DOCSLIB.ORG

The Johnsonian December 12, 1941

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
The Johnsonian December 12, 1941 Winthrop University Digital Commons @ Winthrop University The oJ hnsonian 1940-1949 The oJ hnsonian 12-12-1941 The ohnsoniJ an December 12, 1941 Winthrop University Follow this and additional works at: https://digitalcommons.winthrop.edu/thejohnsonian1940s Recommended Citation Winthrop University, "The oJ hnsonian December 12, 1941" (1941). The Johnsonian 1940-1949. 29. https://digitalcommons.winthrop.edu/thejohnsonian1940s/29 This Newspaper is brought to you for free and open access by the The oJ hnsonian at Digital Commons @ Winthrop University. It has been accepted for inclusion in The oJ hnsonian 1940-1949 by an authorized administrator of Digital Commons @ Winthrop University. For more information, please contact bramed@winthrop.edu. OUR CREED: The Johnsonian wants to deserve a rep- TODAY'S SERMON utation for accuracy, thoroughness, and fairaew; in the covering of the Winthrop The Best Soldiers caapw. You will do IU a favor to call our attention to any failure in measuring up to Keep Their Heads Under •ay of these fundamentals of good news- onian Any Conditions? THE OFFICIAL PUBLICATION OF WINTHROP COLLEGE ROCK IIILL, SOUTH CAROLINA.' DECEMBER Wishing You All . Mary And The Angel' In A Scene Of "The Guiding StarWinthro" p Rating In Southern FROM THE JOHNSONIAN Association Never Stronger Although we do not feel as much like "Merry Christmas" as we have In past years, The Johnsonian staff wishes for all Its readers a pleasant holiday and a thoughtful New Year. Perhaps this Is a good time to think of the underlying Christ- Is Opinion Of Administration mas themes-the birth of Christ, of "Peace on Earth, Qopd Will to Men"—Instead of so many parties and (lances. Maybe it will take the horrors of war to make us regain the true Interview with President Phelps Clears Up Christmas spirit. Maybe this will be the best Christmas Versatile Misunderstanding of Rating Status of Col- e've ever had, since there Is such a feeling of unity among lege Credits—Winthrop Scholarship Stan- 0, In spite of all the reasons why we may not enjoy Christ- dards and Tcaching Facilities Stronger Than 1, we are sincere In wishing you a very merry one!! Actress In Ever A Study of Catalog Listing Indicates; THE JOHNSONIAN STAFF Faculty Members Get Posts of Honor in As- Assembly sociation. FROM STUDENT GOVERNMENT That Winthrop college has never stood higher in its TO EVERY WINTROP STUDENT: Mary Hutchinson To credit rating with the Southern Association of Colleges and Although present world conditions arc not conducive to the Play Shakespeare Secondary Schools and that it has never been more insistent Here Tuesday on high standards of teaching and scholarship are the in- same holiday spirits which we have had during the past years, escapable conclusions a college news service reporter drew af- we as college students have much to be thankful for. As the At 12:10 ter an interview this week with President Shelton Phelps on Christmas season approaches, there are many things we can do the rating of the college. to make It a happier one for those who are sacrificing so much Impersonating the great It cannot be too strongly empha- for us as Individuals and for our country as a whole. Shakespearean heroines, Mary sized that credit ratings of a college Here's wishing each and every one of you a very Merry Hutchinson, versatile actress In the South arc based primarily on Christmas and a Happy New Year! and dancer who is prominent Tap Sixteen the standing of that college in the FRANCES CROUCH on Broadway stages, will ap- Southern Association of Colleges and pear in assembly Tuesday at Secondary Schools, and that the two 12:10 o'clock in the last pro- Girls For Pi organizations reportedly investigat- FROM THE ADMINISTRATION gram before the holidays. ing the college have no connection From Booth Tarkington's Lola wlUi the Southern Association. It A CHRISTMAS WISH FOR WINTHROP: Pratt In "Seventeen" to Puck In Kappa Delta is understood that these Investiga- "Midsummer Night's Dream." Miss tions grew out of the failure of thrf As once again we celebrate, we recall the Christmas Story Hutchinson has starred in roles that college board last summer to renew with its wealth of meanings, and we remember with gifts those portray her versatility in the acting Strawberry Leaf Also the teaching contracts of two teach- who are dearest to us. We listen to the Christmas Carol* and profession. From Bethlehem. Pa., Extends Bids To 23 o.ur souls are attuned to the pleasures of peace and the har- HMHM she made her debut on the stage as New Members BEST FACULTY EVER monies of home. The Christmas Season is with us again, the Above is one of the impressive scenes from the Christmas pageant, "The Guiding Star", a dancer In Earl Carrol's Vanities. story of the Christ Child, the Angels' song, and the tributes of in which the angel, played by Wildred Brannon, gives Mary, enacted by Mary Elizabeth One of her most famous ballets Is A study of the present year's fac- the Wise Men. Stanley, the blessed news that she is to be the mother of the Christ Child. The play will be "Columbus Circle." deplcUng i Sixteen .Strawberry Leaf members ulty IJst. reveals that Winthrop. has The shadows of war shut off the sunshine. The evils of hate given Sunday night at 7 p. m. (Photo by "Sneezy") quence of portraitures around the wcie issued bids to Pi Kappa Delta a better trained faculty than It has threaten the blessings of love. While we work for victory, and statue of Columbus centered In New by Sarah Patterson, president of the ever had. an dthat Its course offer- look forward to return of brightness, of peace, and of freedom York's crossways at Broadway and national honorary debate fraternity. ings and teaching facilities are un- to the world, let us pause and again celebratg the Christmas. Show Party Central Park. Friday night at the Grand Alplia cclled' In the South by schools of My wish for Wlntlirop' and for ail ft touches, a Merry Christ- Pageant "Guiding Star" ceremony In Johnson hall. excelled In the South by schools of mas and a Happy New Year! Nell Mealing, president of Straw- comparable size. "We arc trying, 8HELTON PHELPS For Classes berry Leaf. Issued 23 bids to Straw- and shall continue to try to give To Be Presented Sunday Other great characterizations are: berry Leaf. Dr. Ruth Bourne of the South Carolina girls the best there Is Portia In "The Merchant of Venice", history department. Dr. Hampton to offer In higher education at the Movie, "The Mikado", Rosalind in "As You Like It", Mary Jarre!, of the English department, lowest possible cost." President For Everybody Tues {Miracle of Christmas Story At 7 p. m. In The Audi- Clare In "Smllln' Thru", Asia In and Dr. Walter B. Roberts, of the Phelps points out. "Everything the "Mrs. Wlggs of the Cabbage Patch". music department, received pins for administration and Board of Trus- Frick Gives Names torium, Second Year In Succession; May tees docs is done with that In mind." day at 7:30 Ophelia in "Hamlet", Lady Macbeth honorary membership to Strawberry Become Traditional Winthrop Program In "Macbeth", Juliet In "Romeo and Leaf. he says. At the same time. President Ail members of the freshman, Juliet". Goncril In "King Lear", The following girls received bids Phelps expressed a regret that such 75 Training School sophomore. Junior, and senior class- Pordita In "The Winter's Tale", and to Pi Kappa Delta: Earlinc McNeil. a misunderstanding of Wlnthrop's The miracle of the Christmas story will be presented in rating had been created. es are to be entertained at a moving "The Guiding Star", a nativity play by Esther Willard Bates, Cleopatra hi "Anthony and Cleo- Rose Cannon Hancock. Elbcrta picture show party Tuesday night at Sunday evening at 7 o'clock in the auditorium. patra". Wiles. Janle Hcrndon. Kathleen That Winthrop is in the good 7:30 in the auditorium, at which In many of her appearances she SmIU). Doris Taylor, Sarah Howie, graces of the Southern Association, Teaching Positions In pageant form with time the Gilbert and 8ullivan op- uses a little dressing room on the Eulallc Lake, Anna Alrheart. Mi- the most important crediting agency, and a musical background. I he ac- eretta. "The Mikudo", starring Ken- stage and opens Its doors when she nerva Waldcn. Jean Fawcett. Harriet is indicated by the fact that four tion deplc's the annunciation ta ny Baker, will be shown. wishes to stimulate an "interior". Gere. Anne Hetrick. Clara Allen, Winthrop staff members were sig- Mary and Joseph, the fulfillment Superintendent Says Seniors With Appoint- The arrangements for'this inter- SECOND IN SERIES She actually dresses Inside It and Is and Dorothy Willis. nally honored by the Association last the working of three miracles, and week. President Phelps, who is a ments Should See Supervisors Right Away class Christmas party, the first of its "The Guiding Star" was presented observed, as a silhouette, as she con- finally, the adoration. NAMES NEW MEMBERS member of the Council on American kind on the campus, were made by last year, and may bccomc the tra- tinues the dialogue during the To Make Plans; Commerce Assignments Nell Wolling. chairman of the Higher EducaUon. was renamed sec- officers of the four classes, led by ditional Wlntlirop Christmas pag- changc of costume. She manipu- Invitations were extended to these special meetings committee of the retary-treasurer of the Association, To Be Made at Later Date. Mary Katherine Llttlejohn. senior eant.
Load more

Recommended publications
  • Sexuality Is Fluid''[1] a Close Reading of the First Two Seasons of the Series, Analysing Them from the Perspectives of Both Feminist Theory and Queer Theory
    ''Sexuality is fluid''[1] a close reading of the first two seasons of the series, analysing them from the perspectives of both feminist theory and queer theory. It or is it? An analysis of television's The L Word from the demonstrates that even though the series deconstructs the perspectives of gender and sexuality normative boundaries of both gender and sexuality, it can also be said to maintain the ideals of a heteronormative society. The [1]Niina Kuorikoski argument is explored by paying attention to several aspects of the series. These include the series' advertising both in Finland and the ("Seksualność jest płynna" - czy rzeczywiście? Analiza United States and the normative femininity of the lesbian telewizyjnego "The L Word" z perspektywy płci i seksualności) characters. In addition, the article aims to highlight the manner in which the series depicts certain characters which can be said to STRESZCZENIE : Amerykański serial telewizyjny The L Word stretch the normative boundaries of gender and sexuality. Through (USA, emitowany od 2004) opowiada historię grupy lesbijek this, the article strives to give a diverse account of the series' first two i biseksualnych kobiet mieszkających w Los Angeles. Artykuł seasons and further critical discussion of The L Word and its analizuje pierwsze dwa sezony serialu z perspektywy teorii representations. feministycznej i teorii queer. Chociaż serial dekonstruuje normatywne kategorie płci kulturowej i seksualności, można ______________________ również twierdzić, że podtrzymuje on ideały heteronormatywnego The analysis in the article is grounded in feminist thinking and queer społeczeństwa. Przedstawiona argumentacja opiera się m. in. na theory. These theoretical disciplines provide it with two central analizie takich aspektów, jak promocja serialu w Finlandii i w USA concepts that are at the background of the analysis, namely those of oraz normatywna kobiecość postaci lesbijek.
    [Show full text]
  • REALLY BAD GIRLS of the BIBLE the Contemporary Story in Each Chapter Is Fiction
    Higg_9781601428615_xp_all_r1_MASTER.template5.5x8.25 5/16/16 9:03 AM Page i Praise for the Bad Girls of the Bible series “Liz Curtis Higgs’s unique use of fiction combined with Scripture and modern application helped me see myself, my past, and my future in a whole new light. A stunning, awesome book.” —R OBIN LEE HATCHER author of Whispers from Yesterday “In her creative, fun-loving way, Liz retells the stories of the Bible. She deliv - ers a knock-out punch of conviction as she clearly illustrates the lessons of Scripture.” —L ORNA DUECK former co-host of 100 Huntley Street “The opening was a page-turner. I know that women are going to read this and look at these women of the Bible with fresh eyes.” —D EE BRESTIN author of The Friendships of Women “This book is a ‘good read’ directed straight at the ‘bad girl’ in all of us.” —E LISA MORGAN president emerita, MOPS International “With a skillful pen and engaging candor Liz paints pictures of modern sit u ations, then uniquely parallels them with the Bible’s ‘bad girls.’ She doesn’t condemn, but rather encourages and equips her readers to become godly women, regardless of the past.” —M ARY HUNT author of Mary Hunt’s Debt-Proof Living Higg_9781601428615_xp_all_r1_MASTER.template5.5x8.25 5/16/16 9:03 AM Page ii “Bad Girls is more than an entertaining romp through fascinating charac - ters. It is a bona fide Bible study in which women (and men!) will see them - selves revealed and restored through the matchless and amazing grace of God.” —A NGELA ELWELL HUNT author of The Immortal “Liz had me from the first paragraph.
    [Show full text]
  • Gender Roles & Occupations
    1 Gender Roles & Occupations: A Look at Character Attributes and Job-Related Aspirations in Film and Television Stacy L. Smith, PhD Marc Choueiti Ashley Prescott & Katherine Pieper, PhD Annenberg School for Communication & Journalism University of Southern California An Executive Report Geena Davis Institute on Gender in Media Our earlier research shows that gender roles are still stereotyped in entertainment popular with children.1 For example, female characters in feature films populate less than 30% of all speaking roles. A slightly better percentage emerges across our research on gender roles in children’s television programming. Not only are on screen females present less frequently than on screen males, they are often sexualized, domesticated, and sometimes lack gainful employment. To illustrate this last point, our recent analysis2 of every first run general audience film (n=21) theatrically released between September 2006 and September 2009 reveals that a higher percentage of males (57.8%) than females (31.6%) are depicted with an occupation. While females hold marginally more professional jobs than their male counterparts (24.6% vs. 20.9%), women are noticeably absent in some of the most prestigious occupational posts. Across more than 300 speaking characters, not one female is depicted in the medical sciences (e.g., doctor, veterinarian), executive business suites (e.g., CEO, CFO), legal world (e.g., attorney, judge), or political arena. More optimistically, 6 of the 65 working females (9%) are shown with a job in the hard sciences or as pilots/astronauts. These findings suggest that females have not shattered as many glass ceilings in the “reel” world as one might suspect.
    [Show full text]
  • Queer Television Thesis FINAL DRAFT Amended Date and Footnotes
    Queer British Television: Policy and Practice, 1997-2007 Natalie Edwards PhD thesis submitted to the University of Nottingham School of American and Canadian Studies, January 2010 Abstract Representations of gay, lesbian, queer and other non-heterosexualities on British terrestrial television have increased exponentially since the mid 1990s. Lesbian, gay, bisexual, transgender and queer characters now routinely populate mainstream series, while programmes like Queer as Folk (1999-2000), Tipping the Velvet (2002), Torchwood (2006-) and Bad Girls (1999-2006) have foregrounded specifically gay and lesbian themes. This increase correlates to a number of gay-friendly changes in UK social policy pertaining to sexual behaviour and identity, changes precipitated by the election of Tony Blair’s Labour government in 1997. Focusing primarily on the decade following Blair’s installation as Prime Minister, this project examines a variety of gay, lesbian and queer-themed British television programmes in the context of their political, cultural and industrial determinants, with the goal of bridging the gap between the cultural product and the institutional factors which precipitated its creation. Ultimately, it aims to establish how and why this increase in LGBT and queer programming occurred when it did by relating it to the broader, government-sanctioned integration of gays, lesbians and queers into the imagined cultural mainstream of the UK. Unlike previous studies of lesbian, gay and queer film and television, which have tended to draw conclusions about cultural trends purely through textual analysis, this project uses government and broadcasting industry policy documents as well as detailed examination of specific television programmes to substantiate links between the cultural product and the wider world.
    [Show full text]
  • Galatea's Daughters: Dolls, Female Identity and the Material Imagination
    Galatea‘s Daughters: Dolls, Female Identity and the Material Imagination in Victorian Literature and Culture Dissertation Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Maria Eugenia Gonzalez-Posse, M.A. Graduate Program in English The Ohio State University 2012 Dissertation Committee: David G. Riede, Advisor Jill Galvan Clare A. Simmons Copyright by Maria Eugenia Gonzalez-Posse 2012 Abstract The doll, as we conceive of it today, is the product of a Victorian cultural phenomenon. It was not until the middle of the nineteenth century that a dedicated doll industry was developed and that dolls began to find their way into children‘s literature, the rhetoric of femininity, periodical publications and canonical texts. Surprisingly, the Victorian fascination with the doll has largely gone unexamined and critics and readers have tended to dismiss dolls as mere agents of female acculturation. Guided by the recent material turn in Victorian studies and drawing extensively from texts only recently made available through digitization projects and periodical databases, my dissertation seeks to provide a richer account of the way this most fraught and symbolic of objects figured in the lives and imaginations of the Victorians. By studying the treatment of dolls in canonical literature alongside hitherto neglected texts and genres and framing these readings in their larger cultural contexts, the doll emerges not as a symbol of female passivity but as an object celebrated for its remarkable imaginative potential. The doll, I argue, is therefore best understood as a descendant of Galatea – as a woman turned object, but also as an object that Victorians constantly and variously brought to life through the imagination.
    [Show full text]
  • “Bad Girls Changed My Life”: Homonormativity in a Women's
    Kent Academic Repository Full text document (pdf) Citation for published version Herman, Didi (2003) ”Bad Girls Changed My Life”: Homonormativity in a Women’s Prison Drama. Critical Studies in Media Communication, 20 (2). pp. 141-159. ISSN 1529-5036. DOI https://doi.org/10.1080/07393180302779 Link to record in KAR https://kar.kent.ac.uk/1570/ Document Version UNSPECIFIED Copyright & reuse Content in the Kent Academic Repository is made available for research purposes. Unless otherwise stated all content is protected by copyright and in the absence of an open licence (eg Creative Commons), permissions for further reuse of content should be sought from the publisher, author or other copyright holder. Versions of research The version in the Kent Academic Repository may differ from the final published version. Users are advised to check http://kar.kent.ac.uk for the status of the paper. Users should always cite the published version of record. Enquiries For any further enquiries regarding the licence status of this document, please contact: researchsupport@kent.ac.uk If you believe this document infringes copyright then please contact the KAR admin team with the take-down information provided at http://kar.kent.ac.uk/contact.html Kent Academic Repository – http://kar.kent.ac.uk “Bad Girls Changed My Life”: Homonormativity in a Women’s Prison Drama Didi Herman â Critical Studies in Media Communication 20 (2) pp 141 – 159 2003 Not Published Version Abstract: This paper explores representations of sexuality in a popular British television drama. The author argues that the program in question, Bad Girls, a drama set in a women’s prison, conveys a set of values that are homonormative.
    [Show full text]
  • FORTHCOMING in SPAIN IS (STILL) DIFFERENT, Eds
    FORTHCOMING IN SPAIN IS (STILL) DIFFERENT, eds. Jaume Martí Olivella and Eugenia Afinoguenova, U of Minnesota P: Toppling the Xenolith: The Reconquest of Spain from the Uncanny Other in Iberian Film since World War Two Patricia Hart, Purdue University 1. The Others Ser ibero, ser ibero es una cosa muy seria, soy altivo y soy severo porque he nacido en Iberia. Y al que diga lo contrario Y al que ofenda a mi terruño Lo atravieso atrabilario Con esta daga que empuño Fray Apócrifo de la Cruz1 Long before Ruy Díaz de Vivar drove the Moors from Valencia and returned her fragrant orange groves to an ungrateful Alfonso VI—and long before anyone could suspect that in 1983 Angelino Fons would cast lion-tamer Ángel Cristo as the title character in his 1983 comedy, El Cid Cabreador—Iberian popular culture was often obsessed with monarchic, dictatorial, or hegemonic views of what is “us” and what is “other,” and with good reason! That catch-all category, iberos, was loosely used to name all of those prehistoric people living on the Peninsula before they had been invaded by just about every enterprising group armed with swords or something to sell. Celts, Phoenicians, Carthaginians on pachyderms, Greeks, Romans, suevos, alanos Vandals, Visigoths, Moors… no wonder the xenos was traditionally a cause for concern! The blunt, politically- and financially-expedient, medieval interest in the so-called “purity” of blood” and antiquity of Christian conversion served to consolidate power, property, and social stratification. 1 Better known as Moncho Alpuente. Turismo y cine Patricia Hart—Purdue—2 It is essential to keep this in mind as we talk about tourism on film, as for milenia, the idea of travel for pleasure was something reserved for a very tiny elite (and their servants).
    [Show full text]
  • New Cast Members Maxwell Caulfield Plays Jim Brodie
    New cast members Maxwell Caulfield plays Jim Brodie Consultant Paediatrician Maxwell Caulfield, who is 43, is delighted to be topless bar in Great Windmill Street.“I didn’t fancy back in “old England”. So often associated with carrying a spear and making cups of tea in rep high-gloss American soaps is he that one forgets theatre for nine months, which is what you had to that his roots are in the Midlands and that he has do to get an Equity card back then.” He lasted 10 Scottish ancestry. He was very much a Londoner weeks as a high stepper, dancing to Pink Floyd for for most of his youth, a dedicated fan of Chelsea the delight of German and Japanese tourists, before FC and a boy scout in west London, before moving getting embroiled in a brawl on stage.“All of a to the heart of Soho. sudden I could afford a Suzuki motorcycle. It was great fun while it lasted but I was glad as hell when “I had a very strong sense of myself when I was in it was over,” he says. my late teens and early twenties, albeit culled from the American rebel hero characters that I admired,” After feeling stifled, Maxwell jetted off to “La La he explains. He figures that is why he was tossed Land”, where he has spent much of his adult life. out of The Drama Centre, where he studied.“After Maxwell claims he never aspired to being on suggesting I see the school psychologist, they American television;“I went to Hollywood sooner showed me the door quite quickly because they than I’d meant to.The move from being discovered thought I was a somewhat disruptive influence.
    [Show full text]
  • By Author Name 1986 - 2020 Nominees
    INDIAN PAINTBRUSH BOOK AWARD - By Author Name 1986 - 2020 Nominees Adler, C.S. - Ghost Brother [Nominee 1994] Airgood, Ellen - Prairie Evers [Nominee 2015] Alcock, Vivien - Cuckoo Sister [Nominee 1988] Alexander, Kwame - Crossover [Winner 2018] Alphin, Elaine Marie - Ghost Cadet [Nominee 1993] Angleberger, Tom - Fake Mustache : Or, How Jodie O'rodeo and Her Wonder Horse (And Some Nerdy Kid) Saved the U.S. Presidential Election from a Mad Genius Criminal Mastermind [1st Runner-up 2015] Angleberger, Tom - Strange Case of Origami Yoda (Origami Yoda #1) [1st Runner-up 2012] Appelt, Kathi - The True Blue Scouts of Sugar Man Swamp [Nominee 2015] Applegate, Katherine - One and Only Ivan [1st Runner-up 2014] Applegate, Katherine - Wishtree [Nominee 2019] Auch, Mary - Glass Slippers Give You Blisters [Nominee 1991] Avi - Devil’s Race [Nominee 1988] Avi - Good Dog [Nominee 2004] Avi - Old Wolf [Nominee 2018] Avi - Perloo the Bold [Nominee 2001] Avi - Poppy [Nominee 1998] Avi - Sophia's War : a Tale of the Revolution [Nominee 2014] Baker, E. D. - Frog Princess [Nominee 2008] Balliett, Blue - Chasing Vermeer [Nominee 2006] Banks, Lynne Reid - Indian in the Cupboard (Indian in the Cupboard #1) [1st Runner-up 1986] Banks, Lynne Reid - Mystery of the Cupboard (Indian in the Cupboard #4) [Nominee 1995] Banks, Lynne Reid - Return of the Indian (Indian in the Cupboard #2) [Winner 1989] Banks, Lynne Reid - Secret of the Indian (Indian in the Cupboard #3) [Nominee 1993] Barber, Tiki and Ronde - Kickoff! [Nominee 2011] Barrie, Barbara - Lone Star [Nominee
    [Show full text]
  • Inventory to Archival Boxes in the Motion Picture, Broadcasting, and Recorded Sound Division of the Library of Congress
    INVENTORY TO ARCHIVAL BOXES IN THE MOTION PICTURE, BROADCASTING, AND RECORDED SOUND DIVISION OF THE LIBRARY OF CONGRESS Compiled by MBRS Staff (Last Update December 2017) Introduction The following is an inventory of film and television related paper and manuscript materials held by the Motion Picture, Broadcasting and Recorded Sound Division of the Library of Congress. Our collection of paper materials includes continuities, scripts, tie-in-books, scrapbooks, press releases, newsreel summaries, publicity notebooks, press books, lobby cards, theater programs, production notes, and much more. These items have been acquired through copyright deposit, purchased, or gifted to the division. How to Use this Inventory The inventory is organized by box number with each letter representing a specific box type. The majority of the boxes listed include content information. Please note that over the years, the content of the boxes has been described in different ways and are not consistent. The “card” column used to refer to a set of card catalogs that documented our holdings of particular paper materials: press book, posters, continuity, reviews, and other. The majority of this information has been entered into our Merged Audiovisual Information System (MAVIS) database. Boxes indicating “MAVIS” in the last column have catalog records within the new database. To locate material, use the CTRL-F function to search the document by keyword, title, or format. Paper and manuscript materials are also listed in the MAVIS database. This database is only accessible on-site in the Moving Image Research Center. If you are unable to locate a specific item in this inventory, please contact the reading room.
    [Show full text]
  • Book Title Author Reading Level Approx. Grade Level
    Approx. Reading Book Title Author Grade Level Level Anno's Counting Book Anno, Mitsumasa A 0.25 Count and See Hoban, Tana A 0.25 Dig, Dig Wood, Leslie A 0.25 Do You Want To Be My Friend? Carle, Eric A 0.25 Flowers Hoenecke, Karen A 0.25 Growing Colors McMillan, Bruce A 0.25 In My Garden McLean, Moria A 0.25 Look What I Can Do Aruego, Jose A 0.25 What Do Insects Do? Canizares, S.& Chanko,P A 0.25 What Has Wheels? Hoenecke, Karen A 0.25 Cat on the Mat Wildsmith, Brain B 0.5 Getting There Young B 0.5 Hats Around the World Charlesworth, Liza B 0.5 Have you Seen My Cat? Carle, Eric B 0.5 Have you seen my Duckling? Tafuri, Nancy/Greenwillow B 0.5 Here's Skipper Salem, Llynn & Stewart,J B 0.5 How Many Fish? Cohen, Caron Lee B 0.5 I Can Write, Can You? Stewart, J & Salem,L B 0.5 Look, Look, Look Hoban, Tana B 0.5 Mommy, Where are You? Ziefert & Boon B 0.5 Runaway Monkey Stewart, J & Salem,L B 0.5 So Can I Facklam, Margery B 0.5 Sunburn Prokopchak, Ann B 0.5 Two Points Kennedy,J. & Eaton,A B 0.5 Who Lives in a Tree? Canizares, Susan et al B 0.5 Who Lives in the Arctic? Canizares, Susan et al B 0.5 Apple Bird Wildsmith, Brain C 1 Apples Williams, Deborah C 1 Bears Kalman, Bobbie C 1 Big Long Animal Song Artwell, Mike C 1 Brown Bear, Brown Bear What Do You See? Martin, Bill C 1 Found online, 7/20/2012, http://home.comcast.net/~ngiansante/ Approx.
    [Show full text]
  • ACTORS and ACTRESSES WHO HAVE ... -.:: GEOCITIES.Ws
    ACTORS AND ACTRESSES WHO HAVE APPEARED WITH GABRIELLE MILLER NAME PRODUCTION CHARACTER A.J. Buckley The Disappearance of Vonnie Robbie Aaron Douglas Breaking News Greg Johnson Aaron Douglas Inspectors 2: A Shred of Evidence Worker Aaron Douglas Just Cause: Hide and Seek Aaron Feser Corner Gas Assistant Aaron Joseph In The Doghouse Zee Aaron Pearl Outer Limits: From Within Clark Aaron Pearl Voyage of Terror Randy Haynes Aaron Smolinski The Sentinel: Smart Alec Jaron Howell Adam Hann-Byrd Digger Digger Adrian Paul Highlander Duncan MacLeod Adrien Dorval Dead Man's Gun Heckler (segment "The Great McDonacle") Ahnee Boyce Madison: Bad Girls Dee-Dee Aidan Drummond The Collector Gabriel Slate Aidan Pendleton The Disappearance of Vonnie Debby Ajay Karah Sliders: Summer of Love Seeker Aki Aleong Breaking the Surface (Louganis) Dr. Sammy Lee Akiko Morison As Time Runs Out News Anchor #2 (as Akiko Ann Morison) Alan Bratt Corner Gas Man Alan C. Peterson Judgment Day: The John List Story Pete DiCicco Alan Scarfe Highlander: Rite of Passage Craig Alan Simpson Pasadena Henry Bellow Alex Bruhanski Neon Rider: Where the Buffalo Roam C.C. Dechardon (1991-1994) Alex Diakun Da Vinci's Inquest Chick Savoy Alex Diakun Dead Man's Gun Crandall (segment "Fool's Gold") Alex Diakun Starlight Pallas Alex Zahara The Immortal: Forest for the Trees Demon Assistant Alexa Gilmour Highlander: Rite of Passage Sharon Alexander Pollock Floating Away Bret (Kyle) Alexander Pollock Video Voyeur: The Susan Wilson Story Orin Wilson Alexandra Purvis Marine Life Adele Nordstrom Alexandra Purvis Poltergeist - The Legacy: The Covenant Katherine 'Kat' Corrigan Alexandra Purvis The Disappearance of Vonnie Amy Pickman Alexis Ioannidis Marine Life Chloe Alf Humphreys Breaking News Robert Jenkins (as Alfred E.
    [Show full text]