 2 & 3 Spring/Summer 2013 Myanmar on Mission Twenty-three individuals made the pilgrimage. Each came home transformed. “I’ve never been on such an amazing trip,” enthused one experi- enced traveler. From college students to retirees, these individuals found much to enrich and amaze: pagodas as numerous as Baptist churches in the South; Baptist churches named “Judson” in Rangoon, Mandalay, and Moulemein; Christians and Buddhists eager to welcome American visi- tors. The journey was really three trips in one: a Judson pilgrimage, an introduction to Burmese culture, and a diplomatic mission to archivists and Shwedagon Pagoda in Yangoon, Burma librarians. Our offer- ing to archivists and as buildings of three Judson churches; downtown librarians was a digi- Emanuel Baptist, U Naw (named after the first con- tal copy of the Morn- vert), and Judson Memorial Church on the campus ing Star, a Karen lan- of the University of Yangoon, formerly Judson Col- guage paper founded lege. by Baptist missionar- Yangoon was also where we visited Shwe- ies in the 1840s and dagon Temple to learn more about the beliefs of continuing under Ka- Buddhists in ren leadership until Burma. World War II. The Yangoon al- Historical Society so provided holds the largest run an oppor- of this rare and valua- tunity for Morning Star ble paper. Recipients five meet- of our gift were eager ings with to begin a collaboration that might result in more librarians shared resources. and archi- Following in the steps of Ann and Adoni- vists, includ- ram Judson took the pilgrims first to Yangoon ing four li- Baptist Church in Bagan (Pagan), medieval cap- (Rangoon) and the site of the Felix Carey home brarians at where the Judsons lived upon arrival. -
Practical Benefits of Literature in Law, and Their Limits
Mississippi College Law Review Volume 35 Issue 1 Vol. 35 Iss. 1 Article 8 2017 Practical Benefits of Literature in Law, and their Limits James L. Robertson Follow this and additional works at: https://dc.law.mc.edu/lawreview Part of the Law Commons Custom Citation 35 Miss. C. L. Rev. 266 (2016-2017) This Article is brought to you for free and open access by MC Law Digital Commons. It has been accepted for inclusion in Mississippi College Law Review by an authorized editor of MC Law Digital Commons. For more information, please contact [email protected]. PRACTICAL BENEFITS OF LITERATURE IN LAW, AND THEIR LIMITS James L. Robertson* My literature is confined to the effort to make it in the form of judicial decisions, and I occasionally manage to slip a phrase past the negative vigilance of my brethren. - 0. W. Holmes to Lewis Einstein (1914) I. INTRODUCTION AND OVERVIEW The job description for a good judge should include "the wisdom of Solomon, the patience of Job and the humanity of Shakespeare." 2 Many do not always understand the humanity component. At best we sense it least, but this is like not sensing how our lives would be lacking if all music had ended with Mozart, if we never had Beethoven's odd number symphonies, Wagner or the great Russians among whom only Tchaikovsky is appreciated appropriately. Or if baseball had remained in the Dead Ball Era, so that we celebrated only the glories of Cy Young and Ty Cobb and Honus Wagner. Or if we had nothing beyond Newtonian physics with which to understand and explore the natural world, or could see only what Galileo could see of the wonders of the Universe. -
"Compulsion": the Fictionalization of the Leopold-Loeb Case and The
Northern Michigan University NMU Commons All NMU Master's Theses Student Works 5-2015 "Compulsion": The icF tionalization of the Leopold- Loeb Case and the Struggle for Creative Control of "The rC ime of the Century" Maria L. Zambrana Northern Michigan University, [email protected] Follow this and additional works at: https://commons.nmu.edu/theses Part of the Literature in English, North America, Ethnic and Cultural Minority Commons Recommended Citation Zambrana, Maria L., ""Compulsion": The ictF ionalization of the Leopold-Loeb Case and the Struggle for Creative Control of "The Crime of the Century"" (2015). All NMU Master's Theses. 41. https://commons.nmu.edu/theses/41 This Open Access is brought to you for free and open access by the Student Works at NMU Commons. It has been accepted for inclusion in All NMU Master's Theses by an authorized administrator of NMU Commons. For more information, please contact [email protected],[email protected]. Compulsion: The Fictionalization of the Leopold-Loeb Case and the Struggle for Creative Control of the “Crime of the Century” By M.L. ZAMBRANA THESIS Submitted to Northern Michigan University In partial fulfillment of the requirements For the degree of MASTER OF ARTS English Department Copyright May 2015 by M.L. Zambrana SIGNATURE APPROVAL FORM Title of Thesis: Compulsion: The Fictionalization of the Leopold-Loeb Case and the Struggle for Creative Control of “The Crime of the Century” This thesis by Maria L. Zambrana is recommended for approval by the student’s Thesis Committee and Department Head in the Department of English and by the Assistant Provost of Graduate Education and Research.