Journal X Volume 4 Number 1 Autumn 1999 Article 4 2020 Black Feminisms and The Autobiography of Malcolm X Kevin Everod Quashie Smith College Follow this and additional works at: https://egrove.olemiss.edu/jx Part of the African American Studies Commons Recommended Citation Quashie, Kevin Everod (2020) "Black Feminisms and The Autobiography of Malcolm X," Journal X: Vol. 4 : No. 1 , Article 4. Available at: https://egrove.olemiss.edu/jx/vol4/iss1/4 This Article is brought to you for free and open access by the English at eGrove. It has been accepted for inclusion in Journal X by an authorized editor of eGrove. For more information, please contact
[email protected]. Quashie: Black Feminisms and The Autobiography of Malcolm X Black Feminisms and The Autobiography of Malcolm X Kevin Everod Quashie Kevin Everod Quashie As a narrative, The Autobiography of Malcolm X is a Visiting Instructor reflects Black feminist textualities on two levels: one, in Afro-American in the temperament of its collaborative authorship; Studies at Smith Col and two, in its engagement of what I will call interi or tropes of activism.1 This is a shocking statement, lege, and is completing especially considering the well-documented sexism of a dissertation on dias- Autobiography's subject, Malcolm X,2 which at the poric Black women very best reflects immaturity and his untimely death,3 and critical healing for and which at worst reflects his participation in the a degreefrom Arizona maintenance of a system of gender oppression that State University. He undermined his own revolutionary practice. Cultural criticism of Autobiography rarely anticipates connec has also done work in tions between the text and Black womens' political American literatures, realities; thus, this essay operates on a leap of faith, and postcoloniality, and its central aim is to contribute to a re-figuration and is co-editor of of how Autobiography is read, understood, and New Bones: Con engaged.