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Estudo Da Harpa Cristã Como Instrumento De Expansão Da Missão No Pentecostalismo No Brasil (1910-1970)

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Estudo Da Harpa Cristã Como Instrumento De Expansão Da Missão No Pentecostalismo No Brasil (1910-1970) UNIVERSIDADE METODISTA DE SÃO PAULO FACULDADE DE HUMANIDADES E DIREITO PROGRAMA DE PÓS-GRADUAÇÃO EM CIÊNCIAS DA RELIGIÃO CANTAI E MULTIPLICAI-VOS... : ESTUDO DA HARPA CRISTÃ COMO INSTRUMENTO DE EXPANSÃO DA MISSÃO NO PENTECOSTALISMO NO BRASIL (1910-1970) por Milton Rodrigues de Souza Junior Orientador Prof. Dr. Geoval Jacinto da Silva Dissertação apresentada em cumprimento às exigências do Programa de Pós-Graduação em Ciências da Religião, para obtenção do grau de Mestre. São Bernardo do Campo — Julho de 2011 2 A dissertação de mestrado sob o título “Cantai e multiplicai-vos...: estudo da Harpa Cristã como instrumento de expansão da missão no pentecostalismo no Brasil (1910- 1970)”, elaborada por Milton Rodrigues de Souza Junior foi apresentada e aprovada em 23 de agosto de 2011, perante a banca examinadora composta por Prof. Dr. Geoval Jacinto da Silva (Presidente/ UMESP), Prof. Dr. Luiz Carlos Ramos (Titular/UMESP) e Prof. Dr. Paulo Romeiro (Titular/Universidade Presbiteriana Mackenzie). ________________________________________ Prof. Dr. Geoval Jacinto da Silva Orientador e Presidente da Banca Examinadora ________________________________________ Prof. Dr. Leonildo Silveira Campos Coordenador do Programa de Pós-Graduação Programa: Pós-Graduação em Ciências da Religião Área de Concentração: Práxis Religiosa e Sociedade Linha de Pesquisa: Ação das Instituições e Movimentos Eclesiais na Sociedade AGRADECIMENTOS Agradecer é entender que algo obtido ou alcançado só foi possível por intermédio de um agente alheio a nós mesmos e reconhecer nele um elemento indispensável para essa conquista. Sou grato a Jesus Cristo, autor e consumador da minha fé, ao qual devo eternamente o incomparável dom da vida e a capacidade plena de pensar, amar e pregar a Sua Palavra. Estendo, também, meus sinceros agradecimentos ao meu orientador, Prof. Dr. Geoval Jacinto da Silva, pelo constante apoio acadêmico e fraternal, bem como à CAPES (Coordenação de Aperfeiçoamento de Pessoal de Nível Superior), pelo auxílio oferecido para a conclusão plena deste estudo, e à UMESP (Universidade Metodista de São Paulo), a casa que me amparou durante a execução deste projeto Apresento também, de uma forma muito afetuosa, minha gratidão à minha igreja (Igreja Evangélica Missão Nacional), pela constante confiança, à minha mãe Anany, pela incansável presença, ao meu pai Milton (in memoriam) pelo inestimável legado e à minha amada filha Fernanda, pelo incomparável e sempre motivador sorriso. E a todas as pessoas que, durante esses anos, participaram direta ou indiretamente na elaboração desta pesquisa, a minha mais franca gratidão. Milton Rodrigues de Souza Junior 4 SOUZA JUNIOR, Milton Rodrigues de. Cantai e multiplicai-vos...: estudo da Harpa Cristã como instrumento de expansão da missão no pentecostalismo no Brasil (1910-1970). Dissertação. Programa de Pós-Graduação em Ciências da Religião. Universidade Metodista de São Paulo – UMESP. São Bernardo do Campo (SP). 2011. SINOPSE Esta dissertação pretende estudar a Harpa Cristã, um dos principais hinários protestantes nacionais, buscando identificá-la como instrumento de expansão da missão no pentecostalismo do Brasil, no período comprendido entre os anos 1910 e 1970, apreciando a história e a formação deste livro litúrgico na pretensão de compreender sua utilização como elemento motivador para a prática missionária das igrejas pentecostais brasileiras. Consiste também em conhecer as características da construção deste compêndio, passando pela apresentação do perfil de seus hinistas e pelo estudo aplicado da sua estrutura musical e sua composição literária, conhecendo, ainda, algumas de suas importantes características constitutivas, como os conceitos teológicos de que faz uso em seu discurso. A procura por uma conceituação missiológica que se mostre mais identificada ao conteúdo teológico deste hinário e a indicação de vários exemplos de incentivo à prática evangelística encontrados em suas canções conduzem à compreensão da relevante importância da Harpa Cristã na vida litúrgica das igrejas de confissão pentecostal no Brasil e da sua marcante presença como eficiente agente fomentador do exercício missionário dessas comunidades de fé. Palavras-chave: Assembleia de Deus, Harpa Cristã, hinário, hinistas, hinologia, missão, missiologia, música sacra, pentecostalismo brasileiro. 5 SOUZA JUNIOR, Milton Rodrigues de. Sing and multiply...: study of the Christian Harp as instrument of expansion in the Pentecostalism mission in Brazil (1910-1970). Dissertation. Graduate Program in Sciences of Religion. Methodist University of São Paulo – UMESP. São Bernardo do Campo (SP). 2011. ABSTRACT This dissertation intends to study the Christian Harp, one of the main national protestant hymnals, looking to identify it as instrument of expansion in Brazil’s Pentecostalism mission in the period between 1910 and 1970, while appreciating the history and the creation of this liturgical book, intending to comprehend its usage as motivational element in the missionary practice of the Brazilian Pentecostal churches. It also consists of knowing the characteristics of construction of this compendium, passing through the presentation of its hymnists’ profiles and through the assiduous study of its musical structure and literary composition, while being aware of some important constitutive characteristics that are used, such as the theological concepts. Looking for a missiology concept that shows to be more correlated with the theological content of this hymnal and the referral of various examples of incitement to the evangelist practice found within its songs, which leads to the comprehension of the relevancy of the Christian Harp in the liturgical life of confessional pentecostal churches in Brazil, and its bold presence as an efficient developer of missionary practice of these faith communities. Key-words: Assemblies of God, Christian Harp, hymnal, hymnist, hymnology, mission, missiology, sacred music, brazilian pentecostalism. 6 SUMÁRIO Agradecimentos __________________________________________________________ 3 Sinopse _________________________________________________________________ 4 Abstract ________________________________________________________________ 5 Introdução_____________________________________________________________ 10 Capítulo 1 – O Protestantismo Brasileiro na Aurora do Século XX _______________ 19 1.1. O Contexto Sócio-Político Brasileiro nos Primórdios do Século XX ___________ 19 1.2. O Surgimento das Primeiras Igrejas Pentecostais no Brasil ___________________ 23 1.3. Igrejas Pentecostais Pioneiras _________________________________________ 27 1.3.1. Igrejas Pentecostais Clássicas ______________________________________ 27 1.3.2. Igrejas Pentecostais Posteriores ____________________________________ 30 Capítulo 2 – A Música e o Pentecostalismo __________________________________ 34 2.1. A Relação entre a Música e o Ser Humano _______________________________ 34 2.2. A Utilização dos Hinários pelas Igrejas Protestantes ________________________ 41 Capítulo 3 – A História e a Formação da Harpa Cristã ________________________ 45 Capítulo 4 – Principais Compositores, Autores e Tradutores dos Hinos da Harpa Cristã_________________________________________________________________ 51 4.1. Daniel Webster Whittle ____________________________________________ 52 4.2. James McGranahan _______________________________________________ 52 4.3. Thoro Harris ____________________________________________________ 54 4.4. Charles Hutchinson Gabriel _________________________________________ 55 4.5. Robert Harkness__________________________________________________ 56 4.6. Adoniram Judson Gordon __________________________________________ 57 7 4.7. Richard Redhead _________________________________________________ 57 4.8. George C. Hugg__________________________________________________ 58 4.9. Albert Lister Peace _______________________________________________ 58 4.10. Bentley D. Ackley _______________________________________________ 59 4.11. Arthur Seymour Sullivan __________________________________________ 60 4.12. William James Kirkpatrick ________________________________________ 60 4.13. Grant Colfax Tullar ______________________________________________ 61 4.14. Charles Brenton Widmeyer ________________________________________ 62 4.15. George Coles Stebbins____________________________________________ 63 4.16. Charles Price Jones ______________________________________________ 63 4.17. Henri Frederick Hemy ____________________________________________ 64 4.18. Henry Southwick Perkins__________________________________________ 64 4.19. John Robson Sweney_____________________________________________ 65 4.20. Edmund Simon Lorenz ___________________________________________ 66 4.21. James Ellor ____________________________________________________ 67 4.22. Elisha Albright Hoffman __________________________________________ 67 4.23. Ethelbert William Bullinger________________________________________ 68 4.24. Hubert Platt Main _______________________________________________ 69 4.25. Herbert Buffam _________________________________________________ 69 4.26. George Bennard _________________________________________________ 70 4.27. Haldor Lillenas _________________________________________________ 71 4.28. Horatio Richmond Palmer _________________________________________ 72 4.29. Ira David Sankey ________________________________________________ 73 4.30. James M. Black _________________________________________________ 74 4.31. James Ramsey Murray____________________________________________
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