WHO ARE the INUIT? a Conversation with Qauyisaq “Kowesa” Etitiq
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
“Dear Peta”: What the Seal Means to the Jerry Cans
Dear Peta: What the Seal Means to the Jerry Cans by MARK SOLNOKY A thesis submitted in partial fulfillment of the requirements for the degree of MASTER OF ARTS in PROFESSIONAL COMMUNICATION Royal Roads University Victoria, British Columbia, Canada Supervisor: DR. VIRGINIA MCKENDRY MARCH 2017 MARK SOLNOKY, 2017 DEAR PETA: WHAT THE SEAL MEANS TO THE JERRY CANS 1 COMMITTEE APPROVAL The members of Mark Solnoky’s Thesis Committee certify that they have read the thesis titled Dear Peta: What the Seal Means to the Jerry Cans, and recommend that it be accepted as fulfilling the thesis requirements for the Degree of Master of Arts in Professional Communication. Dr. Virginia McKendry [signature on file] Dr. Phillip Vannini [signature on file] Final approval and acceptance of this thesis is contingent upon submission of the final copy of the thesis to Royal Roads University. The thesis supervisor confirms to have read this thesis and recommends that it be accepted as fulfilling the thesis requirements: Dr. Virginia McKendry [signature on file] DEAR PETA: WHAT THE SEAL MEANS TO THE JERRY CANS 2 Creative Commons Statement This work is licensed under the Creative Commons Attribution-NonCommercial- ShareAlike 2.5 Canada License. To view a copy of this license, visit http://creativecommons.org/licenses/by-nc-sa/2.5/ca/. Some material in this work is not being made available under the terms of this license: • Third-Party material that is being used under fair dealing or with permission. • Any photographs where individuals are easily identifiable. DEAR PETA: WHAT THE SEAL MEANS TO THE JERRY CANS 3 Abstract A fundamental part of being Inuit today means being a person who hunts and for whom sealing serves as a sharing paradigm that involves family and social networks (Wenzel, 1987). -
Inunnguiniq: Caring for Children the Inuit Way
Inuit CHILD & YOUTH HEALTH INUNNGUINIQ: CARING FOR CHILDREN THE INUIT WAY At the heart and soul of Inuit culture are our values, language, and spirit. These made up our identity and enabled us to survive and flourish in the harsh Arctic environment. In the past, we did not put a word to this; it was within us and we knew it instinctively. Then, we were alone in the Arctic but now, in two generations, we have become part of the greater Canadian and world society. We now call the values, language, and spirit of the past Inuit Qaujimajatuqangit. (Nunavut Tunngavik Incorporated, 2000) Prepared by Shirley Tagalik, Educational it. Inunnguiniq is literally translated as “the thinking, and behaviour. The specific Consultant, Inukpaujaq Consulting making of a human being.” The cultural process for ensuring this result— expectation is that every child will become inunnguiniq—is a shared responsibility Defining Inunnguiniq able/enabled/capable so that they can be within the group. Inunnguiniq is the Inuit assured of living a good life. A good life is equivalent of “it takes a village to raise a Inuit Qaujimajatuqangit (IQ) describes considered one where you have sufficient child.” Inherent in the process are a set of Inuit worldview.1 It is a holistic way of proper attitude and ability to be able to role expectations for those connected with being interconnected in the world and contribute to working for the common a child to nurture, protect, observe, and is based in four big laws or maligait. good—helping others and making create a path in life that is uniquely fitted These include working for the common improvements for those to come. -
Cosmology and Shamanism and Shamanism INTERVIEWING INUIT ELDERS
6507.3 Eng Cover w/spine/bleed 5/1/06 9:23 AM Page 1 INTERVIEWINGCosmology INUIT ELDERS and Shamanism Cosmology and Shamanism INTERVIEWING INUIT ELDERS Mariano and Tulimaaq Aupilaarjuk, Lucassie Nutaraaluk, Rose Iqallijuq, Johanasi Ujarak, Isidore Ijituuq and Michel Kupaaq 4 Edited by Bernard Saladin d’Anglure 6507.5_Fre 5/1/06 9:11 AM Page 239 6507.3 English Vol.4 5/1/06 9:21 AM Page 1 INTERVIEWING INUIT ELDERS Volume 4 Cosmology and Shamanism Mariano and Tulimaaq Aupilaarjuk, Lucassie Nutaraaluk, Rose Iqallijuq, Johanasi Ujarak, Isidore Ijituuq and Michel Kupaaq Edited by Bernard Saladin d’Anglure 6507.3 English Vol.4 5/1/06 9:21 AM Page 2 Interviewing Inuit Elders Volume 4 Cosmology and Shamanism Copyright © 2001 Nunavut Arctic College, Mariano and Tulimaaq Aupilaarjuk, Bernard Saladin d’Anglure and participating students Susan Enuaraq, Aaju Peter, Bernice Kootoo, Nancy Kisa, Julia Saimayuq, Jeannie Shaimayuk, Mathieu Boki, Kim Kangok, Vera Arnatsiaq, Myna Ishulutak, and Johnny Kopak. Photos courtesy Bernard Saladin d’Anglure; Frédéric Laugrand; Alexina Kublu; Mystic Seaport Museum. Louise Ujarak; John MacDonald; Bryan Alexander. Illustrations courtesy Terry Ryan in Blodgett, ed. “North Baffin Drawings,” Art Gallery of Ontario; 1923 photo of Urulu, Fifth Thule Expedition. Cover illustration “Man and Animals” by Lydia Jaypoody. Design and production by Nortext (Iqaluit). All rights reserved. The use of any part of this publication, reproduced, transmitted in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, or stored in a retrieval system, without written consent of the publisher is an infringement of the copyright law. ISBN 1-896-204-384 Published by the Language and Culture Program of Nunavut Arctic College, Iqaluit, Nunavut with the generous support of the Pairijait Tigummivik Elders Society. -
Social Hierarchy and Societal Roles Among the Inuit People by Caitlin Amborski and Erin Miller
Social Hierarchy and Societal Roles among the Inuit People by Caitlin Amborski and Erin Miller Markers of social hierarchy are apparent in four main aspects of traditional Inuit culture: the community as a whole, leadership, gender and marital relationships, and the relationship between the Inuit and the peoples of Canada. Due to its presence in multiple areas of Inuit everyday life, the theme of social hierarchy is also clearly expressed in Inuit artwork, particularly in the prints from Kinngait Studios of Cape Dorset and in sculptures. The composition of power in Inuit society is complex, since it is evident on multiple levels within Inuit culture.1 The Inuit hold their traditions very highly. As a result, elders play a crucial role within the Inuit community, since they are thought to be the best source of knowledge of the practices and teachings that govern their society. Their importance is illustrated by Kenojuak Ashevak’s print entitled Wisdom of the Elders, which she devotes to this subject.2 She depicts a face wearing a hood from a traditional Inuit jacket in the center of the composition with what appears to be a yellow aura, and contrasting red and green branches radiating from the hood. Generally, the oldest family members are looked upon as elders because their age is believed to reveal the amount of wisdom that they hold.3 One gets the sense that the person portrayed in this print is an elder, based on the wrinkles that are present around the mouth. In Inuit society, men and women alike are recognized as elders, and this beardless face would seem 1 Janet Mancini Billson and Kyra Mancini, Inuit Women: their powerful spirit in a century of change, (Lanham: Rowman & Littlefield, 2004), 56. -
February 17, 2016
The Arctic in 2045: A Long Term Vision Okalik Eegeesiak | Wilton Park, London, UK| February 17, 2016 An Inuit Vision of the Arctic in 2045 (check against delivery) Ullukkut, Good afternoon. My name is Okalik Eegeesiak. First, thank you to the organizers for the invitation to speak at this conference at such a beautiful and inspiring venue and to the participants who share the value of the Arctic and its peoples. A thirty year vision for the Arctic is important. Inuit believe in a vision for the Arctic – our vision looks back and forward – guided by our past to inform our future. I hope my thoughts will add to the discussion. I will share with you about what Inuit are doing to secure our vision and how we can work together for our shared vision of the Arctic. Inuit have occupied the circumpolar Arctic for millennia – carving a resilient and pragmatic culture from the land and sea – we have lived through famines, the little ice age, Vikings, whalers, missionaries, residential schools, successive governments and we intend to thrive with climate change. A documentary was recently released in Canada that told of the accounts of two Inuit families and an single man from Labrador, Canada now called Nunatsiavut – these Inuit were brought to Europe in the 1880’s and displayed in “zoo’s”. Their remains are still in storage in museums in France and Germany and their predecessors are now working to repatriate them. I share these struggles and trauma to illustrate that we have come a long way… and I am with a solid foundation of our history. -
Inuit Qaujimajatuqangit Education Framework
4 Inuit Qaujimajatuqangit Education Framework ISBN 1-55015-031-5 Published by the Nunavut Department of Education, Curriculum and School Services Division All rights reserved. The use of any part of this publication reproduced, transmitted in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, or stored in a retrieval system, without written consent of the publisher, is an infringement of copyright law. © 2007 Nunavut Department of Education Cover and title pages Graphix Design Studio, Ottawa Illustrations by Donald Uluadluak Sr. and Gwen Frankton © Nunavut Department of Education Inuit Qaujimajatuqangit Education Framework 5 Inuit Qaujimajatuqangit Education Framework It is critical to read this document to understand the Inuit Qaujimajatuqangit (IQ) perspectives that are changing curriculum, learning and teaching in Nunavut schools. Curriculum in Nunavut is different because Inuit perspectives inform the basic elements of curriculum. The Department of Education expects educators to develop an understanding of: • Inuit Qaujimajatuqangit • how IQ affects the basic elements of curriculum • how the new basic elements of curriculum influence learning and teaching The Department expects educators to deliver instruction that reflectsInuit Qaujimajatuqangit and achieves the purposes of education in Nunavut as described in this document. As described further in the following pages, using Inuit Qaujimajatuqangit as the foundation for curriculum means that the basic elements of curriculum: • Follow a learning continuum • Incorporate four integrated strands • Introduce and teach cross-curricular competencies based on the eight Inuit Qaujimajatuqangit Principles • Include and build upon Inuit philosophies of: Inclusion Languages of Instruction Dynamic Assessment Critical Pedagogy 6 Inuit Qaujimajatuqangit Education Framework We must teach our children their mother tongue. -
Grade 7-8: the Arts Contemporary First Nations and Inuit Music: Powwow Step and Solo Throat Singing
ELEMENTARY LESSON GRADE 7-8: THE ARTS CONTEMPORARY FIRST NATIONS AND INUIT MUSIC: POWWOW STEP AND SOLO THROAT SINGING Purpose: Students will compare and contrast traditional and in a circle behind the men and sing an octave higher than the contemporary First Nations powwow music and Inuit throat men. singing. They will consider the cultural influences and significance of contemporary music by powwow step musicians: A Tribe Called Watch and listen: http://music.cbc.ca/#!/blogs/2012/7/Top-5- Red and solo throat singer Tanya Tagaq. songs-to-get-you-in-the-mood-for-the-powwow-trail (Note: Any of the five videos will work as an example. Instructional method(s): listening, comparing and contrasting, However, the third example is only audio and less traditional class discussion (students may work in small groups or as a class) in style. The fourth and fifth examples show how a female supports the music.) Estimated time: 60 minutes Ask students: Activity: a. Describe what you saw and heard. 1. Begin the lesson by writing the following quote on the front b. What were the instrument(s) used? board: “My people will sleep for 100 years, but when they c. How did singing compliment the instrument(s)? awake, it will be the artists who give them their spirit back.”— d. What was done in unison? Louis Riel, July 4, 1885 e. What was performed individually? f. Describe the tempo, rhythm, dynamic and pitch. 2. Ask students: a. Who is Louis Riel? 5. Now introduce students to the music of A Tribe Called Red. -
Documenting Inuit Knowledge of Coastal Oceanography in Nunatsiavut
Respecting ontology: Documenting Inuit knowledge of coastal oceanography in Nunatsiavut By Breanna Bishop Submitted in partial fulfillment of the requirements for the degree of Master of Marine Management at Dalhousie University Halifax, Nova Scotia December 2019 © Breanna Bishop, 2019 Table of Contents List of Tables and Figures ............................................................................................................ iv Abstract ............................................................................................................................................ v Acknowledgements ........................................................................................................................ vi Chapter 1: Introduction ............................................................................................................... 1 1.1 Management Problem ...................................................................................................................... 4 1.1.1 Research aim and objectives ........................................................................................................................ 5 Chapter 2: Context ....................................................................................................................... 7 2.1 Oceanographic context for Nunatsiavut ......................................................................................... 7 2.3 Inuit knowledge in Nunatsiavut decision making ......................................................................... -
Phasages Et Déphasages. Représentations Du Temps Chez Les
Document generated on 09/29/2021 7:47 p.m. Globe Revue internationale d’études québécoises Phasages et déphasages. Représentations du temps chez les Inuits de l’Arctique oriental canadien Representations of Time Among the Inuit of the Eastern Canadian Arctic Guy Bordin Les modernités amérindiennes et inuite Article abstract Volume 8, Number 1, 2005 Time sense and timekeeping among the Inuit of the eastern Canadian Arctic have been deeply shaken by the major changes (the advent of Christianity, the URI: https://id.erudit.org/iderudit/1000897ar adoption of a sedentary lifestyle, the establishment of schools, etc.) that have DOI: https://doi.org/10.7202/1000897ar taken place during the nineteenth and twentieth centuries. These upheavals have created tensions between the traditional practices regarding time and the See table of contents numerous constraints imposed by new circumstances. After discussing the Inuit methods for describing and dividing time before the establishment of contact with Whites, as well as the introduction of the Gregorian calendar and technical methods for measuring time, the author shows that the forced Publisher(s) cohabitation, or perhaps collision, of these two modes of temporality has Globe, Revue internationale d’études québécoises produced a hybrid system of timekeeping that must satisfy the demands of the moment to the extent possible, while maintaining an association with cultural practices transmitted from generation to generation. In this co-existence of ISSN times, individual and social methods of functioning are established that evolve 1481-5869 (print) along a continuum. A morpho-semantic analysis of relevant terms is also 1923-8231 (digital) conducted in order to reveal the literal meaning that alone can provide access to the underlying semantic structure. -
All Grade 5 Videos *Although These Videos Were All
All grade 5 videos *Although these videos were all watched and chosen by your pedagogical counsellors and are appropriate for students to watch, some videos (longer videos with harder vocabulary) are meant to be watched by the teacher to get a better understanding on a specific subject. Please, make sure to watch the videos before presenting them to your students. This way, you will ensure their understanding and their interest in each theme. Canada The Terry Fox story https://www.youtube.com/watch?v=f1QOtPDAAeY Canada – Canada country – Canada geography song https://www.youtube.com/watch?v=QBQ5ZhHlkkY Capitals of Canada song https://www.youtube.com/watch?v=pNQZ-KgX0oY Northern Canada Causes and effects of climate change – National Geography https://www.youtube.com/watch?v=G4H1N_yXBiA&t=11s Chapter 4 – the importance of the 3Rs https://www.youtube.com/watch?v=GJr2z8g1dOI Going green (Earth day song for kids about the 3 R’s –reduce, reuse, recycle) https://www.youtube.com/watch?v=8DJ45Yc3urg I’m only a kid, I can’t do anything about climate change…right https://www.youtube.com/watch?v=PslL9WC-2cQ&t=6s The end of the Arctic https://www.youtube.com/watch?v=CrRDtZp96jw&t=629s What if all the ice melted on Earth ft. Bill Nye https://www.youtube.com/watch?v=b6CPsGanO_U Dene dancing – Deline drummers in Yellowknife, Northwest Territories https://www.youtube.com/watch?v=4cXA_Usl_jw Ulukhaktok (Territoires du Nord-Ouest – Canada) https://www.youtube.com/watch?v=XZ7hBOMSyC0 Gwich’in fiddle jam https://www.youtube.com/watch?v=0Fk7a-aiZdM -
Forty Years of Cultural Change Among the Inuit in Alaska, Canada and Greenland: Some Reflections MARIANNE STENBAEK’
ARCTIC VOL. 40, NO. 4 (DECEMBER 1987) P. 300-309 Forty Years of Cultural Change among the Inuit in Alaska, Canada and Greenland: Some Reflections MARIANNE STENBAEK’ (Received 27 August 1987; accepted in revised form I October 1987) ABSTRACT. The peoples in the arctic regions have experienced unprecedented cultural change in the last 40 years. The Dene, Metis, Samis, Athapaskans, Inuit and other aboriginal peoplein these regions have all seen their traditionallifestyles altered dramatically with the increasedinflux of southern peoples, withtheir baggage of modemtechnology, bureaucracy and assortedeconomic/political/soial/cultural systems. This paper focuses on the Inuit regions of Alaska, northern Canada and Greenland, for the Inuit have experienced more cultural changes since 1945 than in any other concentrated time span before. Although the changes have often resulted in great human tragedies, such as suicide epidemics and alcoholism, many positive changes have also occurred, as shownby major events in the three Inuit regions examined, as well as the establishment of somecultural and educational institutions. The paper drawson interviews with contemporaryInuit leaders. It concludesthat the Inuitculture is now in the process of being re-affirmed and will indeed be of increasing worldwide importance as the Arctic emerges as a new international and transnational region. Key words: Alaska, northern Canada, Greenland, Inuit, cultural change RÉSUMÉ. Les peuples des régionsarctiques ont subi des mutationsculturelles sans prkcédentdepuis quarante ans. Les Dene, les Métis, les Samis, les Athapaskans, les Inuit et d’autres peuples aborigbnes de ces régions ont tous subi une modification spectaculaire de leurs modes de vie traditionnels devant l’afflux de gens du Suddébarqués avec leur bagage de techniques modernes, de bureaucratie et de systbmes économiques/politiques/sociaux/ culturels assortis. -
Examining Precontact Inuit Gender Complexity and Its
EXAMINING PRECONTACT INUIT GENDER COMPLEXITY AND ITS DISCURSIVE POTENTIAL FOR LGBTQ2S+ AND DECOLONIZATION MOVEMENTS by Meghan Walley B.A. McGill University, 2014 A thesis submitted to the School of Graduate Studies In partial fulfillment of the requirements for the degree of Master of Arts Department of Archaeology Memorial University of Newfoundland May 2018 St. John’s, Newfoundland and Labrador 0 ABSTRACT Anthropological literature and oral testimony assert that Inuit gender did not traditionally fit within a binary framework. Men’s and women’s social roles were not wholly determined by their bodies, there were mediatory roles between masculine and feminine identities, and role-swapping was—and continues to be—widespread. However, archaeologists have largely neglected Inuit gender diversity as an area of research. This thesis has two primary objectives: 1) to explore the potential impacts of presenting queer narratives of the Inuit past through a series of interviews that were conducted with Lesbian Gay Bisexual Transgender Queer/Questioning and Two-Spirit (LGBTQ2S+) Inuit and 2) to consider ways in which archaeological materials articulate with and convey a multiplicity of gender expressions specific to pre-contact Inuit identity. This work encourages archaeologists to look beyond categories that have been constructed and naturalized within white settler spheres, and to replace them with ontologically appropriate histories that incorporate a range of Inuit voices. I ACKNOWLEDGEMENTS First and foremost, qujannamiik/nakummek to all of the Inuit who participated in interviews, spoke to me about my work, and provided me with vital feedback. My research would be nothing without your input. I also wish to thank Safe Alliance for helping me identify interview participants, particularly Denise Cole, one of its founding members, who has provided me with invaluable insights, and who does remarkable work that will continue to motivate and inform my own.