Landscape Aesthetics Handbook
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IMBCR Report
Integrated Monitoring in Bird Conservation Regions (IMBCR): 2015 Field Season Report June 2016 Bird Conservancy of the Rockies 14500 Lark Bunting Lane Brighton, CO 80603 303-659-4348 www.birdconservancy.org Tech. Report # SC-IMBCR-06 Bird Conservancy of the Rockies Connecting people, birds and land Mission: Conserving birds and their habitats through science, education and land stewardship Vision: Native bird populations are sustained in healthy ecosystems Bird Conservancy of the Rockies conserves birds and their habitats through an integrated approach of science, education and land stewardship. Our work radiates from the Rockies to the Great Plains, Mexico and beyond. Our mission is advanced through sound science, achieved through empowering people, realized through stewardship and sustained through partnerships. Together, we are improving native bird populations, the land and the lives of people. Core Values: 1. Science provides the foundation for effective bird conservation. 2. Education is critical to the success of bird conservation. 3. Stewardship of birds and their habitats is a shared responsibility. Goals: 1. Guide conservation action where it is needed most by conducting scientifically rigorous monitoring and research on birds and their habitats within the context of their full annual cycle. 2. Inspire conservation action in people by developing relationships through community outreach and science-based, experiential education programs. 3. Contribute to bird population viability and help sustain working lands by partnering with landowners and managers to enhance wildlife habitat. 4. Promote conservation and inform land management decisions by disseminating scientific knowledge and developing tools and recommendations. Suggested Citation: White, C. M., M. F. McLaren, N. J. -
Norms of Belief and Norms of Assertion in Aesthetics
Philosophers’ volume 15, no. 6 1. Introduction Imprint february 2015 1.1 Aesthetics and assertion It is a noteworthy feature of our discourse concerning aesthetic value that certain kinds of assertion — unproblematic in most other domains — are typically ruled as impermissible. I can legitimately assert that post-boxes in Canada are red, Justin Bieber’s sophomore Norms of Belief and album lasts a little over thirty-eight minutes, and arsenic is extremely poisonous, even though I have never seen, heard, or imbibed the relevant items. In contrast, utterances such as ‘The Diving Bell and the Butterfly is an extremely moving film’ (Lackey 2011: 257) and ‘It’s such Norms of Assertion in a wonderful novel; insightful and moving, with the most beautiful and bewitching language’ (Robson 2012: 4), appear extremely problematic in the mouth of someone who has not experienced the works in question for themselves.1 Aesthetics This contrast may initially seem rather prosaic, but it has recently been employed in arguments intended to motivate a number of significant philosophical claims. These arguments typically begin by taking such examples as license for the general claim that it is illegitimate to make assertions concerning the aesthetic properties of an object in the absence of first-hand experience of the object itself. Thus Mary Mothersill claims that ‘the judgment of taste (speech act) presupposes, through the avowal that it implicates, first-person knowledge of the object judged’ (1994: 160). Simon Blackburn states Jon Robson that if ‘I have no experience of X, I cannot without misrepresentation University of Nottingham answer the question ‘Is X beautiful/boring/fascinating…?’’ (1998: 110), and others — such as Jennifer Lackey (2011: 157–8) and Keren Gorodeisky (2010: 53) — make comments in a similar vein. -
Paths from the Philosophy of Art to Everyday Aesthetics
Paths from the Philosophy of Art to Everyday Aesthetics Edited by Oiva Kuisma, Sanna Lehtinen and Harri Mäcklin Paths from the Philosophy of Art to Everyday Aesthetics © 2019 Authors Cover and graphic design Kimmo Nurminen ISBN 978-952-94-1878-7 PATHS FROM THE PHILOSOPHY OF ART TO EVERYDAY AESTHETICS Eds. Oiva Kuisma, Sanna Lehtinen and Harri Mäcklin Published in Helsinki, Finland by the Finnish Society for Aesthetics, 2019 6 Contents 9 Oiva Kuisma, Sanna Lehtinen and Harri Mäcklin Introduction: From Baumgarten to Contemporary Aesthetics 19 Morten Kyndrup Were We Ever Modern? Art, Aesthetics, and the Everyday: Distinctions and Interdependences 41 Lars-Olof Åhlberg Everyday and Otherworldly Objects: Dantoesque Transfiguration 63 Markus Lammenranta How Art Teaches: A Lesson from Goodman 78 María José Alcaraz León Aesthetic Intimacy 101 Knut Ove Eliassen Quality Issues 112 Martta Heikkilä Work and Play – The Built Environments in Terry Gilliam’s Brazil 132 Kalle Puolakka Does Valery Gergiev Have an Everyday? 148 Francisca Pérez-Carreño The Aesthetic Value of the Unnoticed 167 Mateusz Salwa Everyday Green Aesthetics 180 Ossi Naukkarinen Feeling (With) Machines 201 Richard Shusterman Pleasure, Pain, and the Somaesthetics of Illness: A Question for Everyday Aesthetics 215 Epiloque: Jos de Mul These Boots Are Made for Talkin’. Some Reflections on Finnish Mobile Immobility 224 Index of Names 229 List of Contributors 7 OIVA KUISMA, SANNA LEHTINEN & HARRI MÄCKLIN INTRODUCTION: FROM BAUMGARTEN TO CONTEMPORARY AESTHETICS ontemporary philosopher-aestheticians -
Schedule of Proposed Action (SOPA)
Schedule of Proposed Action (SOPA) 04/01/2007 to 06/30/2007 Beaverhead-Deerlodge National Forest This report contains the best available information at the time of publication. Questions may be directed to the Project Contact. Expected Project Name Project Purpose Planning Status Decision Implementation Project Contact Projects Occurring Nationwide Aerial Application of Fire - Fuels management In Progress: Expected:07/2007 08/2007 Christopher Wehrli Retardant 215 Comment Period Legal 202-205-1332 EA Notice 07/28/2006 fire [email protected] Description: The Forest Service proposes to continue the aerial application of fire retardant to fight fires on National Forest System lands. An environmental analysis will be conducted to prepare an Environmental Assessment on the proposed action. Web Link: http://www.fs.fed.us/fire/retardant/index.html. Location: UNIT - All Districts-level Units. STATE - All States. COUNTY - All Counties. Nation Wide. Projects Occurring in more than one Region (excluding Nationwide) Northern Rockies Lynx - Wildlife, Fish, Rare plants In Progress: Expected:04/2007 04/2007 Ray Smith Amendment - Land management planning DEIS NOA in Federal Register 406-329-3381 EIS 01/16/2004 [email protected] Est. FEIS NOA in Federal Register 04/2007 Description: Management guidelines for management of Canada Lynx on certain lands under the authority of the Forest Service and Bureau of Land Management Web Link: http://www.fs.fed.us/r1/planning/lynx.html Location: UNIT - Idaho Panhandle National Forest All Units, Clearwater National -
Incident Management Situation Report Wednesday, August 27, 2003 - 0530 Mdt National Preparedness Level 5
INCIDENT MANAGEMENT SITUATION REPORT WEDNESDAY, AUGUST 27, 2003 - 0530 MDT NATIONAL PREPAREDNESS LEVEL 5 CURRENT SITUATION: Initial attack activity was moderate in the Southern California Area and light in all other Areas. Nationally, 141 new fires were reported. Six new large fires were reported, two in the Northwest Area and one each in the Northern Rockies, Southern California, Northern California and Southern Areas. Two large fires were contained, one each in the Rocky Mountain and Southern California Areas. Very high to extreme fire indices were reported in Arizona, California, Hawaii, Idaho, Kansas, Minnesota, Montana, Nevada, North Dakota, Oklahoma, Oregon, South Dakota, Utah, Washington and Wyoming. The U.S. Army Task Force Steel Dragon (2nd Battalion, 82nd Field Artillery Regiment) commanded by LTC Gregory Schultz, at Fort Hood, TX is assigned to the Fish Creek Complex in western Montana. NORTHERN ROCKIES AREA LARGE FIRES: An Area Command Team (Mann) is assigned to manage Blackfoot Lake Complex, Ball Creek, Wedge Canyon, Robert, Middle Fork Complex, Trapper Creek Complex, Crazy Horse, High and Little Salmon Creek Complex. An Area Command Team (Rounsaville) is assigned to manage Lincoln Complex, Winslow, East Complex, Rough Draw Complex, Cathedral Peak Complex, Rathbone and Burnt Ridge/Sheep Camp Complex. An Area Command Team (Ribar) is assigned to manage Cherry Creek Complex, Mineral-Primm/Boles Meadow, Fish Creek Complex, Black Mountain 2, Cooney Ridge and Gold 1. An Area Command Team (Greenhoe) is assigned to manage Sapp, Slim’s Complex, Fiddle, Beaver Lake, Cayuse Lake Complex, and Clear/Nez Fire Use Complex. BLACKFOOT LAKE COMPLEX, Flathead National Forest. A transfer of command from Ferguson’s Type 1 Incident Management Team to Mortier’s Type 1 Incident Management Team will occur today. -
Introducing Disability Aesthetics
RPP Disability Aesthetics Tobin Siebers http://www.press.umich.edu/titleDetailDesc.do?id=1134097 University of Michigan Press, 2010 Chapter 1 Introducing Disability Aesthetics Aesthetics tracks the sensations that some bodies feel in the presence of other bodies. This notion of aesthetics, first conceived by Alexander Baumgarten, posits the human body and its affective relation to other bodies as foundational to the appearance of the beautiful—and to such a powerful extent that aesthetics suppresses its underlying corporeality only with difficulty. The human body is both the subject and object of aesthetic production: the body creates other bodies prized for their ability to change the emotions of their maker and endowed with a semblance of vitality usually ascribed only to human beings. But all bodies are not cre- ated equal when it comes to aesthetic response. Taste and disgust are vola- tile reactions that reveal the ease or disease with which one body might incorporate another. The senses revolt against some bodies, while other bodies please them. These responses represent the corporeal substrata on which aesthetic effects are based. Nevertheless, there is a long tradition of trying to replace the underlying corporeality of aesthetics with idealist and disembodied conceptions of art. For example, the notion of “disin- terestedness,” an ideal invented in the eighteenth century but very much alive today, separates the pleasures of art from those of the body, while the twentieth-century notion of “opticality” denies the bodily character of visual perception. The result is a nonmaterialist aesthetics that devalues the role of the body and limits the definition of art. -
Aesthetics—What? Why? and Wherefore?
KENDALL WALTON Aesthetics—What? Why? and Wherefore? It is a very great honor to address my friends and philosophy of quantum physics are younger. But colleagues as president of the American Society these are clearly subcategories of traditional, well- for Aesthetics, an organization that plays a unique established areas of philosophy—ethics and phi- role in a field that is, at once, a major traditional losophy of science—and they inherit much of their branch of philosophy and also central to disci- identity and sense of purpose from their parents. plines often regarded as remote from philosophy, Aesthetics is not so fortunate. It is related in vari- as well as depending crucially on their contribu- ous important ways to epistemology, metaphysics, tions. philosophy of mind, philosophy of language— I will follow the lead of one of my distinguished indeed it overlaps all of them—but these older predecessors in this office, Peter Kivy, who used relatives are at best aunts and uncles to aesthetics, the occasion of his own presidential address twelve not parents. Aesthetics must figure out for itself years ago to step back and reflect on the state of what exactly it is. the discipline and the nature of aesthetics.1 Two kinds of issues about the field need to be addressed: What is distinctive about this branch i. what is aesthetics? of philosophy, in contrast to others? And what is philosophy? Under the first heading, we will ask Aesthetics is a strange field, in some ways a con- what aesthetics is the philosophy of , what domain fused one. -
Of the Standard of Taste: David Hume's Aesthetic Ideology
CORE Metadata, citation and similar papers at core.ac.uk Of the Standard of Taste: David Hume's Aesthetic Ideology 著者 Okochi Sho journal or SHIRON(試論) publication title volume 42 page range 1-18 year 2004-12-20 URL http://hdl.handle.net/10097/57594 SHIRON No.42 (2004) Of the Standard of Taste: David Hume’s Aesthetic Ideology Sho Okochi The relationship between moral philosophy and aesthetics still remains one of the most important problems to be clarified in eighteenth-century British intellectual history. Both of these theoretical discourses have one important question in common—the question of how sentiment, which seems individual and idiosyncratic, can be the standard of judgment. As many commentators have already suggested, in the background of the emergence of moral philosophy and aesthetics during the period was the rapid commercialization of British society.1 After Mandeville inveighed against Shaftesbury’s theory of virtue, the theorists of moral senti- ments—many of whom were Scottish—tried to answer the question of how a modern commercial society that approves individual desires and passions as the driving force of commerce can avoid moral corruption.2 They constructed subtle arguments to demonstrate that principles regu- lating moral degeneration were incorporated into the mechanism of human sentiment. Theorists of ethics and aesthetics in the age from Shaftesbury to Richard Payne Knight never ceased to discuss the prob- lem of taste. The term ‘taste,’ derived from bodily palate, served British moral philosophers as the best metaphor through which to signify the inner faculty that intuitively grasps general rules of art and of life and manners. -
Kant on the Beautiful: the Interest in Disinterestedness
Kant on the Beautiful: The Interest in Disinterestedness Paul Daniels In the Critique of the Power of Judgment, Immanuel Kant proposes a puzzling account of the experience of the beautiful: that aesthetic judg- ments are both subjective and speak with a universal voice.1 These proper- ties – the subjective and the universal – seem mutually exclusive but Kant maintains that they are compatible if we explain aesthetic judgment in terms of the mind’s a priori structure, as explicated in his earlier Critique of Pure Reason. Kant advances two major claims towards arguing for the compatibility of the subjectivity and universality of the experience of beauty: (i) that aesthetic judgments are ‘disinterested’, and (ii) that the universality of an aesthetic judgment derives from the transcendental idealist’s account of ordinary spatio-temporal experience – that is, our ordinary cognitive framework can explain the experience of beauty. If correct, these two claims support the thesis that, while the experience of beauty is wholly sub- jective, it nevertheless speaks with a universal voice (or, the experience of beauty can be related among subjects). I will move to interpret Kant’s the- ory of the beautiful with reference to his earlier two Critiques in order to bet- ter understand the marriage of subjectivity and universality. In turn, this re- veals a deeper symmetry between the disinterestedness of the experience of beauty and the freedom of moral action, allowing Kant to maintain, as he 2 indeed does, that “beauty is the symbol of morality.” The claim that aesthetic judgments are ‘disinterested’ means that a genuine aesthetic judgment does not include any extrinsic considerations COLLOQUY text theory critique 16 (2008). -
FEDERAL REGISTER INDEX January–August 2020
FEDERAL REGISTER INDEX January–August 2020 Forest Service Washington Office; Fire and Aviation Management; Nationwide Aerial RULES Application of Fire Retardant – 51403 ( Aug 20) Extension of Certain Timber Sale Contracts: Conveyance of Small Tracts – 8180 ( Feb 13) Finding of Substantial Overriding Public Interest – 20984 ( Apr 15) Land Uses; Special Use: Forest Order Closing Areas: Procedures for Operating Plans and Agreements for Powerline Facility Beattie Gulch Trailhead and McConnell Fishing Access North and West of Maintenance and Vegetation Management Within and Abutting the Gardiner, MT to the Discharge of Firearms – 36527 ( Jun 17) Linear Boundary of a Special Use Authorization for a Powerline Facility – 41387 ( Jul 10) Forest Service Handbook 1109.12; Directive System Handbook; Providing Streamlining Processing of Communications Use Applications – 19660 Notice and Opportunity to Comment on Forest Service ( Apr 8) Directives – 2865 ( Jan 16) Land Uses; Special Uses: Forest Service Handbook: Procedures for Operating Plans and Agreements for Powerline Facility Chapter 30 Law Enforcement; Closures of National Forest System Lands to Maintenance and Vegetation Management Within and Abutting the Hunting, Fishing, or Recreational Shooting – 50002 ( Aug 17) Linear Boundary of a Special Use Authorization for a Powerline Operation and Maintenance of Developed Recreation Sites – 41226 ( Jul 9); Facility; Correction – 48475 ( Aug 11) 47944 ( Aug 7) Public Notice and Comment for Forest Service Directives – 2864 ( Jan 16) Forest Service Manual -
Final Thesis
A DEFENSE OF AESTHETIC ANTIESSENTIALISM: MORRIS WEITZ AND THE POSSIBLITY OF DEFINING ‘ART’ _____________________________ A Thesis Presented to The Honors Tutorial College Ohio University _____________________________ In Partial Fulfillment Of the Requirements for Graduation from the Honors Tutorial College with the degree of Bachelor of Arts in Philosophy and Art History _____________________________ By Jordan Mills Pleasant June, 2010 ii This thesis has been approved by The Honors Tutorial College and the Department of Philosophy ___________________________ Dr. Arthur Zucker Chair, Department of Philosophy Thesis Advisor ___________________________ Dr. Scott Carson Honors Tutorial College, Director of Studies Philosophy ___________________________ Jeremy Webster Dean, Honors Tutorial College iii This thesis has been approved by The Honors Tutorial College and the Department of Art History ___________________________ Dr. Jennie Klein Chair, Department of Art History Thesis Advisor ___________________________ Dr. Jennie Klein Honors Tutorial College, Director of Studies Art History ___________________________ Jeremy Webster Dean, Honors Tutorial College iv Dedicated to Professor Arthur Zucker, without whom this work would have been impossible. v Table Of Contents Thesis Approval Pages Page ii Introduction: A Brief History of the Role of Definitions in Art Page 1 Chapter I: Morris Weitz’s “The Role of Theory in Aesthetics” Page 8 Chapter II: Lewis K. Zerby’s “A Reconsideration of the Role of the Theory in Aesthetics. A Reply to Morris Weitz” -
Trails and Aboriginal Land Use in the Northern Bighorn Mountains, Wyoming
University of Montana ScholarWorks at University of Montana Graduate Student Theses, Dissertations, & Professional Papers Graduate School 1992 Trails and Aboriginal land use in the northern Bighorn Mountains, Wyoming Steve Platt The University of Montana Follow this and additional works at: https://scholarworks.umt.edu/etd Let us know how access to this document benefits ou.y Recommended Citation Platt, Steve, "Trails and Aboriginal land use in the northern Bighorn Mountains, Wyoming" (1992). Graduate Student Theses, Dissertations, & Professional Papers. 3933. https://scholarworks.umt.edu/etd/3933 This Thesis is brought to you for free and open access by the Graduate School at ScholarWorks at University of Montana. It has been accepted for inclusion in Graduate Student Theses, Dissertations, & Professional Papers by an authorized administrator of ScholarWorks at University of Montana. For more information, please contact [email protected]. Maureen and Mike MANSFIELD LIBRARY Copying allowed as provided under provisions of the Fair Use Section of the U.S. COPYRIGHT LAW, 1976. Any copying for commercial purposes or financial giain may be undertaken only with the author's written consent. MontanaUniversity of TRAILS AND ABORIGINAL LAND USE IN THE NORTHERN BIGHORN MOUNTAINS, WYOMING By Steve Piatt B.A. University of Vermont, 1987 Presented in partial fulfillment of the requirements for the degree of Master of Arts University of Montana 19-92 Approved by 4— Chair, Board of Examiners Death, Graduate £>c3Tooi 7 is. rtqz Date UMI Number: EP36285 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted.