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RAMON CALZADILLA Barítono - Cuba

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RAMON CALZADILLA Barítono - Cuba Digitalizado por la Biblioteca Luis Ángel Arango del Banco de la República, Colombia. RAMON CALZADILLA Barítono - Cuba Nació en La Habana. Realizó estudios musicales de nivel elemental y medio en el Conservatorio Hubert de Blanck. Arturo Bovi y M aría Pisarewskaya fueron sus primeros profesores de canto. Cursó estudios de especialización en la Academia Santa Cecilia de Roma y en el Conservatorio Porumbescu de Bucarest, contando entre sus profeso­ res a Giorgio Favaretto, Rodolfo Ricci, George lonescu y M arta Joja. Se ha presentado en importantes escenarios de Canadá, Estados Uni­ dos, Costa Rica, Brasil, Bulgaria, Rumania, Hungría, RDA, Checoslova­ quia, URSS, Polonia, Mongolia, Corea, Vietnam, Suiza, Argelia, México, Ecuador, Francia, Italia, Holanda, Portugal, España y Perú . Ha obtenido numerosas distinciones entre las que se destacan: Primer Premio del Concurso Internacional Beniamino Gigli, Primer Premio del Concurso de Frascati, Premio del Jurado Concurso Cittá di Roma (Italia); Primer Premio del Concurso Internacional de Canto de Toulousse (Francia); Laureado en ópera e interpretación de canciones búlgaras en el concurso de Jóvenes Cantantes de Opera, Medalla de Oro en el Festival de Laureados Katia Popova (Bulgaria); Premio Extraordinarto de Música Española en el Concurso Francisco Viñas de España; Orden al Mérito Artístico de la República de Checoslovaquia y Orden de la Amistad del Pueblo de Vietnam. En Cuba le fueron otorgadas la Orden "Raúl Gómez García", Orden por los 15 y 20 años de labor artística, Medalla "Alejo Carpentier", Distinción Por la Cultura Nacional. Fue fundador y Jefe durante catorce años del Departamento de Canto del Instituto Superior de Arte de La Habana y en 1983 se le confirió la categoría docente de Profesor Titular. Actualmente aspira al doctorado en Ciencias Musicales. Digitalizado por la Biblioteca Luis Ángel Arango del Banco de la República, Colombia. Ofreció cursos de canto y clases magistrales en el Instituto Superior de Música de Berlín, ROA; Universidad Autónoma Vida y Movimiento, México; Conserva­ torios de Música en Perú, Brasil y Ecuador. Participó en los Festivales de Música Contemporánea de la UNEAC, Festival de Otoño en Eslovaquia, Festival George Enescu en Rumania y en el Festival Primavera de Praga en Checoslovaquia. Fue jurado en concursos de canto, tales como: Concurso Tchaikovsky (URSS), en tres oportunidades; Jóvenes Cantantes de Opera (Bulgaria); Concurso Internacional de Canto de Toulousse (Francia); Concurso de Canto de Rio de Janeiro (Brasil); Concurso de Canto aralia Domínguez (México) y Concurso de Canto Valentino Bucchi (Italia). Grabó 2 LP de Romanzas y canciones cubanas, 2 LP de canciones de Eduardo Sánchez de Fuente, una selección de óperas rusas e italianas, canciones cubanas del siglo XIX y canciones afrocubanas. En su repertorio operístico incluye: Tosca (ScarpiaL Boheme (Marcello), Madame Butterfly (Sharpless), Príncipe Igor' (Príncipe Igor), Halka (Janusz), Carmen (Escamillo), Aída (Amonastro), Don Pasquale (Malatesta), Lucia di Lammermoor (Enrico), Las bodas de Fígaro (Fígaro), Don Giovanni (Don Giovanni), Marina (Roque). NOTAS DE PRENSA "El otro héroe de la noche fue el famoso barítono Ramón Calzadilla. El acto más interesante de Tosca fue el segundo cuando los dos sobresalientes artista (Kubiak-Calzadilla) estaban en la escena. Calzadilla fascinó con su hermosa y bien educada voz, así como relevantes dotes de actor. Su físico le ayuda en todos los ángulos, está muy bien preparado. Esta destacada pareja conmovió al público, cosa que ocurre raras veces en el Gran Teatro". Solowo Powszechne, Polonia "Ramón Calzadilla, el joven cantante cubano que pasa de los truculentos y melodramáticas escenas de Scarpia a las modernas locuras de las canciones populares, ha obtenido un bello suceso personal en la Academia de Santa Cecilia de Roma interpretando, acompañado al piano del prestigioso maestro Giorgio Favareto, páginas de Bellini, Beethoven y Schubert" . 11 Tempo, Italia Digitalizado por la Biblioteca Luis Ángel Arango del Banco de la República, Colombia. "Un relevante barítono, actuó en la 'Stunde der Musik'. Ramón Calzadilla pos una voz de barí ono extensa y llena de fuerza, de gran timbre metálico, apropl da para desempeñar grandes papeles en óperas italianas y rusas. El último recital fue en la Sala Barroca cuyas entradas fueron vendidas totalmente. En v rdad Ramón Calzadilla estudió minuciosamente los textos en alemán, pero para los estímulos íntimos refrenados de estas canciones tiernamente románticas nos parece algo grande la fuerza de percusión de su voz de barítono heroico. Las canCiones italianas de Paolo Tosti y O. Respighi le resultaron chisporro­ teantes de temperamento y llenas de efectos, muy en especial las melodiosas canciones llenas de picantes ritmos de compositores españoles y cubanos que desataron un fuerte aplauso, lo que obligó a los artistas a interpretar una serie de piezas fuera de programa" . Berliner Seitung, ROA Digitalizado por la Biblioteca Luis Ángel Arango del Banco de la República, Colombia. NELSON CAMACHO Pianista - Cuba Nació en San a Clara, provincia de Las Villas en Cuba, el 10. de mayo de 1948. Comenzó sus studios musicales en su ciudad natal en el Conservatorio Falcón irigido por la profesora Zoila Benítez, pasando (luego de graduarse en piano, solfeo, torra de la música, armonía e historia de la músic ) a recibir clases del mi nt forj dar d ianistas César Pérez Senten t ( ui n a su vez fue alumno d Joaquín Nin en la Schola Cantorum d París); I maestro Pérez Senten t fue el Maestro de Maestros más brillant d su época con quien Nelson Cam cho estudió durante nueve años ha t fecha d mu rte del eximio profesor. Desd muy Joven se dedicó a estudiar, además de los ma stros universales, a los cl sicos cubanos un poco olvidados por los planist s del momento, que más bien miraban hacia Europa; es entonces cuando decide hacer una carrera basada en el repertorio nacional, convirtiéndose así en un pianista nacionalista. Del panorama musical cubano, es la figura del Maestro Lecuona quien atrae su atención, y de hecho, se convierte en l)n intérprete fiel del eminente compositor con cuya música logra sus más resonantes éxitos. Nelson Camacho Digitalizado por la Biblioteca Luis Ángel Arango del Banco de la República, Colombia. - celebra en este año sus Bodas de Plata con el arte y ha recibido numerosos homenajes de instituciones de todo el país, que lo reconocen como un mtérprete identificado con la música nacional. Ha actuado en todas las salas de concierto de Cuba, así como con las Orquestas Sinfónicas de Santa Clara, de Camagüey, la Orquesta Sinfónica de la Radio y Televisión, la Banda Nacional de Conciertos y la Orquesta Sinfónica Nacional. Se ha presentado en todos los espacios musicales de la televisión cubana, y ha grabado varios discos de larga duración tanto como solista, como acompañando a la primera figura de la canción cubana, Esther Borja, con quien compartió programas durante trece años. En 1972 reestrenó en Cuba la Rapsodia negra de Lecuona y más tarde la grabó por primera vez en disco con la Orquesta Sinfónica. Se ha presentado con éXito en Moscú, Leningrado, Kiev, Minsk, Budapest y otras ciudades húngaras. En Bulgaria recibió la distinción 11 Dimitri Blagoev". Digitalizado por la Biblioteca Luis Ángel Arango del Banco de la República, Colombia. PROGRAMA ERNESTO LECUONA (1895- 1963) 1. Obras para voz y piano: Quisiera creerte Bolero Amor fugaz Bolero No hay perdón Canción No Quiero acordarme Canción Siempre en mi corazón Canción Te he visto pasar Canción Dame de tus rosas Canción Mi vida eres tú Canción Texto: Alvaro Suárez Tengo un nuevo amor Canción Texto: Alvaro Su rez Texto: G st INT RMEDIO 11. Obras para piano: comp rsa Danza afrocubana En tres por cuatro Danza cubana Digitalizado por la Biblioteca Luis Ángel Arango del Banco de la República, Colombia. Crisantemo Vals Vals en Re bemol Vals Malagueña Obra del género español 111. Obras para voz y piano: Te vas juventud Habanera ¿Por qué me has hecho llorar? Canción Madrigal Canción Texto: Gustavo Sánchez Galárraga La señora luna Canción Texto: Juana de Ibarborou Un ramo de flores Canción Texto: José Martf De cara al sol Canción Texto: José Martf El jardinero y la rosa Canción Texto: Hermanos Alvarez Quintero Santafé de Bogotá, D. C., 19 de abril de 1995 CONCIERTO No. Digitalizado por la Biblioteca Luis Ángel Arango del Banco de la República, Colombia. ERNESTO lECUONA Conmemorar los cien años del nacimiento de Ernesto Lecuona (Guanabacoa 6 de agosto de 1895 - Santa Cruz de Tenerife 29 de noviem­ bre de 1963), es reconocer el valor de uno de los creadores americanos más integrales, tanto por el importante catálogo de obras con que dotó el repertorio del piano, canto y teatro, como por su importantísima labor de intérprete y promotor de artistas, impulsor de agremiaciones de músicos, escuelas y socie­ dades de conciertos. La vida de Ernesto Lecuona, como la de muchos integrantes de la familia (hasta Leo Brouwer), estuvo determinada por la activi­ dad musical. Lecuona se educó como pianis­ ta y obtuvo medalla de oro del Conservatorio de La Habana cuando tenía 17 años de edad. Su formación estuvo orientada principalmente por su hermana Ernestina y por el contacto con el maestro Joaquín Nin y Hubert de Blank en cuyo conservato­ rio recibió los títulos de profesor de piano y solfeo en 1913; su trabajo como pianista en teatros y otros lugares de farándula había comenzado desde los trece años de edad. Para perfeccionarse viajó becado a Nueva York y París en 1915; por problemas Internos del país, la beca fue retirada y al año siguiente estaba de regreso en Cuba. En 1918 inauguró el Instituto Musical de L Habana, que fundó con José Mauri; en 1928 asumió la dirección artística del Teatro Regina; entre 1935 y 1936 ocupó la vicepresidencia de la Asociación Cubana de Artistas Teatrales; a mediados de la década del cuarenta presidió la Federación Nacional de Autores de Cuba.
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