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Gotham Knights
University of Denver Digital Commons @ DU Electronic Theses and Dissertations Graduate Studies 11-1-2013 House of Cards Matthew R. Lieber University of Denver Follow this and additional works at: https://digitalcommons.du.edu/etd Part of the Screenwriting Commons Recommended Citation Lieber, Matthew R., "House of Cards" (2013). Electronic Theses and Dissertations. 367. https://digitalcommons.du.edu/etd/367 This Thesis is brought to you for free and open access by the Graduate Studies at Digital Commons @ DU. It has been accepted for inclusion in Electronic Theses and Dissertations by an authorized administrator of Digital Commons @ DU. For more information, please contact [email protected],[email protected]. House of Cards ____________________________ A Thesis Presented to the Faculty of Social Sciences University of Denver ____________________________ In Partial Requirement of the Requirements for the Degree Master of Arts ____________________________ By Matthew R. Lieber November 2013 Advisor: Sheila Schroeder ©Copyright by Matthew R. Lieber 2013 All Rights Reserved Author: Matthew R. Lieber Title: House of Cards Advisor: Sheila Schroeder Degree Date: November 2013 Abstract The purpose of this thesis is to approach adapting a comic book into a film in a unique way. With so many comic-to-film adaptations following the trends of action movies, my goal was to adapt the popular comic book, Batman, into a screenplay that is not an action film. The screenplay, House of Cards, follows the original character of Miranda Greene as she attempts to understand insanity in Gotham’s most famous criminal, the Joker. The research for this project includes a detailed look at the comic book’s publication history, as well as previous film adaptations of Batman, and Batman in other relevant media. -
4.6 Marker Kingpin
RULE THE MOUNTAIN We are very pleased to present you with the MARKER Technical Manual 2016/17. It is intended exclusively for our partners and for professionals in the field of ski bindings. The new handbook contains a wealth of insider infor- mation ranging from freeride, touring and novice bindings to pro-style rigs for alpine racing. It also includes a host of insider info, installation instructions, an extensive FAQ and a detailed overview of all MARKER bindings and their ideal uses. For over 60 years MARKER has stood for unbeatable performance and inno- vation. Our 2016/17 program once again delivers powerful and unique products to make the most beautiful sport in the world even safer and more attractive. As a specialized MARKER dealer, you are at the front lines of our interaction with end consumers. MARKER’s pledges of quality and safety would not be seen or heard by the consumers without your conscientious work and pro- fessional recommendations. We'd like to take a moment to thank you for your remarkable efforts. Here’s to a white and successful winter 2016/17 ! The Marker Team PS: The current MARKER Technical Handbook is naturally also available in PDF form for download off the internet: http://extranet.marker.de username: dealer password: sh0ps! 1 CONTENT PAGE CONTENT 1 FOREWORD & GENERAL INFORMATION 4 1.1 Binding Component Description 5 2 GENERAL GUIDELINES 2.1 Binding Inspection 7 2.2 Ski Inspection 7 2.3 Boot Inspection 8 2.4 GRIPWALK 10 3 INSTALLATION - GENERAL GUIDELINES 3.1 Tools and Accessories 10 3.1 Installation -
Texas Department of Corrections: 30 Years of Progress
If you have issues viewing or accessing this file contact us at NCJRS.gov. ____~____ ~:-:'----;-- - ~-- ----;--;:-'l~. - Texas Department of Corrections: 30 Years of Progress ,. In 1967, the Department published a report, Texas Department of Corrections: 20 Years of Progress. That report was largely the work of Mr. Richard C. Jones, former Assistant Director for Treatment. The report that follows borrowed hea-vily and in many cases directly from Mr. Jones' efforts. This is but another example of how we continue to profit from, and, hopefully, build upon the excellent wC';-h of those preceding us. Texas Department of Corrections: 30 Years of Progress NCJRS dAN 061978 ACQUISIT10i~:.j OFFICE OF THE GOVERNOR DOLPH BRISCOE STATE CAPITOL GOVERNOR AUSTIN, TEXAS 78711 My Fellow Texans: All Texans owe a debt of gratitude to the Honorable H. H. Coffield. former Chairman of the Texas Board of Corrections, who recently retired after many years of dedicated service on the Board; to the present members of the Board; to Mr. W. J. Estelle, Jr., Director of the Texas Department of Corrections; and to the many people who work with him in the management of the Department. Continuing progress has been the benchmark of the Texas Department of Corrections over the past thirty years. Proposed reforms have come to fruition through the careful and diligent management p~ovided by successive administ~ations. The indust~ial and educational p~ograms that have been initiated have resulted in a substantial tax savings for the citizens of this state and one of the lowest recidivism rates in the nation. -
Portrayals of Stuttering in Film, Television, and Comic Books
The Visualization of the Twisted Tongue: Portrayals of Stuttering in Film, Television, and Comic Books JEFFREY K. JOHNSON HERE IS A WELL-ESTABLISHED TRADITION WITHIN THE ENTERTAINMENT and publishing industries of depicting mentally and physically challenged characters. While many of the early renderings were sideshowesque amusements or one-dimensional melodramas, numerous contemporary works have utilized characters with disabilities in well- rounded and nonstereotypical ways. Although it would appear that many in society have begun to demand more realistic portrayals of characters with physical and mental challenges, one impediment that is still often typified by coarse caricatures is that of stuttering. The speech impediment labeled stuttering is often used as a crude formulaic storytelling device that adheres to basic misconceptions about the condition. Stuttering is frequently used as visual shorthand to communicate humor, nervousness, weakness, or unheroic/villainous characters. Because almost all the monographs written about the por- trayals of disabilities in film and television fail to mention stuttering, the purpose of this article is to examine the basic categorical formulas used in depicting stuttering in the mainstream popular culture areas of film, television, and comic books.' Though the subject may seem minor or unimportant, it does in fact provide an outlet to observe the relationship between a physical condition and the popular conception of the mental and personality traits that accompany it. One widely accepted definition of stuttering is, "the interruption of the flow of speech by hesitations, prolongation of sounds and blockages sufficient to cause anxiety and impair verbal communication" (Carlisle 4). The Journal of Popular Culture, Vol. 41, No. -
Press Infinite Jester Frieze, October 13, 2005
MARIAN GOODMAN GALLERY Infinite Jester On the occasion of his major retrospective at the Guggenheim, New York, from issue 94, 2005, Tom Morton on Maurizio Cattelan By Tom Morton (October 13, 2005) Maybe I’m just saying that we’re all corrupted in a way; life itself is corrupted, and that’s the way we like it.1 –Maurizio Cattelan In Philip Roth’s novel The Human Stain (2000) three anonymous men sit on a bench in the grounds of an American Liberal Arts college, debating the fall-out of the Monica Lewinsky affair. They’re brassy guys, with brassy manners, and one of them offers up the opinion that ‘If Clinton had fucked her in the ass, she might have shut her mouth. Had he turned her over in the Oval Office and fucked her in the ass, none of this would have happened.’2 His companions concur; yes, this would’ve been the President’s best course of action. After all: ‘You give somebody something they can’t talk about. Then you’ve got them. You involve them in a mutual transgression, and you have a mutual corruption.’3 Since the late 1980s Maurizio Cattelan has been making art that’s tough to talk about, or at least with much rigour or much candour. There’s plenty of noise made about Cattelan, sure (few of his contemporaries share his profile), but this is mostly composed of gasps of faux astonishment, or of a frenzied clapping that, while it applauds the artist’s work, also attempts to fend it off. -
“That's Not Funny”: Pages on How the Demon Clown of Gotham City
“That’s Not Funny”: Pages on How the Demon Clown of Gotham City Learned (Not) to Love and What That Has to Do with Anything, Like Maybe the American Zeitgeist Kyle A. Hammonds, University of North Texas “In hindsight, there were signs…” is the belong. I empathize with communication line that begin Scott Snyder’s (2013) scholar and Batman historian, Will Brooker Batman story, Death of the Family. Indeed, (2005), and his statement of disclosure at the there always seem to be little start of his book Batman Unmasked: foreshadowings regarding which life paths – Analyzing a Cultural Icon: “I feel the which stories – people will act out. The cultural experience which has woven me signs are always clearer in retrospect, but into Batman fandom is a benefit to my work, they are usually there – hiding in plain sight. offering me a subject to examine intimately; Humans refer to their past experiences in but this requires a degree of honesty and order to imagine viable options for future self-interrogation here and throughout.” (p. action. Acknowledging education from 5) experience is neither a new concept nor a Of course, I hope to use my subjectivity particularly difficult task (e.g., Dewey, and sense of belonging in Batman fandom to 1938). Learning to locate and attend to provide special insight in my following memory experience as a tool for imagining interpretation of Snyder and Capullo’s future action is the tricky part for academics Death of the Family, even though such and educators. interpretations may not represent an Signs, albeit not necessarily objective attempt to identify, categorize, or “predictors,” and symbols are the stuff that measure how diverse groups may respond excites communication studies scholars. -
Rugged Is a Collection of Artwork and Writings Created by Students of Bishop Dunne Catholic School
Rugged is a collection of artwork and writings created by students of Bishop Dunne Catholic School. Winter 2016 Cover photo by: Katherine Shipp RUGGED Bishop Dunne Catholic School Winter 2016 Dear Readers, In this issue of Rugged, we are pleased to highlight the creative works of several Bishop Dunne students. The juniors and seniors of the Creative Writing Club, working with Ms. Brinkley Maclin, share some of their poems and short stories. Some of Mrs. Marta Popiel’s freshman students also share their poems. The Advanced Art and Photography students of Mrs. Allison Ramirez and Mrs. Gloria Nieto offer their original pieces from graphic design and photography projects. These students use a variety of techniques and materials to achieve exciting visual results. Finally, this issue introduces a piece of fan faction by freshman Sean Jurek. Sean’s piece is the prologue to a longer work; we hope to see more of his work in the future. Thank you to all of our contributing writers, artists, and their teachers. Thank you to Ms. Venieca Kusek for layout, and to the English department teachers for editorial assistance. Happy reading and viewing! Melanie McGarrahan Gibson Editor M M M M M M M M M M M M M M M M M M 0 M 0 OO 0 O 0 EE 0 0 0 0 0 000EE 0 00 SS E 00 E 0 0 E S E0 0 0 00E Photo By: Arvin Oquindo E E E E 0E E 000 0 E00 E E E E E EE E E E E E E E E E E E EE E E EE E EE E E E E EE E EEE E E E EEE EE E E E EE EE E E E EE E E E E E E E E E E E E E E By: Sai Lammata Winter Rubin Leos A world of white, devoid of color and emotion that makes people smile. -
The Daily Show: Journalism's Jester
University of South Florida Scholar Commons Graduate Theses and Dissertations Graduate School 2009 The aid ly show: Journalism's jester Mark R. McCarthy University of South Florida Follow this and additional works at: http://scholarcommons.usf.edu/etd Part of the American Studies Commons Scholar Commons Citation McCarthy, Mark R., "The aid ly show: Journalism's jester" (2009). Graduate Theses and Dissertations. http://scholarcommons.usf.edu/etd/2090 This Thesis is brought to you for free and open access by the Graduate School at Scholar Commons. It has been accepted for inclusion in Graduate Theses and Dissertations by an authorized administrator of Scholar Commons. For more information, please contact [email protected]. The Daily Show: Journalism’s Jester by Mark R. McCarthy A thesis submitted in partial fulfillment of the requirements for the degree of Master of Liberal Arts Department of Humanities College of Arts and Sciences University of South Florida Co-Major Professor Daniel Belgrad, Ph.D. Co-Major Professor Margit Grieb, Ph.D. A. David Payne, Ph.D. Date of Approval: February 12, 2009 Keywords: Infotainment, fake news, news, media studies, television news © Copyright 2009, Mark R. Mccarthy Acknowledgements Thank you to Margit Grieb, Ph.D. for her support in all of my academic endeavors. Daniel Belgrad, Ph.D. for his unending patience. And to A. David Payne, Ph.D. for his unique and invaluable perspective. Dedication This work is dedicated to Jimmy for keeping me on task by asking me “shouldn’t you graduate first?” each time my attention would stray. Table of Contents List of Figures. -
Psychiatry (Eds D Bhugra, K Bhui): 301–13
Mental health problems in young people from minority ethnic groups 3 Rutter M, Quinton D. Psychiatric disorders: ecological factors and concepts 7 Stevens GWJM, Vollebergh WAM. Mental health in migrant children. of causation. In Ecological Factors in Human Development (ed H McGurk): J Child Psychol Psych 2008; 49: 276–94. 173–87. North-Holland, 1977. 8 Green H, McGinnity A, Meltzer H, Ford T, Goodman R. Mental Health of 4 Dogra N, Vostanis P, Karnik N. Childhood and adolescent psychiatric Children and Young People in Great Britain, 2004. Palgrave Macmillan, 2005. disorders. In Textbook of Cultural Psychiatry (eds D Bhugra, K Bhui): 301–13. 9 Ho¨ lling H, Kurth BM, Rothenbeger A, Becker A, Schlack R. Cambridge University Press, 2007. Assessing psychopathological problems of children and adolescents from 3 to 17 years in a nationwide representative sample: results 5 Department of Health, Department for Education and Skills. The National of the German health interview and examination survey for children Service Framework for Children, Young People and Maternity Services. and adolescents (KiGGS). Eur Child Adolesc Psychiatry 2008; 17 (suppl 1): Department of Health, 2004. 34–41. 6 Department for Education and Skills. Every Child Matters: Change for 10 Singh SP. Shooting the messenger: the science and politics of ethnicity Children. TSO (The Stationery Office), 2004. research. Br J Psychiatry 2009; 195: 1–2. psychiatry Dr Harley Quinn, the villain from Gotham City in pictures with dependent personality disorder Jose´ Alexandre S. Crippa and Jaime E. C. Hallak Dr Harley Quinn is a super-villain, enemy of Batman, whose name was suggested by the Joker as a play with the word ‘harlequin’ and her original name, Harleen Quinzel. -
With Great Power: Examining the Representation and Empowerment of Women in DC and Marvel Comics Kylee Kilbourne
East Tennessee State University Digital Commons @ East Tennessee State University Undergraduate Honors Theses Student Works 12-2017 With Great Power: Examining the Representation and Empowerment of Women in DC and Marvel Comics Kylee Kilbourne Follow this and additional works at: https://dc.etsu.edu/honors Part of the American Popular Culture Commons, Children's and Young Adult Literature Commons, and the Women's Studies Commons Recommended Citation Kilbourne, Kylee, "With Great Power: Examining the Representation and Empowerment of Women in DC and Marvel Comics" (2017). Undergraduate Honors Theses. Paper 433. https://dc.etsu.edu/honors/433 This Honors Thesis - Open Access is brought to you for free and open access by the Student Works at Digital Commons @ East Tennessee State University. It has been accepted for inclusion in Undergraduate Honors Theses by an authorized administrator of Digital Commons @ East Tennessee State University. For more information, please contact [email protected]. WITH GREAT POWER: EXAMINING THE REPRESENTATION AND EMPOWERMENT OF WOMEN IN DC AND MARVEL COMICS by Kylee Kilbourne East Tennessee State University December 2017 An Undergraduate Thesis Submitted in Partial Fulfillment For the Midway Honors Scholars Program Department of Literature and Language College of Arts and Sciences ____________________________ Dr. Phyllis Thompson, Advisor ____________________________ Dr. Katherine Weiss, Reader ____________________________ Dr. Michael Cody, Reader 1 ABSTRACT Throughout history, comic books and the media they inspire have reflected modern society as it changes and grows. But women’s roles in comics have often been diminished as they become victims, damsels in distress, and sidekicks. This thesis explores the problems that female characters often face in comic books, but it also shows the positive representation that new creators have introduced over the years. -
Transcript of Being Batman
1 You’re listening to Imaginary Worlds, a show about science fiction and other fantasy genres. I’m Eric Molinsky. They say you should never meet your heroes because you might be disappointed. But what happens when you’re that told from now on, you need to become your childhood hero -- just don’t disappoint everyone else? I know for a lot of people, that sounds like a metaphor. But that really happened to Scott Snyder. SCOTT: Right now this city, ruined and beautiful it’s ours and ours alone, its fears, super storms, madmen with private ideology come at us with weapons of every magnetite out of nowhere, these are fears haunt our city but we will face them together. Because right now, this is our Gotham, not our fathers or sons, ours, our fears are great but so are our hopes, our ambitions, our resilience, because we’re fighters. Scott Snyder writes Batman. There are lots of DC Comics that feature Batman, but he writes the one with Batman in the title. It’s consistently the best selling title for DC -- and all of comics. To say I’m a Batman fan is an understatement. But I could really never explain why I feel such a connection with Bruce Wayne, or why my obsession started at the end of high school, not when I was a kid. I’ve devoured every version of this character from Frank Miller to Tim Burton to the animated series to Christopher Nolan to the Arkham video games. What’s different about Scott Snyder’s Batman is that he isn’t dark, edgy and tormented. -
A Queer and Gendered Analysis of Blaxploitation Films
Marquette University e-Publications@Marquette Social and Cultural Sciences Faculty Research and Publications/Department of Social and Cultural Sciences This paper is NOT THE PUBLISHED VERSION; but the author’s final, peer-reviewed manuscript. The published version may be accessed by following the link in the citation below. Western Journal of Black Studies, Vol. 37, No. 1 (2013): 28-38. DOI. This article is © Washington State University and permission has been granted for this version to appear in e- Publications@Marquette. Washington State University does not grant permission for this article to be further copied/distributed or hosted elsewhere without the express permission from Washington State University. Contents Abstract ......................................................................................................................................................... 2 Introduction .................................................................................................................................................. 2 Literature Review .......................................................................................................................................... 3 Social Identity Theory ............................................................................................................................... 3 The Politics of Semiotics ........................................................................................................................... 4 Creating Racial Identity through Film and