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												Debates About Elementary Education in English Periodicals, 1833-1880
Complex Twists of Becoming: Debates about Elementary Education in English Periodicals, 1833-1880. Edwin Patrick Powell A thesis submitted for the degree of Doctor of Philosophy (PhD) Department of Literature, Film, and Theatre Studies University of Essex Submitted: October, 2019. 1 Acknowledgements I am delighted to express my gratitude to Professor Susan Oliver who has been an outstanding supervisor throughout the doctoral process. Supervision sessions were always enlightening, challenging and stimulating. I have undoubtedly benefitted from Susan’s passion for literature and her comprehensive knowledge of periodical culture. Susan was always generous with her time and assiduous in providing instructive critiques and sustained encouragement. Professor Pam Cox and Dr James Canton were part of the supervisory team whose perceptive comments and stimulating questions were important in directing my attention to alternative interpretations of literary-historical contexts. I am most grateful to Pam and James for their contribution to the excellent support given to me. I am most appreciative of the assistance given to me by the staff at the Albert Sloman Library, University of Essex and by Deanna McCarthy, the Senior Student Administrator in the Department of Literature, Film and Theatre Studies. I wish to thank the staff at the British Library where I spent many enjoyable and productive hours poring over periodicals. I am grateful to Curator Franki Kubicki at the Charles Dickens Museum who drew my attention to manuscripts in Dickens’s own hand which I had the privilege of studying. The staff at the Church of England Records Office were most helpful in organising access to important religious periodicals. - 
												
												1 Finding Wroth's Loughton Hall SUSIE WEST the Open University
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Open Research Online Finding Wroth’s Loughton Hall SUSIE WEST The Open University Lady Mary Sidney Wroth, daughter of Penshurst Place, Kent, made her marital home at Loughton Hall, Essex, and remained there as a widow until her own death in 1651.1 The house was burnt down in 1836, and little is known of its appearance or history. This is a loss in two major respects. Firstly, as the home of a major literary figure whose work draws heavily on her life, we might expect that the home environment she created was both shaped by and informed her evocation of place and space in her work. This is not to suggest that literary work can be read back into the built environment, but Loughton Hall should take its place amongst the houses within the Sidney circle: Penshurst Place, Wilton House and Houghton Conquest House, for example. There is more to say about its landscape setting. Secondly, Wroth had a role in remodeling the old house, and there is a tantalizing but unproven association with Inigo Jones, known to Wroth from the Court. This provides the second theme for this discussion, the Court and the classical tradition in architecture. The early decades of the seventeenth century in England are distinguished by what might be called a ‘classical turn’ in building, in the form of heightened awareness of and interest in the theory and practice of architecture as inherited from Italy and a Roman past. - 
												
												Ingatestone High Street Conservation Area Character Appraisal
IINNGGAATTEESSTTOONNEE HHIIGGHH SSTTRREEEETT Conservation Area Appraisal and Management Plan Front cover: Philippa Threlfall mural, The Chequers, High Street, Ingatestone. This document was produced by Essex County Council for Brentwood Borough Council. The appraisal was prepared by Karen Fielder, with assistance from members of Essex County Council’s Historic Buildings and Conservation Team. The modern maps in this document are reproduced by permission of the Ordnance Survey® on behalf of the Controller of Her Majesty’s Stationery Office. ©Crown Copyright. Licence number LA100019602 © Brentwood Borough Council and Essex County Council 2008 CONTENTS 1. INTRODUCTION 1 2. PLANNING POLICIES 1 3. HERITAGE, CONSERVATION AREA AND OTHER DESIGNATIONS 2 4. CHARACTER STATEMENT 4 5. ORIGINS AND DEVELOPMENT 4 6. ARCHAEOLOGY 10 7. TOPOGRAPHY AND STREET PLAN 10 8. TOWNSCAPE AND SPATIAL ANALYSIS 13 9. CHARACTER ZONES 19 10. AGE OF BUILDINGS 20 11. MATERIALS AND DETAILING 21 12. USES OF BUILDINGS 26 13. AREA ANALYSIS 26 High Street, north-west side 26 Market Place 33 Bakers Lane, Bakers Mews 35 Norton Road 36 High Street, south-east side 36 14. EVALUATION OF THE CONTRIBUTION OF INDIVIDUAL BUILDINGS 42 TO THE CHARACTER OF THE CONSERVATION AREA 15. PRESSURE FOR CHANGE IN THE CONSERVATION AREA 44 16. MANAGEMENT PROPOSALS 45 Boundary changes 45 Additional planning controls 46 Highways, streetscape and public realm 46 Surface treatments 47 Car parks 47 New development, design of buildings and enhancement opportunities 47 Shop fronts and advertisements 48 Locally listed buildings 48 17. BIBLIOGRAPHY 49 APPENDIX: Listed buildings in the conservation area 50 Page intentionally left blank 1. INTRODUCTION Brentwood Borough Council commissioned Essex County Council to prepare the Conservation Area Appraisal and Review in June 2007. - 
												
												Biographical Appendix
Biographical Appendix The following women are mentioned in the text and notes. Abney- Hastings, Flora. 1854–1887. Daughter of 1st Baron Donington and Edith Rawdon- Hastings, Countess of Loudon. Married Henry FitzAlan Howard, 15th Duke of Norfolk, 1877. Acheson, Theodosia. 1882–1977. Daughter of 4th Earl of Gosford and Louisa Montagu (daughter of 7th Duke of Manchester and Luise von Alten). Married Hon. Alexander Cadogan, son of 5th Earl of Cadogan, 1912. Her scrapbook of country house visits is in the British Library, Add. 75295. Alten, Luise von. 1832–1911. Daughter of Karl von Alten. Married William Montagu, 7th Duke of Manchester, 1852. Secondly, married Spencer Cavendish, 8th Duke of Devonshire, 1892. Grandmother of Alexandra, Mary, and Theodosia Acheson. Annesley, Katherine. c. 1700–1736. Daughter of 3rd Earl of Anglesey and Catherine Darnley (illegitimate daughter of James II and Catherine Sedley, Countess of Dorchester). Married William Phipps, 1718. Apsley, Isabella. Daughter of Sir Allen Apsley. Married Sir William Wentworth in the late seventeenth century. Arbuthnot, Caroline. b. c. 1802. Daughter of Rt. Hon. Charles Arbuthnot. Stepdaughter of Harriet Fane. She did not marry. Arbuthnot, Marcia. 1804–1878. Daughter of Rt. Hon. Charles Arbuthnot. Stepdaughter of Harriet Fane. Married William Cholmondeley, 3rd Marquess of Cholmondeley, 1825. Aston, Barbara. 1744–1786. Daughter and co- heir of 5th Lord Faston of Forfar. Married Hon. Henry Clifford, son of 3rd Baron Clifford of Chudleigh, 1762. Bannister, Henrietta. d. 1796. Daughter of John Bannister. She married Rev. Hon. Brownlow North, son of 1st Earl of Guilford, 1771. Bassett, Anne. Daughter of Sir John Bassett and Honor Grenville. - 
												
												Petre of Writtle.Ged
Gertrude TYRELL William PETRE Anne BROWNE Died: 1541 Died: 13 Jan 1572 Secretary of State to Henry VIII, Edward VI and Mary. John PETRE Nicholas WADHAM of Merrifield Dorothy PETRE John GOSTWICK of Willington Elizabeth PETRE Edward PETRE John PETRE Mary WALDEGRAVE Thomasin PETRE d.s.p. Born: 1535 Died s.p. in father's lifetime. Title: Baron Petre of Writtle 21 July Marr: 17 Apr 1570 Born: 7 Apr 1543 Died: 1618 1603 Died: 11 Aug 1604 Founder with husband of Wadham Born: 20 Dec 1549 Figures on recusant roll c. 1588 (CA. College, Oxford. Died: 11 Oct 1613 S.P. 1581-90, p. 88). Cause: fever William PETRE Katherine SOMERSET Thomas PETRE of Cranham Elizabeth BASKERVILLE John PETRE Dorothy MOORE Title: 2nd Lord Petre of Writtle Marr: 8 Nov 1596 Born: Born: 1575 Died: 1624 Died: 1622 Died: 5 May 1637 Uncertain which of his two wives (Dorothy was second) was mother of his issue. Foley provides details on this branch. Robert PETRE Mary BROWNE William PETRE of Bellhouse Lucy FERMOR George PETRE Anne FOX William SHELDON Elizabeth PETRE John ROPER Mary PETRE John CARYLL Catharine PETRE Henry PETRE Anne GAGE John PETRE Francis PETRE Elizabeth GAGE William PETRE John PETRE Elizabeth PORDAGE John PETRE of Fidlers Elizabeth PINCHEON Title: 3rd baron Petre Marr: 1620 Born: 1602 Died: 1679 Born: 1612 (app) Born: 1591 (app) Born: 1600 Born: 1603 Died: 1682 Died: 1658 Died: 1658 Born: 1617 Died: 1678 Born: 22 Sep 1599 Died: 1677 Died: 1647 Marr: 1616 Died: 1640 Died: 1681 Died: 1696 Died: 23 Oct 1638 Died: 1627 Frances PETRE John THIMBLEBY Dorothy PETRE Anthony - 
												
												William Byrd Festival 2008
This book has been published by the Church Music Association of America for distribution at the William Byrd Festival 2008. It is also available for online sales in two editions. Clicking these links will take you to a site from which you can order them. Softcover Hardcover A Byrd Celebration William Byrd 1540–1623 A Byrd Celebration LECTURES AT THE WILLIAM BYRD FESTIVAL EDITED BY RICHARD TURBET CMAA Church Music Association of America Cover picture is of the Lincoln Cathedral, England, where William Byrd was the choirmaster and organ- ist for nine years, 1563–1572. Copyright © 2008 Church Music Association of America Church Music Association of America 12421 New Point Drive Harbor Cove Richmond, Virginia 23233 Fax 240-363-6480 [email protected] website musicasacra.com TABLE OF CONTENTS Acknowledgments . .7 Preface . .9 BIOGRAPHY . .11 William Byrd: A Brief Biography . .13 Kerry McCarthy “Blame Not the Printer”: William Byrd’s Publishing Drive, 1588–1591 . .17 Philip Brett Byrd and Friends . .67 Kerry McCarthy William Byrd, Catholic and Careerist . .75 Joseph Kerman MASSES . .85 The Masses of William Byrd . .87 William Peter Mahrt Byrd’s Masses in Context . .95 David Trendell CANTIONES . .103 Byrd’s Musical Recusancy . .105 David Trendell Grave and Merrie, Major and Minor: Expressive Paradoxes in Byrd’s Cantiones Sacrae, 1589 . .113 William Peter Mahrt Savonarola, Byrd, and Infelix ego . .123 David Trendell William Byrd’s Art of Melody . .131 William Peter Mahrt GRADUALIA . .139 Rose Garlands and Gunpowder: Byrd’s Musical World in 1605 . .141 Kerry McCarthy The Economy of Byrd’s Gradualia . .151 William Peter Mahrt 5 6 — A Byrd Celebration ENGLISH MUSIC . - 
												
												Countryside Walks
L L Countryside Walk in Brentwood Walk your way to a healthy life in Brentwood Location Map Your Rights of Way Public footpaths - on foot only Waymarked in yellow Bridleway - on foot, horseback and bicycle Waymarked in blue Byways - open to all traffic but mainly used for walking and riding Waymarked in red Permissive paths - route which landowners allow the public to use, but which can be closed if wished. Areas of work for the Countryside Department at Brentwood Borough Council include: · Projects such as tree/hedge planting and pond management. · Supporting Thames Chase Community Forest. · Managing Nature Reserves, woodlands and commons. · Improving access to footpaths and bridleways and encouraging About the Walk their use. Parking: Parking is available at both Thorndon Country Park North off The Avenue, and Thorndon Country Park If you encounter any problems please contact Brentwood Borough Council South off the A128. Town Hall, Ingrave Road Brentwood, Essex CM15 8AY Length: Approximately 5 miles. Tel: 01277 312500 www.brentwood.gov.uk Terrain: Woods and open farmland. Footwear: Wear stout footwear as the ground can be uneven or muddy in places. OS Map: 175 Explorer Southend-on-Sea and Basildon 177 Landranger East London, Billericay and Gravesend This leaflet is one of a series that has been produced by Brentwood Borough Council. We aim to improve and manage the countryside for wildlife and people. 3 Thorndon & Childerditch L L L L Thorndon & Childerditch This walk passes through Thorndon Country Park, owned by Essex County Council. Thorndon has an interesting history. A manor was recorded here in the Domesday Survey, and in 1414, 300 acres of P S land were enclosed which is now called The Old Park. - 
												
												THORNDON HALL Historic England Register Entry: PLEASE READ and BRING THIS WHEN YOU COME to THORNDON HALL SITE SESSION!
THORNDON HALL Historic England Register Entry: PLEASE READ and BRING THIS WHEN YOU COME TO THORNDON HALL SITE SESSION! Grade II* List Entry Number: 1000314 From Historic England SEE https://historicengland.org.uk/listing/the-list/list-entry/1000314 The site of an early C18 park and woodland by Lord Petre, with mid C18 developments to park and pleasure grounds by Lancelot Brown and subsequent minor additions in the 1790s probably by Richard Woods, now a C20 country park and golf course. HISTORIC DEVELOPMENT The first contrived landscape at Thorndon came in c 1412 under the ownership of Lewis John, who built a brick lodge and obtained permission to enclose 300 acres (125ha) of parkland (Collins 1994). In 1528 Thorndon passed by inheritance through the female line to the Mordaunt family, who sold it in 1573 to John Petre, whose father had already built up a considerable land holding in the area. In 1576 John Petre was knighted and started an ambitious programme to rebuild the house and remodel the garden; on its completion, John Walker Snr was commissioned to survey the estate surrounding Thorndon Hall (Walker, 1598). Sir John was raised to the barony in 1603 and on his death in 1613 was succeeded by his eldest son, William. During the C17 little activity occurred on the Thorndon estate and in 1706 when the seventh baron succeeded, the landscape had changed little for 100 years. Robert James, son of the seventh baron, married in 1732 and moved the family from nearby Ingatestone Hall back to Thorndon. During his short life the eighth Lord Petre became a plantsman and garden designer and was at the forefront of a movement to fund and organise the importation of seeds from America. - 
												
												Essex Explorer Magazine Spring 2021
SPRING 2021 ESSEX EXPLORER Magazine Parks and wildlife Essex past and present Snapping the stiletto Get going Check out our in the garden website for the latest guidance and opening times for our parks and places. WIVENHOE HOUSE STAYCATION WITH US AT WIVENHOE HOUSE HOTEL 2 | SPRING 2021 0 1 2 0 6 8 6 3 6 6 6 | [email protected] | WWW.WIVENHOEHOUSE.CO.UK Welcome... Contents To the spring edition of Essex News 4 Explorer magazine, which once Parks and wildlife 6 again brings you fascinating features, inspirational ideas, Wildlife watch 12 competitions, our latest news and Snapping the stiletto 14 much more – and it’s all for you. Essex past and present 16 In this issue meet a Millwright and discover the history of Mountnessing Windmill, pick up some great Meet the millwright 22 green-fingered gardening tips from Rebecca Ashbey, Head Gardener at Cressing Temple Barns, and Get cooking 26 discover our parks as the spring flowers start to bloom. Get going in the garden 30 Read about how the Essex Record Office has Springtime reading 36 been working on a project as part of Sainsbury’s supermarket’s 150th anniversary and delight your Things to do 38 tastebuds with a tasty recipe from Tiptree Tea Rooms and a competition to win an afternoon tea voucher for two! About us Read more about the mental health benefits of connecting with nature in our parks in spring Explore Essex brings together a unique group feature as well as extracts from Chris Packham and of green spaces and heritage places owned Megan McCubbin’s ‘Back to Nature’. - 
												
												List of Fellows of the Royal Society 1660 – 2007
Library and Information Services List of Fellows of the Royal Society 1660 – 2007 A - J Library and Information Services List of Fellows of the Royal Society 1660 - 2007 A complete listing of all Fellows and Foreign Members since the foundation of the Society A - J July 2007 List of Fellows of the Royal Society 1660 - 2007 The list contains the name, dates of birth and death (where known), membership type and date of election for all Fellows of the Royal Society since 1660, including the most recently elected Fellows (details correct at July 2007) and provides a quick reference to around 8,000 Fellows. It is produced from the Sackler Archive Resource, a biographical database of Fellows of the Royal Society since its foundation in 1660. Generously funded by Dr Raymond R Sackler, Hon KBE, and Mrs Beverly Sackler, the Resource offers access to information on all Fellows of the Royal Society since the seventeenth century, from key characters in the evolution of science to fascinating lesser- known figures. In addition to the information presented in this list, records include details of a Fellow’s education, career, participation in the Royal Society and membership of other societies. Citations and proposers have been transcribed from election certificates and added to the online archive catalogue and digital images of the certificates have been attached to the catalogue records. This list is also available in electronic form via the Library pages of the Royal Society web site: www.royalsoc.ac.uk/library Contributions of biographical details on any Fellow would be most welcome. - 
												
												Essex Folk Song Discovery Eleven Song Arrangements for Key Stage 2 & 3
Essex Folk Song Discovery Eleven song arrangements for Key Stage 2 & 3 Essex Folk Song Discovery performance, Saffron Hall: photographer; Rachel Elliott English Folk Dance and Song Society The English Folk Dance and Song Society (EFDSS) is the national development organisation for folk music, dance and related arts, based at Cecil Sharp House, a dedicated folk arts centre and music venue, in Camden, North London. Cecil Sharp House is also home to EFDSS’ Vaughan Williams Memorial Library (VWML), England’s national folk music and dance archive, which provides free online access to thousands of searchable folk manuscripts and other materials. EFDSS creates and delivers creative learning projects for children, young people, adults and families at Cecil Sharp House, across London and around the country; often in partnership with other organisations. Learning programmes draw on the diverse and vibrant traditional folk arts of England, the British Isles and beyond, focusing on song, music, dance and related art forms such as storytelling, drama, and arts and crafts. Essex Music Education Hub Essex Music Education Hub aims to provide high-quality, diverse, sustainable music education opportunities for all children and young people. We strive to ensure that opportunities are available regardless of a child/young person’s background or circumstances, and that those reaping the benefits represent the varied demographic of the county we serve. EMEH offers a vast range of musical education – from whole-class First Access instrumental tuition, to ensembles, choirs and projects across the county, as well as instrumental tuition and hire. Working with partners including EFDSS, STOMP, Royal Opera House and Trinity College London, to name but a few, we seek to be at the forefront of music education and offer bursaries and grants to ensure that music is open to all – not just the privileged few. - 
												
												What Is a Museum? Difference All the Way Down
Chapman University Chapman University Digital Commons Art Faculty Articles and Research Art 7-2020 What is a Museum? Difference all the way down Fiona Candlin Jamie Larkin Follow this and additional works at: https://digitalcommons.chapman.edu/art_articles Part of the Museum Studies Commons What is a Museum? Difference all the way down Comments This article was originally published in Museum & Society, volume 18, issue 2, in 2020. https://doi.org/ 10.29311/mas.v18i2.3147 Creative Commons License This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 4.0 License. Copyright The authors Museum & Society, 18 (2) 115 What is a Museum? Difference all the way down Fiona Candlin, Jamie Larkin Abstract The Mapping Museums research team recently compiled a dataset of UK museums in existence between 1960 and 2020. In doing so, we had to decide what should be counted as a museum. In this paper, we outline the approaches that we initially took to establish the criteria for selection: adopting a conventional museum definition, using key characteristics, and respecting the venue’s self- identification; and we describe why they proved inadequate with respect to the heterogeneity of museum practice. We then explain how assemblage theory helped us conceptualize the complex realities of the museum sector and address the problem of selection. This approach has enabled us to develop a non-essentializing model of museums and to outline a more inclusive account of the UK museum sector. Introduction What is a museum? That question preoccupied the Mapping Museums research team for several years. We were compiling a dataset of UK museums open to the public between 1960 and 2020, and for the purposes of our study, we needed to decide what counted as a museum.