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Sailor Mars Meet Maroku
sailor mars meet maroku By GIRNESS Submitted: August 11, 2005 Updated: August 11, 2005 sailor mars and maroku meet during a battle then fall in love they start to go futher and futher into their relationship boy will sango be mad when she comes back =:) hope you like it Provided by Fanart Central. http://www.fanart-central.net/stories/user/GIRNESS/18890/sailor-mars-meet-maroku Chapter 1 - sango leaves 2 Chapter 2 - sango leaves 15 1 - sango leaves Fanart Central A.whitelink { COLOR: #0000ff}A.whitelink:hover { BACKGROUND-COLOR: transparent}A.whitelink:visited { COLOR: #0000ff}A.BoxTitleLink { COLOR: #000; TEXT-DECORATION: underline}A.BoxTitleLink:hover { COLOR: #465584; TEXT-DECORATION: underline}A.BoxTitleLink:visited { COLOR: #000; TEXT-DECORATION: underline}A.normal { COLOR: blue}A.normal:hover { BACKGROUND-COLOR: transparent}A.normal:visited { COLOR: #000020}A { COLOR: #0000dd}A:hover { COLOR: #cc0000}A:visited { COLOR: #000020}A.onlineMemberLinkHelper { COLOR: #ff0000}A.onlineMemberLinkHelper:hover { COLOR: #ffaaaa}A.onlineMemberLinkHelper:visited { COLOR: #cc0000}.BoxTitleColor { COLOR: #000000} picture name Description Keywords All Anime/Manga (0)Books (258)Cartoons (428)Comics (555)Fantasy (474)Furries (0)Games (64)Misc (176)Movies (435)Original (0)Paintings (197)Real People (752)Tutorials (0)TV (169) Add Story Title: Description: Keywords: Category: Anime/Manga +.hack // Legend of Twilight's Bracelet +Aura +Balmung +Crossovers +Hotaru +Komiyan III +Mireille +Original .hack Characters +Reina +Reki +Shugo +.hack // Sign +Mimiru -
Phineas and Ferb Spongebob Reference
Phineas And Ferb Spongebob Reference enduresHabitable feasible. Sloan always Erhard insnares still mordants his whelks prepositively if Joao is while thwartwise bizarre orTann demonetised trephining liberally.that aesc. Crowing Chevalier But squirrels are herbivores XD. Phineas and browse page needs a review the orange county register to view is and phineas and grandma fletcher looking for your watchers will be inappropriate in. Can drag and comments, so he was already gave us continue eating a group chat will be stored in most popular. My latest of the spongebob fashion line book series Spongebob fasion Sponebob. Stupid disney xd playing and a close an affiliate commission on snack food, he now goes by a perfect show. Down Arrow keys to soak or heart volume. Holidays & Celebrations Books Downloads on iTunes. Graduated from your conversations about anything you are too, phineas and beat up turning their backyard into super heroes that. No trouble and ferb; ashley tisdale as a reference in references to spongebob while we change. These cookies do not favor any personal information. 2001 tv schedule Laurencelabrie. But do not know if you can try to spongebob is that disney. Visitors will be able to request all commissions from your profile and Browse page. How are awarded to report this deviant a browser that has some quality call fails. All very on this website, including dictionary, thesaurus, literature, geography, and other reference data control for informational purposes only. What expertise I wear at? Cartoon character voice actors Business Insider. Earn fragments whenever one given your comments or deviations gets a badge. -
FFF-Preview-Edition.Pdf
Preview Edition / Excerpt Preview Edition © 2009 Scott Kirsner / CinemaTech Books Web site: http://www.scottkirsner.com/fff Cover design by Matt W. Moore. Photo credits: Tobin Poppenberg (DJ Spooky), Dale May (Jonathan Coulton), JD Lasica (Gregg and Evan Spiridellis), Scott Beale/LaughingSquid.com (Ze Frank), Dusan Reljin (OK Go), Todd Swidler (Sarah Mlynowski). Tracy White and Dave Kellett provided their own illustrations. All rights reserved. No part of this book may be reproduced in any form by any electronic or mechanical means without permission in writing from the author: [email protected]. Feel free to share this book preview or post it online. You can purchase the full book at http://www.scottkirsner.com/fff or Amazon.com 10 9 8 7 6 5 4 3 2 1 Contents Understanding the New Rules 1 Table: Defining the Terms 23 Introduction to the Interviews 24 Film & Video Michael Buckley: Creator of “What the Buck” 25 Mike Chapman: Animator and Writer, “Homestar Runner” 28 Ze Frank: Multimedia Artist and Creator of “theshow” 31 Curt Ellis: Documentary Producer and Writer 36 Michael “Burnie” Burns: Creator of “Red vs. Blue” 39 Sandi DuBowski: Documentary Filmmaker 41 Gregg and Evan Spiridellis: Co-Founders, JibJab Media 43 Timo Vuorensola: Science Fiction Director 47 Steve Garfield: Videoblogger 49 Robert Greenwald: Documentary Filmmaker 51 M dot Strange: Animator 54 Music Jonathan Coulton: Singer-Songwriter 57 Damian Kulash: Singer and Guitarist, OK Go 61 DJ Spooky: Composer, Writer and Multimedia Artist 65 Jill Sobule: Singer-Songwriter 67 Richard Cheese: Singer 70 Chance: Singer-Songwriter 73 Brian Ibbott: Host of the Podcast “Coverville” 75 Visual Arts Natasha Wescoat: Painter, Designer and Illustrator 77 Tracy White: Comics Artist 79 Matt W. -
Georgia Tech Library Staff Newsletter Issue 88 I May 2007 Homestar
Subscribe to ConneXus at http://smartech.gatech.edu/feed/rss_l .0/1853/3751 conne Georgia Tech Library Staff Newsletter Issue 88 I May 2007 Homestar Runner Creator's Mike and Matt Chapman visit the GT Library! On April 26, 2007, The Brothers Chaps [Mike and Matt Chapman] appeared at a talk at the Multimedia Studio of Georgia Tech. The event included Q&A, background info, a Flash demo and more. The event took place in the Library on the Georgia Tec h campus. It was organized by Alison Valk and Joel Linderman. It took place in the multimedia studio that houses all of their high-end multimedia software and equipment, as well asbeing"homebase"forthe ADMINISTRATION Georgia Tech iMovieFest. The studio is currently decked KathyTomajko out as "Mario-land" and discussions have taken place ARCHITECTURE regarding the possibility of doing a Homestar Runner Kevin Quick theme for the summer months. ARCHIVES Kirk Henderson Due to various programs on campus and the high interest of CIRCULATION many of the students there in Flash animation, Alison and Joel Stephanie Morris felt The Brothers Chaps would be ideal speakers. Alison COLLECTION DEVELOPMENT focused on the idea of collaborating with her management Matt Frizzell to bring in some "nontraditional speakers" to the library, such as "the guys from Homestar Runner". DIGITAL INITIATIVES Katie Gentilello The presentation was videotaped and is available ICM Patty Phipps in SMARTech. After one week online, the video has been viewed a whopping 558 times! A user INFORMATION DELIVERY on the Homestar RunnerWiki has posted the Katharine Calhoun transcript of the presentation online and our own Brian ACQUISTIONS SERVICES Mathews has posted an entry on his blog about it also. -
WE NEED YOUR HELP the Newspaper Industry Is Dying
THE est 195 b OCTOBER, 8, 2012 POST THE STUDENT-RUN INDEPENDENT NEWSPAPER ISSUE 6, VOLUME 57 WE NEED YOUR HELP The newspaper industry is dying. Across the country news outlets are shutting down or limiting publication, and everyone is hurrying to find the next big thing. For better or worse, we've entered that race. student per semester would fund us completely with some to spare. The earliest VVC £1TC illlllOS I DrOKLC Advertising revenue has been this funding could be available is next fall, and we are working hard to ensure slowly declining over the last three years, and we've reached a point where it that our ability to produce content and our editorial policies are protected from would be irresponsible to continue on the same track. fickle student politics. This is your money; make us work for it. We believe we will be faithful stewards, but we also know that far too often Our financial situation is dire. these decisions are made without any real student input. Projections for the rest of the semester show little hope of profit. We are currently scaling back our print run and our staff has taken a 50 percent pay cut to buy us time. Even with these measures in place, we will be lucky if we So we are asking for your feedback. can keep printing through November. We would cut printing entirely, but we Tell us what works and what doesn't, remind us of the stories we missed and let us know if you enjoyed something. can't afford to. -
How Web-Based Parody Encourages Chinese Civil Participation
International ResearchScape Journal Volume 3 Article 1 2015 The Power of Creativity: How Web-Based Parody Encourages Chinese Civil Participation Amber Boczar Bowling Green State University, [email protected] Follow this and additional works at: https://scholarworks.bgsu.edu/irj Part of the Chinese Studies Commons, Civic and Community Engagement Commons, Communication Technology and New Media Commons, International and Area Studies Commons, International and Intercultural Communication Commons, Mass Communication Commons, Other Communication Commons, Other Film and Media Studies Commons, Other Political Science Commons, Other Sociology Commons, Social Influence and oliticalP Communication Commons, and the Social Media Commons Recommended Citation Boczar, Amber (2015) "The Power of Creativity: How Web-Based Parody Encourages Chinese Civil Participation," International ResearchScape Journal: Vol. 3 , Article 1. DOI: https://doi.org/10.25035/irj.03.01.01 Available at: https://scholarworks.bgsu.edu/irj/vol3/iss1/1 This Article is brought to you for free and open access by the Journals at ScholarWorks@BGSU. It has been accepted for inclusion in International ResearchScape Journal by an authorized editor of ScholarWorks@BGSU. Boczar: Web-Based Parody and Chinese Civil Participation Boczar 1 The Power of Creativity: How Web-Based Parody Encourages Chinese Civil Participation Amber Boczar [email protected] Published by ScholarWorks@BGSU, 2015 International ResearchScape Journal, Vol. 3 [2015], Art. 1 Boczar 2 The Power of Creativity: How Web-Based Parody Encourages Chinese Civil Participation Abstract This article investigates that relationship between e’gao (parody using web-based media) and Chinese civil participation. E’gao (恶搞 EUH-gow) uses videos, images, and text based campaigns that use humor to remove fear of political commentary and action. -
University of Florida Thesis Or Dissertation Formatting
FROM SERIAL DEATH TO PROCEDURAL LOVE: A STUDY OF SERIAL CULTURE By STEPHANIE BOLUK A DISSERTATION PRESENTED TO THE GRADUATE SCHOOL OF THE UNIVERSITY OF FLORIDA IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY UNIVERSITY OF FLORIDA 2011 1 © 2011 Stephanie Boluk 2 For my mum 3 ACKNOWLEDGMENTS One of the reasons I chose to come to the University of Florida was because of the warmth and collegiality I witnessed the first time I visited the campus. I am grateful to have been a member of such supportive English department. A huge debt of gratitude is owed to my brilliant advisor Terry Harpold and rest of my wonderful committee, Donald Ault, Jack Stenner, and Phil Wegner. To all of my committee: a heartfelt thank you. I would also like to thank all the members of Imagetext, Graduate Assistants United, and Digital Assembly (and its predecessor Game Studies) for many years of friendship, fun, and collaboration. To my friends and family, Jean Boluk, Dan Svatek, and the entire LeMieux clan: Patrick, Steve, Jake, Eileen, and Vince, I would not have finished without their infinite love, support, patience (and proofreading). 4 TABLE OF CONTENTS page ACKNOWLEDGMENTS.................................................................................................. 4 LIST OF FIGURES.......................................................................................................... 7 INTRODUCTION........................................................................................................... 11 Serial Ancestors..................................................................................................... -
Adaptation, Translation, Permutation
The University of British Columbia’s Film Journal Carlen Lavigne Daniel Sacco Catalina Alvarez Sarah Stang Kevin Kvas Vol. 11 No. 3: Adaptation, Translation, Permutation CINEPHILE The University of British Table of Contents Columbia’s Film Journal Vol. 11 No. 3 Fall/Winter 2016 Preface 2 “Adaptation, Translation, Permutation” Contributors 4 ISSN: 1712-9265 Letter from the Editors 5 Copyright and Publisher The University of British Articles Columbia Film Program Editors-in-Chief Capturing Robert Durst: Fact, Fiction, and Format 6 Matthew Gartner and Amanda Greer —Daniel Sacco Design M. Gartner and A. Greer Towards Another Cinema (After Kidlat Tihimik and Ulrike 12 Artwork Ottinger) Nicole Tischler —Catalina (Jordan) Alvarez Faculty Advisor Player Agency in Telltale Games’ Transmedia and Cross- 18 Christine Evans Genre Adaptations Program Administrator —Sarah Stang Cameron Cronin Department Liaison “Batter His Art, Three-Personed Author Gods”: Misreading 26 Karen Tong John Donne’s “Holy Sonnet 14” for a Sympathetic Stage and Screen Adaptation of Robert J. Oppenheimer in John Editorial Board Adams’ and Peter Sellars’ Doctor Atomic Hilary Ball, Morgan Harper, and Zoe Laks —Kevin Kvas Public Relations Interviews Morgan Harper Dr. Jeremy Strong, University of West London 34 Social Media & Web Content Amanda Greer Alan Franey, Vancouver International Film Festival 36 Printing Film Reviews 38 East Van Graphics CINEPHILE is published by the Graduate Program in Film Studies at the Depart- ment of Theatre and Film, University of British Columbia, with the support of the Centre for Cinema Studies centreforcinemastudies.com UBC Film Program Department of Theatre and Film 6354 Crescent Road Vancouver, BC, Canada V6T 1Z2 Preface Dr. -
Pdf, 420.38 KB
Still Buffering 244: Strong Bad Published January 17th, 2021 Listen here on themcelroy.family [theme music plays] Rileigh: Hello, and welcome to Still Buffering: a cross-generational guide to the culture that made us. I am Rileigh Smirl. Sydnee: I'm Sydnee McElroy. Teylor: And I'm Teylor Smirl. Sydnee: This is a special day! Rileigh: It is a special day! Teylor: Eh... Sydnee: [laughs] Okay, well that— Rileigh: [laughs] Okay. Sydnee: —that was not the same energy that we were bringing to this day. You should be the most excited, Tey! Teylor: It feels weird to be, like, super psyched for your own birthday. Like... you know. Sydnee: I don't know. Rileigh gets pretty excited for her own birthday. Rileigh: This year I am pumped for my birthday! [laughs] Sydnee: That's true. Teylor: Well, you have a significant birthday this year. You're turning 21. Rileigh: Yeah, I am. Sydnee: You all both have significant birthdays! Well, I mean, no. Rileigh: Yeah! Sydnee: Can I— can we— maybe you don't want me to tell everybody how old you are. Teylor: Oh, I— I don't care. I'm 30— I'm turning 35 today. I'm old. [laughs quietly] Rileigh: Well, now you're old enough to run for President. Sydnee: There you go. Teylor: Yeah. So, finally, my true dream can come to fruition: to be President of the United States. A job which I will say, I might be more qualified for than the current President. [laughs] So I don't know! Sydnee: I think that— I think that is absolutely, 100% true, yes. -
PDF of This Issue
.1 ~_a_~_'Py_~_a_Iln_w_~_e_n_! _ MIT's The Weather Oldest and Largest Today: Sunny, 68°F (20°C) Tonight: Clear, 49°F (9°C) Newspaper .• ~ .. Tomorrow: Partly cloudy, 80°F (27°C) Details, Page 2 Volume 123, Number 53 Cambridge, Massachusetts 02139 Friday, October 31, 2003 Expenses Star Market To Consider Accepting Card By Kathy Un Ai , ASSOCIA TE NEWS EDITOR DiJlicult Star Market has received a pro- posal from MIT Enterprise Services Iti'l • to accept TechCash via the MIT ForGradJ; card. In addition, a local restaurant is now accepting TechCash, and By GlreeJa Ranade another will be accepting it in the near future. Despite efforts by the MIT University Park Star Market administration to buffer the effects Manager Marty O'Halloran said that of a 60 percent health insurance he is aware that a proposal was sub- ======== hike and mitted by MIT, but only recently • began working at Star Market and Analysis ~~~~,~d~ has not had a chance to look at it. uate stu- Passport restaurant, located at dents continue to feel the pinch. the Sidney-Pacific graduate resi- "Extra costs are all piling up," dence, has been accepting TechCash said Stefan D'Heedene G. "My rent for about eight months now, said went up by about $50 per month. Restaurant Manager Gregory Seri- For my finances I felt it necessary to no. Polcari's, a new restaurant in have a summer job and freelance Tech Square, is planning on accept- after hours," he said. ing the MIT card soon. Graduate student rents increased by an average of 6 percent this year. -
Sound in Flash
CGT 353: Principles of Interactive and Dynamic Media Animation in Flash Introduction: • At it’s most basic, animation is very simple in Flash. • Only control a few variables such as size, position, color, and shape. • Additional elements such as layer, masks, and guides help…., but these are still very simple components…. • It is the infinite combinations and creative applications that allow the enormous number of ideas to present themselves…. • When you use ActionScript to control and add interactivity to these movies, the number of possibilities increases even more… • Although most of you won’t become character animators…we use examples of character animation in this discussion because it is the most complex category of animation. Bit O’ Flash Animation History: • First prominent use was by Ren & Stimpy creator John Kricfalusi in the creation of The Goddamn George Liquor Program in 1997 • 1999 – WhirlGirl - first regularly scheduled Flash animated web series on Showtime • 1999 – The VonGhouls • Dot-com era - Icebox, MondoMedia, CampChaos, MediaTrip, Bogbeast and AtomFilms • Adult Cartoons - Queer Duck, Gary the Rat, Happy Tree Friends, JibJab Homestar Runner. Flash Animated TV Series: • 2003 Chilly Beach - Launched on CBC Television, this became one of the first Flash productions to make the move from online "webisodes" to national TV. • 2004 Foster's Home for Imaginary Friends Launched on Cartoon Network. • 2004 Atomic Betty Launched on Cartoon Network in the US. • 2005 The Buzz on Maggie Canceled Disney Channel series that ran for only one season. 2005 Disney's Little Einsteins Multimedia pre-school show, used Flash for all principal character animation in conjunction with video, photo collage, Maya 3-D animation and After Effects. -
Seriality, the Literary and Database in Homestar Runner: Some Old Issues in New Media
Seriality, the Literary and Database in Homestar Runner: Some Old Issues in New Media Stephanie Boluk University of Florida 4008 Turlington Hall P.O. Box 117310, Gainesville, FL 32611-7318 +1 352.359.3060 [email protected] ABSTRACT My particular focus will be on the intersection of serial narratives At the intersection between concepts of the literary and emergent with database aesthetics. An ongoing project like Mike and Matt forms of database aesthetics lies a contemporary model for Chapman's Homestar Runner (Fig. 1) may fall outside the range theorizing serial production. This paper investigates the under- of what many digital media scholars might strictly regard as examined concept of seriality and the way it has been electronic literature. I propose, however, that this particular work reconfigured in digital media. Using Homestar Runner as the serves as an interesting case study for raising questions regarding central case study, I provide a survey of these issues surrounding the horizon of the literary in the digital humanities, as well as for the literary, database and seriality and the way they figure in this exploring how new media engages the practice of seriality with a Flash website. I will then trace the propensity of electronic renewed importance. literature for what has been described as a technologically- conditioned melancholia and relate this to the serial constructs within Homestar Runner. Keywords seriality, electronic literature, database, narratology, melancholy Homestar Runner 1. INTRODUCTION Inversely correlated to its popularity as a form, seriality as a narrative device has historically received little scholarly attention.1 This may be due to its long-time association with popular forms of mass-produced media such as comics, soap operas and genre fiction that occupy a somewhat uncertain position with respect to concepts of the literary.