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Adt-NU1999.0010Chapter8.Pdf (PDF, 33.93KB)
1 chapter 8 conclusion She 'ad three clothes-pegs in 'er mouth, an' washin' on 'er arm — 1 This intertitle, from the 1920 Raymond Longford film, Ginger Mick, the sequel to The Sentimental Bloke, perfectly describes the mother of early films. One of the scores of missing Australian feature films, Ginger Mick carried on the tale of Doreen's life with her husband, the Bloke, and their baby son, who is born at the close of the earlier film.2 The words of the intertitle in Ginger Mick are accompanied on screen by a line drawing in order to make the meaning quite clear. In the foreground is a large, round, wooden tub. A washboard is perched on the shelf behind it, close to a bottle of Lysol. The figure of the hard-working mother is in the background near a clothesline, where enormous sheets blow in the wind, dwarfing her. Bent almost double over her washing basket, she labours beside a long prop which rests on the ground, ready for her to lift the heavy line into the wind. The film has been lost and we really have no idea who the woman was supposed to be, although the drawing invites speculation. Could she possibly be the lovely, desirable Doreen, the apple of the Bloke's eye, now a housewife and drudge? Perhaps, on the other hand, it is just a generic sketch of motherhood. Either way, the words and the drawing illustrate the stereotypical mother of the early days of cinema, who was constantly occupied with the family's washing.3 The activity is a visual metaphor for her diligence, her uncomplaining care of the family and her regard for cleanliness. -
SCREENING MOTHERS: Representations of Motherhood in Australian Films from 1900 to 1988
SCREENING MOTHERS: Representations of motherhood in Australian films from 1900 to 1988 CAROLINE M. PASCOE B.A. (Honours) M.A. UNIVERSITY OF SYDNEY A thesis submitted in fulfilment of the requirements for the degree of Doctor of Philosophy September 1998 ii The work presented in this thesis is, to the best of my knowledge and belief, original, except as acknowledged in the text. The material has not been submitted, either in whole or in part, for a degree at this or any other university. CAROLINE MYRA PASCOE iii ABSTRACT Although the position of mothers has changed considerably since the beginning of the twentieth century, an idealised notion of motherhood persists. The cinema provides a source of information about attitudes towards mothering in Australian society which is not diminished by the fact that mothers are often marginal to the narrative. While the study recognises that cinematic images are not unconditionally authoritative, it rests on the belief that films have some capacity to reflect and influence society. The films are placed in an historical context with regard to social change in Australian society, so that the images can be understood within the context of the time of the making and viewing of the films. The depictions of the mother are scrutinised with regard to her appearance, her attitude, her relationship with others and the expectations, whether explicit or implicit, of her role. Of particular significance is what happens to her during the film and whether she is punished or rewarded for her behaviour. The conclusions reached after analysis are used to challenge those ideas which assume that portrayals of motherhood are unchangeable and timeless. -
University of Southampton Research Repository
University of Southampton Research Repository Copyright © and Moral Rights for this thesis and, where applicable, any accompanying data are retained by the author and/or other copyright owners. A copy can be downloaded for personal non-commercial research or study, without prior permission or charge. This thesis and the accompanying data cannot be reproduced or quoted extensively from without first obtaining permission in writing from the copyright holder/s. The content of the thesis and accompanying research data (where applicable) must not be changed in any way or sold commercially in any format or medium without the formal permission of the copyright holder/s. When referring to this thesis and any accompanying data, full bibliographic details must be given, e.g. Thesis: Author (Year of Submission) "Full thesis title", University of Southampton, name of the University Faculty or School or Department, PhD Thesis, pagination. Data: Author (Year) Title. URI [dataset] UNIVERSITY OF SOUTHAMPTON FACULTY OF HUMANITIES Music The Arrangement to Play: Music at Uppark in the Long Nineteenth Century Volume 1 of 1 by Wendy Stafford Thesis for the degree of Doctor of Philosophy August 2018 UNIVERSITY OF SOUTHAMPTON Abstract FACULTY OF HUMANITIES Music Thesis for the degree of Doctor of Philosophy THE ARRANGEMENT TO PLAY: MUSIC AT UPPARK IN THE LONG NINETEENTH CENTURY Wendy Stafford ‘The arrangement to play’ examines the intersections between the ‘musical’ and ‘social’ dimensions revealed in this study of more than 500 pieces of previously uncurated nineteenth- century sheet music. The listing of the music scores owned by women residents at Uppark is the basis for an investigation into the content, composition, acquisition and other associated aspects of this domestic repertoire, which is dominated by music for solo piano and many arranged (rather than original) items. -
Joann South Ottley (B
JoAnn South Ottley (B. 1935): Her Life and Contributions as a Teaching Artist to Vocal Music Education Item Type text; Electronic Dissertation Authors Nokes, Connie D. Publisher The University of Arizona. Rights Copyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction, presentation (such as public display or performance) of protected items is prohibited except with permission of the author. Download date 07/10/2021 09:56:12 Link to Item http://hdl.handle.net/10150/630160 JOANN SOUTH OTTLEY (b. 1935): HER LIFE AND CONTRIBUTIONS AS A TEACHING ARTIST TO VOCAL MUSIC EDUCATION by Connie Devivic Nokes __________________________ Copyright © Connie Devivic Nokes 2018 A Dissertation Submitted to the Faculty of the FRED FOX SCHOOL OF MUSIC In Partial Fulfillment of the Requirements For the Degree of DOCTOR OF PHILOSOPHY In the Graduate College THE UNIVERSITY OF ARIZONA 2018 THE UNIVERSITY OF ARIZONA GRADUATE COLLEGE As members of the Dissertation Committee, we certify that we have read the dissertation prepared by Connie Devivic Nokes, titled JoAnn South Ottley: Her Life and Contributions as a Teaching Artist to Vocal Music Education and recommend that it be accepted as fulfilling the dissertation requirement for the Degree of Doctor of Philosophy. ______________________________________________________Date:_____________________________________________________________________ __ _ 04/20/2018 Shelly Cooper ______________________________________________________Date:__________________________________________ -
Fia N Rlfrb Tf R M Tm Lh Manchester, Conn. U.S. Battles for Control Of
tu - M.WCIIKSTKH HEHALD. Tinsday. Od. 25, I9«;t ■ : r r - © -iH. Council WHAT’S A HOUSE WORTH? Lawmakers eyes filtute problems In these metro areas: more than questioning double the norm Bv Steven W. Svre , - promote as a critical issue. Another is NU phase-in United PrenlmterncrttbiMil : . - *' New England’s decade-old economic headache: Energy. Cloudy tonight Manchester, Conn. BOSTON, - The N *w „ E «| la ii* " I t ’s one of the biggest sore thumbs HARTFORD (UPI) - Northeast Utilitid Wednesday, Oct. 26, 1983 Council,' a large. biidinesS>ae80CiBtion New England has in its set of plan to add $101 to its typical electric customer ^ and Thursday with an obtbse name, s^ihds its tiitih short-term problems." Swider said. bill by 1986 to help pay for the Millstone fli — See page 2 Single copy; 25S and mone$ trying to figure out w h ^ "The problem with the energy issue is nuclear power plant has been questioned by t|e fianrlfrB tFr M tm lh will affect (he region's iilaustries am that its 10 years old and people are sick chairmen of a legislative committee. • lobbying in its membersllfp'sinterests. of it. But the real fact is that energy Rep. David La vine, D-Durham, and Sen. Join The cou'ncil, wbichlias'aetaff of I6,.is costs are still higher than the nation as Larson, D-East Hartford, said Monday thfy run on a $1 million budget-supplied 1^ a whole." believed a law enacted this year prohibit^ it's t,_200 member businesses..It whs Improvements have been made. -
Barcelona Culture 07 Report Barcelona Institute of Culture
BARCELONA CULTURE 07 REPORT BARCELONA INSTITUTE OF CULTURE Management Board BARCELONA CULTURE. 2007 REPORT President Director Carles Martí Montserrat Tort Vice-president Pilar Roca Montserrat Ballarín Coordination Members Assumpta Manils Jordi Martí Jaume Ciurana Indicators and research Ángeles Esteller Pere Casas Ricard Gomà Ester Galimany Carles Guerra David Albet Texts Josep M. Montaner Marta Pérez Carlota Subirós Mara Dierssen Editorial coordination Isaki Lacuesta Ana Álvarez Pius Alibek Carme Cazalla Graphic design Josep Sánchez Luz de la Mora Delegate for Culture Translation Jordi Martí Alan Moore BARCELONA CULTURE 07 Director Marta Clari REPORT Secretary Lluïsa Pedrosa Palau de la Virreina Legal Deposit: B-40.371-2008 La Rambla, 99 08002 Barcelona © 2007 Edition: Barcelona City Council www.bcn.cat/canalcultura Institute of Culture © Texts: the authors © Cover photograph: Maria Espeus NOTE TO THE PRESENT EDITION The texts in this REPORT were drawn up according to the information provided by the organisations described in it. This includes both the texts written expressly for the report and the details made public by the organisations themselves on their websites or through other media. Once the material had been compiled, the original information was summarised and adapted into text form with the aim of presenting it as clearly and as easy to understand as possible. Any errors that may have occurred during this draft process will be corrected in future editions. Moreover, a REPORT of this nature requires certain decisions to be taken with regard to structure, order, selection and priorities concerning content. This publication is the result of one of many possible approaches to summarising cultural activity in our city over the course of one year. -
Crime Thriller Cluster 1
Crime Thriller Cluster 1 movie cluster 1 1971 Chhoti Bahu 1 2 1971 Patanga 1 3 1971 Pyar Ki Kahani 1 4 1972 Amar Prem 1 5 1972 Ek Bechara 1 6 1974 Chowkidar 1 7 1982 Anokha Bandhan 1 8 1982 Namak Halaal 1 9 1984 Utsav 1 10 1985 Mera Saathi 1 11 1986 Swati 1 12 1990 Swarg 1 13 1992 Mere Sajana Saath Nibhana 1 14 1996 Majhdhaar 1 15 1999 Pyaar Koi Khel Nahin 1 16 2006 Neenello Naanalle 1 17 2009 Parayan Marannathu 1 18 2011 Ven Shankhu Pol 1 19 1958 Bommai Kalyanam 1 20 2007 Manase Mounama 1 21 2011 Seedan 1 22 2011 Aayiram Vilakku 1 23 2012 Sundarapandian 1 24 1949 Jeevitham 1 25 1952 Prema 1 26 1954 Aggi Ramudu 1 27 1954 Iddaru Pellalu 1 28 1954 Parivartana 1 29 1955 Ardhangi 1 30 1955 Cherapakura Chedevu 1 31 1955 Rojulu Marayi 1 32 1955 Santosham 1 33 1956 Bhale Ramudu 1 34 1956 Charana Daasi 1 35 1956 Chintamani 1 36 1957 Aalu Magalu 1 37 1957 Thodi Kodallu 1 38 1958 Raja Nandini 1 39 1959 Illarikam 1 40 1959 Mangalya Balam 1 41 1960 Annapurna 1 42 1960 Nammina Bantu 1 43 1960 Shanthi Nivasam 1 44 1961 Bharya Bhartalu 1 45 1961 Iddaru Mitrulu 1 46 1961 Taxi Ramudu 1 47 1962 Aradhana 1 48 1962 Gaali Medalu 1 49 1962 Gundamma Katha 1 50 1962 Kula Gotralu 1 51 1962 Rakta Sambandham 1 52 1962 Siri Sampadalu 1 53 1962 Tiger Ramudu 1 54 1963 Constable Koothuru 1 55 1963 Manchi Chedu 1 56 1963 Pempudu Koothuru 1 57 1963 Punarjanma 1 58 1964 Devatha 1 59 1964 Mauali Krishna 1 60 1964 Pooja Phalam 1 61 1965 Aatma Gowravam 1 62 1965 Bangaru Panjaram 1 63 1965 Gudi Gantalu 1 64 1965 Manushulu Mamathalu 1 65 1965 Tene Manasulu 1 66 1965 Uyyala -
Three's a Party
Trio of deep voices to bring love to Artsongs recital, Page 3 The Chautauquan Daily www.chqdaily.com Seventy-Five Cents Chautauqua, New York The Official Newspaper of Chautauqua Institution | Thursday, July 24, 2014 Volume CXXXVIII, Issue 29 Mason to examine Former governors to discuss West’s environmental issues MARK OPREA porter for The Washington Post, Mormonism’s role Staff Writer spent nine years on the publica- tion’s environmental beat. Dur- in American West Once a golden beacon of ing her tenure, she has gone prosperity, home of lush waters from following the effects of and pockmarked forests, the legislation on the Hill to cover- QUINN KELLEY American West is in danger, not ing it firsthand. She’s traveled Staff Writer just from the effects of climate extensively through the Western change, but the political climate states for the Post; from Yellow- The American as well. LIST EILPERIN BABBITT stone National Park for endan- West isn’t just a At 10:45 a.m. today in the gered grizzly bears to studying geographical loca- Amphitheater, a panel of three issues unique to the West are tied up in na- hammerheads in Baja, California, before tion; it represents — including journalist Juliet Eilperin, for- tional politics. turning the latter into a book called Demon an intellectual and mer governor of Arizona Bruce Babbitt, Like the Missouri River, the plight of the Fish: The Hidden World of Sharks. spiritual place as and former governor of Nevada Robert List West has its source in the East, they said. well, one in which — will be explaining how environmental Eilperin, currently the White House re- See PANEL, Page 4 Mormonism ex- panded and experi- MASON mented. -
Chart 3.1 SPF Investment 1983/1984 59 Chart 3.2 Loba Investment Levels 1980-1984 63 Chart 4.1 Fluctuating Box Office Returns During 1OBA 87
PLEASE TYPE THE UNIVERSITY OF NEW SOUTH WALES Thesis/Project Report Sheet Surname or Family name: Maher First name: Sean Other name/s: Wi ll i am Abbreviation for degree as given in the University calendar: M.A. hons. School: Faculty: Theatre & Film Studies Arts & Social Sciences Title: Mr Abstract 350 words maximum: (PLEASE TYPE) Structural Reorganisation of the Australian Film Industry in the 1980s Under Division IOBA Tax Incentives is an examination of the fundamental effects and legacies produced by indirect Government subsidy on the Australian feature film industry. The circumstances surrounding the I OBA policy' s origins are outlined to locate the motivation behind the creation of an indirect form of Government assistance to the Australian film industry. The actual legislation and changes in the broader policy are then chartered in detail throughout the years I 980/ 198 I to 1987/ 1988 in an effort to fully document and interrogate the impact I OBA had on the Australian film industry and the infrastructure of industry assistance. The actual film industry is addressed by examining the financial implications of I OBA on the production sector and the way the distribution and exhibition sectors received the IOBA films. IOBA ' s cultural policy implications are then discussed through its relationship to the Australian Film Commission and broader film policy rhetorics. By framing the discussion through the central thesis of structural reorganisation of the industry, the aim is to reveal how the IOBA tax incentives penetrated almost every facet of the industry and its systems of support. In conjunction with the entrance of new institutions into the arena of film production under I OBA, like the commercial financial sector and its regulators, the structural reorganisation of the industry is argued to have redefined the industry.