Judicial and Public Safety Committee Agenda
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Batman As a Cultural Artefact
Batman as a Cultural Artefact Kapetanović, Andrija Undergraduate thesis / Završni rad 2016 Degree Grantor / Ustanova koja je dodijelila akademski / stručni stupanj: University of Zadar / Sveučilište u Zadru Permanent link / Trajna poveznica: https://urn.nsk.hr/urn:nbn:hr:162:723448 Rights / Prava: In copyright Download date / Datum preuzimanja: 2021-09-27 Repository / Repozitorij: University of Zadar Institutional Repository of evaluation works Sveučilište u Zadru Odjel za anglistiku Preddiplomski sveučilišni studij engleskog jezika i književnosti (dvopredmetni) Andrija Kapetanović Batman as a Cultural Artefact Završni rad Zadar, 2016. Sveučilište u Zadru Odjel za anglistiku Preddiplomski sveučilišni studij engleskog jezika i književnosti (dvopredmetni) Batman as a Cultural Artefact Završni rad Student/ica: Mentor/ica: Andrija Kapetanović Doc. dr. Marko Lukić Zadar, 2016. Izjava o akademskoj čestitosti Ja, Andrija Kapetanović, ovime izjavljujem da je moj završni rad pod naslovom Batman as a Cultural Artefact rezultat mojega vlastitog rada, da se temelji na mojim istraživanjima te da se oslanja na izvore i radove navedene u bilješkama i popisu literature. Ni jedan dio mojega rada nije napisan na nedopušten način, odnosno nije prepisan iz necitiranih radova i ne krši bilo čija autorska prava. Izjavljujem da ni jedan dio ovoga rada nije iskorišten u kojem drugom radu pri bilo kojoj drugoj visokoškolskoj, znanstvenoj, obrazovnoj ili inoj ustanovi. Sadržaj mojega rada u potpunosti odgovara sadržaju obranjenoga i nakon obrane uređenoga rada. -
Swepston and Okey Separation Work Well Together
APRIL 24, 2012 Volume 7 : Issue 16 In this issue... • Triple Turn Classic, page 11 • UBR, page 17 • Appleatchee Futurity, page 23 •Pro Rodeos, page 26 ffastast hhorses,orses, ffastast nnewsews • Tri-K Barrels, page 30 Published Weekly Online at www.BarrelRacingReport.com - Since 2007 Swepston and Okey Separation Work Well Together Lucky Dog $11,750 Added Futurity/Derby/Open 4D Dash For Cash April 20-22, 2012, Starkville, MS First Down Dash si 114 si 105 Futurity Average First Prize Rose 1 Okey Separation, Kinsley Swepston, 16.251, $1,374.72 Okey Dokey Dale si 98 08 brn. g. Okey Dokey Dale-Separate Dash, Separatist si 108 2 TKayleesBlushingBug, Donnie Reece, Diane Reece, 16.358, $1,145.60 Zevi 3 Flits Western Trophy, Gina Cates, 16.369, $973.76 Okeydokey Baby tb 4 Shez Chiseled, Talmadge Green, Kris Suard, 16.379, $744.64 si 101 Mayolas Doll 5 Dr Brenda, Tracey Goodman, Debbie Hertz, 16.439, $572.80 Okey Separation si 92 6 Blare, Marne Loosenort, Danny Kingins, 16.457, $400.99 7 Uknowuenvyme, Carrie Thompson, 16.492, $286.40 2008 Brown Gelding 8 PT Nonstop Perks, Marne Loosenort, Danny Kingins, 16.535, Chicks Beduino $229.12 Separatist si 104 si 101 Seperate Ways Futurity 1st Go Separate Dash si 92 1D 1 TKayleesBlushingBug, Donnie Reece, Diane Reece, 15.919, si 90 $1,301.04 First Down Dash 08 s. f. Red Bug From Hell-My Go Go Cash, Cash Easy Acomodash si 105 2 VF A Smokin Duck, Andy Wininger, James Evan Garrett, 16.084, si 99 Accomodations $859.20 si 85 3 Famous Streak, Kebo Almond, FC Ranch, 16.119, $730.20 4 Okey Separation, Kinsley Swepston, -
“Why So Serious?” Comics, Film and Politics, Or the Comic Book Film As the Answer to the Question of Identity and Narrative in a Post-9/11 World
ABSTRACT “WHY SO SERIOUS?” COMICS, FILM AND POLITICS, OR THE COMIC BOOK FILM AS THE ANSWER TO THE QUESTION OF IDENTITY AND NARRATIVE IN A POST-9/11 WORLD by Kyle Andrew Moody This thesis analyzes a trend in a subgenre of motion pictures that are designed to not only entertain, but also provide a message for the modern world after the terrorist attacks of September 11, 2001. The analysis provides a critical look at three different films as artifacts of post-9/11 culture, showing how the integration of certain elements made them allegorical works regarding the status of the United States in the aftermath of the attacks. Jean Baudrillard‟s postmodern theory of simulation and simulacra was utilized to provide a context for the films that tap into themes reflecting post-9/11 reality. The results were analyzed by critically examining the source material, with a cultural criticism emerging regarding the progression of this subgenre of motion pictures as meaningful work. “WHY SO SERIOUS?” COMICS, FILM AND POLITICS, OR THE COMIC BOOK FILM AS THE ANSWER TO THE QUESTION OF IDENTITY AND NARRATIVE IN A POST-9/11 WORLD A Thesis Submitted to the Faculty of Miami University in partial fulfillment of the requirements for the degree of Master of Arts Department of Communications Mass Communications Area by Kyle Andrew Moody Miami University Oxford, Ohio 2009 Advisor ___________________ Dr. Bruce Drushel Reader ___________________ Dr. Ronald Scott Reader ___________________ Dr. David Sholle TABLE OF CONTENTS ACKNOWLEDGMENTS .......................................................................................................................... III CHAPTER ONE: COMIC BOOK MOVIES AND THE REAL WORLD ............................................. 1 PURPOSE OF STUDY ................................................................................................................................... -
CUSTOMER ORDER FORM (Net)
ORDERS PREVIEWS world.com DUE th 18 JAN 2015 JAN COMIC THE SHOP’S PREVIEWSPREVIEWS CATALOG CUSTOMER ORDER FORM CUSTOMER 601 7 Jan15 Cover ROF and COF.indd 1 12/4/2014 3:14:17 PM Available only from your local comic shop! STAR WARS: “THE FORCE POSTER” BLACK T-SHIRT Preorder now! BIG HERO 6: GUARDIANS OF THE DC HEROES: BATMAN “BAYMAX BEFORE GALAXY: “HANG ON, 75TH ANNIVERSARY & AFTER” LIGHT ROCKET & GROOT!” SYMBOL PX BLACK BLUE T-SHIRT T-SHIRT T-SHIRT Preorder now! Preorder now! Preorder now! 01 Jan15 COF Apparel Shirt Ad.indd 1 12/4/2014 3:06:36 PM FRANKENSTEIN CHRONONAUTS #1 UNDERGROUND #1 IMAGE COMICS DARK HORSE COMICS BATMAN: EARTH ONE VOLUME 2 HC DC COMICS PASTAWAYS #1 DESCENDER #1 DARK HORSE COMICS IMAGE COMICS JEM AND THE HOLOGRAMS #1 IDW PUBLISHING CONVERGENCE #0 ALL-NEW DC COMICS HAWKEYE #1 MARVEL COMICS Jan15 Gem Page ROF COF.indd 1 12/4/2014 2:59:43 PM FEATURED ITEMS COMIC BOOKS & GRAPHIC NOVELS The Fox #1 l ARCHIE COMICS God Is Dead Volume 4 TP (MR) l AVATAR PRESS The Con Job #1 l BOOM! STUDIOS Bill & Ted’s Most Triumphant Return #1 l BOOM! STUDIOS Mouse Guard: Legends of the Guard Volume 3 #1 l BOOM! STUDIOS/ARCHAIA PRESS Project Superpowers: Blackcross #1 l D.E./DYNAMITE ENTERTAINMENT Angry Youth Comix HC (MR) l FANTAGRAPHICS BOOKS 1 Hellbreak #1 (MR) l ONI PRESS Doctor Who: The Ninth Doctor #1 l TITAN COMICS Penguins of Madagascar Volume 1 TP l TITAN COMICS 1 Nemo: River of Ghosts HC (MR) l TOP SHELF PRODUCTIONS Ninjak #1 l VALIANT ENTERTAINMENT BOOKS The Art of John Avon: Journeys To Somewhere Else HC l ART BOOKS Marvel Avengers: Ultimate Character Guide Updated & Expanded l COMICS DC Super Heroes: My First Book Of Girl Power Board Book l COMICS MAGAZINES Marvel Chess Collection Special #3: Star-Lord & Thanos l EAGLEMOSS Ace Magazine #1 l COMICS Alter Ego #132 l COMICS Back Issue #80 l COMICS 2 The Walking Dead Magazine #12 (MR) l MOVIE/TV TRADING CARDS Marvel’s Agents of S.H.I.E.L.D. -
Or Live Online Via Proxibid! Follow Us on Facebook and Twitter @Back2past for Updates
5/16 - Golden & Silver Age Comics with Collectible Toys 5/16/2020 This session will be held at 6PM, so join us in the showroom (35045 Plymouth Road, Livonia MI 48150) or live online via Proxibid! Follow us on Facebook and Twitter @back2past for updates. Visit our store website at GOBACKTOTHEPAST.COM or call 313-533-3130 for more information! Get the full catalog with photos, prebid and join us live at www.proxibid.com/backtothepast! See site for full terms. LOT # LOT # 1 Auction Announcements 16 Amazing Spider-Man #175/1977/Early Punisher VF/VF+ condition. 2 Super Natural Thrillers #5/1973/Key Issue 1st appearance of the Living Mummy in VG+/F- 17 Amazing Spider-Man #188/1979/Classic Bronze condition. Sharp VF+ condition. 3 Michelangelo GIANT 50" Big-Fig Figure 18 Star Wars Darth Vader Elite Series 10" Figure Not quite 1:1 scale, but this figure is HUGE! New in Great version of Darth Vader! Exclusive to the Disney original packaging. Some storage wear. Store. New/sealed in box. Minor shelf wear. 4 Amazing Spider-Man #63/1968/Vulture Cover 19 Amazing Spider-Man #190/1979/Key Man-Wolf Classic Silver age in VG+/F- condition. VF/VF+ condition. 5 Amazing Spider-Man #64/1968/Vulture Cover 20 Amazing Spider-Man #193/1979/Key Human Fly Sharp Romita cover in VF condition. 1st appearance in VF condition. 6 Star Wars Darth Vader Legacy Pack 40th Ann 21 Monster High Toy Group (10) New/sealed in box. Very clean with minor shelf wear. All new/sealed in box. -
LEGO Batman X360 V4.Indd 2-1 8/14/08 5:43:09 PM Game Controls Xbox Live
2 GAME CONTROLS WARNINGBeforeplayingthisgame,readtheXbox360®Instruction 2 Character Controls Manualandanyperipheralmanualsforimportantsafetyandhealthinformation. 2 Vehicle Controls Keepallmanualsforfuturereference.Forreplacementmanuals,see 3 Xbox LIVE www.xbox.com/supportorcallXboxCustomerSupport. 4 INTRODUCTION 5 GETTING INTO THE GAME 5 Batcave Important Health Warning About Playing Video Games 6 Arkham Asylum 6 Batcomputer Photosensitive Seizures 6 Data Averysmallpercentageofpeoplemayexperienceaseizurewhenexposedto certain visual images, including flashing lights or patterns that may appear in 7 Characters videogames.Evenpeoplewhohavenohistoryofseizuresorepilepsymayhave 7 Extras anundiagnosedconditionthatcancausethese“photosensitiveepilepticseizures” 8 Codes whilewatchingvideogames. 8 Story Clips 8 Suit Upgrades Theseseizuresmayhaveavarietyofsymptoms,includinglightheadedness, 9 Character Customizer alteredvision,eyeorfacetwitching,jerkingorshakingofarmsorlegs, 9 Player 2 Drop In/Drop Out disorientation,confusion,ormomentarylossofawareness.Seizuresmayalso causelossofconsciousnessorconvulsionsthatcanleadtoinjuryfromfalling 10 CHOOSING A LEVEL downorstrikingnearbyobjects. 11 GAME MODES Immediatelystopplayingandconsultadoctorifyouexperienceanyofthese 11 Story -
2010 1:22 PM Page 1
April 10 COF C1:COF C1.qxd 3/18/2010 1:22 PM Page 1 ORDERS DUE th 10APR 2010 APR E E COMIC H H T T SHOP’S CATALOG Project7:Layout 1 3/15/2010 1:35 PM Page 1 COF Gem Page Apr:gem page v18n1.qxd 3/18/2010 2:07 PM Page 1 PREDATORS #1 DARK HORSE COMICS BUZZARD #1 DARK HORSE COMICS GREEN ARROW #1 DC COMICS SUPERMAN #700 DC COMICS JURASSIC PARK: REDEMPTION #1 IDW PUBLISHING HACK/SLASH: MY FIRST MANIAC #1 MAGAZINE GEM OF THE MONTH IMAGE COMICS THE BULLETPROOF COFFIN #1 IMAGE COMICS WIZARD MAGAZINE #226 THE AMAZING SPIDER-MAN #634 MARVEL COMICS COF FI page:FI 3/18/2010 2:14 PM Page 1 FEATURED ITEMS COMICS 1 THE ROYAL HISTORIAN OF OZ #1 G AMAZE INK/ SLAVE LABOR GRAPHICS CRITICAL MILLENNIUM #1 G ARCHAIA ENTERTAINMENT LLC DARKWING DUCK: THE DUCK KNIGHT RETURNS #1 G BOOM! STUDIOS DISNEY‘S ALICE IN WONDERLAND GN/HC G BOOM! STUDIOS RED SONJA #50 G D. E./DYNAMITE ENTERTAINMENT STARGATE: DANIEL JACKSON #1 G D. E./DYNAMITE ENTERTAINMENT 1 GHOSTOPOLIS SC/HC G GRAPHIX THE WHISPERS IN THE WALLS #1 G HUMANOIDS INC STARDROP VOLUME 1 GN G I BOX PUBLISHING KRAZY KAT: A CELEBRATION OF SUNDAYS HC G SUNDAY PRESS BOOKS SIMON & KIRBY SUPERHEROES HC G TITAN PUBLISHING THE PLAYWRIGHT HC G TOP SHELF PRODUCTIONS CHARMED #1 G ZENESCOPE ENTERTAINMENT INC BOOKS & MAGAZINES WILLIAM STOUT: HALLUCINATIONS SC/HC G ART BOOKS 2 SUCK IT, WONDER WOMAN! MISADVENTURES OF A HOLLYWOOD GEEK G HUMOR ASLAN: THE PIN-UP SC G INTERNATIONAL STAR WARS: THE OFFICIAL FIGURINE COLLECTION MAGAZINE G STAR WARS TOYFARE #156 G WIZARD ENTERTAINMENT CALENDARS 2 BONE 2011 WALL CALENDAR G COMICS VINTAGE -
Eng 1131: Politics of the Superhero, Spring 2019
ENG 1131: POLITICS OF THE SUPERHERO, SPRING 2019 ENG 1131: Politics of the Superhero (Class #13890) Instructor: Megan Fowler MWF Period 5; W Period E1-E3 Email: [email protected] Office: Turlington 4321 University of Florida Office hours: W Period 6-7 COURSE DESCRIPTION The superhero has had a lasting cultural legacy starting from the archetype’s 1930s origin and continuing with an almost overwhelming proliferation of superhero media into the 21st century. This course will examine that legacy, focusing on the political and cultural contexts that shape superheroes and how superhero narratives respond to these contexts. In addition, as this is a Writing Through Media course, we will be exploring the myriad of different mediums creators utilize for superhero stories, including comics, animation, blockbuster films, television shows, radio shows, etc. This course will begin by introducing some of the pulp heroes that served as superhero antecedents, such as Zorro, the Scarlet Pimpernel, and the Phantom. We will then explore the relationship between the superhero and American identity, focusing on the emergence of the Golden Age of superhero comics with characters such as Superman and Captain America. This exploration will demonstrate the cultural legacy of Jewish identity on the origin of the superhero, the pivotal role superhero comics played in WWII, and the continued political relevance of these characters in contemporary American culture. The next unit will center around superheroines, beginning with Wonder Woman and the influence of first wave feminism on her genesis. Moving into the contemporary, we will look at a number of postmodern takes on the superheroine in a range of formats from independent webcomics to anime to television. -
Mythic Symbols of Batman
Brigham Young University BYU ScholarsArchive Theses and Dissertations 2007-11-28 Mythic Symbols of Batman John J. Darowski Brigham Young University - Provo Follow this and additional works at: https://scholarsarchive.byu.edu/etd Part of the Classics Commons, and the Comparative Literature Commons BYU ScholarsArchive Citation Darowski, John J., "Mythic Symbols of Batman" (2007). Theses and Dissertations. 1226. https://scholarsarchive.byu.edu/etd/1226 This Thesis is brought to you for free and open access by BYU ScholarsArchive. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of BYU ScholarsArchive. For more information, please contact [email protected], [email protected]. The Mythic Symbols of Batman by John Jefferson Darowski A thesis submitted to the faculty of Brigham Young University in partial fulfillment of the requirements of the degree of Master of Arts Department of Comparative Studies Brigham Young University December 2007 BRIGHAM YOUNG UNIVERSITY GRADUATE COMMITTEE APPROVAL Of a thesis submitted by John J. Darowski This thesis has been read by each member of the following graduate committee and by majority vote has been found to be satisfactory. _____________________________ ____________________________________ Date Kerry Soper, Chair _____________________________ ____________________________________ Date Carl Sederholm _____________________________ ____________________________________ Date Charlotte Stanford Brigham Young University As chair of the candidate‟s graduate committee, I have read the thesis by John J. Darowski in its final form and have found that (1) its form, citations and bibliographical style are consistent and acceptable to fulfill university and department style requirements; (2) its illustrative materials, including figures, tables and charts are in place; and (3) the final manuscript is satisfactory to the graduate committee and is ready for submission to the university library. -
Batman and Robin As Evolving Cutural Icons Elizabeth C
St. Catherine University SOPHIA 2014 Sr. Seraphim Gibbons Undergraduate Sr. Seraphim Gibbons Undergraduate Symposium Research Symposium The Dynamic Duo Then and Now: Batman and Robin as Evolving Cutural Icons Elizabeth C. Wambheim St. Catherine University Follow this and additional works at: https://sophia.stkate.edu/undergraduate_research_symposium Wambheim, Elizabeth C., "The Dynamic Duo Then and Now: Batman and Robin as Evolving Cutural Icons" (2014). Sr. Seraphim Gibbons Undergraduate Symposium. 2. https://sophia.stkate.edu/undergraduate_research_symposium/2014/Humanities/2 This Event is brought to you for free and open access by the Conferences and Events at SOPHIA. It has been accepted for inclusion in Sr. Seraphim Gibbons Undergraduate Symposium by an authorized administrator of SOPHIA. For more information, please contact [email protected]. THE DYNAMIC DUO THEN AND NOW: BATMAN AND ROBIN AS EVOLVING CULTURAL ICONS by Elizabeth C. Wambheim A Senior Project in Partial Fulfillment of the Requirements of the Honors Project ST. CATHERINE UNIVERSITY April 1, 2014 2 With many thanks to Patricia Montalbano (project advisor), Rachel Neiwart Emily West and Sharon Doherty for their continuous and invaluable interest, assistance, and patience with the project. 3 Introduction When presented with the simple silhouette of a stylized bat inside a yellow oval, people the world over are able to recognize this emblem and, at the very least, name its wearer. Even as the logo is altered with time, the yellow backdrop traded for a grey one, the awareness persists. Yet even as people recognize Batman’s logo, one person’s impression of the superhero does not always align with another’s: a cheerful, law-abiding Batman who orders orange juice instead of alcohol at bars is Batman as he appeared in the 1960s, and a brooding hero wreathed in darkness and prone to conflicted inner monologues is the Batman of the 1980s. -
How Batman Comics Reflects Changes in American
TARTU UNIVERSITY FACULTY OF SOCIAL SCIENCES NARVA COLLEGE STUDY PROGRAM “HUMANITIES IN MULTILINGUAL SCHOOL” Aleksandra Artemjeva HOW BATMAN COMICS REFLECTS CHANGES IN AMERICAN SOCIETY DURING THE GOLDEN AGE OF COMIC BOOKS Bachelor’s thesis Supervisor: Asst. Žanna Rootsi, MA NARVA 2019 Olen koostanud töö iseseisvalt. Kõik töö koostamisel kasutatud teiste autorite tööd, põhimõttelised seisukohad, kirjandusallikatest ja mujalt pärinevad andmed on viidatud. ............................................. Töö autori allkiri ja kuupäev 2 PREFACE At the beginning of the 20th century, comic books about Batman were becoming more and more popular. Practically from the first comic book, Batman increases people’s interest in his character – superhero without superpowers. How could he even be a superhero? The typical man who becomes something bigger than an ordinary human. Comic books about Batman have suffered many changes through their numerous years of existence. This is a result of the historical and political events that took place at the times of the Golden Age of comic books. In addition, a lot of changes in the comic books were due to the criticism it had faced. This tendency provides a possibility to research about Batman comic books more deeply. The aim of the research is to study the Batman comic books from the DC universe. To analyse how authors have been transforming comic books from the beginning to 1956. The research task is to select a specific period for time for the Batman comics, to read those elected comics and inspect all changes from comic books about Batman during the chosen period of time and to identify changes that were influenced by social, political and historical events. -
The Jewish Comic Book Industry, 1933-1954
“THE WHOLE FURSHLUGGINER OPERATION”: THE JEWISH COMIC BOOK INDUSTRY, 1933-1954 By Sebastian T. Mercier A DISSERTATION Submitted to Michigan State University in partial fulfillment of the requirements for the degree of History – Doctor of Philosophy 2018 ABSTRACT “THE WHOLE FURSHLUGGINER OPERATION”: THE JEWISH COMIC BOOK INDUSTRY, 1933-1954 By Sebastian T. Mercier Over the course of the twentieth century, the comic book industry evolved from an amateur operation into a major institution of American popular culture. Comic books, once considered mere cultural ephemera or quite simply “junk,” became a major commodity business. The comic book industry emerged out of the pulp magazine industry. According to industry circulation data, new comic book releases increased from 22 in 1939 to 1125 titles by the end of 1945. Comic book scholars have yet to adequately explain the roots of this historical phenomenon, particularly its distinctly Jewish composition. Between the years of 1933 and 1954, the comic book industry operated as a successful distinct Jewish industry. The comic book industry emerged from the pulp magazine trade. Economic necessity, more than any other factor, attracted Jewish writers and artists to the nascent industry. Jewish publishers adopted many of the same business practices they inherited from the pulps. As second-generation Jews, these young men shared similar experiences growing up in New York City. Other creative industries actively practiced anti-Semitic hiring procedures. Many Jewish artists came to comic book work with very little professional experience in cartooning and scripting. The comic book industry allowed one to learn on the job. The cultural world comic books emerged out of was crucially important to the industry’s development.