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We Make It Easier for You to Sell
We Make it Easier For You to Sell Travel Agent Reference Guide TABLE OF CONTENTS ITEM PAGE ITEM PAGE Accommodations .................. 11-18 Hotels & Facilities .................. 11-18 Air Service – Charter & Scheduled ....... 6-7 Houses of Worship ................... .19 Animals (entry of) ..................... .1 Jamaica Tourist Board Offices . .Back Cover Apartment Accommodations ........... .19 Kingston ............................ .3 Airports............................. .1 Land, History and the People ............ .2 Attractions........................ 20-21 Latitude & Longitude.................. .25 Banking............................. .1 Major Cities......................... 3-5 Car Rental Companies ................. .8 Map............................. 12-13 Charter Air Service ................... 6-7 Marriage, General Information .......... .19 Churches .......................... .19 Medical Facilities ..................... .1 Climate ............................. .1 Meet The People...................... .1 Clothing ............................ .1 Mileage Chart ....................... .25 Communications...................... .1 Montego Bay......................... .3 Computer Access Code ................ 6 Montego Bay Convention Center . .5 Credit Cards ......................... .1 Museums .......................... .24 Cruise Ships ......................... .7 National Symbols .................... .18 Currency............................ .1 Negril .............................. .5 Customs ............................ .1 Ocho -
Characteristics of Music in Jamaica and Bob Marley
CHARACTERISTICS OF MUSIC IN JAMAICA AND BOB MARLEY CHARACTERISTICS OF MUSIC IN JAMAICA ● The music of Jamaica Jamaican folk music encompasses as many genres of popular music, such as mento, ska, rocksteady, reggae, dub, dancehall, reggae and other styles associated fusion ● The Jamaican American musical culture mix musical elements, such as: -rhythm and blues - rock and roll -soul REGGAE Reggae is a music genre that was born in Jamaica in the mid-1960s It became really popular since 1970 The reggae music genre is characterized by slower than ska and rocksteady music The reggae guitar used to put emphasis on either the third pulse or to keep the line from the second to the fourth. Uses instruments like guitar, bass, drums, hammond organ guitar Bass Hammond organ drums BOB MARLEY Robert Nesta Marley Booker, better known as Bob Marley, was a musician, guitarist and composer Jamaican. Born on February 6, 1945, in Nine Mile (Saint Ann), Jamaica He died on 11 May 1981 to 36 years in Miami (Florida), United States He had 14 children: Damian Marley, Ziggy Marley, Stephen Marley, Ky-Mani Marley, Rohan Marley, Julian Marley, Cedella Marley, Isaac Marley, Stephanie Marley, Imani Carole Marley, Sharon Marley, Robbie Marley, Karen Marley, Makeda Marley Their record label was: Island Records, Tuff Gong, Beverley's, Studio One, Trojan Records, St. Claire, Universal His online page it´s: http://www.bobmarley.com You can watch this video, of Bob Marley, that it´s one of most famous songs: https://www.youtube.com/watch?v=2XiYUYcpsT4 Made by María Pajares . -
Jamaican Politics, Nationalism, and Musical Culture in Transition, 1974-1984
University of New Orleans ScholarWorks@UNO University of New Orleans Theses and Dissertations Dissertations and Theses 5-18-2007 Between Two Giant Sounds: Jamaican Politics, Nationalism, and Musical Culture in Transition, 1974-1984 Caree Banton University of New Orleans Follow this and additional works at: https://scholarworks.uno.edu/td Recommended Citation Banton, Caree, "Between Two Giant Sounds: Jamaican Politics, Nationalism, and Musical Culture in Transition, 1974-1984" (2007). University of New Orleans Theses and Dissertations. 508. https://scholarworks.uno.edu/td/508 This Thesis is protected by copyright and/or related rights. It has been brought to you by ScholarWorks@UNO with permission from the rights-holder(s). You are free to use this Thesis in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights- holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/or on the work itself. This Thesis has been accepted for inclusion in University of New Orleans Theses and Dissertations by an authorized administrator of ScholarWorks@UNO. For more information, please contact [email protected]. Between Two Giant Sounds: Jamaican Politics, Nationalism, and Musical Culture in Transition, 1974 – 1984 A Thesis Submitted to the Graduate Faculty of the University of New Orleans In partial fulfillment of the Requirements for the degree of Master of Arts In History By Caree Ann-Marie Banton B.A. Grambling State University 2005 B.P.A Grambling State University 2005 May 2007 Acknowledgement I would like to thank all the people that facilitated the completion of this work. -
Heather Augustyn 2610 Dogleg Drive * Chesterton, in 46304 * (219) 926-9729 * (219) 331-8090 Cell * [email protected]
Heather Augustyn 2610 Dogleg Drive * Chesterton, IN 46304 * (219) 926-9729 * (219) 331-8090 cell * [email protected] BOOKS Women in Jamaican Music McFarland, Spring 2020 Operation Jump Up: Jamaica’s Campaign for a National Sound, Half Pint Press, 2018 Alpha Boys School: Cradle of Jamaican Music, Half Pint Press, 2017 Songbirds: Pioneering Women in Jamaican Music, Half Pint Press, 2014 Don Drummond: The Genius and Tragedy of the World’s Greatest Trombonist, McFarland, 2013 Ska: The Rhythm of Liberation, Rowman & Littlefield, 2013 Ska: An Oral History, McFarland, 2010 Reggae from Yaad: Traditional and Emerging Themes in Jamaican Popular Music, ed. Donna P. Hope, “Freedom Sound: Music of Jamaica’s Independence,” Ian Randle Publishers, 2015 Kurt Vonnegut: The Last Interview and Other Conversations, Melville House, 2011 PUBLICATIONS “Rhumba Queens: Sirens of Jamaican Music,” Jamaica Journal, vol. 37. No. 3, Winter, 2019 “Getting Ahead of the Beat,” Downbeat, February 2019 “Derrick Morgan celebrates 60th anniversary as the conqueror of ska,” Wax Poetics, July 2017 Exhibition catalogue for “Jamaica Jamaica!” Philharmonie de Paris Music Museum, April 2017 “The Sons of Empire,” Deambulation Picturale Autour Du Lien, J. Molineris, Villa Tamaris centre d’art 2015 “Lee ‘Scratch’ Perry’s Super Ape,” Wax Poetics, November, 2015 “Don Drummond,” Heart and Soul Paintings, J. Molineris, Villa Tamaris centre d’art, 2012 “Spinning Wheels: The Circular Evolution of Jive, Toasting, and Rap,” Caribbean Quarterly, Spring 2015 “Lonesome No More! Kurt Vonnegut’s -
Dancing Postcolonialism
Sabine Sörgel Dancing Postcolonialism TanzScripte | edited by Gabriele Brandstetter and Gabriele Klein | Volume 6 Sabine Sörgel (Dr. phil.) teaches the history and theory of theatre and dance at Johannes Gutenberg-University Mainz. Her current research includes cross- cultural corporealities, contemporary performance and postcolonial theory. Sabine Sörgel Dancing Postcolonialism The National Dance Theatre Company of Jamaica Die vorliegende Arbeit wurde vom Fachbereich 05 Philosophie und Philologie der Jo- hannes Gutenberg-Universität Mainz im Jahr 2005 als Dissertation zur Erlangung des akademischen Grades eines Doktors der Philosophie (Dr. phil.) angenommen. Bibliographic information published by Die Deutsche Bibliothek Die Deutsche Bibliothek lists this publication in the Deutsche Nationalbibliografie; detailed bibliographic data are available on the Internet at http://dnb.ddb.de © 2007 transcript Verlag, Bielefeld This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 3.0 License. Layout by: Kordula Röckenhaus, Bielefeld Cover illustration: Rex Nettleford, NDTC’s »moving spirit«, co-founder, princi- pal choreographer, and current Artistic Director. Here seen in lead role of »Myal«. Credits: Photographs: cover illustration and pages 100, 102, 103, 110, 112, 119, 131, 175, 176, 177 courtesy and copyright by Maria LaYacona and NDTC ar- chives; page 140 courtesy and copyright by Denis Valentine and NDTC ar- chives; page 194 courtesy and coypright by W. Sills and NDTC archives. All video stills: courtesy -
Parish Council St
ST. CATHERINE MUNICIPAL CORPORATION MINUTES OF MONTHLY GENERAL MEETING HELD ON THURSDAY, JANUARY 11, 2018 Pursuant to Notice, the Regular Monthly General Meeting of the St. Catherine Municipal Corporation was held in the Chambers of the Corporation , Spanish Town, on Thursday, January 11, 2018, commencing at 10:48 a.m. a) Present Were: 1. His Worship the Mayor, Cllr. Norman Scott - Chairman 2. Councillor Ralston Wilson 3. Councillor Anthony Wint 4. Councillor Wesley Suckoo 5. Councillor Ainsley Parkins 6. Councillor Keith McCook 7. Councillor Leroy Dunn 8. Councillor Alphanso Johnson 9. Councillor George Moodie 10. Councillor Roogae Kirlew 11. Councillor Theresa Turner 12. Councillor Sydney Rose 13. Councillor Neil Powell 14. Councillor Courtney Edwards 15. Councillor Steve Graham 16. Councillor William Cytall 17. Councillor Keisha Lewis 18. Councillor Donovan Guy 19. Councillor Dwight Burke Councillors who arrived subsequently 20. Councillor Claude Hamilton 21. Councillor Hugh Graham 22. Councillor Kenisha Allen 23. Councillor Patricia Harris 24. Councillor Kenord Grant 25. Councillor Keith Knight 26. Councillor Lloyd Grant 27. Councillor Owen Palmer 28. Councillor Joy Brown 29. Councillor Alric Campbell 30. Councillor Herbert Garriques 31. Councillor Hawthrone Thompson 32. Councillor Fenley Douglas 33. Councillor Peter Abrahams 34. Councillor Enos Lawrence 35 Councillor Jennifer Hull 36. Councillor Yvonne McCormack b) Officers 1. Mr. Andre Griffiths Actg. Chief Executive Officer 2 Mr. Romond Fisher Deputy Supt. Roads and Works 3. Mr. Grayson Hutchinson Actg. Chief Public Health Inspector 4. Mr. Chad Allen Acting Director of Planning 5. Ms. Delores Gooden Chief Financial Officer 6. Ms. Angella Wright Inspector of Poor 7. Mrs. Grffiths-Huntington Assistant Matron - Infirmary 8. -
The Sound of Jamaica Teacher's Notes B1
The Sound of Jamaica Teacher’s Notes B1 In this B1 article your students will learn about Jamaica, its history and its music as a new exhibition opens at the Philharmonie in Paris: Jamaica! Jamaica! Most of them will have heard of Reggae and Bob Marley, and they may have studied the Triangle Trade in History. In any case, this is a good opportunity to work on a real information gap. This lesson can be taught for itself or as part of an EPI about Jamaican music (culture et création artistiques) or slavery (Information, communication, citoyenneté). A parallel can be drawn with French history in Saint-Domingue (Haiti), Guadeloupe and Martinique, other Caribbean islands in which French traders were heavily involved in the slave trade. Vocabulary and structures. nationality? Did he sing in a group? … Have n Music related vocabulary. a co-teacher (or teacher’s assistant) pool n Slavery related vocabulary. the questions, find out if anyone knows any n Passive voice. of the answers and write question and / or n Relative pronouns. answer on the board. n In Activities B and C, the information will Speaking, reading, writing have to be checked or the answer found in the article. Any remaining questions will n We suggest starting the lesson by listening to the song “Get Up, Stand Up!” be kept for further personal work (www. by Bob Marley and the Wailers (1973). bobmarley.com). For example, the video of the stage n Activities D, E and F are all based on the performance in Pittsburgh, Pennsylvania article and are meant to provide enough on 23 September 1980. -
ZIP MAIL LOCATIONS Delivers at the Post ONLY
ZIP MAIL LOCATIONS Delivers at the Post ONLY Black River Collection and delivery Above Rocks delivery only Bridgeport Collection and delivery Alexandria delivery only Brown’s Town Collection and delivery Allman Town delivery only Buff Bay Collection and delivery Annotto Bay delivery only Chapelton Collection and delivery Bamboo delivery only Christiana Collection and delivery Bog Walk delivery only Constant Spring Collection and delivery Bull Bay delivery only Cross Roads Collection and delivery Claremont delivery only CSO Collection and delivery Denbigh delivery only Discovery Bay Collection and delivery Denham Town delivery only Duncans Collection and delivery Fairy Hill delivery only Ewarton Collection and delivery Four Paths delivery only Falmouth Collection and delivery Frome delivery only General Post Office Collection and delivery Golden Grove delivery only Greater Portmore Collection and delivery Gordon Town delivery only Gregory Park Collection and delivery Grange Hill delivery only Half Moon Collection and delivery Green Island delivery only Half-Way-Tree Collection and delivery Hagley Park delivery only Highgate Collection and delivery Harbour View delivery only Liguanea Collection and delivery Hayes delivery only Linstead Collection and delivery Jones Town delivery only Lucea Collection and delivery Junction delivery only Mandeville Collection and delivery Knockpatrick delivery only May Pen Collection and delivery Lawrence Tavern delivery only Meadowbridge Collection and delivery Lionel Town delivery only Mona Collection and -
Jamaica's Parishes and Civil Registration Districts
Jamaican registration districts Jamaica’s parishes and civil registration districts [updated 2010 Aug 15] (adapted from a Wikimedia Commons image) Parishes were established as administrative districts at the English conquest of 1655. Though the boundaries have changed over the succeeding centuries, parishes remain Jamaica’s fundamental civil administrative unit. The three counties of Cornwall (green, on the map above), Middlesex (pink), and Surrey (yellow) have no administrative relevance. The present parishes were consolidated in 1866 with the re-division of eight now- extinct entities, none of which will have civil records. A good historical look at the parishes as they changed over time may be found on the privately compiled “Jamaican Parish Reference,” http://prestwidge.com/river/jamaicanparishes.html (cited 2010 Jul 1). Civil registration of vital records was mandated in 1878. For civil recording, parishes were subdivided into named registration districts. Districts record births, marriages (but not divorces), and deaths since the mandate. Actual recording might not have begun in a district until several years later after 1878. An important comment on Jamaican civil records may be found in the administrative history available on the Registrar General’s Department Website at http://apps.rgd.gov.jm/history/ (cited 2010 Jul 1). This list is split into halves: 1) a list of parishes with their districts organized alphabetically by code; and 2) an alphabetical index of district names as of the date below the title. As the Jamaican population grows and districts are added, the list of registration districts lengthens. The parish code lists are current to about 1995. Registration districts created after that date are followed by the parish name rather than their district code. -
The Jamaican Ensemble
THE JAMAICAN ENSEMBLE Kosi Keith Eric – singer, percussionist, group leader Malisha Odlum –singer, percussionist, dancer Baba Ray Bean – percussionist PREPARATION FOR THEIR APPEARANCE AT YOUR SCHOOL PROGAM DESCRIPTION: The Jamaican Ensemble is dedicated to preserving and presenting the traditional music and dance of Jamaica to young audiences in an entertaining and enjoyable way. They tell the history and show how old music and dance is constantly used to create new music and dance forms. The audience is exposed to the Jamaican language and many traditional instruments. They are also encouraged to participate. Jamaica is a small island state in the Caribbean Sea. Its history tells of invaders and conquerors, the influx of slavery, and of triumphant runaways who kept their freedom for generations. The different styles of Jamaican music include influences from across the globe, but the primary influences are a mixture of European and African music. European scales and harmonies mixed with African drumming, rhythmic intensity, and the interesting use of offbeat stresses, make up Jamaican music today. Much of the music is based on matching the lyrics to the songs. In other words the words come from a long tradition of poetry, story telling, and riddling, and the music was improvised around them. The lyrics of different styles have different characteristics and metrical patterns, so each type of music must change to fit different words. Jamaican poetry is a melting pot of ethnic and international styles like the music that sometimes accompanies it. MUSIC There are three main types of music that will be featured in the performance. -
Notice of Route Taxi Fare Increase
Notice of Route Taxi Fare Increase The Transport Authority wishes to advise the public that effective Monday, August 16, 2021, the rates for Route Taxis will be increased by 15% from a base rate of $82.50 to $95.00 and a rate per kilometer from $4.50 to $5.50. How to calculate the fare: Calculation: Base Rate + (distance travelled in km x rate per km). Each fare once calculated is rounded to the nearest $5.00 The Base Rate and Rate per km can be found below: Rates: Base Rate (First km): $95.00 Rate for each additional km (Rate per km): $5.50 Calculation: Base Rate + (distance travelled in km x rate per km) Example: A passenger is travelling for 15km, the calculation would be: 95.00 + (15 x 5.50) = $177.50. The fare rounded to the nearest $5 would be $180. Below are the fares to be charged along Route Taxi routes island-wide. N.B. Children, students (in uniform), physically disabled and senior citizens pay HALF (1/2) the fare quoted above. Kingston and St. Andrew Origin Destination New Fare CHISHOLM AVENUE DOWNTOWN $ 130 JONES TOWN DOWNTOWN $ 130 MANLEY MEADOWS DOWNTOWN $ 115 PADMORE CHANCERY STREET $ 115 CYPRESS HALL CHANCERY STREET $ 150 ESSEX HALL STONY HILL $ 145 MOUNT SALUS STONY HILL $ 120 FREE TOWN LAWRENCE TAVERN $ 150 GLENGOFFE LAWRENCE TAVERN $ 140 MOUNT INDUSTRY LAWRENCE TAVERN $ 170 HALF WAY TREE MAXFIELD AVENUE $ 110 ARNETT GARDENS CROSS ROADS $ 110 TAVERN/ KINTYRE PAPINE $ 115 MOUNT JAMES GOLDEN SPRING $ 110 N.B. Children, students (in uniform), physically disabled and senior citizens pay HALF (1/2) the fare quoted above. -
MINISTRY of JUSTICE Justice of the Peace Listing (St. Andrew)
MINISTRY OF JUSTICE Justice of the Peace Listing (St. Andrew) Surname Christian Name Street Area Contact Number ABEL Wendel Dwight Lot 10 Woodland Heights Red Hills 945-9672/869-9757 ABRAHAMS Newton 11 Green Glebe Road Forrest Hill 944-9597 AFFLICK-MITCHELL Aleathia Everst Apt. Old Stony Hill Road AIKEN Etheline 5 Miraflores Drive Kingston 20 925-4003/812-9332 AIKEN Liston 8 Sullivan Close AIKEN-DAVIS Yvette AITCHESON Salma Theresa Townhouse #5 42 Portview Road 926-4826/999-4227 AKWA Anette Angela 1A Waterworks Road Kingston 8 931-9639/843-8314 ALBERGA Lloyd Harcourt 3 Kingsway Apt. #6 928-1248/926-8850 ALEXANDER M. 17 Stars Way Kingston 20 969-0483/969-1414 ALEXANDER Penelope 3 Gerbera Close Kingston 6 970-0220 / 773-2209 ALLEN Faye Elaine Mount Joy, Old Stony Hill Road Kingston 9 9429168/9974540 ALLEN Gary Hugh 10 Edam Drive Kingston 8 969-6343/878-2201 ALLEN Cecil Lloyd 16 Norbury Close Kingston 8 9252653/9265369 ALLEN Rickert 21 Liguanea Ave Kingston 6 978-1633/935-2087/361-2687 ALLEN Delroy 45-47 Binns Road Kingston 11 779-7708/967-1848/571-9351 ALLEN Roy 7G Kew Lane 436-2577 ALLEN-KNIGHT Sandra 11 Zaidie Avenue 508-9540 ALLEN-SMITH Mary 6A Queens Way ALLMAN Melbourne P.O. Box 16 Red Hills 9445071/3998405 ALSTON Sharron 5 Madison Drive ANDERSON Joan 116 Weymouth Drive Kingston 20 ANDERSON Jenetia (Mrs.) 19 Glenhope Ave Kingston 6 399-2059/926-2008 Anderson Shynelle 9 Ixora Close Oakland 1 | P a g e ANDERSON Sylvester 21 Greendale Drive Valentine Gardens 781-0720 ANDRADE Jean M.