Life and Biography of Hardy
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Idea and Execution in Jude the Obscure
Colby Quarterly Volume 9 Issue 10 June Article 3 June 1972 Idea and Execution in Jude the Obscure A. F. Cassis Follow this and additional works at: https://digitalcommons.colby.edu/cq Recommended Citation Colby Library Quarterly, series 9, no.10, June 1972, p.501-509 This Article is brought to you for free and open access by Digital Commons @ Colby. It has been accepted for inclusion in Colby Quarterly by an authorized editor of Digital Commons @ Colby. Cassis: Idea and Execution in Jude the Obscure Colby Library Quarterly Series IX ,Tline 1972 No. 10 IDEA AND EXECUTION IN JUDE THE OBSCURE By A. F. CASSIS ~~T HERE HAS BEEN no such tragedy in fiction - on anything like the same lines - since he [Balzac] died," wrote Swin burne to Hardy after reading Jude the Obscure. Ten days after the publication of the novel, Hardy wrote to a "close friend": "You have hardly an idea how poor and feeble the book seems to me, as executed, beside the idea of it that I had formed in prospect."! Eight weeks later, to the same friend, he described it as "a mass of imperfections."2 Our purpose is to discover any "imperfections" in the tragedy and assess the "execution" in the light of the "idea." When he wrote the novel, Hardy believed that the greatest tragedy was "an excursion, a revelation of soul's unreconciled to life."3 This is why Jude, the only one of Hardy's characters whose life is traced from childhood to premature death, is en dowed with a sensitivity that amounts to a weakness and so feels "the pricks of life somewhat before his time." Dreams of aca demic distinction which develop into a ruling passion aggravate Jude's unreconcilement to life at Marygreen especially as Christ minster acquires a "tangibility, a permanence, a hold on his life."4 A blank refusal from one College brings his dreams to an abrupt end and the tragedy of "unfulfilled aims" comes to the forefront. -
Jude the Obscure
Colby Quarterly Volume 27 Issue 3 September Article 6 September 1991 Highways and Cornfields: Space and Time in the Narration of Jude the Obscure Janet H. Freeman Follow this and additional works at: https://digitalcommons.colby.edu/cq Recommended Citation Colby Quarterly, Volume 27, no.3, September 1991, p.161-173 This Article is brought to you for free and open access by Digital Commons @ Colby. It has been accepted for inclusion in Colby Quarterly by an authorized editor of Digital Commons @ Colby. Freeman: Highways and Cornfields: Space and Time in the Narration of Jude Highways and Cornfields: Space and Time in the Narration of Jude the Obscure by JAN ET H. FREE MAN A small slow voice rose from the shade ofthe fireside. as ifoul of the earth: "IfI was you, mother, I wouldn't marryfather!"father!"' It came from little Time, and they started, for they hadforgotten him. (V,4,223)(V,4,223j OTION is like breathing in Jude the Obscure: it is both a sign of life and a M sign of what life is like. As long as he lives, Jude Fawley never stops moving from place to place, sometimes deliberately, as when-"having always fancied himself arriving thus"l-he gets Ollt of the cart and makes his first entrance into Christminster walking on his own two feet; sometim€s uncon sciously, as when he and Arabella walk very far from horne on their first afternoon together; or impulsively, as when he and Sue, havingjust met, walk out to Lunlsdon in search of PhilJotson. -
Thomas Hardy
Published on Great Writers Inspire (http://writersinspire.org) Home > Thomas Hardy Thomas Hardy Thomas Hardy (1840-1928), novelist and poet, was born on 2 June 1840, in Higher Bockhampton, Dorset. The eldest child of Thomas Hardy and Jemima Hand, Hardy had three younger siblings: Mary, Henry, and Katharine. Hardy learned to read at a very young age, and developed a fascination with the services he regular attended at Stinsford church. He also grew to love the music that accompanied church ritual. His father had once been a member of the Stinsford church musicians - the group Hardy later memorialised in Under the Greenwood Tree - and taught him to play the violin, with the pair occasionally performing together at local dance parties. Whilst attending the church services, Hardy developed a fascination for a skull which formed part of the Grey family monument. He memorised the accompanying inscription (containing the name 'Angel', which he would later use in his novel Tess of the d'Urbervilles [1]) so intently that he was still able to recite it well into old age. [2] Thomas Hardy By Bain News Service [Public domain], via Wikimedia Commons Adulthood Between the years of 1856-1862, Hardy worked as a trainee architect. He formed an important friendship with Horace Moule. Moule - eight years Hardy's senior and a Cambridge graduate - became Hardy's intellectual mentor. Horace Moule appears to have suffered from depression, and he committed suicide in 1873. Several of Hardy's poems are dedicated to him, and it is thought some of the characters in Hardy's fiction were likely to have been modeled on Moule. -
Prelims- 1..26
THE CAMBRIDGE COMPANION TO THOMAS HARDY EDITED BY DALE KRAMER published by the press syndicate of the university of cambridge The Pitt Building, Trumpington Street, Cambridge cb21rp, United Kingdom cambridge university press The Edinburgh Building, Cambridge cb2 2ru, United Kingdom http://www.cup.cam.ac.uk 40 West 20th Street, New York, ny 10011±4211, USA http://www.cup.org 10 Stamford Road, Oakleigh, Melbourne 3166, Australia # Cambridge University Press 1999 This book is in copyright. Subject to statutory exception and to provisions of relevant collective licensing agreements, no reproduction of any part may take place without the written permission of Cambridge University Press. First published 1999 Printed in the United Kingdom at the University Press, Cambridge Typeset in Sabon 10/13 pt. [ce] A catalogue record for this book is available from the British Library Library of Congress cataloguing in publication data The Cambridge companion to Thomas Hardy / edited by Dale Kramer. p. cm. Includes bibliographical references and index. isbn 0 521 56202 3 ± isbn 0 521 56692 4 (paperback) 1. Hardy, Thomas, 1840±1928 ± Criticism and interpretation. I. Kramer, Dale, 1936± . pr4754.c23 1999 823'.8±dc21 98±38088 cip isbn 0 521 56202 3 hardback isbn 0 521 56692 4 paperback CONTENTS Notes on contributors page xi Preface xv A chronology of Hardy's life and Publications xviii List of abbreviations and texts xxiii 1 Thomas Hardy: the biographical sources 1 MICHAEL MILLGATE 2 Wessex 19 SIMON GATRELL 3 Art and aesthetics 38 NORMAN PAGE 4 The in¯uence of religion, science, and philosophy on Hardy's writings 54 ROBERT SCHWEIK 5 Hardy and critical theory 73 PETER WIDDOWSON 6 Thomas Hardy and matters of gender 93 KRISTIN BRADY 7 Variants on genre: The Return of the Native, The Mayor of Casterbridge, The Hand of Ethelberta 112 JAKOB LOTHE 8 The patriarchy of class: Under the Greenwood Tree, Far from the Madding Crowd, The Woodlanders 130 PENNY BOUMELHA ix contents 9 The radical aesthetic of Tess of the d'Urbervilles 145 LINDA M. -
A Commentary on the Poems of THOMAS HARDY
A Commentary on the Poems of THOMAS HARDY By the same author THE MAYOR OF CASTERBRIDGE (Macmillan Critical Commentaries) A HARDY COMPANION ONE RARE FAIR WOMAN Thomas Hardy's Letters to Florence Henniker, 1893-1922 (edited, with Evelyn Hardy) A JANE AUSTEN COMPANION A BRONTE COMPANION THOMAS HARDY AND THE MODERN WORLD (edited,for the Thomas Hardy Society) A Commentary on the Poems of THOMAS HARDY F. B. Pinion ISBN 978-1-349-02511-4 ISBN 978-1-349-02509-1 (eBook) DOI 10.1007/978-1-349-02509-1 © F. B. Pinion 1976 Softcover reprint of the hardcover 15t edition 1976 All rights reserved. No part of this publication may be reproduced or transmitted, in any form or by any means, without permission First published 1976 by THE MACMILLAN PRESS LTD London and Basingstoke Associated companies in New York Dublin Melbourne Johannesburg and Madras SBN 333 17918 8 This book is sold subject to the standard conditions of the Net Book Agreement Quid quod idem in poesi quoque eo evaslt ut hoc solo scribendi genere ..• immortalem famam assequi possit? From A. D. Godley's public oration at Oxford in I920 when the degree of Doctor of Letters was conferred on Thomas Hardy: 'Why now, is not the excellence of his poems such that, by this type of writing alone, he can achieve immortal fame ...? (The Life of Thomas Hardy, 397-8) 'The Temporary the AU' (Hardy's design for the sundial at Max Gate) Contents List of Drawings and Maps IX List of Plates X Preface xi Reference Abbreviations xiv Chronology xvi COMMENTS AND NOTES I Wessex Poems (1898) 3 2 Poems of the Past and the Present (1901) 29 War Poems 30 Poems of Pilgrimage 34 Miscellaneous Poems 38 Imitations, etc. -
Emma Hardy's Late Writings Restored Jon Singleton Harding University, [email protected]
Harding University Scholar Works at Harding English Faculty Research and Publications English Fall 2015 Spaces, Alleys, and Other Lacunae: Emma Hardy's Late Writings Restored Jon Singleton Harding University, [email protected] Follow this and additional works at: https://scholarworks.harding.edu/english-facpub Part of the English Language and Literature Commons Recommended Citation Singleton, J. (2015). Spaces, Alleys, and Other Lacunae: Emma Hardy's Late Writings Restored. Thomas Hardy Journal, 31, 48-62. Retrieved from https://scholarworks.harding.edu/english-facpub/34 This Article is brought to you for free and open access by the English at Scholar Works at Harding. It has been accepted for inclusion in English Faculty Research and Publications by an authorized administrator of Scholar Works at Harding. For more information, please contact [email protected]. SPACES, ALLEYS, AND OTHER LACUNAE: EMMA HARDY’S LATE WRITINGS RESTORED JON SINGLETON Emma Hardy’s writings have often been misrepresented by Hardy scholars as naïve, incoherent, or insane. Her case has not been helped by the fact that Thomas Hardy, along with his second wife Florence Dugdale, burned reams of Emma’s papers in the months and years following her death. But the most blatant misrepresentation has been the actual corruption of the text of Spaces (1912), her last published work. Two full pages – the recto and verso of the same leaf – were left out when J. O. Bailey and J. Stevens Cox republished it in 1966, along with Emma’s Alleys (1911), under the title Poems and Religious Effusions. All subsequent scholarship, from Michael Millgate’s magisterial Biography Revisited on down, has relied upon this corrupted version to assess Emma’s literary merits and even to diagnose her mental health. -
Jude the Obscure 4 5 by Thomas Hardy 6
Penguin Readers Factsheets l e v e l E T e a c h e r’s n o t e s 1 2 3 Jude the Obscure 4 5 by Thomas Hardy 6 UPPER S U M M A R Y INTERMEDIATE ude the Obscure, published in 1896, shocked its (1874), The Return of the Native (1878), Tess of the J readers for being ’indecent’. Deeply upset by the D’Urbevilles (1891 and Jude the Obscure. His home was reaction to the book, Hardy never wrote another in Dorset, but he spent part of the year in London, where novel, but turned instead to poetry. Today, the book is a he mixed with literary people and was much admired. He landmark in the history of the British novel, dealing with never felt entirely comfortable in this society, however, relationships between men and women with great realism. and could never forget his country roots. A number of A film ’Jude’ was made in 1996, starring the Oscar- biographers have protrayed Hardy as a snobbish, mean winning Kate Winslet. pessimist and woman-hater. A recent, much praised The novel tells the story of a poor, lonely orphan, Jude biography, however, claims that this is wrong; it depicts Fawley, who dreams of going to university and becoming Hardy as a sensitive man who cared deeply about his a clergyman. Jude is trapped into marriage by Arabella, a fellow beings. barmaid, who then leaves him. He starts work as a Hardy became famous, but critics complained about the stonemason and falls in love with his unconventional immorality and pessimism of his books. -
Department of English and American Studies English Language And
Masaryk University Faculty of Arts Department of English and American Studies English Language and Literature Miroslav Kohut Gender Relations in the Narrative Organization of Four Short Stories by Thomas Hardy Bachelor’s Diploma Thesis Supervisor: Stephen Paul Hardy, Ph.D. 2011 I declare that I have worked on this thesis independently, using only the primary and secondary sources listed in the bibliography. …………………………………………….. Author’s signature 2 I would like to thank Stephen Paul Hardy, Ph.D. for his valuable advice during writing of this thesis. 3 Table of Contents 1. Introduction ................................................................................................................... 5 1.1 Thomas Hardy as an author ..................................................................................... 7 1.2 The clash of two worlds in Hardy‘s fiction ............................................................. 9 1.3 Thomas Hardy and the issues of gender ............................................................... 11 1.4 Hardy‘s short stories ............................................................................................. 14 2. The Distracted Preacher .............................................................................................. 16 3. An Imaginative Woman .............................................................................................. 25 4. The Waiting Supper .................................................................................................... 32 5. A Mere Interlude -
Abstract Jude the Obscure Is Not Only Thomas Hardy's Last but Probably
“JOSEPH THE DREAMER OF DREAMS”: JUDE FAWLEY’S CONSTRUCTION OF MASCULINITY IN THOMAS HARDY’S JUDE THE OBSCURE STEFAN HORLACHER Abstract Jude the Obscure is not only Thomas Hardy’s last but probably also his bleakest novel. Even the epigram on the frontispiece – “The letter killeth [but the spirit giveth life]” – can be read as having negative forebodings; it can, however, also be interpreted as a commentary on the “nature” of language and on the absolute necessity of understand- ing its founding mechanisms such as absence, difference and deferral if one is to lead a happy and meaningful life and if one endeavors to claim the freedom and the responsibility to construct one’s gender identity. This essay thus centers on the extent to which Hardy’s pro- tagonist Jude Fawley, a man who desperately clings to the illusion of a transcendental signified, is able to understand and put into practice Hardy’s epigram when constructing his masculinity. Therefore, the focus of inquiry will be the hitherto largely neglected discursive con- struction of an ill-fated male gender identity in a discursive universe where “nobody did come, because nobody does” and where taking words literally has lethal consequences. It is certainly surprising that a closer look at the hundreds of articles, essays and monographs about Jude the Obscure reveals that most of these publications tend to ignore the eponymous hero of the novel and concentrate instead on Sue Bridehead, “perhaps the most remarkable feminine portrait in the English novel”.1 One eminent critic, Mary 1 Frank Rodney Southerington, Hardy’s Vision of Man, London: Chatto and Windus, 1971, 145. -
1.;2014 a Peer Reviewed International Journal
(RJELAL) Research Journal of English Language and Literature Vol.2.Issue.1.;2014 A Peer Reviewed International Journal - http://www.rjelal.com RESEARCH ARTICLE LITERARY EVALUATION ON THOMAS HARDY’S JUDE THE OBSCURE Dr.V.SUDHAKAR NAIDU Asst. Professor of English, Faculty of Languages, Department of English, University of Tripoli, Libya ABSTRACT Thomas Hardy is a tragic novelist of eminence. Jude the Obscure is his last novel and in it Hardy has explored all that he has to say in the novel form. It is the story of human sufferings and feelings during hard time. Hardy was so distressed by the readers of his generation on his presentation of unconventional treatment of Victorian marriage law and academic snobbery. He gave up novel - writing after Jude and concentrated solely on poetry. The present article attempts to evaluate literally on the different aspects of Jude the Obscure. Article Info: It studies primarily on the tragedy of Jude’s unfulfilled ambitions. In the Article Received:04/02/2014 course of the novel, there is a force of education and self-advancement Revised on:27/2/2014 on one side, and of love and marriage on the other side mysteriously Accepted for Publication:28/02/2014 combine to destroy the life of Jude. It is observed that the question of marriage is more central to the novel than the theme of Jude’s scholastic ambition. The social ostracism in Jude and Sue is more tormenting than anything else. In addition, the roles of Phillotson, Father Time, Sue and Arabella in the tragedy of Jude are closely studied. -
Sue Bridehead, "The Woman of the Feminist Movement"
SEL, 18 (1978) ISSN 0039-3657 Sue Bridehead, "The Woman of the Feminist Movement" KA THLEEN BLAKE Curiously enough, I am more interested in the Sue story than in any I have written. Sue is a type of woman which has always had an attraction for me, but the difficulty of drawing the type has kept me from attempting it till now.' Hardy's fascination with Sue Bridehead has been shared by many readers, some of whom feel she takes over Jude the Obscure from Jude. She is complex to the point of being irresistible, mystifying, or for some exasperating. She seems to Yelver- ton Tyrell, writing in 1896, "an incurably morbid organism," and to Desmond Hawkins, more than half a century later, "just about the nastiest little bitch in English literature."2 Sue Bridehead will be more fascinating than frustrating to those who can find a thread that makes her windings worth following, and who can recognize in her mazes something more than the uniqueness of neurosis. Tyrell asks, "Why dwell on this fantastic greensickness?" Albert Guerard answers for the "minute responsibility" of Hardy's characterization, and Michael Steig argues her psychological coher- ence in clinical terms. Havelock Ellis and Robert Heilman carry the argument for our interest beyond the psychological consistency of what looks odd in Sue, to its representative importance.3 'Hardy's letter to Florence Henniker, Aug. 12, 1895, in One Rare Fair Woman, Tho- mas Hardy's Letters to Florence Henniker, 1893-1922, ed. Evelyn Hardy and F. B. Pion- ion (Coral Gables, Florida, 1972), p. -
The Biblical Parallels of Suffering in Jude the Obscure
Eastern Illinois University The Keep Masters Theses Student Theses & Publications 1971 The iB blical Parallels of Suffering in Jude the Obscure Denny Lee Brandon Eastern Illinois University This research is a product of the graduate program in English at Eastern Illinois University. Find out more about the program. Recommended Citation Brandon, Denny Lee, "The iB blical Parallels of Suffering in Jude the Obscure" (1971). Masters Theses. 3969. https://thekeep.eiu.edu/theses/3969 This is brought to you for free and open access by the Student Theses & Publications at The Keep. It has been accepted for inclusion in Masters Theses by an authorized administrator of The Keep. For more information, please contact [email protected]. PAPER GER TIFICA TE #2 TO: Graduate Degree Candidates who have written formal theses. SUBJECT: Permission to reproduce theses. The University Library is receiving a number of requests from other institutions asking permission to reproduce dissertations for inclusion in their library holdings. Although no copyright laws are involved, we feel that professional courtesy demands that permission be obtained from the author before we allow theses to be copied. Please sign one of the following statements. Booth Library of Eastern Illinois University has my permission to lend my thesis to a reputable college or university for the purpose of copying it for inclusion in that institution's library or research • holdings. A,eJ . 9, VI1971 Drle I respectfully request Booth Library of Eastern Illinois University not allow my thesis be reproduced because ----- Date Author /LB1861-CS7XB819>C2/ The �blical Parallels of Suffering In Jude The Obscure (TITLE) BY Denny Lee �randon B.