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longside this the A Archive features a short excerpt Northern Northern from ‘Hopdance’, an Ireland Ireland unpublished novel LiteraryArchive LiteraryArchive by Stewart Parker (1941 -1988). Here we see the talent behind ‘Pentecost’ and ‘Northern Star’ employ the lyrical language Together, the manuscripts form of those plays for a biographical account of an important part of literature his Belfast childhood. from Northern Ireland, and the Digital Archive will bring this he Archive also work to an even wider audience. T features two poems by John Hewitt (1907 – 1987), ‘A Little People’ www.niliteraryarchive.com and ‘A Mortal Place’. These poems were written a year before his death and, again, reflect on the violence besetting the country and the desperate search for some kind of way forward. he letters of John Contact Us T Boyd (1919 - Northern Ireland Literary Archive 2013), working in Linen Hall Library his professional role 17 Donegall Square North as a BBC Producer, Belfast BT1 5GB see him liasing with Northern Ireland a host of writers including Michael Phone: +44 (0)28 9032 1707 McLaverty, Frank Email: [email protected] O’Connor, St. John www.niliteraryarchive.com Ervine and T.S. Moody. www.linenhall.com Design by www.csgwd.com In the letters he W.R. Rodgers’ he Linen Hall Library has in its sent to George (1909 – 1969) and Mercy letters to, once T collections over a dozen archives McCann, local again, George and belonging to writers who were born benefactors and Mercy McCann or grew up in Northern Ireland. Down supporters of the further examine Arts, we are given the writing life, the through the years, several families a glimpse of the search for space and Estates have chosen the Library as writer’s life away to create while the repository for these manuscripts from the work balancing this itself. with humdrum and letters, knowing the Library will domestic issues. provide secure and respectful storage. he tough practicalities of being a writer is n 2016, funded by the Department for T a theme that runs throughout the letters. I Communities, the Library was able to The long conversations between Robert Greacen review the entire Collection and choose key (1920 – 2008) and the poet Derek Stanford further depict the ongoing struggles. parts to digitise and make available online. Joan Lingard’s (1932) ‘Across the Barricades’ is a book that remains important for all those who studied it at School and beyond. he Archive begins in the late 19th Century T and the work of Samuel Ferguson (1842 – he Archive also 1916). The two poems, ‘Conary’ and ‘Deirdre’, T features the original form an important part of his work, bringing manuscript of Sam to life Celtic myth and legend in a wonderfully Hanna Bell’s (1909 dramatic and accessible language. – 1990) ‘December Bride’, a treasured part of Northern Irish he work of Louis MacNeice (1907 – Literature and a strong, 1963) is renowned for its longing for a T clear-eyed novel about meaningful, substantive life separate from family life and tragedy. the restrictions of politics and religion. .

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An Irish Clerisy of Political Economists? Friendships and Enmities Amongst the Mid-Victorian Graduates of Trinity College, Dublin
An Irish Clerisy of Political Economists? Friendships and Enmities Amongst the Mid-Victorian Graduates of Trinity College, Dublin Gregory G. C. Moore* Eagleton, T. Scholars Et Rebels in Nineteenth Century Ireland. Blackwell. Oxford, 2000. Pp. 177. ISBN 0-631-21445-3. Terry Eagleton, the Thomas Warton Professor of English Literature at Oxford University and irreverent commentator on all things post-modern, has written an astonishing book on that remarkable community of intellectuals that raised Trinity College, Dublin, and indeed the town of Dublin itself, to its cultural and scholastic apogee in the second half of the nineteenth century. The work is the final part of a trilogy of books by Eagleton on the main cultural currents of Irish history, the first two of which were Heathcliff and the Great Hunger (1995) and Crazy John and the Bishop (1998). The intellectuals he examines in the final part of this series include, amongst others, William Wilde (Oscar Wilde’s father), Jane Elgee (Lady Wilde), Charles Lever, William Edward Lecky and Samuel Ferguson, and, which will be of slightly more interest to the readers of the hermetic articles of staid economic journals, that curious melange of nineteenth-century Irish political economists, Isaac Butt, T.E. Cliffe Leslie, John Elliot Cairnes and John Kells Ingram. Eagleton is interested less in tracing the individual theoretical contributions of these scholars, and more with delineating their activities as a community or clerisy and, through this exercise, meditating on the role of the intellectual in society. To this end, he draws upon Antonio Gramsci’s celebrated notions of the ‘traditional’ and ‘organic’ intellectual to portray the Irish intellectual community as being torn between old and new visions of the intellectual’s function; that is, between the ‘traditional’ intellectual’s search for transcendent values through disinterested inquiry and the ‘organic’ intellectual’s employment of knowledge as a ‘practical, emancipatory force’ (1999:2).
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"The Given Note": Traditional Music and Modern Irish Poetry
Provided by the author(s) and NUI Galway in accordance with publisher policies. Please cite the published version when available. Title "The Given Note": traditional music and modern Irish poetry Author(s) Crosson, Seán Publication Date 2008 Publication Crosson, Seán. (2008). "The Given Note": Traditional Music Information and Modern Irish Poetry, by Seán Crosson. Newcastle: Cambridge Scholars Publishing. Publisher Cambridge Scholars Publishing Link to publisher's http://www.cambridgescholars.com/the-given-note-25 version Item record http://hdl.handle.net/10379/6060 Downloaded 2021-09-26T13:34:31Z Some rights reserved. For more information, please see the item record link above. "The Given Note" "The Given Note": Traditional Music and Modern Irish Poetry By Seán Crosson Cambridge Scholars Publishing "The Given Note": Traditional Music and Modern Irish Poetry, by Seán Crosson This book first published 2008 by Cambridge Scholars Publishing 15 Angerton Gardens, Newcastle, NE5 2JA, UK British Library Cataloguing in Publication Data A catalogue record for this book is available from the British Library Copyright © 2008 by Seán Crosson All rights for this book reserved. No part of this book may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission of the copyright owner. ISBN (10): 1-84718-569-X, ISBN (13): 9781847185693 Do m’Athair agus mo Mháthair TABLE OF CONTENTS Acknowledgements .................................................................................
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ACTA UNI VERSITATIS LODZIENSIS David Gilligan ONCE ALIEN HERE
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The Book of Irish Poetry
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The Imaginary Irish Peasant
7KH,PDJLQDU\,ULVK3HDVDQW $XWKRU V (GZDUG+LUVFK 6RXUFH30/$9RO1R 2FW SS 3XEOLVKHGE\Modern Language Association 6WDEOH85/http://www.jstor.org/stable/462684 . $FFHVVHG Your use of the JSTOR archive indicates your acceptance of JSTOR's Terms and Conditions of Use, available at . http://www.jstor.org/page/info/about/policies/terms.jsp. JSTOR's Terms and Conditions of Use provides, in part, that unless you have obtained prior permission, you may not download an entire issue of a journal or multiple copies of articles, and you may use content in the JSTOR archive only for your personal, non-commercial use. Please contact the publisher regarding any further use of this work. Publisher contact information may be obtained at . http://www.jstor.org/action/showPublisher?publisherCode=mla. Each copy of any part of a JSTOR transmission must contain the same copyright notice that appears on the screen or printed page of such transmission. JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. Modern Language Association is collaborating with JSTOR to digitize, preserve and extend access to PMLA. http://www.jstor.org EdwardHirsch The Imaginary Irish Peasant EDWARD HIRSCH, profes- A man who does not exist, sor of English at the University A man who is but a dream . W. B. Yeats, "TheFisherman" of Houston, is the author of three books of poems: For the Sleepwalkers (Knopf; 1981), Wild Gratitude (Knopf, 1986), which won the National Book HROUGHOUT THE nineteenth century, but particu- larly in there was an in- Critics' Circle Award, and The postfamine Ireland, increasing terest in the rural customs and stories of the Irish country people.
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Thomas Moore: Enduring Endearing Young Charms?
Thomas Moore: Enduring endearing young charms? This year's Conference coincides with the 150th anniversary of the death of Irish poet, Thomas Moore. Moore was not merely a poet. He was classical scholar, historian, biographer, novelist, composer of music, patriot and darling of London Whig society. His melodies consistently occupied the no.1 spot in Victorian drawing- room charts in the early 19th century until toppled by Childe Harold Cantos 1 and 2 , in March, 1812, by an up-and-coming artist named Byron. Moore's performances reduced Victorian female audiences to tears, equivalent to public displays of emotion today inspired by boybands such as Westlife and Take That. Byron and Moore were great friends. They shared an innate sense of patriotism; albeit in Moore's case a less spectacular form; his physical disabilities and temperament making it imperative he should choose the pen in preference to the sword. Moore's work influenced many of his contemporaries, particularly Lord Byron; when Byron finally left England for the Continent of Europe, he wrote: "My boat is on the shore,/And my bark is on the sea;/But, before I go, Tom Moore,/Here's a double heatlh to thee!".1 This paper looks briefly at Moore's background, his literary output, and considers why this one-time national poet, whose pen kept alive Irish national sentiment during some of Ireland's darkest and most disastrous years, is now all but forgotten. Moore's formal education was at Samuel Whyte's academy on Grafton Street, Dublin, now the site of the internationally renowned Bewley's Café.
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Announcements and Comments
Colby Quarterly Volume 28 Issue 4 December Article 14 December 1992 Announcements and Comments Follow this and additional works at: https://digitalcommons.colby.edu/cq Recommended Citation Colby Quarterly, Volume 28, no.4, December 1992 This Front Matter is brought to you for free and open access by Digital Commons @ Colby. It has been accepted for inclusion in Colby Quarterly by an authorized editor of Digital Commons @ Colby. et al.: Announcements and Comments Announcements and Comments N 1993 there will be two special issues. The first, in June, Writing in the I Canadas, will be edited by Professor Jane Moss who invites articles on any aspect ofwriting in the Canadas, including works by English-Canadian, French Canadian, Franco-Ontarian, Acadian, Quebecois, Native, Italo-Canadian, or Franco-American authors. Articles on the relationships between art, history, politics, and writing are welcome. Manuscripts should be in English, prepared in conformity with The MLA Style Sheet, 15-30 pages in length, and submitted by December 31, 1992. Send two copies to Professor Jane Moss, Ron1ance Languages, Colby College, Waterville, Maine, USA 04901. The December 1993 issue will be devoted to the work of Seamus Heaney. Essays should be sent to the editor by July 1. Cover design by Arlene King Lovelace. CONTRIBUTORS TO THIS ISSUE- EAMON GRENNAN divides his timebetweenIreland and the UnitedStates where he teaches at Vassar College. His poems have been published widely in literary magazines in both countries. His first American publication was What Light There Is & Other Poems (North Point, 1989) and his most recent is As If It Matters (Gallery, 1991; Graywolf, 1992).
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James Clarence Mangan - Poems
Classic Poetry Series James Clarence Mangan - poems - Publication Date: 2012 Publisher: Poemhunter.com - The World's Poetry Archive James Clarence Mangan(1 May 1803 - 20 June 1849) James Clarence Mangan, born James Mangan was an Irish poet. <b>Literary Career</b> Mangan was the son of a former hedge school teacher who took over a grocery business and eventually became bankrupt. Born in Dublin, he was educated at a Jesuit school where he learned the rudiments of Latin, Spanish, French, and Italian. He attended three different schools until the age of fifteen. Obliged to find a job in order to support his family, he became a lawyer's clerk, and was later an employee of the Ordnance Survey and an assistant in the Library of Trinity College, Dublin. Mangan began submitting verses to various Dublin publications, the first being published in 1818. From 1820 onwards he adopted the middle name Clarence. In 1830 he began producing translations from German, a language he had taught himself. Of interest are his translations of <a href="http://www.poemhunter.com/johann-wolfgang-von- goethe/">Goethe</a>. From 1834 his contributions began appearing in the Dublin University Magazine. His translations from the German were generally free interpretations rather than strict transliterations. In 1840 he began producing translations from Turkish, Persian, Arabic, and Irish. Although his early poetry was often apolitical, after the Great Famine he began writing poems with a strong nationalist bent, including influential works such as My Dark Rosaleen or Róisín Dubh and A Vision of Connaught in the Thirteenth Century. Mangan was a lonely and difficult man who suffered from mood swings, depression and irrational fears, and became a heavy drinker.
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The Penguin Book of Irish Poetry
THE PENGUIN BOOK OF IRISH POETRY Edited by PATRICK CROTTY with a Preface by SEAMUS HEANEY PENGUIN CLASSICS an imprint of PENGUIN BOOKS Contents Preface xliii Introduction xlvii I WRITING OUT OF DOORS: EARLIEST TIMES TO 1200 THE ARRIVAL OF CHRISTIANITY ANONYMOUS Adze-head 3 I Invoke the Seven Daughters 3 The Deer's Cry 5 from The Calendar of Oengus The Downfall of Heathendom 8 Patrick's Blessing on Munster 9 Writing Out of Doors 10 MONASTICISM ANONYMOUS The Hermit's Song (Marban to Guaire) 11 The Priest Rediscovers His Psalm-Book 13 Straying Thoughts 14 Myself and Pangur 16 . : Celibacy 17 EARL ROGNVALD OF ORKNEY (d.1158) Irish Monks on a Rocky Island 18 vu CONTENTS DEVOTIONAL POEMS ANONYMOUS Eve 19 The Massacre of the Innocents 20 BLATHMAC, SON OF CU BRETTAN (fl. 750) from To Mary and Her Son 'May I have from you my three petitions .. .' 22 ANONYMOUS from The Metrical Translation of the Gospel of St Thomas Jesus and the Sparrows 23 St Ite's Song 25 St Brigit's Housewarming 26 CORMAC, KING BISHOP OF CASHEL (837-903) The Heavenly Pilot 27 POEMS RELATING TO COLUM CILLE (COLUMBA) DALLAN FORGAILL (J.598) . from Amra Colm Cille (Lament for Colum Cille) I: 'Not newsless is Niall's land ...' 28 II: 'By the grace of God Colum rose to exalted companionship .. .' 29 V: 'He ran the course which runs past hatred to right action . .' 29 COLUM CILLE (attrib.) The Maker on High 30 Colum Cille's Exile 34 He Sets His Back on Ireland 3 6 He Remembers Derry 3 6 'My hand is weary with writing' 3 6 BECCAN THE HERMIT (d.677) Last Verses in Praise of Colum Cille 3 7 via CONTENTS EPIGRAMS ANONYMOUS The Blackbird of Belfast Lough 40 Bee 40 Parsimony 41 An 111 Wind 41 The King of Connacht 41 Sunset 41 'He is my love' 42 ORLD AND OTHERWORLD ANONYMOUS Storm at Sea 43 Summer Has Come 44 Gaze North-East 45 Winter 46 World Gone Wrong 47 from The Voyage of Bran, Son of Febal, to the Land of the Living The Sea-God's Address to Bran 48 The Voyage of Maeldune 5° from The Vision of Mac Conglinne 'A vision that appeared to me .
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The Folk Image of the Fairy in Irish Poetry
Science and Education a New Dimension. Philology, IV (17), Issue: 78, 2016 www.seanewdim.com The folk image of the fairy in Irish poetry A. O. Tsapiv Kherson State University, Kherson, Ukraine *Corresponding author. E-mail: [email protected] Paper received 23.01.16; Revised 28.01.16; Accepted for publication 15.02.16. Abstract. The research focuses on revealing peculiarities, functions on symbolic meaning of folk images in Irish poetry. The investi- gation conveys the evolution of the image of the fairy: from a scaring banshee into a magic fairy. It is claimed that folk images in Irish poetry are closely connected with pagan believes, superstitions of peasantry and the desire of authors to reconnect to Irish past, ethnic specifics and mentality. Key words: folk image, the fairy, Irish poetry, mythology. The research aims at revealing the genesis of folk images They thought that she was fast asleep, (the image of the Fairy) in Irish verse of the 19th century. But she was dead with sorrow. It is claimed that fairies have evaluated their image from They have kept her ever since folk into a fairy one. Case study of the research are poems Deep within the lake, of William Allingham, Sir Samuel Fergusson, Edward On a bed of flag-leaves, Walsh and W.B. Yeats. Watching till she wake Folk and fairy images in poetry and fairy tales have A girl was stolen by fairies and as a human from this been investigated by scholars [2;3;11;12], thus, linguistic world she couldn’t sustain life in the world of mystic properties of their realization and their genesis haven’t creatures.
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BIGGER, Francis Joseph
BIGGER, Francis Joseph (1863-1926), solicitor, author, antiquary, cultural revivalist, nationalist, patron of the arts, and Celtic Revival polymath, was born in Belfast on the 17 July 1863, the seventh son of Joseph Bigger of Belfast, and Mary Jane (née Ardery) Bigger of Ballyvalley. F.J. Bigger was educated briefly in Liverpool, where his father worked for a short time, and from 1874 at Belfast Academical Institute. In 1880 he enrolled to study law at Queen’s College, Belfast and in 1884 studied briefly in Dublin. In 1885 he was articled to Messrs. Henry and William Seeds, and in 1887 he qualified as a solicitor. In 1889 Bigger opened a practice in partnership with George Strahan, whom he had met in Dublin, at Rea’s Buildings, Royal Avenue, Belfast. Aside from his work as a solicitor Bigger’s earliest interests, which included Irish history and antiquities as well as the natural sciences, would occupy much of his life. In 1884 he joined the Belfast Naturalists’ Field Club (BNFC), which encouraged his interests and where he learnt Irish. Under Bigger’s direction, as Secretary and then President, the BNFC became more actively involved in archaeological and folklore study. In 1888 he was elected member of Royal Society of Antiquaries of Ireland, becoming a Fellow in 1896. In 1894 had had been elected a member of the Royal Irish Academy. Bigger also joined the Gaelic League, becoming a member of its Coisde Gniotha, which brought him into contact with Douglas Hyde [q.v.] and Eoin McNeill [q.v.], who would influence many of his ideas.
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