Identifying, Organizing, and Presenting Correlations Between Social Media and Broadcast Television
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Facilitating a Hybrid College-Level Course Using Microblogging: a Case Study
Facilitating a Hybrid College-level Course Using Microblogging: A Case Study A dissertation presented to the faculty of The Patton College of Education of Ohio University In partial fulfillment of the requirements for the degree Doctor of Philosophy Tian Luo August 2014 ©2014 Tian Luo. All Rights Reserved. 2 This dissertation titled Facilitating a Hybrid College-level Course Using Microblogging: A Case Study by TIAN LUO has been approved for the Department of Educational Studies and The Patton College of Education by David R. Moore Associate Professor of Instructional Technology Renée A. Middleton Dean, The Patton College of Education 3 Abstract LUO, TIAN, Ph.D., August 2014, Curriculum and Instruction, Instructional Technology Facilitating a Hybrid college-level Course Using Microblogging: A Case Study (290 pp.) Director of Dissertation: David R. Moore Social media has become an increasingly growing phenomenon that arouses mounting interest as well as heated discussion concerning its varied definitions and practices for academic use. Recently, a common type of social media, microblogging tools such as Twitter, has garnered researchers and educators' mounting attention due to its prevailing usage among the younger generation. This study seeks to both examine student learning in the Twitter-supported learning environments and to understand the potential factors affecting student perceptions and participation. The researcher incorporated three major Twitter-based instructional activities into a hybrid course, namely, Exploring Hashtags, Discussion Topics, and Live Chats. Twitter was employed as a backchannel to enhance classroom interaction during lectures and student presentations in face-to-face settings. The participants were 24 college-level Teacher Education program students enrolled in a technology course at a large Midwestern University. -
HBO's Vinyl Revisits the Golden Age of Rock
THEY WILL ROCK Photo by Niko Tavernise/HBO Photo by Niko YOU HBO’s Vinyl revisits the golden age of rock ‘n’ roll By Joe Nazzaro oardwalk Empire creators Terence Winter and Martin Scorsese team up with veteran rocker Mick Jagger (who Boriginally conceived the idea of a show two decades ago) for the new HBO drama Vinyl. It’s about music executive Richie Finestra (played by Bobby Cannavale) trying to run a successful business amid the fast-changing 1970s music scene. “The whole project takes place in 1973 New York,” explains make-up department head Nicki Ledermann, who won an Emmy for her work on the Boardwalk Empire pilot. “It’s about a record label owner and his experiences with the music industry, but we also have flashbacks back to Andy Warhol in the 1960s, as well as scenes set in the 1950s. Bobby Cannavale as Richie Finestra 96 MAKE-UP ARTIST NUMBER 119 MAKEUPMAG.COM 97 “THERE WAS ... A FUN AND EXPERIMENTAL EVOLUTION HAPPENING WITH THE BEAUTY MAKE-UP IN THE '70S.” —NICKI LEDERMANN “What’s cool about this show is it’s not just about punk rock; it’s about the start of it and how it started to evolve. We have every musical genre in this show, which makes it even more appealing, because we have all this good stuff from every type of music, from soul to blues to rock and roll to the early punk music. “There are fictional bands in the series, as well as people who really existed, so we have Alice Cooper and David Bowie, and some cool flashbacks to soul singers like Tony Bennett and Ruth Brown.” And there is no shortage of iconic styles in the series, from the outrageous to the glamorous. -
Performing the Self on Survivor
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Texas A&M Repository TEMPORARILY MACHIAVELLIAN: PERFORMING THE SELF ON SURVIVOR An Undergraduate Research Scholars Thesis by REBECCA J. ROBERTS Submitted to the Undergraduate Research Scholars program at Texas A&M University in partial fulfillment of the requirements for the designation as an UNDERGRADUATE RESEARCH SCHOLAR Approved by Research Advisor: Dr. James Ball III May 2018 Major: Performance Studies Psychology TABLE OF CONTENTS Page ABSTRACT ............................................................................................................................. 1 ACKNOWLEDGMENTS ........................................................................................................ 2 INTRODUCTION .................................................................................................................... 3 CHAPTERS I. OUTWIT. OUTPLAY. OUTLAST ......................................................................... 8 History of Survivor ............................................................................................ 8 Origin Story of Survivor .................................................................................. 10 Becoming the Sole Survivor ............................................................................ 12 II. IDENTITY & SELF-PRESENTATION ................................................................ 17 Role Performance ........................................................................................... -
Sexuality Is Fluid''[1] a Close Reading of the First Two Seasons of the Series, Analysing Them from the Perspectives of Both Feminist Theory and Queer Theory
''Sexuality is fluid''[1] a close reading of the first two seasons of the series, analysing them from the perspectives of both feminist theory and queer theory. It or is it? An analysis of television's The L Word from the demonstrates that even though the series deconstructs the perspectives of gender and sexuality normative boundaries of both gender and sexuality, it can also be said to maintain the ideals of a heteronormative society. The [1]Niina Kuorikoski argument is explored by paying attention to several aspects of the series. These include the series' advertising both in Finland and the ("Seksualność jest płynna" - czy rzeczywiście? Analiza United States and the normative femininity of the lesbian telewizyjnego "The L Word" z perspektywy płci i seksualności) characters. In addition, the article aims to highlight the manner in which the series depicts certain characters which can be said to STRESZCZENIE : Amerykański serial telewizyjny The L Word stretch the normative boundaries of gender and sexuality. Through (USA, emitowany od 2004) opowiada historię grupy lesbijek this, the article strives to give a diverse account of the series' first two i biseksualnych kobiet mieszkających w Los Angeles. Artykuł seasons and further critical discussion of The L Word and its analizuje pierwsze dwa sezony serialu z perspektywy teorii representations. feministycznej i teorii queer. Chociaż serial dekonstruuje normatywne kategorie płci kulturowej i seksualności, można ______________________ również twierdzić, że podtrzymuje on ideały heteronormatywnego The analysis in the article is grounded in feminist thinking and queer społeczeństwa. Przedstawiona argumentacja opiera się m. in. na theory. These theoretical disciplines provide it with two central analizie takich aspektów, jak promocja serialu w Finlandii i w USA concepts that are at the background of the analysis, namely those of oraz normatywna kobiecość postaci lesbijek. -
REALLY BAD GIRLS of the BIBLE the Contemporary Story in Each Chapter Is Fiction
Higg_9781601428615_xp_all_r1_MASTER.template5.5x8.25 5/16/16 9:03 AM Page i Praise for the Bad Girls of the Bible series “Liz Curtis Higgs’s unique use of fiction combined with Scripture and modern application helped me see myself, my past, and my future in a whole new light. A stunning, awesome book.” —R OBIN LEE HATCHER author of Whispers from Yesterday “In her creative, fun-loving way, Liz retells the stories of the Bible. She deliv - ers a knock-out punch of conviction as she clearly illustrates the lessons of Scripture.” —L ORNA DUECK former co-host of 100 Huntley Street “The opening was a page-turner. I know that women are going to read this and look at these women of the Bible with fresh eyes.” —D EE BRESTIN author of The Friendships of Women “This book is a ‘good read’ directed straight at the ‘bad girl’ in all of us.” —E LISA MORGAN president emerita, MOPS International “With a skillful pen and engaging candor Liz paints pictures of modern sit u ations, then uniquely parallels them with the Bible’s ‘bad girls.’ She doesn’t condemn, but rather encourages and equips her readers to become godly women, regardless of the past.” —M ARY HUNT author of Mary Hunt’s Debt-Proof Living Higg_9781601428615_xp_all_r1_MASTER.template5.5x8.25 5/16/16 9:03 AM Page ii “Bad Girls is more than an entertaining romp through fascinating charac - ters. It is a bona fide Bible study in which women (and men!) will see them - selves revealed and restored through the matchless and amazing grace of God.” —A NGELA ELWELL HUNT author of The Immortal “Liz had me from the first paragraph. -
Cable Networks Dominate Emmys
TAIPEI TIMES P A G E 1 6 TUESDAY, SEPTEMBER 23, 2008 ith so much of prime-time rated Fox drama that was also a network television being nominee for best drama series, W taken over by so-called said the disparities in audience reality shows, it is no wonder rightly had little bearing on awards that the big winners at the 60th like the Emmys. Primetime Emmys — an awards “There are awards for that; show that mainly celebrates they’re called ratings,” Shore said. acting and writing — would hail “There are really good shows on from cable rather than from the cable, and even if only 10 people are broadcast networks. watching them, if they’re good they HBO, the perennial Emmy should be recognized. The shows powerhouse, took home the most they’ve selected are excellent.” golden statuettes on Sunday, Perhaps the biggest change winning 26 Emmys, including this year was in the assignment awards for its made-for-television of hosting duties. Traditionally, movie Recount, its mini-series the job has gone to a comedian John Adams, its comedy series who has some connection to the Entourage and its drama series network televising the Emmys In Treatment. ceremony, as Conan O’Brien did AMC, the cable channel formerly two years ago on NBC. known as American Movie Classics, In addition to showcasing one won three awards, two of them of the network’s big stars, the for its first-year scripted series, precedent usually had the added of Mad Men, which won best drama advantage of managing to keep the series, and one for Breaking Bad, audience entertained through what which, with only seven episodes, can be a tedious evening. -
Hooked on Reality Television: the Uses and Gratifications
SURVIVOR AND OTHER REALITY T.V. GAMESHOWS: THE USES AND GRATIFICATIONS PERSPECTIVE ON A REALITY SUB-GENRE by James A. Mead A Thesis submitted in Partial Fulfillment of the requirement for The Master of Mass Communication Degree Thesis Chair: Dr. William Cassidy THE UNIVERSITY OF WISCONSIN-WHITEWATER May 3, 2006 The University of Wisconsin-Whitewater Thesis Approved James A. Mead Date: Committee Members: Table of Contents Abstract of Thesis vi Chapter One: Introduction 1 Chapter Two: Literature Review 6 Introduction 6 Uses and Gratifications Perspective 6 Early History of Media Gratification 7 Development of Uses and Gratifications Theory 9 Extensions into Uses and Gratifications 10 Summary of Uses and Gratifications Theory 12 Television Popularity and the Audience 12 A Historical Review of the Television Genre 13 Reality TV: The Genre of Today 15 Reality TV: A Brief History 16 Understanding Reality Television Popularity 17 The Sub-Genres of Reality Television 20 Summary of the Television-Viewer Relationship 22 Chapter Three: Identifying Survivor as a Reality Icon 23 Introduction 23 The Survivor Gameplan 24 Motive One: Serial Format 25 Motive Two: Quality 27 Motive Three: Entertainment 28 Motive Four: Arousal 31 Motive Five: Sexual Interaction 31 Summary of Survivor’s Popularity 34 Restatement of Research Questions 34 iii Table of Contents (continued) Chapter Four: Methodology 36 Sample 36 Procedures 36 Survey Structure 36 Data Collection 38 Measures 39 Respondent Profiles 40 Summary of Methodology 42 Chapter Five: Results 44 Summary of -
February 12, 2019: SXSW Announces Additional Keynotes and Featured
SOUTH BY SOUTHWEST ANNOUNCES ADDITIONAL KEYNOTES AND FEATURED SPEAKERS FOR 2019 CONFERENCE Adam Horovitz and Michael Diamond of Beastie Boys, John Boehner, Kara Swisher, Roger McNamee, and T Bone Burnett Added to the Keynote Lineup Stacey Abrams, David Byrne, Elizabeth Banks, Aidy Bryant, Brandi Carlile, Ethan Hawke, Padma Lakshmi, Kevin Reilly, Nile Rodgers, Cameron and Tyler Winklevoss, and More Added as Featured Speakers Austin, Texas — February 12, 2019 — South by Southwest® (SXSW®) Conference and Festivals (March 8–17, 2019) has announced further additions to their Keynote and Featured Speaker lineup for the 2019 event. Keynotes announced today include former Speaker of the U.S. House of Representatives John Boehner with Acreage Holdings Chairman and CEO Kevin Murphy; a Keynote Conversation with Adam Horovitz and Michael Diamond of Beastie Boys with Amazon Music’s Nathan Brackett; award-winning producer, musician and songwriter T Bone Burnett; investor and author Roger McNamee with WIRED Editor in Chief Nicholas Thompson; and Recode co-founder and editor-at-large Kara Swisher with a special guest. Among the Featured Speakers revealed today are national political trailblazer Stacey Abrams, multi-faceted artist David Byrne; actress, producer and director Elizabeth Banks; actress, writer and producer Aidy Bryant; Grammy Award-winning musician Brandi Carlile joining a conversation with award-winning actress Elisabeth Moss; professional wrestler Charlotte Flair; -
A Year of Living Sustainably
Welcome and introduction 1 Share your name, favorite plant-based food, and what you’d like to learn today. Give your audience a few moments to get to know each other in pairs or small groups by asking them to share their name, favorite plant-based food (it can be a recipe or just an ingredient), and what they’d like to learn today. 2 • 521 pledges • 3 monthly challenges • 100% of survey • Building community respondents plan to in neighborhoods continue their behavior • Over 54 community • 7 local leaders engagements • 5 neighborhoods and • 270+ followers on NKY social media Take a moment to discuss the Year of Living Sustainably campaign. It’s a multi-faceted campaign that hopes to engage residents with the goals outlined in the 2018 Green Cincinnati Plan and foster community building and local leadership. Monthly challenge: Each month we ask residents to participate in monthly ‘neighborhood’ challenges that help make Cincy more sustainable, equitable, and resilient. This month we’re partnering with La Soupe to see which neighborhood can sign up the most drivers for their ‘Food Rescue US’ App. Learn more at https://www.cincinnati-oh.gov/oes/a-year-of-living-sustainably/take-action/commit- to-one-sustainable-behavior-each-month/. Pledges: Each month (and at the end of this presentation) we ask people to commit to one behavior or action that will reduce their impact on the planet. At the end of 30 days they’ll receive a survey asking them to evaluate the action (did they complete it, what did they like about it, what advice do they have for others trying to do the same, AND do they plan to continue it) and one pledger will receive a prize! This month it’s 4 weeks of CSA boxes from Our Harvest Cooperative. -
Hoover Digest
HOOVER DIGEST RESEARCH + OPINION ON PUBLIC POLICY SUMMER 2020 NO. 3 HOOVER DIGEST SUMMER 2020 NO. 3 | SUMMER 2020 DIGEST HOOVER THE PANDEMIC Recovery: The Long Road Back What’s Next for the Global Economy? Crossroads in US-China Relations A Stress Test for Democracy China Health Care The Economy Foreign Policy Iran Education Law and Justice Land Use and the Environment California Interviews » Amity Shlaes » Clint Eastwood Values History and Culture Hoover Archives THE HOOVER INSTITUTION • STANFORD UNIVERSITY The Hoover Institution on War, Revolution and Peace was established at Stanford University in 1919 by Herbert Hoover, a member of Stanford’s pioneer graduating class of 1895 and the thirty-first president of the United States. Created as a library and repository of documents, the Institution approaches its centennial with a dual identity: an active public policy research center and an internationally recognized library and archives. The Institution’s overarching goals are to: » Understand the causes and consequences of economic, political, and social change The Hoover Institution gratefully » Analyze the effects of government actions and public policies acknowledges gifts of support » Use reasoned argument and intellectual rigor to generate ideas that for the Hoover Digest from: nurture the formation of public policy and benefit society Bertha and John Garabedian Charitable Foundation Herbert Hoover’s 1959 statement to the Board of Trustees of Stanford University continues to guide and define the Institution’s mission in the u u u twenty-first century: This Institution supports the Constitution of the United States, The Hoover Institution is supported by donations from individuals, its Bill of Rights, and its method of representative government. -
PUZZLE CORSAN Présente
PUZZLE CORSAN présente une production Corsan / Highway 61 en association avec Volten – Lailaps Pictures – Filmfinance XII PUZZLE Un film écrit et réalisé par PAUL HAGGIS LIAM MILA ADRIEN OLIVIA JAMES MORAN MARIA KIM NEESON KUNIS BRODY WILDE FRANCO ATIAS BELLO BASINGER Durée : 2h17 SORTIE : 19 NOVEMBRE 2014 matériel disponible sur www.synergycinema.com facebook.com/Puzzle.lefilm PROGRAMMATION DISTRIBUTEUR PRESSE PANAME DISTRIBUTION SYNERGY CINEMA Jean-Pierre Vincent / Virginie Picat Laurence Gachet 50, rue de Ponthieu – 75008 Paris 50, rue de Ponthieu – 75008 Paris Tél. : 01 40 44 72 55 / 06 03 25 27 55 Tél. : 09 50 01 37 90 Tél. : 01 42 25 23 80 [email protected] [email protected] [email protected] «J’aime écrire sur les choses que je ne comprends pas et ainsi la nature de l’amour est un thème qui s’est imposé à moi naturellement. Je me pose toutes sortes de questions sur les rapports amoureux auxquelles je n’arrive pas à répondre. Par exemple : Comment s’y prend-on avec quelqu’un d’impossible ? Est-ce qu’on peut obtenir ce dont on a besoin en essayant de changer cette personne ? Et dans l’hypothèse, très rare, où l’on y parvient, est-ce qu’on n’arrête pas de l’aimer ? Ou encore, si on a l’intime conviction que quelqu’un nous ment, quels sont nos choix ? Que se passe-t-il si l’on décide d’accorder sa confiance à quelqu’un qui n’en est absolument pas digne ? Est-ce qu’on peut changer les gens en leur faisant totalement confiance ? Lorsqu’on prête des qualités ou des défauts à quelqu’un, cela finit-il par déteindre -
“Over-The-Top” Television: Circuits of Media Distribution Since the Internet
BEYOND “OVER-THE-TOP” TELEVISION: CIRCUITS OF MEDIA DISTRIBUTION SINCE THE INTERNET Ian Murphy A dissertation submitted to the faculty at the University of North Carolina at Chapel Hill in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of Communication. Chapel Hill 2018 Approved by: Richard Cante Michael Palm Victoria Ekstrand Jennifer Holt Daniel Kreiss Alice Marwick Neal Thomas © 2018 Ian Murphy ALL RIGHTS RESERVED ii ABSTRACT Ian Murphy: Beyond “Over-the-Top” Television: Circuits of Media Distribution Since the Internet (Under the direction of Richard Cante and Michael Palm) My dissertation analyzes the evolution of contemporary, cross-platform and international circuits of media distribution. A circuit of media distribution refers to both the circulation of media content as well as the underlying ecosystem that facilitates that circulation. In particular, I focus on the development of services for streaming television over the internet. I examine the circulation paths that either opened up or were foreclosed by companies that have been pivotal in shaping streaming economies: Aereo, Netflix, Twitter, Google, and Amazon. I identify the power brokers of contemporary media distribution, ranging from sectors of legacy television— for instance, broadcast networks, cable companies, and production studios—to a variety of new media and technology industries, including social media, e-commerce, internet search, and artificial intelligence. In addition, I analyze the ways in which these power brokers are reconfiguring content access. I highlight a series of technological, financial, geographic, and regulatory factors that authorize or facilitate access, in order to better understand how contemporary circuits of media distribution are constituted.