A Past Haunting the Present Masterarbeit

Total Page:16

File Type:pdf, Size:1020Kb

A Past Haunting the Present Masterarbeit A Past Haunting the Present Neo-Slave Narratives and their Contribution to a More Comprehensive Depiction of Slavery in Selected Works Masterarbeit zur Erlangung des akademischen Grades Master of Arts (MA) an der Karl-Franzens-Universität Graz vorgelegt von Mag. Julia HÖFFERER, BA am Institut für Anglistik Begutachter: Ao.Univ.-Prof. Mag. Dr. Phil. Martin Löschnigg Graz, 2020 Abstract It is widely known that historical events play a crucial role in the formation and development of societies. This also applies to slavery and its multi-faceted effects, which continue to haunt the present. In the light of current events regarding the equality of all people, especially in the United States, such an awareness of historical influences becomes even more important. One way this awareness can be raised and improved is neo-slave narratives, a literary genre using the past to talk about contemporary issues. The texts characterise themselves through a strong focus on the use of marginalised voices and through their diversity, tackling questions such as: Whose story are we hearing and whose are we missing? How does perspective influence the perception of inequalities and historical events? To answer those questions, the works revolve around numerous aspects related to the system of slavery, including, but not limited to, the depiction of enslavement and slavery, the constructed nature of race and racism, resistance and communities, as well as literacy and identity. They further address the portrayal of white individuals and the necessity of telling history from alternative and marginalised viewpoints, thereby telling untold stories. Those aspects’ multi-faceted nature sheds light on the myriad of lives affected by slavery, both past and present. This thesis will therefore argue that neo-slave narratives contribute to a better understanding of the workings and diverse effects of slavery due to the use of black viewpoints to achieve a more comprehensive and multi-faceted depiction of history. This will be illustrated by the analysis of four selected novels focusing on marginalised individuals, namely Yaa Gyasi’s Homegoing (2016), Lawrence Hill’s The Book of Negroes (2007), Julius Lester’s Day of Tears (2005), and Andrea Levy’s The Long Song (2010). Honey, I said, my life is a ghost story. - Hill, The Book of Negroes (16) Table of Contents 1. Introduction ........................................................................................................................1 2. The Question of Voice: Neo-Slave Narratives and the Importance of Empathy, Genre(s), and Structure .................................................................................................................................5 2.1. Never Eye-to-Eye: Of (White) Frames, Empathy, and Victimisation ............................5 2.2. Not So Separate: The Genre(s) of the (Neo-)Slave Narrative ........................................8 2.3. Diverse, Yet Connected: Enter the Selected Works .................................................... 10 3. At the Cost of Humanity: Captivity, Enslavement, and Its Aftermath ................................ 16 3.1. Before Slavery: The Agony of Captivity and the Role of the British ........................... 17 3.2. In the Loop: A Life in Slavery ................................................................................... 20 3.3. Far from Equal: The Fugitive Slave Law and Life after the Abolition of Slavery ........ 23 4. A Natural Condition? Of Constructed Inferiority, Objectified Individuals, and the Fragile Nature of Slaves’ Lives ........................................................................................................ 27 4.1. Natural Inferiority: A Social Construct ....................................................................... 29 4.2. The Worth of Slaves: Objectification and Value ......................................................... 31 4.3. Of a Fragile Nature: The Instability and Lack of Agency of Enslaved Individuals ...... 34 5. The End of Compliance: Resisting Slavery ....................................................................... 37 5.1. Hide It ‘Till You Make It: The Importance of Covert Resistance ................................ 38 5.2. Making a Stand, or: Overt Forms of Resistance .......................................................... 41 5.3. The Power of the Word: Alternative Forms of Resistance .......................................... 45 6. Sharing Misery: Relationships, Communities, and Traditions in Slavery ........................... 48 6.1. Disrupted Roots: Slavery and the Fragile Nature of Families...................................... 49 6.2. Surviving Slavery: The Formation of Communities and a Collective.......................... 52 6.3. Losing One’s Traditions: Slavery and Its Implications for Culture and Language ....... 54 7. From Bondage to Freedom: The Implications of Literacy, Names, and Symbols ............... 56 7.1. Powerful Words, or: The Importance of (Il-)Literacy ................................................. 57 7.2. Stolen and Re-Named: The Connection Between Names and Identity ........................ 59 7.3. Not Just Clothes or Marks: The Role of Symbolic Markers ........................................ 61 8. Good Whites, Bad Whites: The Role of Slaveowners, Sexuality, and Abolitionism in the depiction of History .............................................................................................................. 64 8.1. Good or Bad? The Depiction of Slaveowners and Their Morality ............................... 65 8.2. Physical Violence 2.0: The Threat of Sexual Abuse ................................................... 67 8.3. Blurred Lines: Abolitionists and Remaining Racial Restrictions ................................. 70 9. Whose Story Is It? The Importance of Perspective and Voice in History and Storytelling . 72 9.1. Not in the Past: Slavery, and Its Continued Legacy .................................................... 73 9.2. Running in Circles: Circularity and the Role of Africa in Neo-Slave Narratives ......... 76 9.3. A Myriad of Unheard Stories: The Importance of Storytelling and Perspective for History ............................................................................................................................. 78 10. Conclusion...................................................................................................................... 82 Works Cited and Consulted .................................................................................................. 83 Primary Literature ............................................................................................................ 83 Secondary Literature ......................................................................................................... 83 1. Introduction That, I decided, was what it meant to be a slave; your past didn’t matter; in the present you were invisible and you had no claim on the future (Hill, Book: 206). This quotation from Lawrence Hill’s The Book of Negroes (2010) already indicates the absence of individual choice and liberty in slaves’ lives, which is frequently communicated through slave narratives. While the use of such labour provided the slaveholders with freedom to pursue other ambitions and interests (cf. Davis 2006: 179), it meant facing “a kind of hell on earth” (Andrews 2000: online) for numerous individuals captured, transported, and sold. Numbers estimated at 8.7 million African slaves transported to the New World by 1820 continued to rise even after the slave trade was legally banned (cf. Davis 2006: 80). This transatlantic trade system played a pivotal role during the era of slavery and included the transportation of goods and slaves to and from three main places (cf. Stenou 2004: 50f). Ships arrived from Europe to provide weapons or cheap jewellery and to transport slaves to the US; from there, slave- produced goods, such as tobacco, sugar, coffee, or cotton were brought to Europe (cf. ibid.). The system was not only extremely complex with regard to geographical or economic aspects, but it also asserted England, beginning in the course of the 17th century, as one of the leading slave markets (cf. Walvin 2007: 42, 50). The capture and transportation were horrendous for those deemed to be chattel rather than humas, which can also be seen in the high mortality rate on ships (cf. Walvin 2007: 68f): “Of the twelve million Africans loaded on to the ships, ten and a half million survived to landfall in the Americas” (Walvin 2007: 69). The brutality of slaves’ capture and transportation thus becomes evident. However, these harsh living conditions did not end after their arrival in the Americas: they might become even worse, depending on their specific destination and role. While the exact structure and routines depended on the respective work tasks and plantation types, for instance sugar, tobacco or, from 1790 onwards, cotton, they all shared the provision of forced labour demanded from slaves (cf. Walvin 2007: 95ff). Tasks included, but were not limited to, actual physical labour, transportation of goods, infrastructural work, knowledge regarding crops, or domestic duties, each aligned with similar, yet distinct challenges and difficulties (cf. Walvin 2007: 97f). As a result, it becomes clear that the slave trade system as well as slavery itself had a tremendous impact on the construction of societies across the globe (cf. Black 2015: xi). Slavery therefore it constitutes an essential part
Recommended publications
  • PBS Western Reserve President's Report
    PBS Western Reserve President’s Report Fall 2020 Volume 14, Issue 4 New local production spotlights area female veterans The story of female veterans is as varied as the story of females in all walks of life. The new local The PBS Western Reserve production VETERANS OF AMERICA—OUR HEROES IN UNIFORM: THEY SERVED TOO highlights many President’s Report of the challenges and successes of area women in uniform. Examples include a young mother who is published for the now serves in the Army Reserve, a young couple who are both veterans, a female general and a Northeastern Educational nurse who is in the reserves. Television of Ohio Inc. Board of Directors, major The show also speaks about Sharon Lane, a Canton resident who was the first female casualty of funders of the station the Vietnam War. In addition, it touches on female veterans’ high rate of homelessness and how and other community Summit County Executive Ilean Shapiro has gotten involved in helping homeless female veterans. The members interested in the production premiered on PBS Western Reserve on Wednesday, Nov. 11, as part of our programming for Veterans Day. organization’s activities. MASTERPIECE celebrates its 50th year! Jan. 10, 2021, marks the 50th anniversary of MASTERPIECE, the iconic PBS drama series that sparked America’s infatuation with British television. The series recently unveiled its slate of the next 1 Programming & Local unforgettable dramas. Productions Elizabeth Is Missing (Sunday, Jan. 3, at 9 pm) Glenda Jackson won a coveted BAFTA award for her role as a woman in the grip of dementia, 2 Community Outreach searching for her missing friend.
    [Show full text]
  • Julia Valentine Co-Producer / Line Producer
    Julia Valentine Co-Producer / Line producer Credits include: UNTITLED STAR WARS/CASSIAN ANDOR SERIES Production Co: Lucasfilm / Disney+ Fantasy Sci-Fi Spy Thriller Series based on Exec Producer: Kathleen Kennedy ‘Rogue One: A Star Wars Story’ Dev. Producer: Dan Winch Budget, Schedule, Feasibility VP, Long Form Physical Production: John Hampian Featuring: Diego Luna THE LONG SONG Director: Mahalia Belo 3pt Period Drama Adaptation of Andrea Levy’s novel Producer: Roopesh Parekh Line Producer (UK) Exec Producers: Rosie Alison, David Heyman Featuring: Hayley Atwell, Jack Lowden, Tamara Lawrance Production Co: Heyday Television / NBC Universal / BBC One RTS Programme Award for Best Mini-Series PATIENT ZERO Director: Stefan Ruzowitzky Post-Apocalyptic Action Thriller Producers: Vincent Newman, Steve Norris Co-Producer Featuring: Natalie Dormer, Matt Smith, Stanley Tucci Production Co: Sony Screen Gems PHILIP K. DICK’S ELECTRIC DREAMS Production Co: Left Bank Pictures / Channel 4 / Sony Pictures Sci-Fi Anthology Drama Series Exec Producers: Bryan Cranston, Maril Davis, James Degus, Series Line Producer Matt DeRoss, Isa Dick Hackett, Katie DiMento, Michael Dinner, Kalen Egan, David Kanter, Marigo Kehoe, Ronald D Moore, Lila Rawlings, Christopher Tricarico THE COMMUTER Producer: Rupert Ryle-Hodges Director: Tom Harper Featuring: Tuppence Middleton, Timothy Spall IMPOSSIBLE PLANET Producer: Rupert Ryle-Hodges Director: David Farr Featuring: Jack Reynor, Benedict Wong, Geraldine Chaplin CRAZY DIAMOND Producer: Rupert Ryle-Hodges Director: Marc Munden
    [Show full text]
  • 'Long Song' Actor Makes Her Mark
    ARAB TIMES, MONDAY, FEBRUARY 1, 2021 NEWS/FEATURES 13 People & Places Media Disability inclusion ‘Newsmen should get out of power centers’ NEW YORK, Jan 31, (AP): If Tom Brokaw has one piece of advice to leave for television journalists upon his retirement, it’s to get out to more of the country -and not just to visit. The Capitol insurrection is but one example of a story that might not have seemed as much a surprise if more journalists were attuned to communities outside of the power centers, the veteran NBC newsman said. Television news is “much, much too wedded to the East Coast and West Coast only” and needs to expand its presence across the country. “Take some of the people who are only in Washing- ton and send them to Salt Lake City or Kansas City, or St. Louis for that matter,” he said in an interview with The Associated Press. Brokaw, who turns 81 next month, announced last week that he’s retiring from NBC News, where he worked for 55 years. He said he’s been overwhelmed and heartened by the outpouring of good wishes from colleagues and people who watched him on TV for many of those years. He’s been away from the power centers himself, and hasn’t been to New York since Brokaw before the onset of the corona- virus pandemic. He has split time between homes in Montana and Florida. His advice to the industry he’s leaving behind has nothing to do with the sort of they-don’t-make-’em- like-they-used-to criticism you might get from older people in any business.
    [Show full text]
  • EXPLORE GBH JANUARY 2021 Premiering Mon, 1/11 at 9Pm GBH 2 and GBH Passport
    EXPLORE GBH JANUARY 2021 Premiering Mon, 1/11 at 9pm GBH 2 and GBH Passport SEE IT ALSO: Tue, 1/12 at 1pm on GBH 44, Sat, 1/16 at 10pm on GBH 44, Sun, 1/17 at 7pm on GBH 2 INSIDE 2 3 4 6 7 8 CONSIDER THIS DON’T MISS HIDDEN GEMS DRAMA JOURNALISM SCIENCE The power of Check out the latest Looking forward Celebrate a century FRONTLINE investi- Meet Percy Julian, a documentary film- podcasts and films to more stimulating of beloved mystery gates the war against scientist, humanitarian making and the and entertaining writer Agatha Christie the Philippine media and civil rights pioneer impact of storytelling programming in 2021 9 10 11 13 14 FOR KIDS LIVING HISTORY MEMBERS COVER STORY Scribbles and Ink puts Chef Lidia & CULTURE MATTER Executive Producer kids’ drawings into Bastianich shows ANTIQUES Stream your Susanne Simpson an animated her appreciation ROADSHOW kicks off favorites from GBH explores MASTERPIECE series to first responders its 25th season Passport’s vast 50 and beyond on-demand library 17 18 20 + 22 HAPPENINGS Solve TAKE TWO LEARNING ALL EARS 23 DONOR PATHWAYS it! Learn about the TOGETHER Commemorating the 24 WHAT’S ON power of multiple- Civics is a key pillar significance of public 28 TIME OUT race friendships of the GBH Education media on the Cape 29 CALENDAR OF EVENTS throughout history team’s work TELEVISION RADIO GBH PASSPORT GBH 89.7, GBH Passport is our newest member benefit Boston’s Local NPR® and your easy-access, on-demand library of wgbhnews.org public television favorites.
    [Show full text]
  • University of Iceland School of Humanities Department of English
    University of Iceland School of Humanities Department of English Lost Voices of History The Portrayal of Slavery in Andrea Levy’s The Long Song B.A. Essay Anna Marie Fennefoss Nielsen Kt.:060790-2059 Supervisor: Ingibjörg Ágústsdóttir January 2016 Abstract The historical novel has been extremely popular since its rise in the nineteenth century and to this day it is celebrated worldwide. With silences and gaps in our history, historical fiction provides a platform for a variety of untold narratives, enabling us to better comprehend the multicultural world we live in today. This essay explores the representation of slavery within historical fiction, exemplified in Andrea Levy’s novel The Long Song. Published in 2010, it is mostly set in early nineteenth century Jamaica, before and after the Baptist War. In the form of a memoir, the novel tells the story of the former slave July, as she looks back on her life on the sugar plantation Amity. This essay examines the narrative structure of The Long Song and discusses the significance of slave narratives and neo-slave narratives within the novel. Levy’s background and inspiration for The Long Song is reviewed, as is the novel’s relevance to modern times. In addition, similarities between other works of historical fiction are explored, including Tony Morrison’s Beloved and Jean Rhys’s Wide Sargasso Sea. Moreover, Levy’s use of metaphor is analyzed regarding a painting in her novel. The painting can be seen as metaphor, symbolizing the untruths and erasure found in dominant accounts of history, as well as underlining the narrator’s centrality to the narrative and to history in general.
    [Show full text]
  • Lawson Welsh, Sarah ORCID: (2018) 'Caribbean Cravings: Literature and Food in the Anglophone Caribbean'
    Lawson Welsh, Sarah ORCID: https://orcid.org/0000-0003-2270-057X (2018) 'Caribbean Cravings: Literature and food in the Anglophone Caribbean'. In: Piatti-Farnell, Lorna and Donna, Brien, (eds.) The Routledge Companion to Food and Literature. Routledge Literature Companions . Routledge, pp. 194-208 Downloaded from: http://ray.yorksj.ac.uk/id/eprint/2090/ The version presented here may differ from the published version or version of record. If you intend to cite from the work you are advised to consult the publisher's version: https://www.routledge.com/The-Routledge-Companion-to-Literature-and-Food/Piatti- Farnell-Brien/p/book/9781138048430 Research at York St John (RaY) is an institutional repository. It supports the principles of open access by making the research outputs of the University available in digital form. Copyright of the items stored in RaY reside with the authors and/or other copyright owners. Users may access full text items free of charge, and may download a copy for private study or non-commercial research. For further reuse terms, see licence terms governing individual outputs. Institutional Repository Policy Statement RaY Research at the University of York St John For more information please contact RaY at [email protected] The Routledge Companion to Literature and Food Edited by Lorna Piatti-Farnell and Donna Lee Brien Name: Dr Sarah Lawson Welsh Affiliation and job title: York St John University, Associate Professor and Reader in English and Postcolonial Literature Caribbean Cravings: literature and food in the Anglophone Caribbean. “Hungry belly an Fullbelly/ dohn walk same pass/ Fullbelly always a-tell Emptybelly/ ‘Keep Heart.’” (James Berry, ‘Caribbean Proverb Poem 1’, 1984, 3).
    [Show full text]
  • The Construction of Memory and Power Relations in Elizabeth
    UNIVERSIDAD NACIONAL DE CÓRDOBA FACULTAD DE LENGUAS MAESTRÍA EN INGLÉS CON ORIENTACIÓN EN LITERATURA ANGLOAMERICANA The Construction of Memory and Power Relations in Elizabeth Nunez’s Prospero’s Daughter, Andrea Levy’s The Long Song and Joanne Hillhouse’s Oh Gad! Trabajo de tesis Maestranda: Andrea Montani Directora: Dra. María José Buteler Co-directora: Dra. María Alejandra Olivares Córdoba, abril de 2019 Contents Abstract ................................................................................................................................... 2 Acknowlegements .................................................................................................................. 3 General Introduction ............................................................................................................... 4 Chapter I. Theoretical Framework.......................................................................................... 7 1. Power ........................................................................................................................... 7 2. Memory ..................................................................................................................... 15 3. Cultural Identity ......................................................................................................... 22 4. The contact zone ........................................................................................................ 26 Chapter II. Prospero’s Daughter and the De/Re-construction of Memory .........................
    [Show full text]
  • 10 Lima Written-Song FINAL
    ENTERTEXT A Written Song: Andrea Levy’s Neo-Slave Narrative Author: Maria Helena Lima Source: EnterText, “Special Issue on Andrea Levy,” 9 (2012): 135-53. Abstract The essay explores the role of neo-slave narratives in creating and transforming history, inviting a contemporary audience to see the past in terms of the present. Reading The Long Song (2010) against the conventions of the neo-slave narrative foregrounds its desire to reclaim the humanity of the enslaved by (re)imagining their subjectivity. When contrasted to other neo-slave narratives, Levy’s novel imagines its ideal audience as fully literate, never disavowing the literary mode, as it seeks to rediscover and rewrite a significant part of history that has been deliberately forgotten and/or denied. Rather than the conventional white frame vouching for the authenticity of the narrative, Levy has the formerly enslaved woman’s son, a successful printer/publisher in 1898 Jamaica, introduce his mother’s story. To highlight the extent to which slave narratives were founded upon a fundamental lack of knowledge, Levy chooses metafiction for her neo- slave narrative, a retrospective narration that foregrounds narrative itself as a process, forever incomplete, of gathering the material that both is and is not her character’s experience. As readers follow July’s story in its sometimes conflicting versions, we are reminded that even under the most horrible conditions, agency and strength characterise Afro-Caribbean subjectivity. Because in a way fiction that calls attention to itself in the telling is the most realist genre, The Long Song leaves us with the unflinching humanity of enslaved peoples as they have managed much more than survival: July seems almost superhuman in her optimistic unwillingness to see herself as a victim.
    [Show full text]
  • Swann Georgetown 0076M 12
    BLACK FEMINIST DISCOURSE ON RAPE AND ITS REVISIONS IN BLACK WOMEN’S CONTEMPORARY NARRATIVES OF SLAVERY A Thesis submitted to the Faculty of the Graduate School of Arts and Sciences of Georgetown University in partial fulfillment of the requirements for the degree of Master of Arts in English By Dominique Nicole Swann, B.A. Washington, DC December 1, 2013 Copyright 2013 by Dominique Nicole Swann All Rights Reserved ii BLACK FEMINIST DISCOURSE ON RAPE AND ITS REVISIONS IN BLACK WOMEN’S CONTEMPORARY NARRATIVES OF SLAVERY Dominique Nicole Swann, B.A. Thesis Advisor: Angelyn Mitchell, P.h.D. ABSTRACT In the twenty-first century, Black women writers across the African Diaspora have written neo-slave narratives to intervene in previous conversations within Black feminist literary theory and criticism. Many of them have challenged not only the literary tradition within which they are situated, but they have also sparked a renewed interest within the field’s major critical conversations. Dolen Perkins-Valdez’s Wench (2010) and Andrea Levy’s The Long Song (2010) are two exemplary texts that take up a longstanding conversation within the field and within its object of study: sexuality. Both novels, published in the early part of the twenty-first century, are directly in conversation with critical texts on sexuality in the lives of Black female subjects. More specifically, Perkins-Valdez and Levy unsettle a rigid divide between master and slave. They consider anew Black feminist criticism’s assumption: a sexual relationship between a white male and an enslaved Black woman is inherently non-consensual because of an inherent power imbalance.
    [Show full text]
  • Title: Biopolitics, Borders and the Populations of Literary Space In
    Title: Biopolitics, Borders and the Populations of Literary Space in Two Post-millennial Black British Novels: Abdulrazak Gurnah’s By the Sea and Andrea Levy’s The Long Song Student: Marie-Therese Ryan Course: MKH05 MLitt Department of English, Maynooth University Date submitted to Maynooth University: 26th February 2016 Head of Department: Prof. Emer Nolan Supervisor: Dr. Íde Corley Ryan 1 Table of Contents 1.Introduction ........................................................................................................ 3 2.Biopolitics and Migration in Abdulrazak Gurnah’s By the Sea ............................................................................................ 22 3.Biopolitics, Literary Space and Geographies of Domination in Andrea Levy’s The Long Song .................................................. 69 4. Conclusion .................................................................................................... 136 Ryan 2 Abstract This project is an analysis of biopolitics, populations and space in two post-millennial black British novels: Adbulrazak Gurnah’s By the Sea (2001) and Andrea Levy’s The Long Song (2010). In chapter one, I examine the regulation and control of migrant and asylum seeker populations in twenty-first century Britain in By the Sea. The novel underlines the ways in which the biopolitical regulation of bodies in both geopolitical and literary space creates a hierarchical concept of the human. Drawing on seminal texts on biopolitics from Michel Foucault and Giorgio Agamben, I explore the spatial and racial management of migrant bodies and, also, the ways in which the movements of migrants form a positive biopolitics, undermining the bureaucracy of the state’s immigration controls. Ultimately, the novel suggests that the movement of populations creates transnational affiliations which deconstruct essentialist categories of identification. Chapter two examines the spatial management of slaves on the colonial plantation in The Long Song.
    [Show full text]
  • Bhabha's Ambivalence and Hybridity in Andrea Levy's
    IJASOS- International E-Journal of Advances in Social Sciences, Vol. IV, Issue 11, August 2018 BHABHA’S AMBIVALENCE AND HYBRIDITY IN ANDREA LEVY’S THE LONG SONG Karenjit Kaur Ms., Sunway College, MALAYSIA, [email protected] Abstract The theory of hybridity and ambivalence is not something that is alien to the postcolonial world. First derived from power relations between the colonizer and the colonized, it has now evolved into many different branches. What is understood from it is that it shows that the relationship between those who hold power and those who are under the rule of a people is never clear-cut. It is a give and take relationship and gives many illusions as to how one views the other. Cross-cultural relations are definitely very complex and we can see this in The Long Song. We are always creating new identities as the world becomes more and more globalized. The notion that a culture has to remain unadulterated is a concept that is almost irrelevant. We are constantly creating new identities to help us cope with the different experiences that we have and once we are exposed to it, our way of thinking can never go back to the original. In this paper, I will draw a connection between July‟s belonging, identity, and her ability to connect with the many people in her life, from her Mistress Caroline to Massa Robert Goodwin and later, her son and other black or Mulatto people, to the theory on ambivalence and hybridity by Homi Bhabha. At the end of the paper, one will be able to articulate that, given the history of Jamaica, the traits that many postcolonial subjects display go hand in hand with Bhabha‟s theories on ambivalence and hybridity.
    [Show full text]
  • From Slave Ship to Citizenship: Re-Imagined Communities and the Counterculture of Modernity in the Historical Novel of Slavery
    FROM SLAVE SHIP TO CITIZENSHIP: RE-IMAGINED COMMUNITIES AND THE COUNTERCULTURE OF MODERNITY IN THE HISTORICAL NOVEL OF SLAVERY By AGNEL BARRON A DISSERTATION PRESENTED TO THE GRADUATE SCHOOL OF THE UNIVERSITY OF FLORIDA IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY UNIVERSITY OF FLORIDA 2013 1 © 2013 Agnel Barron 2 To my mother 3 ACKNOWLEDGMENTS I would like to thank Leah Rosenberg, my committee chair, for her unwavering support and guidance throughout this entire process and for her excellent feedback and commentary. I would also like to thank the other members of my committee, Malini Johar Schueller, Debra Walker King, and Paul Ortiz for their comments and support. I thank my brother, Audwin, and my cousin, Terry, for looking after practical matters while I was away on my long sojourn in the United States. Finally, I wish to thank my friends Zoanne Evans, Rachel Browne, Janet Layne, Elizabeth West and Patricia Coloma Penate who offered their support from afar. 4 TABLE OF CONTENTS page ACKNOWLEDGMENTS .................................................................................................. 4 LIST OF FIGURES .......................................................................................................... 7 ABSTRACT ..................................................................................................................... 8 CHAPTER 1 INTRODUCTION .................................................................................................... 10 2 SLAVERY, EMPIRE, AND DIASPORA
    [Show full text]