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STUDY GUIDE TOOLS for TEACHERS Sponsored By
2014 STUDY GUIDE TOOLS FOR TEACHERS sponsored by Tom McCamus, Seana McKenna Support for the 2014 season of the Tom Patterson Theatre is generously provided by Richard Rooney & Laura Dinner Production support is generously provided by Karon Bales & Charles Beall Table of Contents The Place The Stratford Festival Story ........................................................................................ 1 The Play The Playwright: William Shakespeare ........................................................................ 3 A Shakespearean Timeline ......................................................................................... 4 Cast of Characters ...................................................................................................... 6 Plot Synopsis ............................................................................................................... 7 Sources and Origins .................................................................................................... 8 Stratford Festival Production History ......................................................................... 9 The Production Artistic Team and Cast ............................................................................................... 10 Lesson Plans and Activities Creating Atmosphere .......................................................................................... 11 Mad World, Mad Kings, Mad Composition! ........................................................ 14 Discussion Topics .............................................................................................. -
Merry Wives (Edited 2019)
!1 The Marry Wives of Windsor ACT I SCENE I. Windsor. Before PAGE's house. BLOCK I Enter SHALLOW, SLENDER, and SIR HUGH EVANS SHALLOW Sir Hugh, persuade me not; I will make a Star-chamber matter of it: if he were twenty Sir John Falstaffs, he shall not abuse Robert Shallow, esquire. SIR HUGH EVANS If Sir John Falstaff have committed disparagements unto you, I am of the church, and will be glad to do my benevolence to make atonements and compremises between you. SHALLOW Ha! o' my life, if I were young again, the sword should end it. SIR HUGH EVANS It is petter that friends is the sword, and end it: and there is also another device in my prain, there is Anne Page, which is daughter to Master Thomas Page, which is pretty virginity. SLENDER Mistress Anne Page? She has brown hair, and speaks small like a woman. SIR HUGH EVANS It is that fery person for all the orld, and seven hundred pounds of moneys, is hers, when she is seventeen years old: it were a goot motion if we leave our pribbles and prabbles, and desire a marriage between Master Abraham and Mistress Anne Page. SLENDER Did her grandsire leave her seven hundred pound? SIR HUGH EVANS Ay, and her father is make her a petter penny. SHALLOW I know the young gentlewoman; she has good gifts. SIR HUGH EVANS Seven hundred pounds and possibilities is goot gifts. Enter PAGE SHALLOW Well, let us see honest Master Page. PAGE I am glad to see your worships well. -
Stratford Festival 2021 Season Guide
STUDIO THEATRE Three Tall Women FESTIVAL THE THEATRE CANOPY R + J CABARETS Why We Tell the Story 2021 You Can’t Stop the Beat Play On! Freedom Finally There’s Sun TOM PATTERSON SEASON THEATRE CANOPY A Midsummer Night’s Dream The Rez Sisters I Am William GUIDE Serving Elizabeth JULY – OCTOBER stratfordfestival.ca 1.800.567.1600 | 519.273.1600 1 1 800 567 1600 | 519 273 1600 STRATFORDFESTIVAL.CA 2 But far from placing limitations on our creativity, the need to work within the parameters required of us – with shorter performances, smaller casts (no more than eight actors WORLDS WITHOUT WALLS per show) and physical distancing on stage – has stimulated our artists to new Two young people are in love. They’re next-door neighbours, but their families don’t get feats of imagination as they devise novel on. So they’re not allowed to meet: all they can do is whisper sweet nothings to each modes of performance. Our 2021 playbill other through a small gap in the garden wall between them. Eventually, they plan to run o encompasses Shakespeare, music, modern together – but on the night of their elopement, a terrible accident of fate impels them both classics and new work, presented in ways to take their own lives. you’ve never seen at Stratford before. Sound familiar? It’s the story of Pyramus and Thisbe, as told by the ancient Roman poet And it’s not only the pandemic that Ovid, one of Shakespeare’s favourite authors. Most of us know it from the comical play- has opened us up to new ideas and within-the-play in A Midsummer Night’s Dream – but it’s also essentially the same story experiences. -
The Pursuit of Happiness :-) 2]
THE PURSUIT OF HAPPINESS :-) 2] Simon Beattie CTRL+P The Pursuit of Happiness Ben Kinmont CTRL+P Honey & Wax CTRL+P On January 20, 2021, the four of us were Justin Croft CTRL+P on a Zoom call, throwing around ideas for a joint list while Ben and Heather kept an eye on the presidential inauguration. In the best American spirit, Simon suggested 'the pursuit of happiness.' And here we are. May the offerings in this list bring you joy! 3] The Pursuit of Happiness Heather O’Donnell runs Honey & Wax Simon Beattie specialises in European Booksellers in Brooklyn, New York, dealing (cross-)cultural history, with a particular primarily in literary and print history, with interest in the theatre and music. His 10th- an emphasis on cultural cross-pollination. anniversary catalogue, Anglo-German She is a founder of the annual Honey & Cultural Relations, came out last year. As Wax Book Collecting Prize, now in its fifth the founder of the Facebook group We year, an award of $1000 for an outstanding Love Endpapers, Simon also has a keen collection built by a young woman in the interest in the history of decorated paper; United States. an exhibition of his own collection is planned for 2022. He currently sits on the Council Heather serves on the ABAA Board of of the Antiquarian Booksellers’ Association, Governors, the faculty of the Colorado and teaches regularly at the York Antiquarian Antiquarian Book Seminar (now CABS- Book Seminar. Minnesota), and and the Yale Library Associates Trustees. She has spoken about Simon also translates, and composes. -
2020 Visitors Guide a Storied Past, a Glorious Future: a Season to Celebrate the Elixir of Power
2020 VISITORS GUIDE A STORIED PAST, A GLORIOUS FUTURE: A SEASON TO CELEBRATE THE ELIXIR OF POWER Irresistible – that’s the only way to describe the variety, quality and excitement that make up the Stratford Festival’s 2020 season. First, there is our stunning new Tom Patterson Theatre, with ravishingly beautiful public spaces and gardens. Its halls, bars and café will be filled throughout the season with music, comedy nights, panel discussions and outstanding speakers to make our Festival even more festive. In the wake of an election in Canada, and in anticipation of one in the U.S., our season explores the theme of Power. Recent years have seen a growing acceptance of the naked use of power. Brute force is in vogue on the world stage, from international trade to immigration and the arms race – and, closer to home, in elections, in the workplace and even in social media engagements. Through comedy, tragedy, song, dance and farce, the plays and musicals of our 2020 season explore the dynamics of power in society, politics, art, gender and family life. In our new Tom Patterson Theatre, we present the two plays that launched the Stratford adventure in 1953: All’s Well That Ends Well and Richard III. The new venue is also home to a new musical, Here’s What It Takes; a new movement-based creation, Frankenstein Revived; and a series of improvisational performances – each one unique and unrepeatable – called An Undiscovered Shakespeare. But the fun isn’t all confined to one theatre. Our historic Festival Theatre showcases two of Shakespeare’s greatest plays, Much Ado About Nothing and Hamlet, as well as Molière’s brilliant satire The Miser and the first major new production in decades of the mischievous musical Chicago. -
Cymbeline (Stratford Shakespeare Festival) by Sarah Neville
Cymbeline (Stratford Shakespeare Festival) by Sarah Neville. Written on 2012-10-13. First published in the ISE Chronicle. For the production: Cymbeline (2012, Stratford Festival of Canada, Canada). Cymbeline is Antoni Cimolino’s first production since it was announced this spring that he was to become the Stratford Festival’s next artistic director. Cimolino, a 25 year Stratford veteran, offers audiences a refreshingly clear Cymbeline that belies its reputation as a complex, difficult-to-stage play, offering a narrative of thwarted lovers, jealous kings, evil queens, pompous rivals, sinister Italians, honourable servants and noble shepherds that should be relatively straightforward to those familiar with the greatest hits of the Shakespeare canon, bringing together plot strands from plays as various as King Lear, The Winter’s Tale, As You Like It and Much Ado About Nothing. By allowing the play’s sombre notes of infidelity, violence and political submission to be regularly punctured by a juxtaposing intelligent humour, Cimolino somehow manages to unify the sprawling and uneven script for a modern audience unfamiliar with the idiosyncrasies of Jacobean style. A significant portion of Cymbeline‘s pleasures result from sophisticated, thoughtful casting: comic touches like a lurid, gleefully moronic Cloten (Mike Shara), a shrewd but nonetheless doddering Doctor Cornelius (Peter Hutt) and a liquid-smooth Iachimo (Tom McCamus) serve to balance the audience’s unease at Posthumus’ (Graham Abbey) wagering on his wife’s fidelity, or Cymbeline’s (Geraint Wyn Davies) imprisonment of his daughter once he discovers Innogen (Cara Ricketts) and Posthumus’ surreptitious marriage. As the title character, the barrel- chested Davies spends the first half of the play barefoot, his kingly duds reminiscent of nothing to much as a bathrobe, while his evil, nameless Queen (Yanna McIntosh), dressed to the nines in familiar Elizabethan ruff collars and cuffs, plots to poison Innogen and engineer her son Cloten’s rise to power. -
A Midsummer Night's Dream
SUPPORT FOR THE 2021 SEASON OF THE TOM PATTERSON THEATRE IS GENEROUSLY PROVIDED BY PRODUCTION SUPPORT IS GENEROUSLY PROVIDED BY THE HARKINS & MANNING FAMILIES IN MEMORY OF SUSAN & JIM HARKINS LAND ACKNOWLEDGEMENT Welcome to the Stratford Festival. It is a great privilege to gather and share stories on this beautiful territory, which has been the site of human activity — and therefore storytelling — for many thousands of years. We wish to honour the ancestral guardians of this land and its waterways: the Anishinaabe, the Haudenosaunee Confederacy, the Wendat, and the Attiwonderonk. Today many Indigenous peoples continue to call this land home and act as its stewards, and this responsibility extends to all peoples, to share and care for this land for generations to come. A MESSAGE FROM OUR ARTISTIC DIRECTOR WORLDS WITHOUT WALLS Two young people are in love. They’re next- cocoon, and now it’s time to emerge in a door neighbours, but their families don’t get blaze of new colour, with lively, searching on. So they’re not allowed to meet: all they work that deals with profound questions and can do is whisper sweet nothings to each prompts us to think and see in new ways. other through a small gap in the garden wall between them. Eventually, they plan to While I do intend to program in future run off together – but on the night of their seasons all the plays we’d planned to elopement, a terrible accident of fate impels present in 2020, I also know we can’t just them both to take their own lives. -
8798 – 2016 Stratford Festival Gala Packages.Indd
CORPORATE / INDIVIDUAL CDN PHOTO BY DON DIXON BY PHOTO 2016 Stratford Festival Gala HONOURING GORDON PINSENT MONDAY, SEPTEMBER 26, 2016 FOUR SEASONS HOTEL, TORONTO Antoni Cimolino, Artistic Director GALA CO-CHAIRS: BARRY AVRICH, ROBERT BADUN, WENDY PITBLADO Anita Gaff ney, Executive Director CORPORATE / INDIVIDUAL CDN presents a gala evening in honour of GORDON PINSENT MONDAY, SEPTEMBER 26, 2016 GORDON PINSENT Born in Grand Falls, Newfoundland, Gordon Pinsent began his stage career in Winnipeg under the direction of John Hirsch. His fi rst appearances at the Stratford Festival were in 1962 when he performed in Macbeth (with Christopher Plummer and Kate Reid), The Taming of the Shrew and Cyrano de Bergerac (also with Christopher Plummer). He returned to the Festival in 1975 as the lead in Brecht’s Trumpets and Drums with Tom Kneebone and Jackie Burroughs. His television career began in the early 1960s and includes the series A Gift to Last (which he created), The Red Green Show, Quentin Durgens, M.P., Due South, Wind at My Back and Power Play. Gordon’s fi lm credits include Sarah Polley’s acclaimed Away from Her (Genie and ACTRA awards for Best Actor), The Rowdyman, Who Has Seen the Wind, John and the Missus, The Grand Seduction (Canadian Screen Award) and The Shipping News. In addition to writing the screenplays for both The Rowdyman and John and the Missus, Gordon has published a two-volume memoir, By the Way and Next. In 2007, he received a star on Canada’s Walk of Fame. Other awards include the Earle Grey Award for lifetime achievement in television and a Governor General’s Performing Arts Award. -
AS THIN AS BANBURY CHEESE Martin Thomas in "The Merry Wives of Windsor" (1597), 1 Shakespeare Has Bardolf Address Slender As "You Banbury Cheese"
AS THIN AS BANBURY CHEESE Martin Thomas In "The Merry Wives of Windsor" (1597), 1 Shakespeare has Bardolf address Slender as "You Banbury Cheese". This is not just some local reference by a Warwickshire man: at the time, Banbury was nationally famous for its cheese. Indeed, it was better known for its Banbury Cheese than for its Banbury Cakes. Banbury Cheese is variously described as having a keen, sharp savour,2 and soft, rich3 and creamy.4 It was golden yellow in colour5 with an outer skin that needed to be pared off.6 In the sixteenth century at least, there were hard and soft versions. It was round, and only about one inch thick' — hence the Shakespearean insult. Surprisingly, perhaps, given Banbury's long association with the wool trade, it was made with cow's milk, not sheep's milk.8 The centre of Banbury's cheese-making seems to have been the Northamptonshire hamlets, Grimsbury and Nethercote, although some cheese was made in the town and the Oxfordshire hamlets.9 The main cheese market was in the vicinity of the old High Cross,10 in the Market ' William Shakespeare. The Merry Wives of Windsor, Act 1 Scene 1. 2 Richard Jones, The Good Huswifes Handmaid for the Kitchin (1594). 3Daniel Defoe, Tour Through the Whole Island of Great Britain, published between 1724 and 1727. 4 Camden's Britannia (1607). 5 As fn.2. 6 Jack Drum's Entertainment (1601) 7 Victoria County History A History of the County of Oxford: Vol 10: Banbury hundred (1972) [VCII] , 'Origins and growth of the town', pp. -
The Merry Wives of Windsor, Fat, Disreputable Sir John Falstaff Pursues Two Housewives, Mistress Ford and Mistress Page, Who Outwit and Humiliate Him Instead
Folger Shakespeare Library https://shakespeare.folger.edu/ Get even more from the Folger You can get your own copy of this text to keep. Purchase a full copy to get the text, plus explanatory notes, illustrations, and more. Buy a copy Contents From the Director of the Folger Shakespeare Library Front Textual Introduction Matter Synopsis Characters in the Play Scene 1 Scene 2 ACT 1 Scene 3 Scene 4 Scene 1 ACT 2 Scene 2 Scene 3 Scene 1 Scene 2 ACT 3 Scene 3 Scene 4 Scene 5 Scene 1 Scene 2 Scene 3 ACT 4 Scene 4 Scene 5 Scene 6 Scene 1 Scene 2 ACT 5 Scene 3 Scene 4 Scene 5 From the Director of the Folger Shakespeare Library It is hard to imagine a world without Shakespeare. Since their composition four hundred years ago, Shakespeare’s plays and poems have traveled the globe, inviting those who see and read his works to make them their own. Readers of the New Folger Editions are part of this ongoing process of “taking up Shakespeare,” finding our own thoughts and feelings in language that strikes us as old or unusual and, for that very reason, new. We still struggle to keep up with a writer who could think a mile a minute, whose words paint pictures that shift like clouds. These expertly edited texts are presented to the public as a resource for study, artistic adaptation, and enjoyment. By making the classic texts of the New Folger Editions available in electronic form as The Folger Shakespeare (formerly Folger Digital Texts), we place a trusted resource in the hands of anyone who wants them. -
2016 Study Guide
2016 STUDY ProductionGUIDE Sponsor 2016 STUDY GUIDE EDUCATION PROGRAM PARTNER BREATH OF KINGS: REBELLION | REDEMPTION BY WILLIAM SHAKESPEARE CONCEIVED AND ADAPTED BY GRAHAM ABBEY WORLD PREMIÈRE COMMISSIONED BY THE STRATFORD FESTIVAL DIRECTORS MITCHELL CUSHMAN AND WEYNI MENGESHA TOOLS FOR TEACHERS sponsored by PRODUCTION SUPPORT is generously provided by The Brian Linehan Charitable Foundation and by Martie & Bob Sachs INDIVIDUAL THEATRE SPONSORS Support for the 2016 Support for the 2016 Support for the 2016 Support for the 2016 season of the Festival season of the Avon season of the Tom season of the Studio Theatre is generously Theatre is generously Patterson Theatre is Theatre is generously provided by provided by the generously provided by provided by Claire & Daniel Birmingham family Richard Rooney & Sandra & Jim Pitblado Bernstein Laura Dinner CORPORATE THEATRE PARTNER Sponsor for the 2016 season of the Tom Patterson Theatre Cover: From left: Graham Abbey, Tom Rooney, Araya Mengesha, Geraint Wyn Davies.. Photography by Don Dixon. Table of Contents The Place The Stratford Festival Story ........................................................................................ 1 The Play The Playwright: William Shakespeare ........................................................................ 3 A Shakespearean Timeline ......................................................................................... 4 Plot Synopsis .............................................................................................................. -
Character and Idiom in Shakespeare's the Merry Wives of Windsor
Angelika Zirker Language Play in Translation: Character and Idiom in Shakespeare’s The Merry Wives of Windsor Abstract: Shakespeare’s comedy The Merry Wives of Windsor (first performed in 1597) has been commented on widely in the context of bilingual punning be- cause of the Latin lesson and translation scene at the beginning of act four. This essay focuses on character-specific language play and its translation into Ger- man over time (i.e. since the late eighteenth century to the most recent transla- tion by Frank Günther in 2012). The examples refer to three characters: Nim, Mistress Quickly, and Sir Hugh Evans. The character of Nim presents a problem to translators as he constantly re- fers to “humour” in an undifferentiated manner, i.e. on all kinds of occasions but with different connotations. With regard to the specific idiom of Mistress Quickly and her use of malapropism, more recent German editions have tended towards substitution and interpretation rather than translation. Sir Hugh Evans poses a double problem to the translator: for one, Shakespeare marks his accent to be Welsh; moreover, Evans speaks an idiolect that is yet again different from that of Nim and Mistress Quickly, including word formation, wrong or strange grammar, overly complex syntax and wrongly understood idioms. Translators have approached his character in various ways, for instance, by having him speak in a German dialect or by inventing a “new” dialect, which, however, may lead to confusion and incomprehensibility. The survey of language play in translations of The Merry Wives of Windsor foregrounds how wordplay, character, and translation can be linked to each other.