A God Why Is Hermes Hungry?1
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UNIVERSITY of CALIFORNIA, IRVINE Unraveling Host and Parasite Pathways in Human Innate Immunity to Toxoplasma Gondii DISSERTATIO
UNIVERSITY OF CALIFORNIA, IRVINE Unraveling host and parasite pathways in human innate immunity to Toxoplasma gondii DISSERTATION submitted in partial satisfaction of the requirements for the degree of DOCTOR OF PHILOSOPHY in Biological Sciences by Lanny Gov Dissertation Committee: Assistant Professor Melissa B. Lodoen, Chair Professor Andrea J. Tenner Professor Craig M. Walsh 2014 Chapter 2 © 2013 American Society for Microbiology All other materials © 2014 Lanny Gov DEDICATION To My mother: my hero and my champion; Jonathan Farnworth: my better half; My loving and supportive family: brothers George and James, and sister-in-law Kelly; My dearest friends: Eugenia Hu, Quen Vong, Tracy Tang, and Erika Villaruel Thank you for so many years of love, laughter, and encouragement, and for helping me believe I could accomplish anything. “Promise me you’ll always remember: You’re braver than you believe, and stronger than you seem, and smarter than you think.” –A.A. Milne, Winnie-the-Pooh “You don’t have to know everything, but you should try to.” -Nori Ueno, on preparation for my Advancement exam ii TABLE OF CONTENTS Page LIST OF FIGURES iv LIST OF TABLES v ACKNOWLEDGMENTS vi CURRICULUM VITAE ix ABSTRACT OF THE DISSERTATION xii CHAPTER ONE: Introduction to Toxoplasma gondii Immunity 1 Toxoplasma gondii Biology 2 T. gondii Clinical Disease 6 T. gondii Invasion of Host Cells 9 Three Modes of T. gondii Intracellular Entry 12 Immunity to T. gondii 13 Toll-like Receptor Sensing of T. gondii 15 Nod-like Receptor Sensing of T. gondii 17 Modulation of Host Cell Pathways by T. gondii Effectors 19 Monocytes in Immunity to T. -
Beauty on Display Plato and the Concept of the Kalon
BEAUTY ON DISPLAY PLATO AND THE CONCEPT OF THE KALON JONATHAN FINE Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Graduate School of Arts and Sciences COLUMBIA UNIVERSITY 2018 © 2018 Jonathan Fine All rights reserved ABSTRACT BEAUTY ON DISPLAY: PLATO AND THE CONCEPT OF THE KALON JONATHAN FINE A central concept for Plato is the kalon – often translated as the beautiful, fine, admirable, or noble. This dissertation shows that only by prioritizing dimensions of beauty in the concept can we understand the nature, use, and insights of the kalon in Plato. The concept of the kalon organizes aspirations to appear and be admired as beautiful for one’s virtue. We may consider beauty superficial and concern for it vain – but what if it were also indispensable to living well? By analyzing how Plato uses the concept of the kalon to contest cultural practices of shame and honour regulated by ideals of beauty, we come to see not only the tensions within the concept but also how attractions to beauty steer, but can subvert, our attempts to live well. TABLE OF CONTENTS Acknowledgements ii 1 Coordinating the Kalon: A Critical Introduction 1 1 The Kalon and the Dominant Approach 2 2 A Conceptual Problem 10 3 Overview 24 2 Beauty, Shame, and the Appearance of Virtue 29 1 Our Ancient Contemporaries 29 2 The Cultural Imagination 34 3 Spirit and the Social Dimension of the Kalon 55 4 Before the Eyes of Others 82 3 Glory, Grief, and the Problem of Achilles 100 1 A Tragic Worldview 103 2 The Heroic Ideal 110 3 Disgracing Achilles 125 4 Putting Poikilia in its Place 135 1 Some Ambivalences 135 2 The Aesthetics of Poikilia 138 3 The Taste of Democracy 148 4 Lovers of Sights and Sounds 173 5 The Possibility of Wonder 182 5 The Guise of the Beautiful 188 1 A Psychological Distinction 190 2 From Disinterested Admiration to Agency 202 3 The Opacity of Love 212 4 Looking Good? 218 Bibliography 234 i ACKNOWLEDGEMENTS “To do philosophy is to explore one’s own temperament,” Iris Murdoch suggested at the outset of “Of ‘God’ and ‘Good’”. -
University of California Santa Cruz Dissecting
UNIVERSITY OF CALIFORNIA SANTA CRUZ DISSECTING DRAMATURGICAL BODIES: Self, Sensibility, and Gaze in Contemporary Dramaturgy A thesis submitted in partial satisfaction of the requirements for the degree of MASTER OF ARTS in THEATER ARTS by Patrick Denney This thesis of Patrick Denney is Approved by: _____________________________________ Professor Michael Chemers, PHD, Chair _____________________________________ Professor Gerald Casel, MFA _____________________________________ Professor Philippa Kelly, PHD _____________________________________ Tyrus Miller Vice Provost and Dean of Graduate Studies Table of Contents Abstract………………………………………………………………………………………………………………………………………………….iv Dedication………………………………………………………………………………………………………………………………………………v “Killing” Theater: A Survey of Popular Depictions of Dramaturgy……………………………………………………………1 Brecht’s Electrons: Positioning the Dramaturg in The Messingkauf Dialogues and Beyond…………………….5 Doctor to Dramaturg, and Back Again: Defining the Dramaturgical Gaze………………………………………………10 Pharmaturg to Dramaturg: Pharmakos and Dionysian Dramaturgy………………………………………………………18 Works Cited………………………………………………………………………………………………………………………………………….33 iii ABSTRACT: DISSECTING DRAMATURGICAL BODIES: Self, Sensibility, and Gaze in Contemporary Dramaturgy By Patrick Denney Dramaturgy is an art form that is still, after decades of existence in the American theater, misunderstood, and often feared, by many theater artists. From quasi-realistic portrayals of TV Shows such as SMASH, to the pulpy B-movie depiction of Law and Order: Criminal -
The Nature of Hellenistic Domestic Sculpture in Its Cultural and Spatial Contexts
THE NATURE OF HELLENISTIC DOMESTIC SCULPTURE IN ITS CULTURAL AND SPATIAL CONTEXTS DISSERTATION Presented in Partial Fulfillment of the Requirements for The Degree of Doctor of Philosophy in the Graduate School of The Ohio State University By Craig I. Hardiman, B.Comm., B.A., M.A. ***** The Ohio State University 2005 Dissertation Committee: Approved by Dr. Mark D. Fullerton, Advisor Dr. Timothy J. McNiven _______________________________ Advisor Dr. Stephen V. Tracy Graduate Program in the History of Art Copyright by Craig I. Hardiman 2005 ABSTRACT This dissertation marks the first synthetic and contextual analysis of domestic sculpture for the whole of the Hellenistic period (323 BCE – 31 BCE). Prior to this study, Hellenistic domestic sculpture had been examined from a broadly literary perspective or had been the focus of smaller regional or site-specific studies. Rather than taking any one approach, this dissertation examines both the literary testimonia and the material record in order to develop as full a picture as possible for the location, function and meaning(s) of these pieces. The study begins with a reconsideration of the literary evidence. The testimonia deal chiefly with the residences of the Hellenistic kings and their conspicuous displays of wealth in the most public rooms in the home, namely courtyards and dining rooms. Following this, the material evidence from the Greek mainland and Asia Minor is considered. The general evidence supports the literary testimonia’s location for these sculptures. In addition, several individual examples offer insights into the sophistication of domestic decorative programs among the Greeks, something usually associated with the Romans. -
Aspects of the Demeter/Persephone Myth in Modern Fiction
Aspects of the Demeter/Persephone myth in modern fiction Janet Catherine Mary Kay Thesis presented in partial fulfilment of the requirements for the degree of Master of Philosophy (Ancient Cultures) at the University of Stellenbosch Supervisor: Dr Sjarlene Thom December 2006 I, the undersigned, hereby declare that the work contained in this thesis is my own original work and that I have not previously in its entirety or in part submitted it at any university for a degree. Signature: ………………………… Date: ……………… 2 THE DEMETER/PERSEPHONE MYTH IN MODERN FICTION TABLE OF CONTENTS PAGE 1. Introduction: The Demeter/Persephone Myth in Modern Fiction 4 1.1 Theories for Interpreting the Myth 7 2. The Demeter/Persephone Myth 13 2.1 Synopsis of the Demeter/Persephone Myth 13 2.2 Commentary on the Demeter/Persephone Myth 16 2.3 Interpretations of the Demeter/Persephone Myth, Based on Various 27 Theories 3. A Fantasy Novel for Teenagers: Treasure at the Heart of the Tanglewood 38 by Meredith Ann Pierce 3.1 Brown Hannah – Winter 40 3.2 Green Hannah – Spring 54 3.3 Golden Hannah – Summer 60 3.4 Russet Hannah – Autumn 67 4. Two Modern Novels for Adults 72 4.1 The novel: Chocolat by Joanne Harris 73 4.2 The novel: House of Women by Lynn Freed 90 5. Conclusion 108 5.1 Comparative Analysis of Identified Motifs in the Myth 110 References 145 3 CHAPTER 1 INTRODUCTION The question that this thesis aims to examine is how the motifs of the myth of Demeter and Persephone have been perpetuated in three modern works of fiction, which are Treasure at the Heart of the Tanglewood by Meredith Ann Pierce, Chocolat by Joanne Harris and House of Women by Lynn Freed. -
Thursday, July 7, 2016 Email: [email protected] Vol
4040 yearsyears ofof coveringcovering SouthSouth BeltBelt Voice of Community-Minded People since 1976 Thursday, July 7, 2016 Email: [email protected] www.southbeltleader.com Vol. 41, No. 23 Vacation photos sought The Leader is seeking readers’ 2016 vaca- Hughes Road construction causes headaches tion photos for possible publication. A first- and second-place prize of Schlitterbahn tickets Construction work along Hughes Road con- least one shop owner has temporarily shuttered tomobile accidents at the corner of Beamer and vide key upgrades such as water lines, sanitary will be awarded monthly during June, July and tinues to irk local residents and business owners, his doors until the traffi c situation improves. Hughes. While the offi cial number of collisions sewers, new concrete pavement, sidewalks and August to the best submissions. Each month’s who say the project is causing widespread confu- The Leader has put a request in to the City of was unavailable at press time Wednesday, the curbs, street lighting, traffi c control and new sig- first-place winner will be awarded eight tick- sion and traffi c congestion. Houston Public Works and Engineering Depart- Leader has heard from multiple Houston police nage. ets, while each month’s second-place winner A primary concern is the added traffi c when ment to see if the signals can be adjusted at the offi cers that at least one crash takes place per day Despite all of the current issues, construction will be awarded six. traveling north on Beamer toward Hughes from intersection to improve traffi c fl ow. According to at the intersection – some of which are serious in is reportedly on schedule and set to be complete All submissions should include where and Scarsdale. -
Tensions in the Greek Symposium Julia Burns Submitted in Fulfillment
Conflicting Desires and Unstable Identities: Tensions in the Greek Symposium Julia Burns Submitted in Fulfillment of the Prerequisite for Honors in Classical Studies May 2013 ©2013 Julia Burns I. Introduction The Greek symposium, or private drinking party, was a formal context for the consumption of wine, often accompanied by the enactment of ritual activities or other associated forms of entertainment.1 The tradition of symposia seems to have evolved from group feasts in the Archaic period and from the traditional gathering of hetaireiai in the late Archaic period.2 Generally, men would congregate in the andron of a private home and recline on kline for a night of drinking, singing or poetry composition, discussion, or other games.3 While meals that shared aspects of the Archaic symposium were held in public spaces in Athens by the fifth century, symposia remained the preserve of the elites: the aristocracy had a monopoly on sympotic symbolic capital, despite any popularizing elements of polis-wide feasting.4 The term “symposium” is often used synecdochically for the series of ritual activities that takes place over the course of a single gathering; however, it more accurately relates to the time when wine was consumed during a private party. If food was prepared before the drinking began, this meal, the deipnon, was a distinct and separate ritual element of the party.5 After the consumption of food, a hymn was sung in honor of the gods and libations were poured. At this point, the master of ceremonies, called the symposiarch, would decide the proper ratio at which 1 I would like to thank Kate Gilhuly for her support and invaluable comments on drafts of this paper. -
Hesiod Theogony.Pdf
Hesiod (8th or 7th c. BC, composed in Greek) The Homeric epics, the Iliad and the Odyssey, are probably slightly earlier than Hesiod’s two surviving poems, the Works and Days and the Theogony. Yet in many ways Hesiod is the more important author for the study of Greek mythology. While Homer treats cer- tain aspects of the saga of the Trojan War, he makes no attempt at treating myth more generally. He often includes short digressions and tantalizes us with hints of a broader tra- dition, but much of this remains obscure. Hesiod, by contrast, sought in his Theogony to give a connected account of the creation of the universe. For the study of myth he is im- portant precisely because his is the oldest surviving attempt to treat systematically the mythical tradition from the first gods down to the great heroes. Also unlike the legendary Homer, Hesiod is for us an historical figure and a real per- sonality. His Works and Days contains a great deal of autobiographical information, in- cluding his birthplace (Ascra in Boiotia), where his father had come from (Cyme in Asia Minor), and the name of his brother (Perses), with whom he had a dispute that was the inspiration for composing the Works and Days. His exact date cannot be determined with precision, but there is general agreement that he lived in the 8th century or perhaps the early 7th century BC. His life, therefore, was approximately contemporaneous with the beginning of alphabetic writing in the Greek world. Although we do not know whether Hesiod himself employed this new invention in composing his poems, we can be certain that it was soon used to record and pass them on. -
Homeland Emergency Response Operational and Equipment Systems
Disclaimer: This report was prepared by the International Association of Fire Fighters (IAFF) under contract with NIOSH. It should not be considered a statement of NIOSH policy or of any agency or individual who was involved. PROJECT HEROES Homeland Emergency Response Operational and Equipment Systems Task 1: A Review of Modern Fire Service Hazards and Protection Needs Presented to: National Personal Protective Technology Laboratory National Institute for Occupational Safety and Health (NIOSH) Post Office Box 18070 626 Cochrans Mill Road Pittsburgh, Pennsylvania 15236 Presented by: Occupational Health and Safety Division International Association of Fire Fighters (IAFF) 1750 New York Avenue, N.W. Washington, DC 20006 13 October 2003 EXECUTIVE SUMMARY The first task of Project HEROES was undertaken by the International Association of Fire Fighters (IAFF) to examine and define the protection needs of fire fighters and other first responders during a broad array of different missions. This task began with a review for how the fire service and its responsibilities have changed over the past 20 years since personal protective equipment (PPE) was then affected by Project FIRES. In that 20 year period, the fire service has evolved to gain responsibility for a larger number of missions. Fire suppression is no longer the chief responsibility for most fire departments, but rather responses to a wide range of missions, including emergency medical aid, technical rescue, and more recently the prospect for terrorism events involving weapons of mass destruction. As America’s fire fighters attempt to keep up with these changing roles, it is noted that the level of preparedness and PPE needed to safety carry out the different missions is often lacking. -
Studies in Early Mediterranean Poetics and Cosmology
The Ruins of Paradise: Studies in Early Mediterranean Poetics and Cosmology by Matthew M. Newman A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy (Classical Studies) in the University of Michigan 2015 Doctoral Committee: Professor Richard Janko, Chair Professor Sara L. Ahbel-Rappe Professor Gary M. Beckman Associate Professor Benjamin W. Fortson Professor Ruth S. Scodel Bind us in time, O Seasons clear, and awe. O minstrel galleons of Carib fire, Bequeath us to no earthly shore until Is answered in the vortex of our grave The seal’s wide spindrift gaze toward paradise. (from Hart Crane’s Voyages, II) For Mom and Dad ii Acknowledgments I fear that what follows this preface will appear quite like one of the disorderly monsters it investigates. But should you find anything in this work compelling on account of its being lucid, know that I am not responsible. Not long ago, you see, I was brought up on charges of obscurantisme, although the only “terroristic” aspects of it were self- directed—“Vous avez mal compris; vous êtes idiot.”1 But I’ve been rehabilitated, or perhaps, like Aphrodite in Iliad 5 (if you buy my reading), habilitated for the first time, to the joys of clearer prose. My committee is responsible for this, especially my chair Richard Janko and he who first intervened, Benjamin Fortson. I thank them. If something in here should appear refined, again this is likely owing to the good taste of my committee. And if something should appear peculiarly sensitive, empathic even, then it was the humanity of my committee that enabled, or at least amplified, this, too. -
'Tuning the Lyre, Tuning the Soul'
Greek and Roman Musical Studies 8 (2020) 111-155 brill.com/grms ‘Tuning the Lyre, Tuning the Soul’ Harmonia, Justice and the Kosmos of the Soul in Plato’s Republic and Timaeus Tosca A.C. Lynch Jesus College, University of Oxford, Turl Street, Oxford, OX1 3DW [email protected] Abstract This paper will focus on Plato’s thought-provoking depiction of justice as special kind of harmonia (Resp. 4.443c-444a) that epitomises the best possible organisation of the soul, exploring his nuanced use of the model of lyre tunings in performative, theoreti- cal as well as educational terms. By comparing Plato’s use of harmonic imagery with technical discussions of lyre tunings and their key role in educational settings, I will show how Plato exploited distinctive features of traditional Greek lyre harmoniai to give shape to his innovative understanding of the structure of the soul and the harmo- nious, but not strifeless, relationship between its individual components. In the sec- ond part of this paper, I will look at how the model outlined in the Republic sheds light on the musical structure that gives shape to the World Soul in the Timaeus, advancing a new interpretation of its elusive harmonic organisation. Keywords Plato’s harmonics – harmonia – justice – lyre tunings – musical education – Republic – Timaeus – Philolaus Plato’s dialogues offer many revealing discussions of the ethical, political, psy- chological and educational importance that music had for the Greeks. This is especially true in the case of the Republic and the Laws, works which describe in detail the political set-up of two ideal constitutions as well as the lifestyle and ethical values embraced by their citizens. -
HEROES and HOPE 2021 KWAME SIMMONS Founder the Simmons Advantage
HEROES AND HOPE 2021 KWAME SIMMONS Founder The Simmons Advantage A 2015 BET Honors Award recipient and an invited guest to the White House during the Obama administration, Kwame Simmons is a change agent for inner-city schools. With a twenty-year stellar career in education, he has worked tirelessly for students in the nation’s capital and the St. Louis school system. Now, Simmons has brought his knowledge to his hometown to assist with improving the Detroit schools as a consultant. Simmons uses untapped data on how minority students learn to help them succeed in revolutionary ways. “What I’ve tried to do is provide schools with the tools they need to succeed, offering new perspectives to identify their specific challenges.” This year Simmons plans to equip special education students with tools to gain tech jobs and introduce students to coding and gaming as viable career options. JANUARY 2021 SUNDAY MONDAY TUESDAY WEDNESDAY THURSDAY FRIDAY SATURDAY NEW YEAR’S DAY MARTIN LUTHER KING JR. DAY INTERNATIONAL DAY OF EDUCATION TRESA GALLOWAY CEO Love Laces As an educator and mother, Tresa Galloway has seen first-hand what happens when children are labeled as having ‘special needs’. When her son was bullied, Galloway prayed for the tools to allow him to handle the bully on his own. That’s when Love Laces was born. Love Laces is a shoelace brand that prints positive affirmations on colorful laces for victims of bullying and low self-esteem. Once labeled as too emotional, Galloway has channeled those emotions to help others. She says, “When you’re faced with fear, you have to come up with strategies on overcoming those fears.” Thanks to her, when a child looks down, they have a reason to look up and know they are loved.