1607 PETE FOUNTAIN AUSTRALIA.Cdr

Total Page：16

File Type：pdf, Size：1020Kb

International PO Box 935, Byron Bay Tel: 61 2 6687 4441 NSW, 2481 Australia Fax: 61 2 6687 4445 Tel: (02) 6687 4441 Web:http://www.aiminternational.com Fax: (02) 6687 4445 E-Mail:[email protected] TRADING GROUP Pty Ltd ABN 78 093 907 914 AVAILABLE SEPTEMBER AIM 1607 CD File under: JAZZ PETE FOUNTAIN w/ Basin Street Six ARTIST OVERVIEW 1) High Society • Last of the great Traditional New Orleans Jazz clarinet players • Member of two legendary New Orleans Jazz groups in early part of career: 2) That's A Plenty The Basin Street Six and The Dukes Of Dixieland 3) The World Is Waiting For The Sunrise • Became one of the most popular musicians in America during the late 4) Margie 1950s as a featured soloist on the Lawrence Welk TV program 5) Up The Lazy River • Immensely popular recording artist in the 1960s with three gold albums to his credit in that decade and over 90 LP recordings over the span of his 6) Mahogany Hall Stomp career 7) Farewell Blues • Ran and performed in his own nightclub in New Orleans from 1960-2003 PETE FOUNTAIN w/ The New that was a major tourist destination in a city known for the best in music. • By the late 1960s was a household name in the US thanks to his many Orleans All Stars appearances on the tonight show and recordings with Al Hirt 8) Sensation Rag SELLING POINTS 9) Sunset In Paradise • New Orleans Jazz at it's finest, from this musician's "pre-commercial" 10) In the Shade of the Old Apple Tree period 11) Bayou Blues • Historic 1950s recordings from New Orleans last golden era • The last of the great New Orleans clarinetists, following in the footsteps of 12) Jazz Me Blues greats like George Lewis, Barney Bigard & Irving Fazola 13) Bugle Call Rag • His earliest recordings from 1950 while still a member of The Basin Street 14) St. James Infirmary Six, coupled with some of his first recordings as a leader backed by The New Orleans All-Stars in 1957 15) When The Saints Go Marching In •Features legendary trumpet players George Girard & Buck Clayton, along with Bud Freeman on saxophone and Joe Rotie on trombone • Material recorded for the legendary Circle label of New Orleans KEY MARKETS: WORLDWIDE Promo & in store CD's available. CD will be sampled to all appropriate media, e-media & radio in US. AVAILABLE ON CD AIM 1607 CD AIM JAZZ MUSIC SERIES 7 5 2 2 1 1 1 6 0 7 2 0.

Copy Link

Recommended publications

Antonio J. Garcfa, by Credit Card, Visit Go.Vcu.Edu/Jazzfund
The VCU Jazz Students Fund DEPARTMENTOF We hope that you will make a gift to the VCU Jazz Students Fund. The Fund helps advance the careers of future jazz MUSIC musicians by providing scholarships, equipment, and travel funding for students/ensembles, plus fees for visiting artists. Your gift now at any of the following levels will help us secure A FACULTY JAZZ RECITAL these opportunities for our students: $1000+ (Jazz Orchestra), $500 - $999 (Big Band), $250 - $499 (Quartet), $100 - $249 (Duo), $1 - $99 (Soloist). For more information or to donate Antonio J. Garcfa, by credit card, visit go.vcu.edu/jazzfund. Or make your checks trombone, vocals, composition/arranging payable to the "VCU Jazz Students Fund" and mail them to Antonio Garcia, VCU Music, PO Box 842004, Richmond, VA with special guests 23284-2004. MARY HERMANN GARCIA, vocals ANNE O'BYRNE, vocals VCU PERCUSSION ENSEMBLE Prof. Justin Alexander, Director THE NASHVILLE AVENUE STOMPERS VCU JAZZ ORCHESTRA I VCU GREATER RICHMOND HIGH SCHOOL JAZZ BAND Sunday, February 25, 2018 at 4 p.m. Sonia Vlahcevic Concert Hall W. E. Singleton Center for the Performing Arts Virginia Commonwealth University 922 Park Avenue I Richmond, VA arts.vcu.edu/music vcuarts vcu r Program VCU Jazz Calendar (in part and subject to change) PSA/Three Reasons music by Antonio J. Garcia music commissioned by Prof. Eric Rivera for VCU Dance Now2018 Concerts are $7 advance; $10 at the door, free for VCU students and in the National Anthem Francis Scott Key, arr. Garcia Concert Hallunless noted. Anne O'Byrne (vocals), Alfredo Santiago (alto sax/flute), Chet Frierson (tenorsax/clarinet), Hamed Barbarji (trumpet), Fridays, 7 - 9 p.m.
[Show full text]
'Slow Drag' Pavageau
NEWSLETTER OCT-2016 ologyology Alcide ‘Slow Drag’ Pavageau G.H.B. JAZZ FOUNDATION • JAZZOLOGY RECORDS GEORGE H. BUCK JAZZ FOUNDATION 1206 DECATUR STREET • NEW ORLEANS, LA 70116 Phone: +1 (504) 525-5000 Office Manager: Lars Edegran Fax: +1 (504) 525-1776 Assistant: Mike Robeson Email: [email protected] Office Hours: Mon-Fri 11am – 5pm Website: www.jazzology.com Entrance: 61 French Market Place Newsletter Editor: Paige VanVorst Contributors: Lars Edegran, Mike Layout & Design: David Stocker Robeson, David Stocker HOW TO ORDER COSTS – U.S. AND FOREIGN MEMBERSHIP If you wish to become a member of the Collector’s Record Club, please mail a check in the amount of $5.00 payable to the GHB Jazz Foundation. You will then receive your membership card by return mail or with your order. *Membership continues as long as you order at least one selection per year. You will also be able to buy our products at a special discounted price: CDs for $13.00 DVDs for $20.00 Books for $25.00 NON-MEMBERS For non-members our prices are: CDs for $15.98 DVDs for $25.00 Books for $30.00 DOMESTIC MAILING & POSTAGE CHARGES There is a flat rate of $3.00 regardless of the number of items ordered. OVERSEAS SHIPPING CHARGES 1 CD $13.00; 2-3 CDS $15.00; 4-6 CDS $20.00; 7-10 CDS $26.00 Canadian shipping charges are 50% of overseas charges ALL PAYMENTS FOR FOREIGN ORDERS MUST BE MADE WITH EITHER: • INTERNATIONAL MONEY ORDER • CHECK DRAWN IN U.S. DOLLARS FROM A U.S.
[Show full text]
New Orleans Jazz & Heritage Foundation
New Orleans' Welcome to Jazz country, where Maison Blanche our heartbeat is a down beat and salutes the the sounds of music fill the air . Welcome to Maison Blanche coun• New Orleans Jazz try, where you are the one who calls the tune and fashion is our and Heritage daily fare. Festival 70 maison blanche NEW ORLEANS Schedule WEDNESDAY - APRIL 22 8 p.m. Mississippi River Jazz Cruise on the Steamer President. Pete Fountain and his Orchestra; Clyde Kerr and his Orchestra THURSDAY - APRIL 23 12:00 Noon Eureka Brass Band 12:20 p.m. New Orleans Potpourri—Harry Souchon, M.C. Armand Hug, Raymond Burke, Sherwood Mangiapane, George Finola, Dick Johnson Last Straws 3:00 p.m. The Musical World of French Louisiana- Dick Allen and Revon Reed, M. C.'s Adam Landreneau, Cyprien Landreneau, Savy Augustine, Sady Courville, Jerry Deville, Bois Sec and sons, Ambrose Thibodaux. Clifton Chenier's Band The Creole Jazz Band with Dede Pierce, Homer Eugene, Cie Frazier, Albert Walters, Eddie Dawson, Cornbread Thomas. Creole Fiesta Association singers and dancers. At the same time outside in Beauregard Square—for the same $3 admission price— you'll have the opportunity to explore a variety of muical experiences, folklore exhibits, the art of New Orleans and the great food of South Louisiana. There will be four stages of music: Blues, Cajun, Gospel and Street. The following artists will appear throughout the Festival at various times on the stages: Blues Stage—Fird "Snooks" Eaglin, Clancy "Blues Boy" Lewis, Percy Randolph, Smilin Joe, Roosevelt Sykes, Willie B. Thomas, and others.
[Show full text]
AUGUST LAURENT 1 I [Of 4]-Digest-Retyped March 21, 1960 Also Present: William Russell, Ralph Collins
AUGUST LAURENT 1 I [of 4]-Digest-Retyped March 21, 1960 Also present: William Russell, Ralph Collins Paul Gaytoen, who was in Cal.iifornia but is on his way to Chicago, sold August Laurent the house he now lives in [at 3800 Paris Avenue). August Robert Laurent was born August 28, 1897, in the Seventh Ward of New Orleans, at Prieur and Lapeyrouse [streets]. Some musicians [all clarinetists] who lived within two blocks of him were "Big Eye Louis" [Nelson], [Alphonse] Picou, Lorenzo Tio [Jr.], and [Louis] Papa Tio. "Big Eye Louis" lived on Prieur between Lapeyrouse and Onzaga; AL lived on Prieur between Lapey rouse and Laharpe; "Papa" Tio lived at Laharpe and Derbingy; Lorenzo Tio lived on Columbus between Prieur and Roman; Picou lived on Johnson near St. Bernard. AL began studying violin, his first instrument, when he was nine years old; he didn't like it. When he was about twelve, he began taking piano with his sister [in company of, or from?]; he began playing jazz, so his family wouldn't let him touch the piano anymore. Giving up piano, AL began working with his father at his father's trade, which was roofing. Lorenzo Tio persuaded AL to take up clarinet; AL began studying with Tio, who taught him the fingering, plus the freak {i.e., alternate (AL demonstEates some of the freak, [i.e., alternate] fingerings Tio showed him)] fingerings; in six months, AL was . play~ng. Tio would never get his clarinet fixed; he would plug holes if they [the keys concerned] didn't work, and use freak [i.e., alternate] fingerings; {A.J.] Piron persuaded Tio to get a new clarinet when they went to New York.
[Show full text]
10 Program.03.07.18.PRINT.Indd
“Music of the City” is the 12th installment of Musical Louisiana: America’s Cultural Heritage, an annual series presented by The Historic New Orleans Collection The Historic New Orleans Collection and the Louisiana Philharmonic Orchestra. Dedicated to the study of Louisiana’s contributions to the world of classical music, the award-winning series reaches an audience of nearly 30,000 individuals through and live radio broadcasts and online video streaming of the concert. In addition, the accompanying program and educational materials The Louisiana Philharmonic Orchestra are made available online to middle and high school teachers throughout Louisiana and across the country. A recording of the Carlos Miguel Prieto concert and this printed program are also distributed to the 68 library systems of the State Library of Louisiana, university libraries, Adelaide Wisdom Benjamin Music Director and Principal Conductor music history instructors in Louisiana, and centers throughout the United States concentrating on the study of American music. PRESENT Sponsored by MUSIC OF THE CITY Carlos Miguel Prieto, conductor Norman Robinson, narrator Additional support provided by Doreen Ketchens, clarinet Davide Mariano, organ and piano Dara Rahming, soprano Wednesday, March 21, 2018 This year’s concert is once again streaming live on LPOmusic.com. WWNO is broadcasting the program on 89.9 FM and Classical 104.9 FM in the New Orleans area, Cathedral-Basilica of St. Louis, King of France KTLN 90.5 FM in the Thibodaux-Houma area, and on wwno.org. New Orleans, Louisiana Please silence your cell phone during the performance. The use of recording devices and flash photography is strictly prohibited.
[Show full text]
A Researcher's View on New Orleans Jazz History
2 TABLE OF CONTENTS Introduction 6 Format 6 New Orleans Jazz 7 Brass & String Bands 8 Ragtime 11 Combining Influences 12 Party Atmosphere 12 Dance Music 13 History-Jazz Museum 15 Index of Jazz Museum 17 Instruments First Room 19 Mural - First Room 20 People and Places 21 Cigar maker, Fireman 21 Physician, Blacksmith 21 New Orleans City Map 22 The People Uptown, Downtown, 23 Lakefront, Carrollton 23 The Places: 24 Advertisement 25 Music on the Lake 26 Bandstand at Spanish Fort 26 Smokey Mary 26 Milneburg 27 Spanish Fort Amusement Park 28 Superior Orchestra 28 Rhythm Kings 28 "Sharkey" Bonano 30 Fate Marable's Orchestra 31 Louis Armstrong 31 Buddy Bolden 32 Jack Laine's Band 32 Jelly Roll Morton's Band 33 Music In The Streets 33 Black Influences 35 Congo Square 36 Spirituals 38 Spasm Bands 40 Minstrels 42 Dance Orchestras 49 Dance Halls 50 Dance and Jazz 51 3 Musical Melting Pot-Cotton CentennialExposition 53 Mexican Band 54 Louisiana Day-Exposition 55 Spanish American War 55 Edison Phonograph 57 Jazz Chart Text 58 Jazz Research 60 Jazz Chart (between 56-57) Gottschalk 61 Opera 63 French Opera House 64 Rag 68 Stomps 71 Marching Bands 72 Robichaux, John 77 Laine, "Papa" Jack 80 Storyville 82 Morton, Jelly Roll 86 Bolden, Buddy 88 What is Jazz? 91 Jazz Interpretation 92 Jazz Improvising 93 Syncopation 97 What is Jazz Chart 97 Keeping the Rhythm 99 Banjo 100 Violin 100 Time Keepers 101 String Bass 101 Heartbeat of the Band 102 Voice of Band (trb.,cornet) 104 Filling In Front Line (cl.
[Show full text]
Music Guide 13 the Beat 180 Master Class by ELDAR DJANGIROV 194 Blindfold Test Where to Study Jazz 2017 24 Players 182 Pro Session Dr
October 2016 VOLUME 83 / NUMBER 10 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Managing Editor Brian Zimmerman Contributing Editor Ed Enright Creative Director ŽanetaÎuntová Design Assistant Markus Stuckey Circulation Manager Kevin R. Maher Assistant to the Publisher Sue Mahal Bookkeeper Evelyn Oakes Editorial Intern Izzy Yellen ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile 630-941-2030 [email protected] Musical Instruments & East Coast Schools Ritche Deraney 201-445-6260 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, Howard Mandel, John McDonough Atlanta: Jon Ross; Austin: Kevin Whitehead; Boston: Fred Bouchard, Frank- John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Margasak, Bill Meyer, Mitch Myers, Paul Natkin, Howard Reich; Denver: Norman Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Bob Doerschuk; New Orleans: Erika Goldring, David Kunian, Jennifer Odell; New York: Alan Bergman, Herb Boyd, Bill Douthart, Ira Gitler, Eugene Gologursky, Norm Harris, D.D. Jackson, Jimmy Katz, Jim Macnie, Ken Micallef, Dan Ouellette, Ted Panken, Richard Seidel, Tom Staudter, Jack Vartoogian, Michael Weintrob; North Carolina: Robin
[Show full text]
NEW ORLEANS NOSTALGIA Remembering New Orleans History, Culture and Traditions
NEW ORLEANS NOSTALGIA Remembering New Orleans History, Culture and Traditions By Ned Hémard Ode To Jazz Fest New Orleans is where Jazz was born And Louis Armstrong blew his horn. Our artists are the very best, So it made sense to have a Fest. The first one was in Congo Square, Where soulful music filled the air. Mahalia Jackson made the scene, The undisputed Gospel Queen. Duke Ellington and Mahalia Jackson at the first Jazz Fest, 1970 The late Pete Fountain was there, too, And very soon this Jazz Fest grew. The coolest posters out each year And beaucoup bands for you to hear. Pete Fountain For such success, we thank you, Quint, Through such a long and lasting stint, In making happy such a throng When little things can all go wrong. Tents and stages, what a crowd! A thrill to sing those songs out loud. Local favorites through the years, Longhair, K-Doe, they brought cheers. Allen Toussaint, Irma, Fats, Dr. John and all “dem cats”, Street parade and second line, It’s “All These Things” that make you mine. Irma Thomas The best in music, every style, Jazz and Cajun makes us smile. Blues and Gospel, yesiree, Rock and Country, R & B. Island Riddims, fast and slow, Latin, Folk and Zydeco, Ivan Neville’s Dumpstaphunk; But don’t get sunburned, don’t get drunk. Besides the stellar music scene, The Fest is famed for its cuisine. Its food is far beyond compare And not your frequent carny fare: Crawfish beignets, Yaka Mein, Roast duck po-boys (dressed or plain), Jambalaya, Mango Freeze, Springs rolls à la Vietnamese.
[Show full text]
1970 Jazz Fest Join the Friends of the Cabildo for Two Screenings of Seven 16Mm Film Reels from the Inaugural 1970 Jazz Fest at the Old U.S
Friends of the Cabildo NewsVolume 182, April-May 2017 Mahalia Jackson with the Eureka Brass Band at Jazz Fest, 1970 / Hogan Jazz Archive, Howard-Tilton Memorial Library at Tulane University movies at the mint: 1970 jazz fest Join the Friends of the Cabildo for two screenings of seven 16mm film reels from the inaugural 1970 Jazz Fest at the Old U.S. Mint 3rd Floor Performance Space. Dr. Charles Chamberlain will moderate the event and live music will be performed in the sections of the films with no audio. The films feature artists such as Duke Ellington, Pete Fountain, Danny Barker and Mahalia Jackson. To order tickets, contact the FOC office at 504.523.3939 or book online at www.friendsofthecabildo.org. Tickets are limited to 100 per screening and reservations are required. A cash bar will be available. $20 Friends of the Cabildo Members / $25 General Admission. friendsofthecabildo.org Friends of the Cabildo Board of Directors Events Ruth Burke, Second Thursday Lecture Series strip of the Twentieth Century. In 1880, President Old U.S. Mint, 400 Esplanade Ave. Herriman was born into a mixed-race Tamra Carboni, 6 p.m.–8 p.m. family in the Treme neighborhood and, at Administration Admission is free and open to the public. For the age of ten, moved to Los Angeles, where his family “passed” as white. In “Krazy Charles Chamberlain, more information, contact 504.523.3939. Education Kat,” Herriman slyly challenged notions of language, identity and reality — all in Robert Freeland, Membership a comic about a cat, mouse and dog. The product of ten years of research, Michael Ariana Ganak, Tisserand’s critically acclaimed book lifts Fundraising the curtain on Herriman’s masterful work Wendy Lodrig, and his fascinating life on America’s color Secretary line.
[Show full text]
Collection of Jazz Articles
1 Table of Contents Adams, Dolly 3 Albert, Don 6 Alexis, Richard 12 Allen, Red 14 Almerico, Tony 16 Anderson, Andy 27 Bailey, Buster 38 Barbarin, Paul 39 Barnes, “Polo” 43 Barrett, Emma 48 Barth, George 49 Bauduc, Ray 50 Bechet, Sidney 65 Bechet, Leonard 69 Bigard, Barney 70 Bocage, Peter 53 Boswell, Sisters 84 Boswell, Connie 88 Bouchon, Lester 94 Braud, Wellman 96 Brown, Tom 97 Brownlee, Norman 102 Brunies, Abbie 104 Brunies, George 106 Burke, Ray 116 Casimir, John 140 Christian, Emile 142 1 2 Christian, Frank 144 Clark, Red 145 Collins, Lee 146 Charles, Hypolite 148 Cordilla, Charles 155 Cottrell, Louis 160 Cuny, Frank 162 Davis, Peter 164 DeKemel, Sam 168 DeDroit, Paul 171 DeDroit, John 176 Dejan, Harold 183 Dodds, “Baby” 215 Desvigne, Sidney 218 Dutrey, Sam 220 Edwards, Eddie 230 Foster, “Chinee” 233 Foster, “Papa” 234 Four New Orleans Clarinets 237 Arodin, Sidney 239 Fazola, Irving 241 Hall, Edmond 242 Burke, Ray 243 Frazier, “Cie” 245 French, “Papa” 256 Dolly Adams 2 3 Dolly‟s parents were Louis Douroux and Olivia Manetta Douroux. It was a musical family on both sides. Louis Douroux was a trumpet player. His brother Lawrence played trumpet and piano and brother Irving played trumpet and trombone. Placide recalled that Irving was also an arranger and practiced six hours a day. “He was one of the smoothest trombone players that ever lived. He played on the Steamer Capitol with Fats Pichon‟s Band.” Olivia played violin, cornet and piano. Dolly‟s uncle, Manuel Manetta, played and taught just about every instrument known to man.
[Show full text]
Louisiana MUSIC: Then & Now
SPECIAL ADVERTISING SECTION LOUISIANA MUSIC: THEN & NOW If a rich history and world-acclaimed cuisine are the head and heart of Louisiana, music is its collective soul. The music of Louisiana meanders through generations of history carrying melodies of dreams, hope, lament and the boundless spirit of one of the most diverse populations in America. Signature Louisiana sounds can be found throughout the state, in both urban centers and rural countrysides. From grand concert halls to obscure roadside honky-tonks, travelers find a rich, abundant musical legacy that is distinctly and unmistakably Louisiana. The offerings are varied, from the state’s indigenous jazz, Cajun and zydeco music to its musicians’ notable contributions to the history and evolution of American blues, country and rock n’ roll. All carry a common denominator that could be summed up by what Louisiana residents call joie de vivre, or the joy of life. The coming year marks a statewide celebration of Louisiana music. Throughout 2013, notable artists, state tourism industry officials, national music industry stakeholders and Louisiana residents will join hands to acknowledge the state’s contributions to the soul of America. Read on to feel the rhythm of Louisiana. SPECIAL ADVERTISING SECTION SPECIAL ADVERTISING SECTION SMOOTH JAZZ Jazz was born in New Orleans, specifically in the city’s Congo Square and the Tremé, one of the oldest neighborhoods, and first flourished in the Storyville district north of the French Quarter. It is a percussive and often improvisational fusion of European, African and Caribbean music using wind and rhythm instruments that came to prominence in the early 20th century.
[Show full text]
Phonograph Records
1 Call # date/©Date Group Album Title 1. LaRm PR 269 No date Leadbelly Take This Hammer 2. LaRm PR No Date Louisiana State Angola Prison 1461 Penitentiary Spirituals Prisoners 3. LaRm PR 1959 Louisiana State Prison Worksongs 1463 Penitentiary Prisoners 4. LaRm PR No date Louisiana State Angola Prisoners’ 1464 Penitentiary Blues Prisoners 5. LaRm PR No Date Billie & De De Pierce New Orleans Jazz 1490 6. LaRm PR No Date Blind Snooks, Lucius Possum up a Simmon 1492 Bridges, Brothers Tree Randolph 7. LaRm PR No Date Louisiana State Southern Prison Blues 3210 c.2 Penitentiary Prisoners 8. LaRm PR 1977 Pete Fountain Alive in New Orleans 4436 9. LaRm PR 1975 Fats Waller Fats Waller in London 4531-4532 10. LaRm PR No Date Allen Toussaint Allen Toussaint Sings 4704 with Billy Fayard and the Stokes 11. LaRm PR 1974 New Orleans The Foremost and 4715-4716 Ragtime Orchestra original exponents of Ragtime music 12. LaRm PR 1982 Professor Longhair The Last Mardi Gras 4728-4729 13. LaRm PR No Date Paul Barbarin & His Jazz at Preservation 4734 Jazz Band/ Punch Hall Miller’s Bunch & George Lewis 14. LaRm PR 1966 George Lewis Band Jazz at Preservation 4735 Hall 15. LaRm PR 1973 Scott Joplin The Red Back Book 4774 16. LaRm PR 1973 Scott Joplin The Red Back Book 4774 c.2 17. LaRm PR 1979 Canadian Brass Mostly Fats, Canadian 4783 Brass Plays Fats Waller’s Greatest Hits 18. LaRm PR 1977 Fats Waller Fats Waller Piano 4885-4886 Solos 2 Call# Date/©date Group Album Title 19.
[Show full text]