CONTEMPORARY AUSTRALIA 5. Sydney Or the Bush? Chris Baker
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Great White Noise
GREAT WHITE NOISE Mark Davis For my fourteenth birthday my parents gav e me a small paperback by someone called Hugh Stretton. I’d never heard of Hugh Stretton and the book looked very enigmatic and not very exciting. It was called Ideas for Australian Cities. I opened it to find, amid the text, some maps and alternative plans for parts of Melbourne, Canberra, Sydney and Adelaide. Now this was more exciting. At fourteen I was very inter- ested in the ways towns were set out, and I spent my spare time drawing alternative plans for all the towns we had ever lived in on large sheets of paper my parents smuggled home from the art department at the school where they worked. When I stopped looking at the pictures and began to read, I became even more excited. It hit me that Hugh Stretton wasn’t just an isolated indi- vidual who happened to be interested in Australian cities, but 183 © Mark Davis. Deposited to the University of Melbourne ePrints Repository with permission of Melbourne University Publishing.Unauthorised reproduced prohibited. was one of a group of people who thought and wrote about such things. I knew this because in the book he entered into debates and discussed other people’s ideas as well as his own. What’s more, they seemed to do it for a living. As a lower- middle-class kid who grew up in country towns, I figured that there were people who planned towns and designed bridges and made laws and thought up ideas, but I’d never met any of them.We knew no academics, lawyers, planners or engineers. -
Adaptation in the Lowveld Veld
CORE Metadata, citation and similar papers at core.ac.uk Provided by Wits Institutional Repository on DSPACE Lucy Higgins 0507792K Adaptation in the Lowveld A comparative case study of the live-action to 3D animation filmic adaptation of Duncan MacNeillie’s Jock of the Bushveld A research report submitted in partial fulfilment of the requirements for the degree of Master of Arts by coursework in Digital Animation University of the Witwatersrand Wits School of Arts – Digital Arts 15 November 2012 Supervisor: Hanli Geyser Higgins 1 Declaration I hereby declare that this dissertation is my own work. It is submitted for the degree of Master of Arts at the University of the Witwatersrand, Johannesburg. It has not been previously submitted for any degree or examination at any other university. Lucy Higgins 15th day of November, 2012 Higgins 2 Acknowledgements I would like to thank my supervisor Hanli Geyser for her unwavering support throughout the course of this research project, her guidance has proved invaluable. I would also like to thank Christo Doherty for assisting me during the early stages of my proposal preparation. I would like to thank Duncan MacNeillie for taking time out of his busy schedule to grant me an interview and provide the basis upon which this entire report is built. Thank you to my parents, Michael and Rebecca, and my sister Charlotte for their support, encouragement and understanding, as well as financial support. Lastly, thank you to Aidan, Sandy and Greg for all the belief and encouragement you have shown me during this process. Higgins 3 Contents Introduction: .......................................................................................................................................... -
Novel, Suburb, Cosmos
The View from Above from Below: Novel, Suburb, Cosmos Brigid Rooney HROUGH CONVERGENT TECHNOLOGIES OF CAMERA AND FLIGHT, THE VIEW FROM ABOVE directs the opening chapter of The Australian Ugliness (1960), Melbourne- T based Robin Boyd’s famous critique of urban and suburban aesthetic forms. By 1960, such aerial vision was nothing new, but the arrival in 1956 of the Boeing jet meant air-travel was about to eclipse the sea voyage, conquering what Australian historian Geoffrey Blainey famously termed ‘the tyranny of distance’, and ushering in the era of mass tourism. This development naturalised and popularised an aesthetics of panorama that also organises the representation of suburbia. Boyd re-stages the aerial view successively. The visitor’s first approach to Australia is from the north. Moving from Darwin to Bourke, the visitor crosses over country ‘burnt brown and patchy, like a tender sunburnt skin, with sections of darker brown and blood red and blisters of lighter ochre’; his camera-eye view takes in the ‘red backland of Australia’ which ‘looks from the air satisfyingly like its own maps’ (Boyd 18). The arrival of Boyd’s hypothetical visitor, as noted, is staged twice, in the second instance tracking the plane’s approach ‘from across the Pacific’ over 1950s pre- Opera-House Sydney. From the long high view, urban Australia presents a vision of ‘continuity, unity and the promise of comfort in the mushroom roofs and the bright background of tended green’. Momentarily, suburban sprawl figures the ‘love of home’, with ‘great speckled carpets spread wide around every © Australian Humanities Review 60 (November 2016). -
Australian Settler Bush Huts and Indigenous Bark-Strippers: Origins and Influences
Australian settler bush huts and Indigenous bark-strippers: Origins and influences Ray Kerkhove and Cathy Keys [email protected], [email protected] Abstract This article considers the history of the Australian bush hut and its common building material: bark sheeting. It compares this with traditional Aboriginal bark sheeting and cladding, and considers the role of Aboriginal ‘bark strippers’ and Aboriginal builders in establishing salient features of the bush hut. The main focus is the Queensland region up to the 1870s. Introduction For over a century, studies of vernacular architectures in Australia prioritised European high-style colonial vernacular traditions.1 Critical analyses of early Australian colonial vernacular architecture, such as the bush or bark huts of early settlers, were scarce.2 It was assumed Indigenous influences on any European-Australian architecture could not have been consequential.3 This mirrored the global tendency of architectural research, focusing on Western tradi- tions and overlooking Indigenous contributions.4 Over the last two decades, greater appreciation for Australian Indigenous archi- tectures has arisen, especially through Paul Memmott’s ground-breaking Gunyah, Goondie and Wurley: The Indigenous Architecture of Australia (2007). This was recently enhanced by Our Voices: Indigeneity and Architecture (2018) and the Handbook of Indigenous Architecture (2018). The latter volumes located architec- tural expressions of Indigenous identity within broader international movements.5 Despite growing interest in the crossover of Australian Indigenous architectural expertise into early colonial vernacular architectures,6 consideration of intercultural architectural exchange remains limited.7 This article focuses on the early settler Australian bush hut – specifically its widespread use of bark sheets as cladding. -
SOS – Sustaining Our Suburbs
SOS – Sustaining our suburbs Authored by: Dr Louise Johnson School of Social and International Studies Deakin Univeristy [email protected] SOS – Sustaining our suburbs Johnson INTRODUCTION By 2030 Melbourne will be a city of 5 million. The 620 000 extra households will occupy the same area as today. If current trends continue and the Melbourne 2030 plan is realised, the city will have over 100 high density activity centres serving the needs of an older, single person and childless population living in apartments rather than houses. All this forms part of the State government’s objective of “Planning for Sustainable Growth”. But what does sustainability mean in this context and what are the assumptions which underpin the plan? This paper will locate Melbourne 2030 within a much longer and pervasive history of antipathy towards the particular suburban form which emerged at the end of the 19th century in Melbourne and Australia. It will argue that the artistic representations of suburban life and environments over the 20th century are now central to the national political and planning agenda. The transitional phase is the 1970s when artistic antagonism to the suburbs moved to sociological, economic and ecological fact. Politically the result was Gough Whitlam and DURD’s massive agenda for equalising social amenity in the suburbs. Since then the agenda to transform the suburbs has become one to create more compact, higher density cities as Better Cities joined Green Street, Vic Code, Res Code and now Melbourne 2030 to facilitate urban consolidation. After first considering this history of suburban representations, I will consider the veracity of arguments in favour of urban consolidation over suburban expansion, clarify what sustainability might mean in this context and then take a critical look at Melbourne 2030 Planning for Sustainable Growth as it relates to the eastern and western corridor of Melbourne. -
Annual Report 2004-2005
Annual Report 2004/2005 Governing partners Supported by Contents Report from the Chair of Trustees 4 Summary of Activities: “There is still much to be done” 6 Foundation Year in Review 10 Trustees’ Report 22 • Statement of Financial Performance 23 • Statement of Financial Position 24 • Statement of Cash Flows 25 • Notes to the Financial Statements 26 • Declaration by Trustees 35 • Independent Audit Report 36 Trustees, Board and Staff 38 Our supporters 40 The Annual Report Published March 2006 By the Don Dunstan Foundation Level 3, 10 Pulteney Street The University of Adelaide, SA 5005 http://www.dunstan.org.au ABN 71 448 549 600 Don Dunstan Foundation Annual Report 2004/2005 Page 2/40 Don Dunstan Foundation Values • Respect for fundamental human rights • Celebration of cultural and ethnic diversity • Freedom of individuals to control their lives • Just distribution of global wealth • Respect for indigenous people and protection of their rights • Democratic and inclusive forms of governance Strategic Directions • Facilitate a productive exchange between academic researchers and Government policy makers • Invigorate policy debate and responses • Consolidate and expand the Foundation’s links with the wider community • Support Chapter activities • Build and maintain the long-term viability of the Foundation Don Dunstan Foundation Annual Report 2004/2005 Page 3/40 REPORT FROM THE CHAIR The financial year 2004/2005 has been extremely productive with the Foundation continuing its drive to implement its Strategic Directions and Strategic Business Plan. The Foundation has provided an array of targeted events, pursued key projects of community benefit, enhanced its infrastructure and promoted its contribution to the wider South Australian Community. -
Quintessential Australian Bush and Outback
LUXURY LODGES OF AUSTRALIA SUGGESTED ITINERARIES Darwin QUINTESSENTIAL 3 Kununurra Alice Springs Ayers Rock (Uluru) + Brisbane AUSTRALIAN BUSH 1 2 AND OUTBACK Sydney EXPLORATION TOTAL SUGGESTED NIGHTS: 9 nights Plus suggested add-on and extra nights at arrival or departure if desired. Meander off the beaten track with this quintessential Australian itinerary, exploring the bush and outback with the support of a knowledgeable and passionate team of hosts and guides. This itinerary encourages guests immerse themselves in Australia’s environment, wildlife and diverse natural landscapes. FROM BRISBANE DRIVE 2 HRS TO SPICERS PEAK LODGE. 1 Spicers Peak Lodge Scenic Rim, South East Queensland (3 Nights) Located on 8000 acres at the peak of the ridge, with breathtaking views of the World Heritage listed Main Range National Park and Scenic Rim, Spicers Peak Lodge is Queensland’s highest mountain lodge retreat. A selection of must do’s • Arrange for a picnic hamper to be delivered to one of many scenic picnic locations around the 8,000 acre property. A table can be set for guests to arrive at the location, after a bike ride or walk, to chilled champagne, stunning views and nothing to unpack. • Complimentary mountain bikes are provided to experience the great outdoors at its best. There are plenty of opportunities for the experienced fit biker as well as the more leisurely rider to enjoy this bush experience. • Star Gazing – In the evenings the magnificence of the Southern sky spreads out all around. Learn about the various constellations from your local guide. 2 HR DRIVE TO BRISBANE AIRPORT, 1.5 HR FLIGHT TO SYDNEY AIRPORT, 3 HR DRIVE TO EMIRATES WOLGAN VALLEY OR 30 MIN PRIVATE HELICOPTER TRANSFER. -
Australian Book Review
Interdisciplinary perspectives on cosmology & biological evolution Volume 10 Number 8 SJAEEI October 2000 A magazine of public affairs, the arts and theology One American survey of wannabe CoNTENTS professional economists at 4 COMMENT 24 graduate school With Morag Fraser, Peter Mares CHANGING IDENTITIES and John Ferguson. Robin Gerster in Taiwan. level showed that 8 26 just three per cent CAPITAL LETTER UN-DOING What is behind Australia's move away thought it 'very 9 from international treaties? important' to know LETTERS asks Moira Rayner. 10 27 anything about the THE MONTH'S TRAFFIC BUSH LAWYER way the ... economy With Peter Craven, June Factor and Nick Smith. 28 functioned. WE, THE PEOPLE 12 Anthony Ham on the unsatisfied stirrings -see our cover story, 'A N ew SUMMA THEOLOGIAE of democracy in the rogue states of Islam. Face of Economics', p18. 15 30 ARCHIMEDES SPRING INTO READING ; ;'J.~~ IIM~I"''b. J' With Peter Pierce, f~ 16 Jim Davidson, Andrew Hamilton, HOLDING THE KEYS Kate Llewellyn and Juliette Hughes. Mark Cully's cover story on Dan Madigan reports from Rome on Hugh Stretton has been assisted rallying youth, popes and sundry saints. 40 by the Commonwealth THEATRE Government through the Australia Council, its arts 17 Geoffrey Milne on The Importance of funding and advisory body. PLACING WOMEN Being Earnest and Peter Craven on Maryanne Confoy dissects the Australian Troilus and Cressida. bishops' response to research on the Cover design by Siobhan Jackson. participation of women in the church. 44 Photographs of Hugh Stretton (co ver and pl8) courtesy the author. FLASH IN THE PAN Cartoon p7 by Dean Moore. -
19Th Century Tragedy, Victory, and Divine Providence As the Foundations of an Afrikaner National Identity
Georgia State University ScholarWorks @ Georgia State University History Theses Department of History Spring 5-7-2011 19th Century Tragedy, Victory, and Divine Providence as the Foundations of an Afrikaner National Identity Kevin W. Hudson Follow this and additional works at: https://scholarworks.gsu.edu/history_theses Part of the History Commons Recommended Citation Hudson, Kevin W., "19th Century Tragedy, Victory, and Divine Providence as the Foundations of an Afrikaner National Identity." Thesis, Georgia State University, 2011. https://scholarworks.gsu.edu/history_theses/45 This Thesis is brought to you for free and open access by the Department of History at ScholarWorks @ Georgia State University. It has been accepted for inclusion in History Theses by an authorized administrator of ScholarWorks @ Georgia State University. For more information, please contact [email protected]. 19TH CENTURY TRAGEDY, VICTORY, AND DIVINE PROVIDENCE AS THE FOUNDATIONS OF AN AFRIKANER NATIONAL IDENTITY by KEVIN W. HUDSON Under the DireCtion of Dr. Mohammed Hassen Ali and Dr. Jared Poley ABSTRACT Apart from a sense of racial superiority, which was certainly not unique to white Cape colonists, what is clear is that at the turn of the nineteenth century, Afrikaners were a disparate group. Economically, geographically, educationally, and religiously they were by no means united. Hierarchies existed throughout all cross sections of society. There was little political consciousness and no sense of a nation. Yet by the end of the nineteenth century they had developed a distinct sense of nationalism, indeed of a volk [people; ethnicity] ordained by God. The objective of this thesis is to identify and analyze three key historical events, the emotional sentiments evoked by these nationalistic milestones, and the evolution of a unified Afrikaner identity that would ultimately be used to justify the abhorrent system of apartheid. -
The Paradise Tram
Kunapipi Volume 6 Issue 3 Article 3 1984 The paradise tram Bruce Clunies Ross Follow this and additional works at: https://ro.uow.edu.au/kunapipi Part of the Arts and Humanities Commons Recommended Citation Ross, Bruce Clunies, The paradise tram, Kunapipi, 6(3), 1984. Available at:https://ro.uow.edu.au/kunapipi/vol6/iss3/3 Research Online is the open access institutional repository for the University of Wollongong. For further information contact the UOW Library: [email protected] The paradise tram Abstract The Paradise tram left from the Boer War monument outside the gates of Government House in Adelaide on the long route through the northeastern suburbs to the foot of Black Hill, where the River Torrens breaks out of its gorge in the Mount Lofty Ranges into the Adelaide Plain. At the terminus the maroon drop-centre trams changed tracks and waited by a stand of gum trees, through which the sun slanted across the blue-stone walls of an early settlement and the newer brick and sandstone facades of double- fronted bungalows with scalloped verandah walls, decorative renderings of stucco or pebble-dash and tapered columns inset with river stones. Among them were gaps for houses yet to be built, where smallholders continued market-gardening on the river silt. This was Paradise. This journal article is available in Kunapipi: https://ro.uow.edu.au/kunapipi/vol6/iss3/3 BRUCE CLUNIES ROSS The Paradise Tram The Paradise tram left from the Boer War monument outside the gates of Government House in Adelaide on the long route through the north- eastern suburbs to the foot of Black Hill, where the River Torrens breaks out of its gorge in the Mount Lofty Ranges into the Adelaide Plain. -
SECONDARY Education Resource
Shearing the rams painted at Brocklesby station, Corowa, New South Wales, and Melbourne, 1888–90 oil on canvas mounted on board 121.9 x 182.6 cm National Gallery of Victoria, Melbourne, Felton Bequest Fund, 1932 SECONDARY Education resource Secondary Education Resource 1 For teachers How to use this secondary student learning resource This extraordinary exhibition CURRICULUM ALIGNMENT brings together Tom Roberts’ most famous paintings loved by All the themes in the Tom Roberts exhibition can be used with visual arts students from Year 7–10 and beyond. all Australians. Paintings such as Some may be more relevant to specific years given connections to other learning areas such as History and Shearing the rams 1888–90 and Civics and Citizenship at the same level as outlined under A break away! 1891 are among each theme that follows. the nation’s best-known works The Arts – Visual Arts: Year 7 and 8 of art. • Experiment with visual arts conventions and techniques (ACAVAM118) Tom Roberts is a major exhibition of works from the • Develop ways to enhance their intentions as artists national collection as well as private and public collections through exploration of how artists use materials, from around Australia. techniques, technologies and processes (ACAVAM119) • Develop planning skills for art-making by exploring The secondary student learning resource for the Tom techniques and processes used by different artists Roberts exhibition highlights the relevance of Roberts’ (ACAVAM120) oeuvre to today’s contemporary world. Themes explored include Australian life, landscape, portraiture, Federation • Practise techniques and processes to enhance and making a nation, Aboriginal and Torres Strait Islander representation of ideas in their art-making (ACAVAM121) histories, immigration and the influences of other artists. -
Hugh Stretton: Selected Writings Edited by Graeme Davison (Carlton: La Trobe University Press & Black Inc
Hugh Stretton: Selected Writings edited by Graeme Davison (Carlton: La Trobe University Press & Black Inc ,. 2018), 304 pp Tim Battin University of New England Few intellectuals are recognised as having the effect that Hugh Stretton (1924–2015) exuded in the social sciences and humanities. Indeed, when one assesses his influence on generations of academics, intellectuals and practitioners in the fields of history, urban and town planning, politics, sociology, economics, political economy and the philosophy of social science, Stretton is in a league of his own. In this fine selection of Stretton’s writings, Graeme Davison, an urban and social historian, has emphasised, naturally enough, some of Stretton’s ideas on urban and housing policy. What is particularly impressive about the selection is the connection with Stretton’s more general political outlook, which was, if we are confined to one word, egalitarian. There is something here for everyone: works on social democracy, ownership and distributive justice, the questions of equality, and much more. Stretton’s first academic love was history, which he commenced at Melbourne in 1942. After having his degree interrupted by his Second World War military service, on which he insisted on undertaking, and to which he declined a commission, he completed his study of history at Oxford on a Victorian Rhodes Scholarship. His entry point to social science (sociology, politics and economics) was at Princeton in 1948 while he was waiting to take up his new fellowship at Balliol. The stint at Princeton— the experience of positivist, purportedly value-free, approaches to social science—had a big effect on Stretton (‘the most serious educational year of my life, probably’1) and laid the fundamental ideas for his philosophy 1 Hugh Stretton, interview by Rob Linn, 14 November 2006, interview no.