'Long Song' Actor Makes Her Mark
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PBS Western Reserve President's Report
PBS Western Reserve President’s Report Fall 2020 Volume 14, Issue 4 New local production spotlights area female veterans The story of female veterans is as varied as the story of females in all walks of life. The new local The PBS Western Reserve production VETERANS OF AMERICA—OUR HEROES IN UNIFORM: THEY SERVED TOO highlights many President’s Report of the challenges and successes of area women in uniform. Examples include a young mother who is published for the now serves in the Army Reserve, a young couple who are both veterans, a female general and a Northeastern Educational nurse who is in the reserves. Television of Ohio Inc. Board of Directors, major The show also speaks about Sharon Lane, a Canton resident who was the first female casualty of funders of the station the Vietnam War. In addition, it touches on female veterans’ high rate of homelessness and how and other community Summit County Executive Ilean Shapiro has gotten involved in helping homeless female veterans. The members interested in the production premiered on PBS Western Reserve on Wednesday, Nov. 11, as part of our programming for Veterans Day. organization’s activities. MASTERPIECE celebrates its 50th year! Jan. 10, 2021, marks the 50th anniversary of MASTERPIECE, the iconic PBS drama series that sparked America’s infatuation with British television. The series recently unveiled its slate of the next 1 Programming & Local unforgettable dramas. Productions Elizabeth Is Missing (Sunday, Jan. 3, at 9 pm) Glenda Jackson won a coveted BAFTA award for her role as a woman in the grip of dementia, 2 Community Outreach searching for her missing friend. -
Eekly Ntertainment
Choose Your Next Adventure EEKLY Get where you want to go with an NTERTAINMENT outstanding deal on a quality vehicle! JANUARY 29 - FEBRUARY 4, 2021 SCENIC CHEVROLET BUICK GMC CADILLAC SUBARU WWW.SCENICGMAUTOS.COM 2300 ROCKFORD ST. MOUNT AIRY, N.C. 336-789-9011 70044186 Tamara Lawrance and Hayley Atwell in “The Long Song” Frank Fleming BODY SHOP WE WORK WITH ALL INSURANCE COMPANIES! 2162 SPRINGS RD. MOUNT AIRY, NC 336-786-9244 WWW.FRANKFLEMINGBODYSHOP.ORG 70044188 5 Year Warranty On A slave Buildings 8x12, 10x12, 10x16, 10x20, 12x16 no more 12x20, 12x24 Sheds & More! Come Visit! www.shedsbydesign.com No Credit Check • Rent to Own 90 Days Same As Cash 24-36-48 Month Payment Plans 336-755-3171 70044191B 809 Fowler Rd Just Down The Road From Clayton Homes & Mount Airy Toyota Do you have a passion for helping others? Join our team today. Apply at HomeInstead.com/771 or call (336) 789-4472 70044185A PAID TRAINING | SUPPORTIVE OFFICE STAFF | PART & FULL TIME SCHEDULES Each Home Instead® franchise is independently owned and operated. © 2020 Home Instead, Inc. Page 2 — Friday, January 29, 2021 — The Mount Airy News SPORTS THIS WEEK ON THE COVER FRIDAY, JAN 29 8:00 pm (10) WGHP Boxing Premier TUESDAY, FEB 2 Champions. Caleb Plant vs. Caleb Truax. A tale of pride and prejudice: ‘The Long Song’ 2:00 pm (32) ESPN2 ITF Tennis Austra- (Live) (2h) 7:00 pm (32) ESPN2 (33) ESPN NCAA lian Open. Semifinal. (3h) 8:30 pm (7) WXLV NBA Basketball Los Basketball (Live) (2h) 5:00 pm (32) ESPN2 NCAA Gymnastics Angeles Lakers at Boston Celtics. -
Twelfth Night − Learning Pack Contents
Twelfth Night − Learning Pack Contents About This Pack ................................................................1 Background Information ..................................................2 Teaching Information ........................................................4 Adaptation Details & Plot Synopsis..................................6 Find Out More ...................................................................14 1 Twelfth Night − Learning Pack About This learning pack supports the National Theatre’s production of Twelfth Night, directed by Simon Godwin, which opened on 23rd February 2017 at the National’s Olivier Theatre in London. Our packs are designed to support viewing the recording on the National Theatre Collection. This pack provides links to the UK school curriculum and other productions in the Collection. It also has a plot synopsis with timecodes to allow you to jump to specific sections of the play. 1 Twelfth Night − Learning Pack Background Information Recording Date – 6th April, 2017 Location – Olivier Theatre, National Theatre Age Recommendation – 12+ Cast Viola.........................................................Tamara Lawrance Sebastian ..........................................................Daniel Ezra Orsino ............................................................... Oliver Chris Curio ...........................................................Emmanuel Kojo Valentine ...................................................... Brad Morrison Captain and Priest ...................................... James -
Julia Valentine Co-Producer / Line Producer
Julia Valentine Co-Producer / Line producer Credits include: UNTITLED STAR WARS/CASSIAN ANDOR SERIES Production Co: Lucasfilm / Disney+ Fantasy Sci-Fi Spy Thriller Series based on Exec Producer: Kathleen Kennedy ‘Rogue One: A Star Wars Story’ Dev. Producer: Dan Winch Budget, Schedule, Feasibility VP, Long Form Physical Production: John Hampian Featuring: Diego Luna THE LONG SONG Director: Mahalia Belo 3pt Period Drama Adaptation of Andrea Levy’s novel Producer: Roopesh Parekh Line Producer (UK) Exec Producers: Rosie Alison, David Heyman Featuring: Hayley Atwell, Jack Lowden, Tamara Lawrance Production Co: Heyday Television / NBC Universal / BBC One RTS Programme Award for Best Mini-Series PATIENT ZERO Director: Stefan Ruzowitzky Post-Apocalyptic Action Thriller Producers: Vincent Newman, Steve Norris Co-Producer Featuring: Natalie Dormer, Matt Smith, Stanley Tucci Production Co: Sony Screen Gems PHILIP K. DICK’S ELECTRIC DREAMS Production Co: Left Bank Pictures / Channel 4 / Sony Pictures Sci-Fi Anthology Drama Series Exec Producers: Bryan Cranston, Maril Davis, James Degus, Series Line Producer Matt DeRoss, Isa Dick Hackett, Katie DiMento, Michael Dinner, Kalen Egan, David Kanter, Marigo Kehoe, Ronald D Moore, Lila Rawlings, Christopher Tricarico THE COMMUTER Producer: Rupert Ryle-Hodges Director: Tom Harper Featuring: Tuppence Middleton, Timothy Spall IMPOSSIBLE PLANET Producer: Rupert Ryle-Hodges Director: David Farr Featuring: Jack Reynor, Benedict Wong, Geraldine Chaplin CRAZY DIAMOND Producer: Rupert Ryle-Hodges Director: Marc Munden -
Un Film Di Josie Rourke
! Un film di Josie Rourke Durata: 2 ore 3 minuti !1 ! CAST Maria Stuarda / Saoirse Ronan Elisabetta I / Margot Robbie Lord Darnley / Jack Lowden Robert Dudley / Joe Alwyn John Knox / David Tennant Sir William Cecil / Guy Pearce Duchessa di Hardwick / Gemma Chan Conte di Bothwell / Martin Compston Rizzio / Ismael Cruz Cordova Conte di Lennox / Brendan Coyle Lord Maitland / Ian Hart Lord Randolph / Adrian Lester Conte di Moray / James McArdle AUTORI DEL FILM Regista / Josie Rourke Scritto da Beau Willimon Basato sul libro “Queen of Scots: The True Life of Mary Stuart” di John Guy Produttori / Tim Bevan, Eric Fellner, Debra Hayward Direttore della Fotografia / John Mathieson Scenografie / James Merifield Costumi / Alexandra Byrne Trucco e Acconciature / Jenny Shircore !2 Montaggio / Chris Dickens Musiche / Max Richter !3 ! Sommario I. Sinossi . 4 II. Cronologia dei Fatti. 6 III. Un esempio storico per le donne di potere nel mondo moderno. 7 IV. La scelta del cast: dare vita alla storia. 12 V. L’incontro delle Regine. 21 VI. La Produzione . 24 VII. Guardaroba e Parrucche: fra capelli e acconciature 30 VIII. Il Cast . 34 IX. Gli autori del Film . 45 X. Crediti . 51 !4 SINOSSI BREVE MARIA REGINA DI SCOZIA – MARY QUEEN OF SCOTS è il racconto della turbolenta vita di Maria Stewart (Saoirse Ronan), basato sul libro “Queen of Scots: The True Life of Mary Stuart” dello storico John Guy. Regina di Francia a 16 anni, già vedova a 18, Maria respinge le pressioni che la vorrebbero vedere risposata e decide di tornare nella natia Scozia per riprendere la corona che le spetta di diritto. -
EXPLORE GBH JANUARY 2021 Premiering Mon, 1/11 at 9Pm GBH 2 and GBH Passport
EXPLORE GBH JANUARY 2021 Premiering Mon, 1/11 at 9pm GBH 2 and GBH Passport SEE IT ALSO: Tue, 1/12 at 1pm on GBH 44, Sat, 1/16 at 10pm on GBH 44, Sun, 1/17 at 7pm on GBH 2 INSIDE 2 3 4 6 7 8 CONSIDER THIS DON’T MISS HIDDEN GEMS DRAMA JOURNALISM SCIENCE The power of Check out the latest Looking forward Celebrate a century FRONTLINE investi- Meet Percy Julian, a documentary film- podcasts and films to more stimulating of beloved mystery gates the war against scientist, humanitarian making and the and entertaining writer Agatha Christie the Philippine media and civil rights pioneer impact of storytelling programming in 2021 9 10 11 13 14 FOR KIDS LIVING HISTORY MEMBERS COVER STORY Scribbles and Ink puts Chef Lidia & CULTURE MATTER Executive Producer kids’ drawings into Bastianich shows ANTIQUES Stream your Susanne Simpson an animated her appreciation ROADSHOW kicks off favorites from GBH explores MASTERPIECE series to first responders its 25th season Passport’s vast 50 and beyond on-demand library 17 18 20 + 22 HAPPENINGS Solve TAKE TWO LEARNING ALL EARS 23 DONOR PATHWAYS it! Learn about the TOGETHER Commemorating the 24 WHAT’S ON power of multiple- Civics is a key pillar significance of public 28 TIME OUT race friendships of the GBH Education media on the Cape 29 CALENDAR OF EVENTS throughout history team’s work TELEVISION RADIO GBH PASSPORT GBH 89.7, GBH Passport is our newest member benefit Boston’s Local NPR® and your easy-access, on-demand library of wgbhnews.org public television favorites. -
Download the Cast List
A production from by William Shakespeare directed by Simon Godwin Cast Creative Team Viola Tamara Lawrance Music Director, Piano and Accordion Sebastian Daniel Ezra Dan Jackson Orsino Oliver Chris Guitars Jon Gingell Curio Emmanuel Kojo Kit/Percussion Martin Briggs Valentine Brad Morrison Bass Nicola Davenport Captain and Priest James Wallace Woodwind Hannah Lawrence Sir Toby Belch Tim McMullan Director Simon Godwin Maria Nicky Wardley Designer Soutra Gilmour Sir Andrew Aguecheek Daniel Rigby Lighting Designer James Farncombe Antonio Adam Best Movement Director Shelley Maxwell Feste Doon Mackichan Music Michael Bruce Olivia Phoebe Fox Sound Designer Christopher Shutt Malvolia Tasmin Greig Company Voice Work Jeannette Nelson Fabia Imogen Doel Fight Director Kev McCurdy Servant Whitney Kehinde Staff Director Alice Knight Officer Ammar Duffus Screen Director Robin Lough Ensemble Claire Cordier Technical Producer Mary Doherty Christopher C Bretnall Andrew Macbean Lighting Director Mike Le Ferve Imogen Slaughter Sound Supervisor Conrad Fletcher All other characters are played Thank you to all the amazing artists who have allowed by the members of the company us to share Twelfth Night, during a time when many theatre fans aren't able to visit their local theatre. Running time: 2 hours 42 minutes, with a very short interval BBFC rating: PG for cinema Did you know? In 2019 we had 26,426 screenings around the world. Introducing National Theatre at Home We’re all about experiencing theatre Each week a different production will be together. At a time when many theatre fans made available to watch for free via the around the world aren’t able to visit National National Theatre’s YouTube channel on Theatre Live venues or local theatres, we’re Thursdays at 7pm UK-time and will then excited to bring you Twelfth Night via be available on demand for seven days. -
University of Iceland School of Humanities Department of English
University of Iceland School of Humanities Department of English Lost Voices of History The Portrayal of Slavery in Andrea Levy’s The Long Song B.A. Essay Anna Marie Fennefoss Nielsen Kt.:060790-2059 Supervisor: Ingibjörg Ágústsdóttir January 2016 Abstract The historical novel has been extremely popular since its rise in the nineteenth century and to this day it is celebrated worldwide. With silences and gaps in our history, historical fiction provides a platform for a variety of untold narratives, enabling us to better comprehend the multicultural world we live in today. This essay explores the representation of slavery within historical fiction, exemplified in Andrea Levy’s novel The Long Song. Published in 2010, it is mostly set in early nineteenth century Jamaica, before and after the Baptist War. In the form of a memoir, the novel tells the story of the former slave July, as she looks back on her life on the sugar plantation Amity. This essay examines the narrative structure of The Long Song and discusses the significance of slave narratives and neo-slave narratives within the novel. Levy’s background and inspiration for The Long Song is reviewed, as is the novel’s relevance to modern times. In addition, similarities between other works of historical fiction are explored, including Tony Morrison’s Beloved and Jean Rhys’s Wide Sargasso Sea. Moreover, Levy’s use of metaphor is analyzed regarding a painting in her novel. The painting can be seen as metaphor, symbolizing the untruths and erasure found in dominant accounts of history, as well as underlining the narrator’s centrality to the narrative and to history in general. -
Lawson Welsh, Sarah ORCID: (2018) 'Caribbean Cravings: Literature and Food in the Anglophone Caribbean'
Lawson Welsh, Sarah ORCID: https://orcid.org/0000-0003-2270-057X (2018) 'Caribbean Cravings: Literature and food in the Anglophone Caribbean'. In: Piatti-Farnell, Lorna and Donna, Brien, (eds.) The Routledge Companion to Food and Literature. Routledge Literature Companions . Routledge, pp. 194-208 Downloaded from: http://ray.yorksj.ac.uk/id/eprint/2090/ The version presented here may differ from the published version or version of record. If you intend to cite from the work you are advised to consult the publisher's version: https://www.routledge.com/The-Routledge-Companion-to-Literature-and-Food/Piatti- Farnell-Brien/p/book/9781138048430 Research at York St John (RaY) is an institutional repository. It supports the principles of open access by making the research outputs of the University available in digital form. Copyright of the items stored in RaY reside with the authors and/or other copyright owners. Users may access full text items free of charge, and may download a copy for private study or non-commercial research. For further reuse terms, see licence terms governing individual outputs. Institutional Repository Policy Statement RaY Research at the University of York St John For more information please contact RaY at [email protected] The Routledge Companion to Literature and Food Edited by Lorna Piatti-Farnell and Donna Lee Brien Name: Dr Sarah Lawson Welsh Affiliation and job title: York St John University, Associate Professor and Reader in English and Postcolonial Literature Caribbean Cravings: literature and food in the Anglophone Caribbean. “Hungry belly an Fullbelly/ dohn walk same pass/ Fullbelly always a-tell Emptybelly/ ‘Keep Heart.’” (James Berry, ‘Caribbean Proverb Poem 1’, 1984, 3). -
The Construction of Memory and Power Relations in Elizabeth
UNIVERSIDAD NACIONAL DE CÓRDOBA FACULTAD DE LENGUAS MAESTRÍA EN INGLÉS CON ORIENTACIÓN EN LITERATURA ANGLOAMERICANA The Construction of Memory and Power Relations in Elizabeth Nunez’s Prospero’s Daughter, Andrea Levy’s The Long Song and Joanne Hillhouse’s Oh Gad! Trabajo de tesis Maestranda: Andrea Montani Directora: Dra. María José Buteler Co-directora: Dra. María Alejandra Olivares Córdoba, abril de 2019 Contents Abstract ................................................................................................................................... 2 Acknowlegements .................................................................................................................. 3 General Introduction ............................................................................................................... 4 Chapter I. Theoretical Framework.......................................................................................... 7 1. Power ........................................................................................................................... 7 2. Memory ..................................................................................................................... 15 3. Cultural Identity ......................................................................................................... 22 4. The contact zone ........................................................................................................ 26 Chapter II. Prospero’s Daughter and the De/Re-construction of Memory ......................... -
10 Lima Written-Song FINAL
ENTERTEXT A Written Song: Andrea Levy’s Neo-Slave Narrative Author: Maria Helena Lima Source: EnterText, “Special Issue on Andrea Levy,” 9 (2012): 135-53. Abstract The essay explores the role of neo-slave narratives in creating and transforming history, inviting a contemporary audience to see the past in terms of the present. Reading The Long Song (2010) against the conventions of the neo-slave narrative foregrounds its desire to reclaim the humanity of the enslaved by (re)imagining their subjectivity. When contrasted to other neo-slave narratives, Levy’s novel imagines its ideal audience as fully literate, never disavowing the literary mode, as it seeks to rediscover and rewrite a significant part of history that has been deliberately forgotten and/or denied. Rather than the conventional white frame vouching for the authenticity of the narrative, Levy has the formerly enslaved woman’s son, a successful printer/publisher in 1898 Jamaica, introduce his mother’s story. To highlight the extent to which slave narratives were founded upon a fundamental lack of knowledge, Levy chooses metafiction for her neo- slave narrative, a retrospective narration that foregrounds narrative itself as a process, forever incomplete, of gathering the material that both is and is not her character’s experience. As readers follow July’s story in its sometimes conflicting versions, we are reminded that even under the most horrible conditions, agency and strength characterise Afro-Caribbean subjectivity. Because in a way fiction that calls attention to itself in the telling is the most realist genre, The Long Song leaves us with the unflinching humanity of enslaved peoples as they have managed much more than survival: July seems almost superhuman in her optimistic unwillingness to see herself as a victim. -
Swann Georgetown 0076M 12
BLACK FEMINIST DISCOURSE ON RAPE AND ITS REVISIONS IN BLACK WOMEN’S CONTEMPORARY NARRATIVES OF SLAVERY A Thesis submitted to the Faculty of the Graduate School of Arts and Sciences of Georgetown University in partial fulfillment of the requirements for the degree of Master of Arts in English By Dominique Nicole Swann, B.A. Washington, DC December 1, 2013 Copyright 2013 by Dominique Nicole Swann All Rights Reserved ii BLACK FEMINIST DISCOURSE ON RAPE AND ITS REVISIONS IN BLACK WOMEN’S CONTEMPORARY NARRATIVES OF SLAVERY Dominique Nicole Swann, B.A. Thesis Advisor: Angelyn Mitchell, P.h.D. ABSTRACT In the twenty-first century, Black women writers across the African Diaspora have written neo-slave narratives to intervene in previous conversations within Black feminist literary theory and criticism. Many of them have challenged not only the literary tradition within which they are situated, but they have also sparked a renewed interest within the field’s major critical conversations. Dolen Perkins-Valdez’s Wench (2010) and Andrea Levy’s The Long Song (2010) are two exemplary texts that take up a longstanding conversation within the field and within its object of study: sexuality. Both novels, published in the early part of the twenty-first century, are directly in conversation with critical texts on sexuality in the lives of Black female subjects. More specifically, Perkins-Valdez and Levy unsettle a rigid divide between master and slave. They consider anew Black feminist criticism’s assumption: a sexual relationship between a white male and an enslaved Black woman is inherently non-consensual because of an inherent power imbalance.