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Saison 21/22 Saison 21/22 Sommaire 04 109 Éditos Les séances scolaires Et nos représentations 10 en soirée recomman- Les spectacles dées aux classes en un coup d’œil 111 15 Prenez place ! La saison Réservations 99 et Pass / Tarifs / Bienvenue chez vous Venir au théâtre Autour des 119 spectacles / Comité Calendrier de spectateurs 103 Vous êtes… Édito Georges Mischo, Bourgmestre Pim Knaff, Échevin à la Culture Exceptionnelle, la saison passée l’a certaine- ment été. Si le Escher Theater a pu présen- ter la majorité des spectacles initialement programmés et réussi à en reporter d’autres, c’est grâce, il faut le dire, à un heureux mé- lange de dévouement professionnel, de sens de l’improvisation et, bien sûr, de chance. Nous vivons une époque témoin : moins un grand chamboulement qu’une lente prise de conscience, moins une révolution qu’un ré- examen prudent et attentif de nos sociétés, auxquels l’activité culturelle – et le théâtre en particulier – apportera une contribution essen- tielle. Les objectifs d’Esch2022 Capitale euro- péenne de la culture coïncident parfaitement avec notre démarche de mettre la culture au cœur de notre ville. Esch2022 n’est pas une fin en soi, mais fait partie du long processus 4 de changement et d’innovation durable que nous avons initié dans notre commune. À l’heure actuelle, cette mise en perspective européenne est déjà une grande réussite : fa- cilitatrice et accélératrice, elle nous a permis, en peu de temps, de créer de nouvelles infra- structures comme le Bâtiment 4, la Konscht- hal, le Bridderhaus et l’Ariston. Seconde salle de spectacle du Escher Theater, l’Ariston ouvrira de nouvelles possibilités et consoli- dera le rayonnement du théâtre au-delà de nos frontières – nous tenons ici à remercier la directrice et toute son équipe pour leurs efforts inlassables de renouvellement depuis 3 ans. La saison à venir confirme enfin nos engage- ments vis-à-vis des artistes, que nous soute- nons non seulement parce qu’ils et elles font partie d’un secteur économique mis à rude épreuve, mais aussi parce que sans eux, créa- trices et créateurs, il n’y aurait plus personne pour offrir à nos scènes ces œuvres qui nous émeuvent, nous dérangent et nous inspirent. 5 Édito Carole Lorang, Directrice du Escher Theater C’est là le plus beau paradoxe de tous. Le sen- timent de perte de contrôle, qui, à l’heure où j’écris ces lignes, nous accompagne depuis plus d’un an, a certes ébranlé nos certitudes, mais il a aussi révélé des forces cachées. Le théâtre, tantôt fermé jusqu’à nouvel ordre, tan- tôt ouvert sous réserve d’observer des règles sanitaires drastiques ou de jongler avec des changements de dernière minute, nous rap- pelle qu’il fait partie d’un secteur culturel aussi précieux que fragile. Le théâtre est décidément un lieu surprenant, bourré de ressources et d’inventivité, un lieu qui, même dans l’adversité, peut compter – avec le soutien dont il a bénéficié en haut lieu – sur la ca- pacité d’adaptation et d’improvisation des siens. Nous tous, public, artistes, équipe du théâtre, nous avons peut-être réappris à voir chaque événement artistique pour ce qu’il est : une sur- prise et un cadeau, un moment exceptionnel de grande intensité. 6 Exceptionnelle, cette saison le sera sans doute, avec la finalisation de la transformation de l’an- cien cinéma Ariston en seconde salle du Escher Theater. L’Ariston mettra en valeur les arts de la scène sous toutes ses formes – Jeunes publics notamment – à travers des créations encore plus intimistes et innovantes. Au regard d’Esch2022 et de son leitmotiv, Remix culture, nous avons apporté un soin par- ticulier aux propositions participatives qui sti- mulent l’échange, notamment entre artistes et spectatrice·eur·s ou entre professionnels et non professionnels. Enfin, nous n’avons pas oublié que nous avons besoin aussi – et maintenant plus que jamais – du souffle d’un certain Buster Keaton. Et c’est plein de conviction que nous avons réservé une place de choix au cirque et à la danse, à des moments d’évasion et de doux émerveillement. Espérons que la nouvelle saison nous permettra un retour à une certaine normalité. 7 L’ancien cinéma Ariston, seconde salle du Escher Theater ? C’est pour bientôt. Encore une petite saison avant d’y venir en vrai ! 8 9 Les spectacles en un coup d‘oeil Théâtre 18 Gretchen 89 ff Lutz Hübner, Luc Feit, Steve Karier 20 Der Besuch der alten Dame Friedrich Dürrenmatt, Independent Little Lies 26 les paroles impossibles Yoann Bourgeois 28 Ein Bericht für eine Akademie / Qui a tué mon père Franz Kafka, Édouard Louis, Stefan Maurer 34 20 Makadammen 38 Tous les marins sont des chanteurs Le Guilvinec, François Morel 40 Prévert Yolande Moreau, Christian Olivier 44 Il n’y a rien dans ma vie qui montre que je suis moche intérieurement Cie Gare Centrale 50 Amer Amer Jérôme Michez, Elsa Rauchs 56 Idiomatic Transquinquennal 62 En Escher Jong Kristof Frank, Luc Feit, André Jung 66 La Musica Deuxième Marguerite Duras, Guillemette Laurent 74 Visage Emmanuel Levinas, Isabelle & Vincent Adelus 80 Ne pas finir comme Roméo et Juliette Cie La Cordonnerie 82 The Assembly Catherine Elsen, Charlotte Bruneau 84 Mailles Dorothée Munyaneza 86 After All Springville Miet Warlop 90 Human nations, united rights Cie mala voadora 94 PATE Petit Atelier Théâtre Esch 10 Danse 16 Anopas Cie Art Move Concept 42 Le Jour se rêve Cie Jean-Claude Gallotta 60 Boxe Boxe Brasil Mourad Merzouki 70 Rage & Timeless Po-Cheng Tsai 84 Mailles Dorothée Munyaneza 88 Gozo y Ilanto José Galán Cirque 22 Concerto pour deux clowns Les Rois Vagabonds 26 les paroles impossibles Yoann Bourgeois 54 Démodés Leandre, Cie La Tal 58 Zwäi Cie E1NZ 72 Machine de cirque Cie Machine de Cirque Musique 32 La mer Harmonie Municipale Esch/Alzette 38 Tous les marins sont des chanteurs Le Guilvinec, François Morel 40 Prévert Yolande Moreau, Christian Olivier 48 Concert de Nouvel An Gast Waltzing 60 Boxe Boxe Brasil Mourad Merzouki 11 68 Youth@HMEsch Harmonie Municipale Esch/Alzette 80 Ne pas finir comme Roméo et Juliette Cie La Cordonnerie 82 The Assembly Catherine Elsen, Charlotte Bruneau Jeunes publics 22 Concerto pour deux clowns Les Rois Vagabonds 24 Wilhelm B Cie du Grand Boube 30 Ding Dong, Toktoktok! Ensemble Traffik Klassik 36 Une forêt Cie Joli Mai, Cie Agnello 46 De Kapitän Mullebutz Dan Tanson, Georges Urwald 52 Go ! Cie Corps In Situ 54 Démodés Leandre, Cie La Tal 58 Zwäi Cie E1NZ 64 Big Box florschütz & döhnert 72 Machine de cirque Cie Machine de Cirque 76 Le mensonge Cie ACT2 92 tock tock Annick Pütz Temps fort 78 D’autres histoires Chaque catégorie est identifiée par une couleur de référence, signalétique également perceptible dans le reste de la brochure. Les spectacles soulignés ici apparaissent dans deux catégories : en fonction de leur couleur, ils sont soit à la croisée de deux disciplines, soit recommandés aux jeunes publics comme aux adultes. 12 Pensez à nos Pass pour découvrir, découvrir, découvrir ! Nos Pass se déclinent selon votre profil de spectateur·rice·s et vous permettent, par le biais de tarifs super réduits, de naviguer dans notre programmation en toute liberté. Infos p. 114 13 Save the date Nuit de la Culture 11.09 18h00 > minuit Dans l‘écrin du site Eller- gronn, la Nuit de la Culture vous donne rendez-vous ! Concerts, spectacles, expositions, ateliers, lectures... la programmation compte bien des événements (dont une contribution du Escher Theater, la pièce de théâtre So dunkel hier). Les uns vont renouveler votre perception d’Esch, les autres vont nourrir vos réflexions, tous vous permettront de passer un bon moment. De la sidérurgie et de la vie au temps des mines aux questionnements des citoyen·ne·s d’aujourd’hui, la Nuit de la Culture vous embarque dans une capsule temporelle qui brassera bien des histoires du passé, du présent et même du futur. On vous espère nombreux à cette grande et belle fête ! Retrouvez toute la programmation (à venir) sur nuitdelaculture.lu 14 La saison 15 16 OCT Tarif A 01 60 min. VEN 20:00 Tout public à partir de 8 ans DANSE CIE ART MOVE CONCEPT (FR) Anopas FR Des jambes, des bras, des bustes prompts à s’émou- voir. Neuf danseur·euse·s dépassent les limites du genre Chorégraphie Mehdi Ouachek, hip-hop et donnent à leur danse un pouvoir burlesque Soria Rem irrépressible. Sur les pas de Chaplin ou de Keaton, ils Lumières Jean-Yves Desaint Fuscien et elles se livrent avec ivresse à un ballet mécanique à l’in- Musique Jean du Voyage, tensité fulgurante. Leurs émotions sont aisément identi- augmenté de musiques fiables et se nomment révolte, tendresse et compassion. additionnelles Car ces artistes dansent leurs propres histoires, chahutées Avec Simhamed Benhalima, en permanence par les doutes. Présenté en 2020 devant Lucie Dubois, Manon Mafrici, Kevin Mischel, Jackson Ntcham, une audience digitale de 17 000 connections – un record ! –, Artëm Orlov, Mehdi Ouachek, Anopas rend hommage à la liberté d’être soi au-delà des Soria Rem, Ines Valarcher injonctions intimes ou sociales. DE Neun Leben für den Tanz. Die Kompagnie um Soria Rem und Mehdi Ouachek ist bekannt für ihre atem- beraubenden Spektakel zwischen Hip-Hop, klassischem Tanz und Pantomime. In ihrer jüngsten Kreation erzählen die Tänzer*innen von ihren Lebensgeschichten und der Schwierigkeit, zu ihrem eigenen Stil zu finden. Pulsie- rende Gruppen-Choreographien wechseln sich ab mit ergreifenden Solo-Performances, in denen ein jeder zu seinem eigenen Ausdruck findet. 17 000 Zuschauer ver- folgten die Premiere von Anopas 2020 im Internet – ein Rekord! Selten wurde so kraftvoll und zugleich einfühl- © Anne Gayan sam vom schwierigen Weg zu sich selbst erzählt.
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