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Boo-Hooray Catalog #10: Flyers
Catalog 10 Flyers + Boo-hooray May 2021 22 eldridge boo-hooray.com New york ny Boo-Hooray Catalog #10: Flyers Boo-Hooray is proud to present our tenth antiquarian catalog, exploring the ephemeral nature of the flyer. We love marginal scraps of paper that become important artifacts of historical import decades later. In this catalog of flyers, we celebrate phenomenal throwaway pieces of paper in music, art, poetry, film, and activism. Readers will find rare flyers for underground films by Kenneth Anger, Jack Smith, and Andy Warhol; incredible early hip-hop flyers designed by Buddy Esquire and others; and punk artifacts of Crass, the Sex Pistols, the Clash, and the underground Austin scene. Also included are scarce protest flyers and examples of mutual aid in the 20th Century, such as a flyer from Angela Davis speaking in Harlem only months after being found not guilty for the kidnapping and murder of a judge, and a remarkably illustrated flyer from a free nursery in the Lower East Side. For over a decade, Boo-Hooray has been committed to the organization, stabilization, and preservation of cultural narratives through archival placement. Today, we continue and expand our mission through the sale of individual items and smaller collections. We encourage visitors to browse our extensive inventory of rare books, ephemera, archives and collections and look forward to inviting you back to our gallery in Manhattan’s Chinatown. Catalog prepared by Evan Neuhausen, Archivist & Rare Book Cataloger and Daylon Orr, Executive Director & Rare Book Specialist; with Beth Rudig, Director of Archives. Photography by Evan, Beth and Daylon. -
IPG Spring 2020 Rock Pop and Jazz Titles
Rock, Pop, and Jazz Titles Spring 2020 {IPG} That Thin, Wild Mercury Sound Dylan, Nashville, and the Making of Blonde on Blonde Daryl Sanders Summary That Thin, Wild Mercury Sound is the definitive treatment of Bob Dylan’s magnum opus, Blonde on Blonde , not only providing the most extensive account of the sessions that produced the trailblazing album, but also setting the record straight on much of the misinformation that has surrounded the story of how the masterpiece came to be made. Including many new details and eyewitness accounts never before published, as well as keen insight into the Nashville cats who helped Dylan reach rare artistic heights, it explores the lasting impact of rock’s first double album. Based on exhaustive research and in-depth interviews with the producer, the session musicians, studio personnel, management personnel, and others, Daryl Sanders Chicago Review Press chronicles the road that took Dylan from New York to Nashville in search of “that thin, wild mercury sound.” 9781641602730 As Dylan told Playboy in 1978, the closest he ever came to capturing that sound was during the Blonde on Pub Date: 5/5/20 On Sale Date: 5/5/20 Blonde sessions, where the voice of a generation was backed by musicians of the highest order. $18.99 USD Discount Code: LON Contributor Bio Trade Paperback Daryl Sanders is a music journalist who has worked for music publications covering Nashville since 1976, 256 Pages including Hank , the Metro, Bone and the Nashville Musician . He has written about music for the Tennessean , 15 B&W Photos Insert Nashville Scene , City Paper (Nashville), and the East Nashvillian . -
Claiming Queer Territory in the Study of Subcultures and Popular Music
Claiming Queer Territory in the Study of Subcultures and Popular Music Author Taylor, J Published 2013 Journal Title Sociology Compass DOI https://doi.org/10.1111/soc4.12021 Copyright Statement © 2013 John Wiley & Sons, Ltd. This is the pre-peer reviewed version of the following article: Claiming Queer Territory in the Study of Subcultures and Popular Music, Sociology Compass, Vol. 7(3), 2013, pp. 194-207, which has been published in final form at dx.doi.org/10.1111/ soc4.12021. Downloaded from http://hdl.handle.net/10072/55644 Griffith Research Online https://research-repository.griffith.edu.au Sociology Compass 7/3 (2013): 194–207, 10.1111/soc4.12021 Claiming Queer Territory in the Study of Subcultures and PopularClaiming Music Queer Territory in the Study of Subcultures and ByPopular Jodie Taylor, Music Griffith University PublishedJodie Taylor* in Sociology Compass 7(3) 2013. Queensland Conservatorium Research Centre, Griffith University Abstract For both the heterosexual and queer subject, subcultural participation and stylistic modes of cul- tural production and consumption, including popular music, are critical mechanisms aiding in the construction and expression of identity. Yet, in spite of abundant empirical examples of queer music cultures, subcultural studies scholars have paid minimal attention to queer sexualities and their concomitant stylistic modalities. In this article, I claim the importance of queer subterranean music cultures by synthesising significant literatures from various fields of inquiry including cul- tural sociology, popular musicology and queer studies. To begin, I will briefly clarify to whom and about what queer (theory) speaks. I then go on to offer an overview of subcultural and popu- lar music research paying particular attention to the subaltern queer subject and surveying queer criticism within each field. -
Burnett Slur Paper (1).Pdf
A Persona-based Semantics for Slurs Heather Burnett To cite this version: Heather Burnett. A Persona-based Semantics for Slurs. Grazer Philosophische Studien - Internationale Zeitschrift für Analytische Philosophie, Rodopi, 2020, 97 (1), pp.31-62. 10.1163/18756735-09701004. hal-03099577 HAL Id: hal-03099577 https://hal.archives-ouvertes.fr/hal-03099577 Submitted on 6 Jan 2021 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. A Persona-Based Semantics for Slurs∗ Heather Burnett Laboratoire de Linguistique Formelle CNRS-Universit´eParis-Diderot Abstract This paper presents a new style of semantic analysis for slurs: linguistic expres- sions used to denigrate individuals based on some aspects of their identity. As an illustration, I will focus on one slur in particular: dyke, which is generally consid- ered to be a derogatory term for lesbians. I argue that current research on these terms is limited in (at least) two ways: firstly, I argue not enough attention has been paid to the use of dyke by members of the target group, who can often use it in an non-insulting manner; secondly, I argue not enough attention has been paid to the use of the \neutral" form, lesbian, which is generally treated as having a simple, clear meaning, such as \engage[s] in same-sex sex" (Jeshion, 2013a, 312). -
Guide to the Gay Comics Collection
Manuscripts and Archives Guide to the Gay Comics Collection MS 1851 compiled by Staff of Manuscripts and Archives May 2005 Revised: January 2016 P.O. Box 208240 New Haven 06520 [email protected] URL: May 2005 Gay comics collection MS 1851 - Page 2 Table of Contents Paging Instructions 3 Overview 3 Administrative Information 3 Provenance 3 Information about Access 3 Ownership & Copyright 4 Cite As 4 Description of the Papers 4 Arrangement 4 Collection Contents 5 Original accession 5 Accession 2015-M-056. Additional material, 1985–2014 7 Accession 2016-M-0005. Additional material, 1981–1993 14 Access Terms 15 Gay comics collection MS 1851 - Page 3 Paging Instructions To request items from this collection for use in the Manuscripts and Archives reading room, please use the request links in the HTML version of this finding aid, available at http://hdl.handle.net/10079/fa/mssa.ms.1851. To order reproductions from this collection, please go to http://www.library.yale.edu/mssa/ifr_copy_order.html. The information you will need to submit an order includes: the collection call number, collection title, series or accession number, box number, and folder number or name. Overview REPOSITORY: Manuscripts and Archives Sterling Memorial Library 128 Wall Street P.O. Box 208240 New Haven, CT 06520 Web: http://web.library.yale.edu/mssa Email: [email protected] Phone: (203) 432-1735 Fax: (203) 432-7441 CALL NUMBER: MS 1851 TITLE: Gay comics collection DATES: 1976–2014 PHYSICAL DESCRIPTION: 3.02 Linear Feet (6 boxes and 1 envelope) LANGUAGE(S): The materials are in English . -
Wuvable Oaf Free Ebook
FREEWUVABLE OAF EBOOK Ed Luce | 264 pages | 07 Jun 2015 | Fantagraphics | 9781606998168 | English | Seattle, United States Wuvable Oaf Jun 7, Wuvable Oaf is the first-ever collection of the acclaimed self-published comic book series by cartoonist Ed Luce. Oaf is a large, hirsute. Oaf is a rather big and hairy guy who runs a home for cats in his own home, and makes soft toys from his body hair. Oaf is also an ex wrestler, charming and kind . Wuvable Oaf is the first-ever collection of the acclaimed self-published comic book series by cartoonist Ed Luce. Oaf is a large, hirsute, scary-looking ex- wrestler. Wuvable Oaf's obvious inspirations are San Francisco, the gay 'bear' subculture, and the hardcore scene, but any form of labelling is studiously avoided, which is a. Jun 7, Wuvable Oaf is the first-ever collection of the acclaimed self-published comic book series by cartoonist Ed Luce. Oaf is a large, hirsute. Aug 5, A panel from Wuvable Oaf. Courtesy of Fantagraphics Books. Sure, Oaf Jadwiga may be enormous, muscled, extravagantly bearded—indeed, so. Like Sex and the City but with adorable, ex-wrestler hairy gay men (or bears), Wuvable Oaf is Luce's debut graphic novel. This book fills a romance comics hole . The latest Tweets from Wuvable Oaf (@wuvableoaf). Oaf, Oaf Baby xvgJkDHcOx. San Francisco / Sacramento. Jun 7, Wuvable Oaf is the first-ever collection of the acclaimed self-published comic book series by cartoonist Ed Luce. Oaf is a large, hirsute. Aug 5, A panel from Wuvable Oaf. Courtesy of Fantagraphics Books. -
Riot Dyke: Music, Identity, and Community in Lesbian Film
i Riot Dyke: Music, Identity, and Community in Lesbian Film by Alana Kornelsen A thesis submitted to the Faculty of Graduate and Postdoctoral Affairs in partial fulfillment of the requirements for the degree of Master of Arts in Music and Culture Carleton University Ottawa, ON © 2016 Alana Kornelsen ii Abstract This thesis examines the use of diegetic pre-composed music in three American lesbian feature films. Numerous trends can be noted in the selection of music in lesbian film broadly— music is often selected to draw on insider knowledge of the target audience of these films, creating cachet. This cachet comes with accompanying “affiliating identifications” (Kassabian 2001) that allow music to be used in the films’ construction of characters’ identities. This is evident in the treatment of music in many lesbian films: characters frequently listen to, discuss, and perform music. This thesis focuses specifically on riot grrrl music and the closely linked genre of queercore (which together Halberstam ([2003] 2008) refers to as “riot dyke”) in three films that focus on the lives of young women: The Incredibly True Adventure of Two Girls in Love (dir. Maria Maggenti, 1995), All Over Me (dir. Alex Sichel, 1997), and Itty Bitty Titty Committee (dir. Jamie Babbit, 2007). By examining how diegetic riot dyke music is used in these three films to build characters’ identities and contribute to the films’ narratives I argue that in these films, riot dyke music is presented as being central to certain queer identities and communities, and that this music (as well as the community that often accompanies it) is portrayed as instigating or providing opportunities for characters’ personal growth and affirming characters’ identities in adverse environments. -
A Persona-Based Semantics for Slurs∗
A Persona-Based Semantics for Slurs∗ Heather Burnett Laboratoire de Linguistique Formelle CNRS-Universit´eParis-Diderot Abstract This paper presents a new style of semantic analysis for slurs: linguistic expres- sions used to denigrate individuals based on some aspects of their identity. As an illustration, I will focus on one slur in particular: dyke, which is generally consid- ered to be a derogatory term for lesbians. I argue that current research on these terms is limited in (at least) two ways: firstly, I argue not enough attention has been paid to the use of dyke by members of the target group, who can often use it in an non-insulting manner; secondly, I argue not enough attention has been paid to the use of the \neutral" form, lesbian, which is generally treated as having a simple, clear meaning, such as \engage[s] in same-sex sex" (Jeshion, 2013a, 312). Following McConnell-Ginet (2002), I argue that the semantics of lesbian is actually quite com- plex, and that taking into account all the uses of both dyke and lesbian requires a new semantics and pragmatics for both terms. More specifically, I propose that dyke and lesbian are associated with different sets of personae: abstract identities or stereotypes. Dyke is associated with an anti-mainstream persona, which the vast ma- jority of speakers views negatively; whereas, lesbian is associated with a mainstream persona, which many speakers view favourably. I propose that the semantic puzzles associated with dyke and lesbian can be resolved through the combination of a the- ory of these personae and a theory of how listeners' beliefs about their interlocutors' ideologies affect utterance interpretation. -
Black & Brown Women of the Punk Underground
Sarah Lawrence College DigitalCommons@SarahLawrence Women's History Theses Women’s History Graduate Program 11-2018 Game Changers & Scene Makers: Black & Brown Women of the Punk Underground Courtney Aucone Sarah Lawrence College Follow this and additional works at: https://digitalcommons.slc.edu/womenshistory_etd Part of the Women's History Commons Recommended Citation Aucone, Courtney, "Game Changers & Scene Makers: Black & Brown Women of the Punk Underground" (2018). Women's History Theses. 37. https://digitalcommons.slc.edu/womenshistory_etd/37 This Thesis - Open Access is brought to you for free and open access by the Women’s History Graduate Program at DigitalCommons@SarahLawrence. It has been accepted for inclusion in Women's History Theses by an authorized administrator of DigitalCommons@SarahLawrence. For more information, please contact [email protected]. Game Changers & Scene Makers: Black & Brown Women of the Punk Underground Courtney Aucone Thesis Seminar Dr. Mary Dillard December 6, 2018 Submitted in partial completion of the Master of Arts Degree at Sarah Lawrence College, December 2018 Table of Contents: Acknowledgements……………………………………………………………………………………….…......1 Introduction…………………………………………………………………………………………………….…..2 v A Note on Methodology…………………………………………………………………………………21 Chapter I: “A Wave of History”…………………………………………………………………………... 26 Chapter II: The Underground…………………………………………………………………………….. 51 Chapter III: “Somos Chulas, No Somos Pendejas”: Negotiating Femininity & Power in the Underground……………………………..…………………………………………………………………70 -
CALIFORNIA COLLEGE of the ARTS San Francisco / Oakland Fall
CALIFORNIA COLLEGE OF THE ARTS THE OF COLLEGE CALIFORNIA FALL 2015 A publication for the CCA community CALIFORNIA COLLEGE OF THE ARTS San Francisco / Oakland Fall 2015 Glance CONTENTS Fall 2015 FEATURE STORIES COLLEGE NEWS Volume 24, No. 1 2 Game On: How Video Games Are Changing the Way 30 Edith Garcia, 2015–16 Viola Frey Distinguished We Work and Play Visiting Professor Editor Laura Kenney 6 Honorary Exchange: Joan Jonas Pays a Visit 32 New Trustees: Carl Bass and Liam Casey Contributors 8 Enlivening San Francisco’s Market Street 33 Student Spotlight: Renata Cruz (Textiles 2018) Benjamin Austin (MFA Writing 2016) 12 Christopher McCall and Pier 24 Photography: 34 At the CCA Wattis Institute Susan Avila The CCA Legacy Continues Chris Bliss 35 Bookshelf Laura Braun 14 A Sampling of Work from Spring Grad Shows 36 Awards & Accolades Ashley Eva Brock (Fashion 19 Mastering Filmmaking Design 2012) 40 CCA in the Media Troy Covello Renata Cruz (Textiles 2018) LETTER FROM THE PRESIDENT ALUMNI STORIES 41 First-Ever CCA Contingent Marches in Kelly Dawson 20 Debra McGuire (Painting 1974) 2015 Pride Parade Amanda Glesmann Dear Friends, 22 Shannon and the Clams (Shannon Shaw, 41 New Oakland Campus Mural Celebrates Diversity, Glen Helfand In the past several months I’ve presented at some interesting gatherings— Illustration 2007; Cody Blanchard, Writing & Literature; Social Justice Jeremy Joan Hewes Autodesk’s IDEAS: Innovation and Design Series, the 2015 Nueva Innovative Ian Amberson, Painting/Drawing 2008) Laura Kenney Learning Conference, and an “un-conference” at CCA organized by the PHILANTHROPY Jim Norrena (MFA Writing 2013) 24 Hoang and Anh Nguyen (Industrial Design 2009) technology company Globant. -
Pemenang Lambda Literary Award 2017 Cerita Fiksi Lesbian Here
Pemenang Lambda Literary Award 2017 Cerita Fiksi Lesbian Here Comes the Sun, Nicole Dennis-Benn, Liveright Publishing Corporation Cerita Fiksi Gay The Angel of History, Rabih Alameddine, Atlantic Monthly Press Cerita Fiksi Bisexual Marrow Island, Alexis M. Smith, Houghton Mifflin Harcourt Cerita Nonfiksi Bisexual Black Dove: Mama, Mi’jo, and Me, Ana Castillo, The Feminist Press Puisi Bisexual Mouth to Mouth, Abigail Child, EOAGH Cerita Fiksi Transgender Small Beauty, jia qing wilson-yang, Metonymy Press Cerita Nonfiksi LGBT How to Survive a Plague: The Inside Story of How Citizens and Science Tamed AIDS, David France, Knopf Cerita Nonfiksi Transgender Life Beyond My Body: A Transgender Journey to Manhood in China, Lei Ming dan Lura Frazey, Transgress Press Puisi Lesbian (2 pemenang) play dead, Francine J. Harris, Alice James Books The Complete Works of Pat Parker, Julie R. Enszer (editor) Wisdom/A Midsummer Night’s Press Puisi Gay Thief in the Interior, Phillip B. Williams, Alice James Books Puisi Transgender Reacquainted with Life, KOKUMO, Topside Press Cerita Misteri Lesbian Pathogen, Jessica L. Webb, Bold Strokes Books Cerita Misteri Gay Speakers of the Dead: A Walt Whitman Mystery, J. Aaron Sanders, Plume Memoar/Biografi Lesbian The Wind is Spirit: The Life, Love and Legacy of Audre Lorde, Dr. Gloria Joseph, Villarosa Media Memoar/Biografi Gay When We Rise, Cleve Jones, Hachette Books Romansa Lesbian The Scorpion’s Empress, Yoshiyuki Ly, Solstice Publishing Romansa Gay Into the Blue, Pene Henson, Interlude Press Erotka LGBT Soul to Keep, Rebekah Weatherspoon, Bold Strokes Books Antologi LGBT The Remedy: Queer and Trans Voices on Health and Health Care, Zena Sharman, Arsenal Pulp Press Cerita Anak/Remaja LGBT Girl Mans Up, M.E. -
Special Guests and Exhibitors (PDF)
ABOUT 2019 EXPO RESOURCES VOLUNTEERS SPONSORS PROMOTION CONTACT Guest & Exhibitor List Our Guest & Exhibitor list was last updated on Tuesday June 2, 2015 While not marked on the map, the “A” side of each table is next to the preceeding table, while the “B” side of each table is next to the proceeding table. SPECIAL GUESTS My name is Eleanor Davis. I’m a cartoonist and illustrator. I have a collection of my short comics for adults called How To Be Happy, from Fantagraphics Books. I’ve done two comics for kids called The Secret Science Alliance and Stinky. I live in Athens, Georgia with my husband Drew Weing. http://doing-ne.com TABLE 60 Eleanor Davis Gilbert Hernandez, born in 1957, is an award-winning cartoonist of the independent comic series, Love and Rockets (along with his brother, Jaime Hernandez) which has been published by Fantagraphics for the last 32 years. From 1983 to 1996, Gilbert produced the now legendary Palomar saga, collected in the graphic novels Heartbreak Soup and Human Diastrophism, and considered to be one of the dening bodies of literature of its era. His latest collection is Luba and Her Family and the stand alone, Julio’s Day. Gilbert lives in Las Vegas, NV, with his wife Carol and daughter Natalia. http://fantagraphics.com/gilberthernandez TABLE 9 Gilbert Hernandez Jaime Hernandez is an award-winning cartoonist of the independent comic series, Love and Rockets (along with his brother, Gilbert Hernandez), which has been published by Fantagraphics for the last 32 years. He lives in LA and likes it that way.