Exploring the High-Altitude Nuclear Detonation and Magnetic Storms Mahmoud E Yousif* Department of Physics, the University of Nairobi, Nairobi, Kenya
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PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 and 1991 Bradley C. Klypchak a Dissertation Submitted to the Graduate
PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 AND 1991 Bradley C. Klypchak A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2007 Committee: Dr. Jeffrey A. Brown, Advisor Dr. John Makay Graduate Faculty Representative Dr. Ron E. Shields Dr. Don McQuarie © 2007 Bradley C. Klypchak All Rights Reserved iii ABSTRACT Dr. Jeffrey A. Brown, Advisor Between 1984 and 1991, heavy metal became one of the most publicly popular and commercially successful rock music subgenres. The focus of this dissertation is to explore the following research questions: How did the subculture of heavy metal music between 1984 and 1991 evolve and what meanings can be derived from this ongoing process? How did the contextual circumstances surrounding heavy metal music during this period impact the performative choices exhibited by artists, and from a position of retrospection, what lasting significance does this particular era of heavy metal merit today? A textual analysis of metal- related materials fostered the development of themes relating to the selective choices made and performances enacted by metal artists. These themes were then considered in terms of gender, sexuality, race, and age constructions as well as the ongoing negotiations of the metal artist within multiple performative realms. Occurring at the juncture of art and commerce, heavy metal music is a purposeful construction. Metal musicians made performative choices for serving particular aims, be it fame, wealth, or art. These same individuals worked within a greater system of influence. Metal bands were the contracted employees of record labels whose own corporate aims needed to be recognized. -
Grappling with the Bomb: Britain's Pacific H-Bomb Tests
Timeline and glossary Nuclear timeline, 1945–1963 16 July 1945 Alamogordo, United States conducts first-ever nuclear New Mexico, USA test, codenamed ‘Trinity .’ 6 August 1945 Hiroshima, Japan US aircraft Enola Gay drops the atomic weapon ‘Little Boy’ on Hiroshima, killing 80,000 people immediately and an estimated 100,000 people within six months . 9 August 1945 Nagasaki, Japan US aircraft Bockscar drops the atomic weapon ‘Fat Man’ on Nagasaki, killing 70,000 people immediately and tens of thousands in following months . 30 June 1946 Bikini Atoll, Marshall Under Operation Crossroads, United Islands States conducts the first of two atomic tests at Bikini Atoll in the Marshall Islands. ‘Able’ and ‘Baker’ are the first of 67 atmospheric tests in the Marshall Islands between 1946–1958 . 6 August 1948 Hiroshima, Japan Hiroshima’s first Peace Festival. 29 August 1949 Semipalatinsk, USSR conducts first atomic test Kazakhstan RDS-1 in Operation Pervaya molniya (Fast lightning), dubbed ‘Joe-1’ by United States . 1950–1954 Korean peninsula United States, Britain and Australia, under a United Nations mandate, join military operations in Korea following clashes between forces from the south and north of Korea. The Democratic People’s Republic is backed by the newly created People’s Republic of China . 3 October 1952 Monte Bello Islands, Under Operation Hurricane, United Western Australia Kingdom begins its nuclear testing program in Australia with a 25 kiloton atomic test . xi GRAPPLING WITH THE BOMB 1 November 1952 Bikini Atoll, Marshall United States conducts its first Islands hydrogen bomb test, codenamed ‘Mike’ (10 .4 megatons) as part of Operation Ivy . -
Death Metal with a Concept
New Release Information uu January BLEEDING GODS Release Date Pre-Order Start Dodekathlon uu 12/01/2018 uu 10/11/2017 uu Advertising in many important music magazines NOV/DEZ 2017 Price Code: CD04 uu Album reviews, interviews in all important Metal magazines in NB 4268-2 CD Europe’s NOV/DEZ 2017 issues uu Song placements in European magazine compilations uu Spotify playlists in all European territories uu Retail marketing campaigns uu Instore decoration: flyers, poster A2 uu Facebook, YouTube, Twitter, Google+ organic promotion Territory: uu Facebook ads and promoted posts + Google ads in both the search World and display networks, bing ads and gmail ads (tbc) uu Banner advertising on more than 60 most important Metal & Rock uu Tracklist: websites all over Europe 01. Bloodguilt 02. Multiple Decapitation uu Additional booked ads on Metal Hammer Germany and UK, and in 03. Beloved By Artemis the Fixion network (mainly Blabbermouth) 04. From Feast To Beast uu Video and pre-roll ads on You tube 05. Inhuman Humiliation uu Ad campaigns on iPhones for iTunes and Google Play for Androids 06. Birds Of Hate 07. Saviour Of Crete uu Banners, featured items at the shop, header images and a back- 08. Tyrannical Blood ground on nuclearbl-irast.de and nuclearblast.com 09. Seeds Of Distrust uu Features and banners in newsletters, as well as special mailings 10. Tripled Anger 11. Hera’s Orchard to targeted audiences in support of the release 12. Hound Of Hell DEATH METAL WITH A CONCEPT 2012: From the foundations of several Dutch metal acts like HOUWITSER, SUPREME PAIN, SINISTER and ALTAR, BLEEDING GODS was established. -
Using a Nuclear Explosive Device for Planetary Defense Against an Incoming Asteroid
Georgetown University Law Center Scholarship @ GEORGETOWN LAW 2019 Exoatmospheric Plowshares: Using a Nuclear Explosive Device for Planetary Defense Against an Incoming Asteroid David A. Koplow Georgetown University Law Center, [email protected] This paper can be downloaded free of charge from: https://scholarship.law.georgetown.edu/facpub/2197 https://ssrn.com/abstract=3229382 UCLA Journal of International Law & Foreign Affairs, Spring 2019, Issue 1, 76. This open-access article is brought to you by the Georgetown Law Library. Posted with permission of the author. Follow this and additional works at: https://scholarship.law.georgetown.edu/facpub Part of the Air and Space Law Commons, International Law Commons, Law and Philosophy Commons, and the National Security Law Commons EXOATMOSPHERIC PLOWSHARES: USING A NUCLEAR EXPLOSIVE DEVICE FOR PLANETARY DEFENSE AGAINST AN INCOMING ASTEROID DavidA. Koplow* "They shall bear their swords into plowshares, and their spears into pruning hooks" Isaiah 2:4 ABSTRACT What should be done if we suddenly discover a large asteroid on a collision course with Earth? The consequences of an impact could be enormous-scientists believe thatsuch a strike 60 million years ago led to the extinction of the dinosaurs, and something ofsimilar magnitude could happen again. Although no such extraterrestrialthreat now looms on the horizon, astronomers concede that they cannot detect all the potentially hazardous * Professor of Law, Georgetown University Law Center. The author gratefully acknowledges the valuable comments from the following experts, colleagues and friends who reviewed prior drafts of this manuscript: Hope M. Babcock, Michael R. Cannon, Pierce Corden, Thomas Graham, Jr., Henry R. Hertzfeld, Edward M. -
The Meshuggah Quartet
The Meshuggah Quartet Applying Meshuggah's composition techniques to a quartet. Charley Rose jazz saxophone, MA Conservatorium van Amsterdam, 2013 Advisor: Derek Johnson Research coordinator: Walter van de Leur NON-PLAGIARISM STATEMENT I declare 1. that I understand that plagiarism refers to representing somebody else’s words or ideas as one’s own; 2. that apart from properly referenced quotations, the enclosed text and transcriptions are fully my own work and contain no plagiarism; 3. that I have used no other sources or resources than those clearly referenced in my text; 4. that I have not submitted my text previously for any other degree or course. Name: Rose Charley Place: Amsterdam Date: 25/02/2013 Signature: Acknowledgment I would like to thank Derek Johnson for his enriching lessons and all the incredibly precise material he provided to help this project forward. I would like to thank Matis Cudars, Pat Cleaver and Andris Buikis for their talent, their patience and enthusiasm throughout the elaboration of the quartet. Of course I would like to thank the family and particularly my mother and the group of the “Four” for their support. And last but not least, Iwould like to thank Walter van de Leur and the Conservatorium van Amsterdam for accepting this project as a master research and Open Office, open source productivity software suite available on line at http://www.openoffice.org/, with which has been conceived this research. Introduction . 1 1 Objectives and methodology . .2 2 Analysis of the transcriptions . .3 2.1 Complete analysis of Stengah . .3 2.1.1 Riffs . -
Internal Bleeding Beyond Creation Hacavitz Royal
ACE FREHLEY SOULFLY OPETH ROYAL TUSK BEYOND CREATION SPACEMAN RITUAL GARDEN OF THE TITANS: LIVE AT RED ROCKS TUSK II ALGORYTHM EONE NUCLEAR BLAST NUCLEAR BLAST MUSCA/EONE SEASON OF MIST Ace Frehley is on a roll, and he’s ready to embark on Both ancient and modern cultures rely heavily on An unstoppable force for uniqueness amid a sea of It’s been said that if you don’t stand for something, Beyond Creation formed in 2005 in Montreal, Canada his next musical journey with Spaceman – his third rituals. From religious proceedings that date back generic swill, Swedish death metal titans, Opeth, you’ll fall for anything. Royal Tusk dig in its heels, hold but it wasn’t until 2010 that the band was ready to hit solo outing in four years. Amongst Ace’s post-KISS millennia to daily 21st century routines such as have been setting the rulebook ablaze and plowing a its ground, and fight with fury against the specter of its the stage with its original line-up consisting of Simon records, Spaceman might be the closest link to his checking social media, humanity gravitates towards uniquely progressive and exploratory furrow for nearly debut. These blue-collar troubadours from the Great Girard, Kevin Chatré, Guyot Bégin-Benoît and Dominic widely acclaimed 1978 solo record, both in spirit and ritualistic behavior for the appearance of order and a 25 years now. Formed in Stockholm in 1990, the band White North are steadfast champions of the majesty ‘Forest’ Lapointe. A year later, they self-released execution: namely, Frehley played all of the guitar parts semblance of control over life’s chaos. -
KATAKLYSM + HYPOCRISY 19. Oktober 2018 Stuttgart-Wangen LKA/Longhorn
KATAKLYSM + HYPOCRISY 19. Oktober 2018 Stuttgart-Wangen LKA/Longhorn Death…Is Just The Beginning Gäste: The Spirit Die Montréaler Melodic Death Metaller KATAKLYSM machen gemeinsame Sache mit den schwedischen Death Metal-Legenden HYPOCRISY! Im Rahmen dieses tödlichen Bündnisses werden sich die beiden Bands auf eine ausgedehnte Co- Headlinetour durch Europa begeben. Damit melden sich HYPOCRISY, die Band um Peter Tägtgren (Pain, Lindemann), nach Jahren ohne jegliche Liveaktivitäten mit aller Macht zurück; einen beeindruckenden musikalischen Vorgeschmack werden KATAKLYSM bereits am 01. Juni in Form der Veröffentlichung ihrer neuen Platte „Meditations“ abliefern. Der Name der Tour geht auf die beliebte Sampler- Reihe aus den Anfangszeiten von Nuclear Blast zurück und verspricht Abende voller Moshpits, die nichts als Schutt und Asche hinterlassen werden! KATAKLYSMs Maurizio Iacono kommentiert: „Wir hatten bereits vor über zwei Jahren darüber gesprochen - nun ist es endlich soweit: Wir werden endlich wieder mit unseren Brüdern von HYPOCRISY auf Tour gehen. Das letzte Mal gemeinsam unterwegs waren wir vor rund 15 Jahren. Die damaligen Touren waren geradezu von historischem Ausmaß. Es ist an der Zeit, dass diesen Geschichten ein neues Kapitel hinzugefügt wird... KATAKLYSM und HYPOCRISY tun sich einmal mehr zusammen, um eine gemeinsame Welttournee zu spielen, die diesen Herbst in Europa beginnen wird. Was dem Ganzen die Krone aufsetzt: Unser Plattenlabel hat der Tour den Namen »Death...Is Just The Beginning« verpasst. Eine Hommage an die alten Kult-Compilations, durch die viele Fans beide Bands überhaupt erst entdecken konnten. Im Zuge dessen wird dieser Sampler seine Wiederauferstehung feiern und hoffentlich einigen anderen Bands die Chance geben, von den Leuten entdeckt zu werden. -
Operation Dominic I
OPERATION DOMINIC I United States Atmospheric Nuclear Weapons Tests Nuclear Test Personnel Review Prepared by the Defense Nuclear Agency as Executive Agency for the Department of Defense HRE- 0 4 3 6 . .% I.., -., 5. ooument. Tbe t k oorreotsd oontraofor that tad oa the book aw ra-ready c I I i I 1 1 I 1 I 1 i I I i I I I i i t I REPORT NUMBER 2. GOVT ACCESSION NC I NA6OccOF 1 i Technical Report 7. AUTHOR(.) i L. Berkhouse, S.E. Davis, F.R. Gladeck, J.H. Hallowell, C.B. Jones, E.J. Martin, DNAOO1-79-C-0472 R.A. Miller, F.W. McMullan, M.J. Osborne I I 9. PERFORMING ORGAMIIATION NWE AN0 AODRCSS ID. PROGRAM ELEMENT PROJECT. TASU Kamn Tempo AREA & WOW UNIT'NUMSERS P.O. Drawer (816 State St.) QQ . Subtask U99QAXMK506-09 ; Santa Barbara, CA 93102 11. CONTROLLING OFClCC MAME AM0 ADDRESS 12. REPORT DATE 1 nirpctor- . - - - Defense Nuclear Agency Washington, DC 20305 71, MONITORING AGENCY NAME AODRCSs(rfdIfI*mI ka CamlIlIU Olllc.) IS. SECURITY CLASS. (-1 ah -*) J Unclassified SCHCDULC 1 i 1 I 1 IO. SUPPLEMENTARY NOTES This work was sponsored by the Defense Nuclear Agency under RDT&E RMSS 1 Code 6350079464 U99QAXMK506-09 H2590D. For sale by the National Technical Information Service, Springfield, VA 22161 19. KEY WOROS (Cmlmm a nm.. mid. I1 n.c...-7 .nd Id.nllh 4 bled nlrmk) I Nuclear Testing Polaris KINGFISH Nuclear Test Personnel Review (NTPR) FISHBOWL TIGHTROPE DOMINIC Phase I Christmas Island CHECKMATE 1 Johnston Island STARFISH SWORDFISH ASROC BLUEGILL (Continued) D. -
Bob Farquhar
1 2 Created by Bob Farquhar For and dedicated to my grandchildren, their children, and all humanity. This is Copyright material 3 Table of Contents Preface 4 Conclusions 6 Gadget 8 Making Bombs Tick 15 ‘Little Boy’ 25 ‘Fat Man’ 40 Effectiveness 49 Death By Radiation 52 Crossroads 55 Atomic Bomb Targets 66 Acheson–Lilienthal Report & Baruch Plan 68 The Tests 71 Guinea Pigs 92 Atomic Animals 96 Downwinders 100 The H-Bomb 109 Nukes in Space 119 Going Underground 124 Leaks and Vents 132 Turning Swords Into Plowshares 135 Nuclear Detonations by Other Countries 147 Cessation of Testing 159 Building Bombs 161 Delivering Bombs 178 Strategic Bombers 181 Nuclear Capable Tactical Aircraft 188 Missiles and MIRV’s 193 Naval Delivery 211 Stand-Off & Cruise Missiles 219 U.S. Nuclear Arsenal 229 Enduring Stockpile 246 Nuclear Treaties 251 Duck and Cover 255 Let’s Nuke Des Moines! 265 Conclusion 270 Lest We Forget 274 The Beginning or The End? 280 Update: 7/1/12 Copyright © 2012 rbf 4 Preface 5 Hey there, I’m Ralph. That’s my dog Spot over there. Welcome to the not-so-wonderful world of nuclear weaponry. This book is a journey from 1945 when the first atomic bomb was detonated in the New Mexico desert to where we are today. It’s an interesting and sometimes bizarre journey. It can also be horribly frightening. Today, there are enough nuclear weapons to destroy the civilized world several times over. Over 23,000. “Enough to make the rubble bounce,” Winston Churchill said. The United States alone has over 10,000 warheads in what’s called the ‘enduring stockpile.’ In my time, we took care of things Mano-a-Mano. -
Microsoft Office Outlook
KRXX.com Rocking from both sides of the Atlantic Updated up to: 14.01.2014 A-list top 15: 1 – Ajenda - Hollow (Homegrown) 2 – Badhoven - Obsession (ATS Records) 3 – Eden`s Curse - Fallen From Grace (AFM Records) 4 – End Of Green - Miss Misery (Napalm Records) 5 – Grand Magus - Triumph And Power (Nuclear Blast America Records) 6 – Halestorm - Get Lucky (ATCO Records) 7 - Kill Devil Hill - No Way Out (Centuary Media Records) 8 - Minoturo Never Loose Your Faith (Made In Germany Records) 9 - Monster Magnet - I Live Behind the Clouds (Napalm Records) 10 - Pillar - Forever Starts Now (Essential Records) 11 - Rush - Far Cry (Live 2013) (Roadrunner - ATCO) 12 - Saliva - Closer ( Rum Bum Music) 13 - The Answer - Leave With Nothin' (Napalm Records) 14 - The Temperance Movement - Only Freind (Earache Records) 15 - Trivium - Villainy Thrives (Roadrunner - WEA Records) B-list: 1 – Backwash - Something Hard (Homegrown) 2 – China - Crazy Like You (Homegrown) 3 – Dogface - Higher (AOR Heaven) 4 – Ektomorph - Numb And Sick (AFM Records) 5 – Giulio Garghentini - I Can`t Stand the rain (Tanzan Music) 6 - Kee Marcello - Dead End Highway (7Hard Records) 7 - Mad Margitt - Ever Since You've Been Gone (Perris Records) 8 - Mistress - She`s a Sinner (Origami Music) 9 - Orchid - Leaving It All Behind (Nuclear Blast America) 1 10 - Pollock - 8mm (Homegrown) 11 - Scar The Martyr - Dark Ages (Roadrunner - WB Records) 12 - The Burning Crowes - Devil May care (Music Buy Mail Records) 13 - The Southern Experience - Fight The Fight (Homegrown) 14 - Tricky Lobsters - Little Brother (Get Some Recordings) 15 - Tristiania - Lavender (Napalm Records) C-list (Selected for rotation): Coldspell - Keep On Believing (Escape Records), Drought - Not My fault (Perris Records), Fade Away - Fade Away (Homegrown), Human Fortress - Child Of War (AFM Records). -
Metaldata: Heavy Metal Scholarship in the Music Department and The
Dr. Sonia Archer-Capuzzo Dr. Guy Capuzzo . Growing respect in scholarly and music communities . Interdisciplinary . Music theory . Sociology . Music History . Ethnomusicology . Cultural studies . Religious studies . Psychology . “A term used since the early 1970s to designate a subgenre of hard rock music…. During the 1960s, British hard rock bands and the American guitarist Jimi Hendrix developed a more distorted guitar sound and heavier drums and bass that led to a separation of heavy metal from other blues-based rock. Albums by Led Zeppelin, Black Sabbath and Deep Purple in 1970 codified the new genre, which was marked by distorted guitar ‘power chords’, heavy riffs, wailing vocals and virtuosic solos by guitarists and drummers. During the 1970s performers such as AC/DC, Judas Priest, Kiss and Alice Cooper toured incessantly with elaborate stage shows, building a fan base for an internationally-successful style.” (Grove Music Online, “Heavy metal”) . “Heavy metal fans became known as ‘headbangers’ on account of the vigorous nodding motions that sometimes mark their appreciation of the music.” (Grove Music Online, “Heavy metal”) . Multiple sub-genres . What’s the difference between speed metal and death metal, and does anyone really care? (The answer is YES!) . Collection development . Are there standard things every library should have?? . Cataloging . The standard difficulties with cataloging popular music . Reference . Do people even know you have this stuff? . And what did this person just ask me? . Library of Congress added first heavy metal recording for preservation March 2016: Master of Puppets . Library of Congress: search for “heavy metal music” April 2017 . 176 print resources - 25 published 1980s, 25 published 1990s, 125+ published 2000s . -
For Want of a Shoal: Yamamoto and Midway
Journal of Strategy and Politics (2014), 1, pp. 1-13. © Institute for the Study of Strategy and Politics 2014. Published subject to the conditions of the Creative Commons Attribution License. For Want of a Shoal: Yamamoto and Midway Richard C. Thornton Professor of History and International Affairs, George Washington University There are two big questions about the Battle of Midway: the first is why the battle was fought and the second is how did Admiral Yamamoto, the chief architect of the Japanese plan, manage to snatch defeat from the jaws of victory? The answer to the second question has to do with pre-battle reconnaissance, specifically with Operation K, a planned reconnaissance of Pearl Harbor. But, to put that operation in context, we must first understand why the battle was fought, and that takes us into the realm of Japan’s strategy. It is surprising to learn that Japan and Germany were pursuing identical strategies, but not simultaneously. Since 1935 the two axis powers had been engaged in joint planning for a two-front war against the Soviet Union.1 The two countries proclaimed their common objective the following year when they signed the Anti- Comintern Pact. Between 1937 and 1939, as Germany encroached into Eastern Europe, Japan and the Soviet Union fought an undeclared war; and Stalin’s foreign policy was sharply focused on avoiding a two-front conflict.2 This paper was presented at the International Midway Memorial Foundation’s Battle of Midway Symposium, Navy Memorial, June 4, 2009. 1 James Morley, ed., Deterrent Diplomacy: Japan, Germany, and the U.S.S.R., 1935-1941 (New York: Columbia, 1976).