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Why Cancel Culture Is
_________________________________________________________________________________________________________________ Why cancel culture is ‘obscene’ Attacked and falsely accused of transphobia, award-winning author Chimamanda Ngozi Adichie is hitting back, excoriating her critics and their sanctimonious hypocrisy. Nigerian author Chimamanda Ngozi Adichie is calling out social media hypocrisy and ‘sanctimony’. By Rosemary Neill July 9, 2021 When the Nigerian literary star Chimamanda Ngozi Adichie was accused of being transphobic on social media, her initial default position was to remain silent. The winner of the Orange and PEN Pinter prizes is famous — her TED talk calling for more diversity in storytelling attracted almost nine million views — so she figured that people posting false or distorted claims about her “comes with the territory’’. As the online abuse continued, Adichie became concerned that “in this age of social media, where a story travels the world in minutes, silence sometimes means that other people can hijack your story and soon their false version becomes the defining story about you”. Last month, the author of celebrated fiction works Purple Hibiscus, Half of a Yellow Sun and Americanah, decided she had had enough. In an eloquent yet ferocious essay 2 titled It is Obscene, she called out social media militancy and accused two of her former writing students of “insulting” or trying to cancel her, and engaging in “ugly opportunism” after she remarked that “trans women are trans women” in a 2017 television interview. Recently, she was attacked online again — and even accused of trying to “kill children” — after she described an essay that Harry Potter author JK Rowling penned on sex and gender as “a perfectly reasonable piece”. -
List of Manuscript and Printed Sources Current Marks and Abreviations
1 1 LIST OF MANUSCRIPT AND PRINTED SOURCES CURRENT MARKS AND ABREVIATIONS * * surrounds insertions by me * * variant forms of the lemmata for finding ** (trailing at end of article) wholly new article inserted by me + + surrounds insertion from the addenda ++ (trailing at end of article) wholly new article inserted from addenda † † marks what is (I believe) certainly wrong !? marks an unidentified source reference [ro] Hogan’s Ro [=reference omitted] {1} etc. different places but within a single entry are thus marked Identical lemmata are numbered. This is merely to separate the lemmata for reference and cross- reference. It does not imply that the lemmata always refer to separate names SOURCES Unidentified sources are listed here and marked in the text (!?). Most are not important but they are nuisance. Identifications please. 23 N 10 Dublin, RIA, 967 olim 23 N 10, antea Betham, 145; vellum and paper; s. xvi (AD 1575); see now R. I. Best (ed), MS. 23 N 10 (formerly Betham 145) in the Library of the RIA, Facsimiles in Collotype of Irish Manuscript, 6 (Dublin 1954) 23 P 3 Dublin, RIA, 1242 olim 23 P 3; s. xv [little excerption] AASS Acta Sanctorum … a Sociis Bollandianis (Antwerp, Paris, & Brussels, 1643—) [Onomasticon volume numbers belong uniquely to the binding of the Jesuits’ copy of AASS in their house in Leeson St, Dublin, and do not appear in the series]; see introduction Ac. unidentified source Acallam (ed. Stokes) Whitley Stokes (ed. & tr.), Acallam na senórach, in Whitley Stokes & Ernst Windisch (ed), Irische Texte, 4th ser., 1 (Leipzig, 1900) [index]; see also Standish H. -
An Irish Clerisy of Political Economists? Friendships and Enmities Amongst the Mid-Victorian Graduates of Trinity College, Dublin
An Irish Clerisy of Political Economists? Friendships and Enmities Amongst the Mid-Victorian Graduates of Trinity College, Dublin Gregory G. C. Moore* Eagleton, T. Scholars Et Rebels in Nineteenth Century Ireland. Blackwell. Oxford, 2000. Pp. 177. ISBN 0-631-21445-3. Terry Eagleton, the Thomas Warton Professor of English Literature at Oxford University and irreverent commentator on all things post-modern, has written an astonishing book on that remarkable community of intellectuals that raised Trinity College, Dublin, and indeed the town of Dublin itself, to its cultural and scholastic apogee in the second half of the nineteenth century. The work is the final part of a trilogy of books by Eagleton on the main cultural currents of Irish history, the first two of which were Heathcliff and the Great Hunger (1995) and Crazy John and the Bishop (1998). The intellectuals he examines in the final part of this series include, amongst others, William Wilde (Oscar Wilde’s father), Jane Elgee (Lady Wilde), Charles Lever, William Edward Lecky and Samuel Ferguson, and, which will be of slightly more interest to the readers of the hermetic articles of staid economic journals, that curious melange of nineteenth-century Irish political economists, Isaac Butt, T.E. Cliffe Leslie, John Elliot Cairnes and John Kells Ingram. Eagleton is interested less in tracing the individual theoretical contributions of these scholars, and more with delineating their activities as a community or clerisy and, through this exercise, meditating on the role of the intellectual in society. To this end, he draws upon Antonio Gramsci’s celebrated notions of the ‘traditional’ and ‘organic’ intellectual to portray the Irish intellectual community as being torn between old and new visions of the intellectual’s function; that is, between the ‘traditional’ intellectual’s search for transcendent values through disinterested inquiry and the ‘organic’ intellectual’s employment of knowledge as a ‘practical, emancipatory force’ (1999:2). -
"The Given Note": Traditional Music and Modern Irish Poetry
Provided by the author(s) and NUI Galway in accordance with publisher policies. Please cite the published version when available. Title "The Given Note": traditional music and modern Irish poetry Author(s) Crosson, Seán Publication Date 2008 Publication Crosson, Seán. (2008). "The Given Note": Traditional Music Information and Modern Irish Poetry, by Seán Crosson. Newcastle: Cambridge Scholars Publishing. Publisher Cambridge Scholars Publishing Link to publisher's http://www.cambridgescholars.com/the-given-note-25 version Item record http://hdl.handle.net/10379/6060 Downloaded 2021-09-26T13:34:31Z Some rights reserved. For more information, please see the item record link above. "The Given Note" "The Given Note": Traditional Music and Modern Irish Poetry By Seán Crosson Cambridge Scholars Publishing "The Given Note": Traditional Music and Modern Irish Poetry, by Seán Crosson This book first published 2008 by Cambridge Scholars Publishing 15 Angerton Gardens, Newcastle, NE5 2JA, UK British Library Cataloguing in Publication Data A catalogue record for this book is available from the British Library Copyright © 2008 by Seán Crosson All rights for this book reserved. No part of this book may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission of the copyright owner. ISBN (10): 1-84718-569-X, ISBN (13): 9781847185693 Do m’Athair agus mo Mháthair TABLE OF CONTENTS Acknowledgements ................................................................................. -
ACTA UNI VERSITATIS LODZIENSIS David Gilligan ONCE ALIEN HERE
ACTA UNI VERSITATIS LODZIENSIS FOLIA LITTER ARIA ANGLICA 4, 2000 David Gilligan University of Łódź ONCE ALIEN HERE: THE POETRY OF JOHN HEWITT John Hewitt, who died in 1987 at the age of 80 years, has been described as the “elder statesman” of Ulster poetry. He began writing poetry in the 1920s but did not appear in book form until 1948; his final collection appearing in 1986. However, as Frank Ormsby points out in the 1991 edition of Poets From The North of Ireland, recognition for Hewitt came late in life and he enjoyed more homage and attention in his final years than for most of his creative life. In that respect he is not unlike Poland’s latest Nobel Prize winner in literature. His status was further recognized by the founding of the John Hewitt International Summer School in 1988. It is somewhat strange that such a prominent and central figure in Northern Irish poetry should at the same time be characterised in his verse as a resident alien, isolated and marginalised by the very society he sought to encapsulate and represent in verse. But then Northern Ireland/Ulster is and was a strange place for a poet to flourish within. In relation to the rest of the United Kingdom it was always something of a fossilised region which had more than its share of outdated thought patterns, language, social and political behaviour. Though ostensibly a parliamentary democracy it was a de-facto, one-party, statelet with its own semi-colonial institutions; every member of the executive of the ruling Unionist government was a member of a semi-secret masonic movement (The Orange Order) and amongst those most strongly opposed to the state there was a similar network of semi-secret societies (from the I.R.A. -
Complete Works of Oscar Wilde
1948 ilemanal OJift nf tlje g-tttJienta nf t^c fiJorncU ffiatn ^cljool CORNELL UNIVERSITY LIBRARY 3 1924 103 377 085 Cornell University Library The original of this book is in the Cornell University Library. There are no known copyright restrictions in the United States on the use of the text. http://www.archive.org/details/cu31924103377085 nn-- %li,n} '-v«^"«,..».r«™,«.:m««.»* ..„-,,»„ ,^;,i:-„».,«~«,t_,..-v.,w, ..»«,.««.„», Complete Works OF OSCAR WILDE EDITED BY ROBERT ROSS REVIEWS '^AUTHORIZED EDITION THE WYMAN-FOGG COMPANY BOSTON" :: MASSACHUSETTS To Mrs. Carew (^^^HE apparently endless difficulties against I which I have contended, and am con- tending, in the management of Oscar Wildes literary and dramatic property have brought vie many valued friends; hut only one friendship which seemed as endless ; one friend's kindness which seemed to annul the disappointments of eight years. That is why I venture to place your name on this volume with the assurance of the author himself who bequeathed to me his works and something of his indiscretion. Robert Boss May 12th, 1908. CONTENTS REVIEWS Pleasing and Prattling . CONTENTS Mr. Morris's Completion of the Odyasey REVIEWS Some Literary Notes—IV. Mr. Froude's Blue-Book INTRODUCTION THE editor of writings by any author not long deceased is censured sooner or later for his errors of omission or commis- sion. I have decided to err on the side of com- mission and to include in the uniform edition of Wilde's works everything that could be identified as genuine. Wilde's literary reputation has sur- vived so much that I think it proof against any exhumation of articles which he or his admirers would have preferred to forget. -
Literary Archive Literary Archive
longside this the A Archive features a short excerpt Northern Northern from ‘Hopdance’, an Ireland Ireland unpublished novel LiteraryArchive LiteraryArchive by Stewart Parker (1941 -1988). Here we see the talent behind ‘Pentecost’ and ‘Northern Star’ employ the lyrical language Together, the manuscripts form of those plays for a biographical account of an important part of literature his Belfast childhood. from Northern Ireland, and the Digital Archive will bring this he Archive also work to an even wider audience. T features two poems by John Hewitt (1907 – 1987), ‘A Little People’ www.niliteraryarchive.com and ‘A Mortal Place’. These poems were written a year before his death and, again, reflect on the violence besetting the country and the desperate search for some kind of way forward. he letters of John Contact Us T Boyd (1919 - Northern Ireland Literary Archive 2013), working in Linen Hall Library his professional role 17 Donegall Square North as a BBC Producer, Belfast BT1 5GB see him liasing with Northern Ireland a host of writers including Michael Phone: +44 (0)28 9032 1707 McLaverty, Frank Email: [email protected] O’Connor, St. John www.niliteraryarchive.com Ervine and T.S. Moody. www.linenhall.com Design by www.csgwd.com In the letters he W.R. Rodgers’ he Linen Hall Library has in its sent to George (1909 – 1969) and Mercy letters to, once T collections over a dozen archives McCann, local again, George and belonging to writers who were born benefactors and Mercy McCann or grew up in Northern Ireland. Down supporters of the further examine Arts, we are given the writing life, the through the years, several families a glimpse of the search for space and Estates have chosen the Library as writer’s life away to create while the repository for these manuscripts from the work balancing this itself. -
The Book of Irish Poetry
PstiHm liiiill 111 THE BOOK OF IRISH POETRY Drawn 6y] iceo. Morroxv Raftery, the Blind Poet of Connaught Every • Irishman's • Library General Editors: Ai^FRED PercEvai, Graves, m.a. William Magennis, m.a. Douglas Hyde, ll.d. THE BOOK OF IRISH POETRY ior..;<j j"»o.iaii'y i '^ EDITED WITH AN INTRODUCTION BY ALFRED PERCEVAL GRAVES, M.A. T. FISHER UNWIN LONDON: ADELPHI TERRACE LEIPSIC: INSELSTRASSE 20 Printed by Thk Educational Company OF iRKirAND Limited AT The Tai^bot Press Dubinin ; 2?eliicatt0n . To . Douglas Hyde, ll.d., o.utt. Pr*»ident of the Gaelie Leaaue Because, alumni of one Irish College^ And sons of fathers of the self-same Church, Striving to swell the sum of Irish knowledge. Dear Creeveen Eevinn, we unite our search And each of us an Irish Bardic brother In ''Songs of Connachf and "The ' Gael ' has found, This Poem-Book is yours—for to no other By such a kindly friendship am I bound. A. P. G. Of«^o<jy.^ INTRODUCTION. Of anthologies of Irish verse there have been many. Miss Charlotte Brooke's " Irish Poetry," a volume of translations of her own from the Irish, led the way in the year 1789, and was followed by Hardiman's " Irish Minstrelsy," in 183 1 , with metrical translations by Thomas Furlong, Henry Grattan Curran, and John D 'Alton. Both these volumes contained the Irish originals, as well as the translations from them, and both volumes were extremely valuable for their preservation of those originals, but suffered from the over ornate, and, indeed, often extremely artificial English verse into which they were translated. -
A Reassessment of the Early Medieval Stone Crosses and Related Sculpture of O Aly, Kilkenny and Tipperary
Durham E-Theses A reassessment of the early medieval stone crosses and related sculpture of oaly, Kilkenny and Tipperary Edwards, Nancy How to cite: Edwards, Nancy (1982) A reassessment of the early medieval stone crosses and related sculpture of oaly, Kilkenny and Tipperary, Durham theses, Durham University. Available at Durham E-Theses Online: http://etheses.dur.ac.uk/7418/ Use policy The full-text may be used and/or reproduced, and given to third parties in any format or medium, without prior permission or charge, for personal research or study, educational, or not-for-prot purposes provided that: • a full bibliographic reference is made to the original source • a link is made to the metadata record in Durham E-Theses • the full-text is not changed in any way The full-text must not be sold in any format or medium without the formal permission of the copyright holders. Please consult the full Durham E-Theses policy for further details. Academic Support Oce, Durham University, University Oce, Old Elvet, Durham DH1 3HP e-mail: [email protected] Tel: +44 0191 334 6107 http://etheses.dur.ac.uk 2 a Reassessment op tbe ecmly raeofeoat stone cRosses ariO ReLateo scaLptciRe of offaly kilkenny ano tfppeRciR^y nancy efocoa&os Abstract This study is concerned with the Early Medieval freestanding stone crosses and related sculpture of three Irish counties, Offaly, Kilkenny and Tipperary. These monuments are recorded both descriptively and photographically and particular emphasis has been placed on a detailed analysis of the Hiberno-Saxon abstract ornament, the patterns used and, where possible, the way in which they were constructed. -
The Imaginary Irish Peasant
7KH,PDJLQDU\,ULVK3HDVDQW $XWKRU V (GZDUG+LUVFK 6RXUFH30/$9RO1R 2FW SS 3XEOLVKHGE\Modern Language Association 6WDEOH85/http://www.jstor.org/stable/462684 . $FFHVVHG Your use of the JSTOR archive indicates your acceptance of JSTOR's Terms and Conditions of Use, available at . http://www.jstor.org/page/info/about/policies/terms.jsp. JSTOR's Terms and Conditions of Use provides, in part, that unless you have obtained prior permission, you may not download an entire issue of a journal or multiple copies of articles, and you may use content in the JSTOR archive only for your personal, non-commercial use. Please contact the publisher regarding any further use of this work. Publisher contact information may be obtained at . http://www.jstor.org/action/showPublisher?publisherCode=mla. Each copy of any part of a JSTOR transmission must contain the same copyright notice that appears on the screen or printed page of such transmission. JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. Modern Language Association is collaborating with JSTOR to digitize, preserve and extend access to PMLA. http://www.jstor.org EdwardHirsch The Imaginary Irish Peasant EDWARD HIRSCH, profes- A man who does not exist, sor of English at the University A man who is but a dream . W. B. Yeats, "TheFisherman" of Houston, is the author of three books of poems: For the Sleepwalkers (Knopf; 1981), Wild Gratitude (Knopf, 1986), which won the National Book HROUGHOUT THE nineteenth century, but particu- larly in there was an in- Critics' Circle Award, and The postfamine Ireland, increasing terest in the rural customs and stories of the Irish country people. -
Hay Festival Cartagena 2014 Borrador Del Programa
HAY FESTIVAL CARTAGENA 2014 PROGRAMME 16.12.2013 Wednesday 29 January [0] 11:30-12:30 in Aracataca On Gabo. Juan Gabriel Vasquez, Conrado Zuluaga and Edith Grossman in conversation with Jaime Abello The desire to rediscover the place that was the inspiration for Macondo has turned Aracataca into a pilgrimage site for fans of Gabriel García Márquez. The Colombian writer and expert on García Márquez, Juan Gabriel Vásquez, the writer Conrado Zuluaga, and the Nobel laureate’s translator into English, Edith Grossman, will talk about the great writer in his native town, Aracataca. Event chaired by Jaime Abello, director of the FNPI Free event, although with limited capacity With the support of the Colombian Ministry of Culture Thursday 30 January [1] 12:30–13:30 Teatro Adolfo Mejía Juan Campanella in conversation with Roberto Pombo Juan Campanella is currently the Argentinean director and screenplay writer with the highest international profile. Director of The Secret in their Eyes (Oscar for Best Foreign Language Film in 2009), he has directed successful films such as El hijo de la novia and El mismo amor, la misma lluvia. Campanella has worked for television series such as Dr. House and Law and Order. His latest project is the animated film Metegol, released in 2013. In conversation with Roberto Pombo. Simultaneous translation from Spanish to English available Event sponsored by El Tiempo [2] 15:30–16:30 Teatro Adolfo Mejía John Boyne in conversation with Peter Florence Winner of awards such as the Curtis Brown, the IMPAC, Irish Novel of the Year and the Qué Leer Prize for Best Foreign Novel, John Boyne is the author of the celebrated The Boy in the Striped Pyjamas. -
UCC Library and UCC Researchers Have Made This Item Openly Available. Please Let Us Know How This Has Helped You. Thanks! Downlo
UCC Library and UCC researchers have made this item openly available. Please let us know how this has helped you. Thanks! Title The history and provenance of two early medieval crosiers ascribed to Clonmacnoise Author(s) Murray, Griffin Publication date 2021-02 Original citation Murray, G. (2021) 'The history and provenance of two early medieval crosiers ascribed to Clonmacnoise', Proceedings of the Royal Irish Academy - Archaeology, Culture, History, Literature, 2021, pp. 1-33. doi: 10.3318/priac.2021.121.04 Type of publication Article (peer-reviewed) Link to publisher's https://www.ria.ie/proceedings-royal-irish-academy-archaeology- version culture-history-literature http://dx.doi.org/10.3318/priac.2021.121.04 Access to the full text of the published version may require a subscription. Rights © 2021, Royal Irish Academy. Item downloaded http://hdl.handle.net/10468/11761 from Downloaded on 2021-10-02T00:05:33Z The history and provenance of two early medieval crosiers ascribed to Clonmacnoise GRIFFIN MURRAY Department of Archaeology, University College Cork [email protected] https://orcid.org/0000-0002-6867-8948 Abstract The Clonmacnoise crosier, one of finest examples of early medieval metalwork from Ireland, is described, and its history and provenance are thoroughly investigated for the first time. It is argued that the workshop that created it and related material was located at Clonmacnoise and that abbot Tigernach Ua Bráein (d.1088) may have been its commissioner. While there is no basis to the story that it was found, along with another crosier, in Temple Ciarán its iconography nevertheless suggests a link with that building and more generally with Clonmacnoise.