2016 Fri 7-29

Total Page:16

File Type:pdf, Size:1020Kb

2016 Fri 7-29 ANN ARBOR FESTIVAL OF SONG PRESENTS THE TWENTY-THIRD ANNUAL WEEK AFTER ART FA IR SONG FEST FRI D A Y J U L Y 2 9 , 2 0 1 6 , 8 : 0 0 P M SPEAK LOW: SONGS OF WEILL AND SONDHEIM KURT WEILL (1900-1950) STEPHEN SONDHEIM (B. 1930) SONDHEIM As the years go by, it gets easier on the love market-- easier to embrace a whole troop there. But it’s amazing how your feelings cool off when you’re stingy with them. (After all, everything gets used up eventually.) From The Frogs: Invocation and Instructions to the Thank God, it all goes by quickly-- both the love and the sorrow. Where are Audience the tears of last night? Where are the snows of years gone by? John Hopkins, tenor And although you learn the tricks of the trade on the love market, it’s never easy to convert lust into small change. Still it can be done, but A West Side Story Medley (Bernstein/Sondheim) meanwhile you get a little older. (After all, you can’t stay seventeen Ellen Strba Scholl, mezzo-soprano forever.) Christopher Scholl, tenor Thank God, it all goes by quickly-- both the love and the sorrow. Where are the tears of last night? Where are the snows of years gone by? WEILL From The Threepenny Opera: Youkali (Tango Habanera; Words by Roger Fernay) Moritat von Mackie Messer/Mack the Knife Laura Reaper, mezzo-soprano Dale Schriemer, baritone Antstatt-dass/Instead Of Wandering at the will of the sea, my vagabond bark Jane Schoonmaker Rodgers, soprano; led me to the end of the world. It’s quite a small island, but the sprite who dwells there Dale Schriemer, baritone politely invites us to tour it. Youkali is the land of our desires. It means happiness and pleasure; Nanna’s Lied (Bertolt Brecht) it is the land where we leave cares behind. It is the beacon in our clouded night, the star we follow; it’s Youkali. Deanna Relyea, mezzo-soprano There we keep our promises. It is the land of shared love. Gentlemen, I was only seventeen when I landed on the love market. And I It means the hope in all human hearts, the rescue we all wait for. learned a lot of things-- mostly bad, but that was the game. Still, I resented much of it. (After all, I am a human being.) Youkali is the land of our desires. It means happiness and pleasure, Thank God, it all goes by quickly-- both the love and the sorrow. Where are but it’s only a dream, a folly. There is no Youkali. the tears of last night? Where are the snows of years gone by? Wie lange noch? (How much longer? Text by Walter Mehring) Jennifer Cresswell, soprano INTERMISSION I will confess there was a night when I willingly gave myself to you. You took me and drove me out of my mind. WEILL I believed that I could not live without you. You promised me blue skies, and I cared for you like my own father. You tormented me--you tore me apart. I would have put the world at your From Lady in the Dark: feet! My Ship Madeline Harts, soprano Look at me. The Saga of Jenny Jenny Cresswell, soprano When will the day come that I will be able to tell you: it's over. When that day comes...I dread it. How much longer? How long? I believed you. I was in a daze from all your talk and your promises. I did whatever you wanted. From One Touch of Venus: Wherever you wanted to go, I was willing to follow. That’s Him Teri Herron, soprano You promised me blue skies, and I--Ah! I didn't even dare to cry. But you have broken your word and your vows. I’m a Stranger Here Myself I have been silent and tortured myself. Christine Amon, mezzo-soprano Look at me! When will the day come that I will be able to tell you: it's over. When that day comes--I dread it. How much longer? How long? From Lost in the Stars: Lost in the Stars Dale Schriemer, baritone SONDHEIM Stay Well Emily Benner, soprano From Into the Woods: On the steps of the palace Hillary LaBonte, soprano I know things now SONDHEIM Monica Swartout-Bebow, mezzo-soprano From Follies: From Anyone Can Whistle: Buddy’s Blues John Hopkins, tenor Everybody says Don’t John Mink, baritone Could I Leave You Teri Herron, soprano Anyone can Whistle Dale Schriemer, baritone Too Many Mornings Jenny Cresswell, soprano From Sunday in the Park with George: John Glann, baritone Everybody Loves Louis Christine Amon, mezzo-soprano From A Little Night Music: From Sweeney Todd: Send in the Clowns Christine Amon, mezzo-soprano Johanna John Glann, baritone From Marry Me a Little: So Many People Rebekah Kroesing, soprano The Girls of Summer Emily Benner, soprano From Company: You Could Drive a Person Crazy Madeline Harts, soprano Jane Schoonmaker Rodgers, soprano Laura Reaper, mezzo-soprano Marry Me a Little John Mink, baritone I’m Not Getting Married Monica Swartout-Bebow, mezzo-soprano assisted by Jane Schoonmaker Rodgers and special guest, Landis Smith .
Recommended publications
  • Assisted by Katie Rowan, Accompanist
    THE BELHAVEN UNIVERSITY DEPARTMENT OF MUSIC Dr. Stephen W. Sachs, Chair presents Morgan Robertson & Ellie Wise Junior Voice Recital assisted by Katie Rowan, Accompanist Tuesday, April 9, 2013 • 7:30 p.m. Belhaven University Center for the Arts • Concert Hall There will be a reception after the program. Please come and greet the performers. Please refrain from the use of all flash and still photography during the concert. Please turn off all pagers and cell phones. PROGRAM I Wish It So from Juno Marc Blitzstein • 1905 - 1964 My Ship from Lady in the Dark Kurt Weill • 1900 - 1950 Ira Gershwin • 1896 - 1983 Morgan Robertson, Soprano; Katie Rowan, Accompanist Out There from Hunchback of Notre Dame Stephen Schwarts • b. 1948 Alan Menken • b. 1949 There Won’t Be Trumpets from Anyone Can Whistle Stephen Sondhiem • b. 1930 Ellie Wise, Soprano; Katie Rowan, Accompanist Take Me to the World from Evening Primrose Stephen Sondheim The Girls of Summer from Marry Me a Little Morgan Robertson, Soprano; Katie Rowan, Accompanist Glamorous Life from A Little Night Music Stephen Sondheim My New Philosophy from You’re a Good Man, Charlie Brown Clark Gesner • 1938 - 2002 Ellie Wise, Soprano; Katie Rowan, Accompanist Mr. Snow from Carousel Richard Rodgers • 1902 - 1979 Oscar Hammerstein II • 1895 - 1960 Morgan Robertson, Soprano; Katie Rowan, Accompanist My Party Dress from Henry and Mudge Kait Kerrigan • b. 1981 Brian Loudermilk • b. 1983 Ellie Wise, Soprano; Katie Rowan, Accompanist INTERMISSION Always a Bridesmaid from I Love You, You’re Perfect, Now Change Jimmy Roberts Morgan Robertson, Soprano; Katie Rowan, Accompanist Music and the Mirror from A Chorus Line Joe DiPietro • b.
    [Show full text]
  • Songs of Kurt Weill
    \ Ethan Blake BM Vocal Performance Paradise Valley, Arizbna Justin Carpenter DMA Vocal Performance Tempe, Arizona Gabriella Cavalcanti BM Vocal Performance Tucson, Arizor;ia Chelsea Chimilar MM Vocal Pert. Pedagogy East St. Paul, MB Haeju Choi DMA Collaborative Piano Seoul, Soutt\._K1 SONGS OF KURT WEILL Julia Davis BM Music Theater Anthem, Ariz~a Philip Godfrey BM Vocal Performance Ahwatukee, Arizona Olivia Gardner MM Vocal Performance Mesa, Arizona David Hopkins MM Music Theater Savanah, Georgia Zhou Jiang DMA Collaborative Piano Kunming, CHINA Aaron T. Jones MM Opera Theater Richmond, Virginia Titus Kautz MM Music Theater Bridgeport, Nebraska 1 'i Rina Kim DMA Collaborative Piano Toronto, ON Canada Erin Kong BM Music Theater Chandler, Arizona Juhyun Lee DMA Collaborative Piano lncheon, South Korea Danielle Mendelson BM Vocal Performance Dallas, Texas Nicholas Medrano BM Music Education Scottsdale, Arizona Julian Mendoza BM Music Theater Phoenix, Arizona Vaibu Mohan BM Music Theater Phoenix, Arizona Rex Morris MM Music Theater Baton Rouge, Louisiana Mary Price MM Collaborative Piano Marion, Alabama Christopher Reah BM Music Theater Anthem, Arizona Mariah Rosario BM Vocal Performance Tucson, Arizona Analise Rosario BM Music Theater Tucson, Arizona Kaitlyn Russell BM Music Theater Tucson, Arizona Sara Sanderson BM Music Theater Tucson, Arizona Boston Scott BM Music Theater Scottsdale, Arizona Nathan Shepperd BM Music Theater Phoenix, Arizona Drake Sherman BM Vocal Performance Tucson, Arizona Amanda Sherrill MM Collaborative Piano Orlando~rida Juhee Seo DMA Vocal Performance Seoul, Sou~orea Yeojin Seol DMA Collaborative Piano Seoul, South Korea Melody Startzell BM Vocal Performance Prescott, Arizona Samuel Stefanski BM Vocal Performance Glendale, Arizona Kehui Wu DMA Vocal Performance Hengyong, China Monday • October 17, 2016 • ASU Organ Hall • 7:30pm Ch anashan.
    [Show full text]
  • Kennedy Center Education Department. Funding Also Provided by the Kennedy Center Corporate Fund
    DOCUMENT RESUME ED 381 839 CS 508 906 AUTHOR Carr, John C. TITLE "Crazy for You." Spotlight on Theater Notes. INSTITUTION John F. Kennedy Center for the Performing Arts, Washington, D.C. SPONS AGENCY Department of Education, Washington, DC. PUB DATE [95] NOTE 17p.; Produced by the Performance Plus Program, Kennedy Center Education Department. Funding also provided by the Kennedy Center Corporate Fund. For other guides in this series, see CS 508 902-905. PUB TYPE Guides General (050) EDRS PRTCE MF01/PC01 Plus Postage. DESCRIPTORS Acting; *Cultural Enrichment; *Drama; Higher Education; Playwriting; Popular Culture; Production Techniques; Secondary Education IDENTIFIERS *Crazy for You; Historical Background; Musicals ABSTRACT This booklet presents a variety of materials concerning the musical play "Crazy for You," a recasting of the 1930 hit. "Girl Crazy." After a brief historical introduction to the musical play. the booklet presents biographical information on composers George and Ira Gershwin, the book writer, the director, the star choreographer, various actors in the production, the designers, and the musical director. The booklet also offers a quiz about plays. and a 7-item list of additional readings. (RS) ....... ; Reproductions supplied by EDRS ore the best that can he made from the original document, U S DEPARTMENT OF EDUCATION Ofi.co ofEaucabonni Research aria improvement EDUCATIONAL RESOURCES INFORMATION CENTER IERIC1 Et This document has been reproduced as received from the person or organization onqinallnq d 0 Minor charms have been made to improve reproduction quality. Points or view or opinions stated in this document do not necessarily represent official OERI position or policy -1411.1tn, *.,3^ ..*.
    [Show full text]
  • Topical Weill: News and Events
    Volume 27 Number 1 topical Weill Spring 2009 A supplement to the Kurt Weill Newsletter news & news events Summertime Treats Londoners will have the rare opportunity to see and hear three Weill stage works within a two-week period in June. The festivities start off at the Barbican on 13 June, when Die Dreigroschenoper will be per- formed in concert by Klangforum Wien with HK Gruber conducting. The starry cast includes Ian Bostridge (Macheath), Dorothea Röschmann (Polly), and Angelika Kirchschlager (Jenny). On 14 June, the Lost Musicals Trust begins a six-performance run of Johnny Johnson at Sadler’s Wells; Ian Marshall Fisher directs, Chris Walker conducts, with Max Gold as Johnny. And the Southbank Centre pre- sents Lost in the Stars on 23 and 24 June with the BBC Concert Orchestra. Charles Hazlewood conducts and Jude Kelly directs. It won’t be necessary to travel to London for Klangforum Wien’s Dreigroschenoper: other European performances are scheduled in Hamburg (Laeiszhalle, 11 June), Paris (Théâtre des Champs-Elysées, 14 June), and back in the Klangforum’s hometown, Vienna (Konzerthaus, 16 June). Another performing group traveling to for- eign parts is the Berliner Ensemble, which brings its Robert Wilson production of Die Dreigroschenoper to the Bergen Festival in Norway (30 May and 1 June). And New Yorkers will have their own rare opportunity when the York Theater’s “Musicals in Mufti” presents Knickerbocker Holiday (26–28 June). Notable summer performances of Die sieben Todsünden will take place at Cincinnati May Festival, with James Conlon, conductor, and Patti LuPone, Anna I (22 May); at the Arts Festival of Northern Norway, Harstad, with the Mahler Chamber Orchestra led by HK Gruber and Ute Gfrerer as Anna I (20 June); and in Metz, with the Orchestre National de Lorraine, Jacques Mercier, conductor, and Helen Schneider, Anna I (26 June).
    [Show full text]
  • Weill, Kurt (Julian)
    Weill, Kurt (Julian) (b Dessau, 2 March 1900; d New York, 3 April 1950). German composer, American citizen from 1943. He was one of the outstanding composers in the generation that came to maturity after World War I, and a key figure in the development of modern forms of musical theatre. His successful and innovatory work for Broadway during the 1940s was a development in more popular terms of the exploratory stage works that had made him the foremost avant- garde theatre composer of the Weimar Republic. 1. Life. Weill‟s father Albert was chief cantor at the synagogue in Dessau from 1899 to 1919 and was himself a composer, mostly of liturgical music and sacred motets. Kurt was the third of his four children, all of whom were from an early age taught music and taken regularly to the opera. Despite its strong Wagnerian emphasis, the Hoftheater‟s repertory was broad enough to provide the young Weill with a wide range of music-theatrical experiences which were supplemented by the orchestra‟s subscription concerts and by much domestic music-making. Weill began to show an interest in composition as he entered his teens. By 1915 the evidence of a creative bent was such that his father sought the advice of Albert Bing, the assistant conductor at the Hoftheater. Bing was so impressed by Weill‟s gifts that he undertook to teach him himself. For three years Bing and his wife, a sister of the Expressionist playwright Carl Sternheim, provided Weill with what almost amounted to a second home and introduced him a world of metropolitan sophistication.
    [Show full text]
  • MUSIC PROGRAM Voxso: LUTHERAN SUMMER MUSIC ACADEMY & FESTIVAL Lutheran Summer Music & Sounds of Summer Institute Concert & Recital Series
    LUTHERAN MUSIC PROGRAM voxso: LUTHERAN SUMMER MUSIC ACADEMY & FESTIVAL Lutheran Summer Music & Sounds of Summer Institute Concert & Recital Series Faculty Artist Recital Sine Nomine Vocal Ensemble Catherine McCord Larsen, soprano Penny Hogan, soprano KrisAnne Weiss, mezzo-soprano Brad Bradshaw, tenor Michael Scarbrough, baritone George Hogan, bass Cheryl Lemmons, piano Noble Recital Hall Luther College Tuesday, July 12, 2016 7:30 p.m. Program !. American Traditions Hard Times Come Again No More Stephen Foster (1826-1864) arr. Mark Keller Wayfarin’ Stranger Traditional arr. Gilbert M. Martin (b. 1941) My Lord, What a Mornin’ Traditional arr. Harry T. Burleigh (1866-1949) Ride On, King Jesus Traditional arr. Moses Hogan (1957-2003) I. Kurt Weill in America from Lost in the Stars Kurt Weill Lost in the Stars (1900-1950) lyrics by Maxwell Anderson arr. Paris Rutherford from Street Scene lyrics by Langston Hughes Lonely House Brad Bradshaw, tenor What Good Would the Moon Be? Penny Hogan, soprano We’ll Go Away Together Brad Bradshaw, tenor Catherine McCord Larsen, soprano from One Touch of Venus lyrics by Ogden Nash I’m a Stranger Here Myself KrisAnne Weiss, mezzo-soprano from Love Life lyrics by Alan Jay Lerner This is the Life Michael Scarbrough, baritone from Knickerbocker Holiday lyrics by Maxwell Anderson September Song George Hogan, bass from Lady in the Dark lyrics by Ira Gershwin The Saga of Jenny Ill. George Gershwin from Porgy and Bess George Gershwin Summertime (1898-1937) lyrics by DuBose Heyward and Ira Gershwin from Lady Be Good lyrics by Ira Gershwin Fascinatin’ Rhythm from Porgy and Bess Oh Lawd, I’m On My Way Program Notes Our program tonight includes examples of many of American music’s strongest traditions: parlor songs intended to be played in the homes of amateur musicians, folk tunes and African-American spirituals shared and changed through oral tradition, and jazz-influenced musical theater and opera.
    [Show full text]
  • An Analysis of Personal Transformation and Musical Adaptation in Vocal Compositions of Kurt Weill
    University of Mississippi eGrove Honors College (Sally McDonnell Barksdale Honors Theses Honors College) 2011 An Analysis of Personal Transformation and Musical Adaptation in Vocal Compositions of Kurt Weill Elizabeth Rose Williamson Follow this and additional works at: https://egrove.olemiss.edu/hon_thesis Recommended Citation Williamson, Elizabeth Rose, "An Analysis of Personal Transformation and Musical Adaptation in Vocal Compositions of Kurt Weill" (2011). Honors Theses. 2157. https://egrove.olemiss.edu/hon_thesis/2157 This Undergraduate Thesis is brought to you for free and open access by the Honors College (Sally McDonnell Barksdale Honors College) at eGrove. It has been accepted for inclusion in Honors Theses by an authorized administrator of eGrove. For more information, please contact [email protected]. AN ANALYSIS OF PERSONAL TRANSFORMATION AND MUSICAL ADAPTATION IN VOCAL COMPOSITIONS OF KURT WEILL by Elizabeth Rose Williamson A thesis submitted to the faculty of The University of Mississippi in partial fulfillment of the requirements of the Sally McDonnell Barksdale Honors College. Oxford May 2011 Approved by Reader: Professor Corina Petrescu Reader: Professor Charles Gates I T46S 2^1 © 2007 Elizabeth Rose Williamson ALL RIGHTS RESERVED II ACKNOWLEDGEMENTS I would like to thank the people of the Kurt Weill Zentrum in Dessau Gennany who graciously worked with me despite the reconstruction in the facility. They opened their resources to me and were willing to answer any and all questions. Thanks to Clay Terry, I was able to have an uproariously hilarious ending number to my recital with “Song of the Rhineland.” I thank Dr. Charles Gates for his attention and interest in my work.
    [Show full text]
  • New Real Book: Vol
    New Real Book: Vol. 2 Title Composer / As Played By Page 26-2 John Coltrane 398 500 Miles High Chick Corea & Neville Potter 104 Afro-Centric Joe Henderson 1 After The Rain John Coltrane 3 After You've Gone Creamer & Layton 5 Ain't Misbehavin' Fats Waller, Harry Brooks & Andy Razaf 6 Along Came Betty Benny Golson 7 Asa (The Zoo Blues) Djavan 9 Avance Russell Ferrante 11 Baby It's Cold Outside Frank Loesser 13 Baja Bajo John Pattitucci & Chick Corea 15 Bass Blues John Coltrane 17 Beauty And The Beast Wayne Shorter 20 Bessie's Blues John Coltrane 21 Black And Blue Fats Waller, Harry Brooks & Andy Razaf 22 Black Coffee Paul Francis Webster & Sonny Burke 23 Blues For Alice Charlie Parker 26 Blues For Yna Yna Gerald Wilson 27 Body and Soul E Heyman, R Sour, F Eyton & J Green 29 Bolivia Cedar Walton 34 The Boy Next Door Hugh Martin & Ralph Blane 34 Bye Bye Blackbird Ray Henderson & Mort Dixon 34 Cafe Egberto Gismonti 37 Capim Djavan 39 Casa Forte Edu Lobo 41 Central Park West John Coltrane 43 Charmed Circle Cedar Walton 45 Cherokee Ray Noble 47 A Child Is Born Thad Jones 346 Choices Mike Stern 49 Chromazone Mike Stern 51 Clockwise Cedar Walton 55 Cold Duck Time Eddie Harris 56 Criss Cross Ray Obiedo 57 Day By Day Sammy Cahn, Axel Stordahl & Paul Weston 60 Dear Lord John Coltrane 61 Dee Song Enrico Pieranunzi 63 Delgado Eddie Gomez 66 Detour Ahead Lou Carter, Herb Ellis & John Frigo 68 Devil May Care T.P.
    [Show full text]
  • THE SINGER's MUSICAL THEATRE ANTHOLOGY Series ALL SOPRANO VOLUMES
    THE SINGER'S MUSICAL THEATRE ANTHOLOGY series ALL SOPRANO VOLUMES S1 = Volume 1 S2 = Volume 2 S3 = Volume 3 S4 = Volume 4 S5 = Volume 5 S-Teen = Teen's Edition S16 = Soprano "16-Bar" Audition Alphabetically by Song Title SONG SHOW VOLUME Ah! Sweet Mystery of Life Naughty Marietta S3, S16 All Through the Night Anything Goes S2 And This Is My Beloved Kismet S2 Another Suitcase in Another Hall Evita S2, S16 Another Winter in a Summer Town Grey Gardens S5, S16 Anything Can Happen Mary Poppins S5 Around the World Grey Gardens S5 S2, S-Teen, Art Is Calling for Me The Enchantress S16 Barbara Song The Threepenny Opera S1 Baubles, Bangles and Beads Kismet S5 S5, S-Teen, The Beauty Is The Light in the Piazza S16 Before I Gaze at You Again Camelot S3 Begin the Beguine Jubilee S5 Belle (Reprise) Beauty and the Beast S-Teen Bewitched Pal Joey S4, S16 Bill Show Boat S1 Bride's Lament The Drowsy Chaperone S5 A Call from the Vatican Nine S2, S16 Can’t Help Lovin’ Dat Man Show Boat S1, S16 Children of the Wind Rags S4, S16 S4, S-Teen, Children Will Listen Into the Woods S16 Christmas Lullaby Songs for a New World S3 Climb Ev’ry Mountain The Sound of Music S1 Come Home Allegro S1 Cry Like the Wind Do Re Mi S5, S16 Daddy's Girl Grey Gardens S5, S16 Dear Friend She Loves Me S2, S16 Fable The Light in the Piazza S5 Falling in Love with Love The Boys from Syracuse S1, S16 S1, S-Teen, Far from the Home I Love Fiddler on the Roof S16 Fascinating Rhythm Lady, Be Good! S5 Feelings The Apple Tree S3, S16 The Flagmaker, 1775 Songs for a New World S5 Follow Your
    [Show full text]
  • Songs by Artist
    YouStarKaraoke.com Songs by Artist 602-752-0274 Title Title Title 1 Giant Leap 1975 3 Doors Down My Culture City Let Me Be Myself (Wvocal) 10 Years 1985 Let Me Go Beautiful Bowling For Soup Live For Today Through The Iris 1999 Man United Squad Loser Through The Iris (Wvocal) Lift It High (All About Belief) Road I'm On Wasteland 2 Live Crew The Road I'm On 10,000 MANIACS Do Wah Diddy Diddy When I M Gone Candy Everybody Wants Doo Wah Diddy When I'm Gone Like The Weather Me So Horny When You're Young More Than This We Want Some PUSSY When You're Young (Wvocal) These Are The Days 2 Pac 3 Doors Down & Bob Seger Trouble Me California Love Landing In London 100 Proof Aged In Soul Changes 3 Doors Down Wvocal Somebody's Been Sleeping Dear Mama Every Time You Go (Wvocal) 100 Years How Do You Want It When You're Young (Wvocal) Five For Fighting Thugz Mansion 3 Doors Down 10000 Maniacs Until The End Of Time Road I'm On Because The Night 2 Pac & Eminem Road I'm On, The 101 Dalmations One Day At A Time 3 LW Cruella De Vil 2 Pac & Eric Will No More (Baby I'ma Do Right) 10CC Do For Love 3 Of A Kind Donna 2 Unlimited Baby Cakes Dreadlock Holiday No Limits 3 Of Hearts I'm Mandy 20 Fingers Arizona Rain I'm Not In Love Short Dick Man Christmas Shoes Rubber Bullets 21St Century Girls Love Is Enough Things We Do For Love, The 21St Century Girls 3 Oh! 3 Wall Street Shuffle 2Pac Don't Trust Me We Do For Love California Love (Original 3 Sl 10CCC Version) Take It Easy I'm Not In Love 3 Colours Red 3 Three Doors Down 112 Beautiful Day Here Without You Come See Me
    [Show full text]
  • News and Events
    Volume 15 Number 1 topical Weill Spring 1997 A supplement to the Kurt Weill Newsletter news &news events The Royal National Theatre Ushers in Lady in the Dark &news events Opening Catherine Ashmore (right). Catherine Ashmore Scenes (left), Damm Photos: Van Then and Now . Gertrude Lawrence as Liza in 1941 Maria Friedman as Liza in 1997 (with Richard Hale). (with Hugh Ross). The production by Francesca Zambello is stylish, The show is original and appealing and, as heroines go, so is Maria Friedman. Her Liza Elliott stalks into her restrained, cerebral. Weill’s music is plangent and shrink’s eyrie radiating nervy, brittle assurance, then sinuous, a remarkable synthesis of Weimar jazz and spins rapturously off into the first of the dream- pre-Sondheim querulousness. Maria Friedman, sure- sequences that interrupt the more realistic proceed- ly confirmed now as our supreme musical actress, ings. Our own Tina Brown would have to be promot- negotiates her backward spiral with exuberant grace ed from the chair of the New Yorker to the throne of and wit, swirling in mists and ballgowns, defiantly zip- England to match a fantasy like that. ping on the Schiaparelli frock when she takes off with — Benedict Nightingale, “Freudian drama that does not a movie star hunk (the Victor Mature role is occupied shrink from emotion,” The Times (12 March 1997) by a suitably anaemic grinner, Steven Edward Moore) and even stepping daintily across a tightrope, in Adrianne Lobel has designed a conceptual setting of sail-like Stoppardian vein, to prove she is a “proponent of triangles which introduces a number of staging constraints.
    [Show full text]
  • The Lotte Lenya Competition
    Cover photos (left to right): Nine-time Competition judge Teresa Stratas; 2012 winners Matthew Grills, Jacob Keith Watson, Justin Hopkins, and Megan Marino; 2009 judge Ted Chapin with winners Lauren Worsham, Ginger Costa-Jackson, Yannick-Muriel Noah, and Zachary James. THE LOTTE LENYA COMPETITION PAST WINNERS AND JUDGES 2012 2007 2002 First Prize: Matthew Grills First Prize: James Benjamin First Prize: Lisa Conlon Second Prize: Justin Hopkins, Rodgers Second Prize: Kyle Barisich, Jacob Keith Watson Second Prize: Analisa Leaming Ethan Watermeier Third Prize: Megan Marino Third Prize: Leena Chopra, Lys Symonette Awards: Nicole Lys Symonette Awards: Natalie Christopher Herbert Cabell, Lucas Meachem, Amy Ballenger, Maria Failla Lys Symonette Awards: Paul Van Looy Judges: Rob Berman, Theodore Corona, Jeanine De Bique, Brian Judges: Eric Stern, Teresa Stratas, S. Chapin, Rebecca Luker Charles Rooney Stanley Walden Judges: Theodore S. Chapin, Ted 2011 2001 Sperling, Teresa Stratas First Prize: Caitlin Mathes First Prize: Jennifer Dyan Goode Three equal runner-up prizes: 2006 Second Prize: Jacob Langfelder, Jing Lin, Emma Sewell, Jacob First Prize: Justin Welsh Raquela Sheeran Lewis Smith Second Prize: Justin Lee Miller, Lys Symonette Awards: Noah Lys Symonette Awards: Daniel Rodell Aure Rosel Stewart, Misty Ann Castleberry Schwait, John Viscardi, Jorell Third Prize: Sarah Blaskowsky, Sturm Williams Hallie Silverston Judges: André Bishop, Welz Judges: Rob Berman, Rebecca Lys Symonette Awards: Meredith Kauffman, Teresa Stratas Luker, Michael Kaufmann Arwady, Karim Sulayman, Bray 2000 Wilkins 2010 Two special competitions were First Prize: Rebekah Camm Judges: Theodore S. Chapin, held in Germany, one for students James Holmes, Teresa Stratas and one for young professionals.
    [Show full text]