TRANSCRIPT of the RECORD the Eighth Annual JOHN W. DAVIS

Total Page:16

File Type:pdf, Size:1020Kb

TRANSCRIPT of the RECORD the Eighth Annual JOHN W. DAVIS TRANSCRIPT OF THE RECORD The Eighth Annual JOHN W. DAVIS MOOT COURT COMPETITION 1987 The Moot Court Board Washington & Lee University School of Law STATE OF GREENACRES SUPERIOR COURT, LAW DIVISION COUNTY OF METROLEX CIVIL ACTION NO. 87-11 FRED DRUCKER, through his guardian ad litem Hazel Drucker, Plaintiff, v. STATE UNIVERSITY AT HOOTERVILLE, through the Board of Trustees for State University, the Board of Governors for the State University at Hooterville, and the Athletic Department of the State University at Hooterville, Defendants. OPINION AND ORDER R. Stein, Superior Court Judge. STATEMENT OF FACTS Plaintiff alleges that Defendants negligently hired Arnold Ziffle. Defendants have moved for summary judgment under Green- acres Rule of Civil Procedure 21. G.R.C.P. 21. Rule 21 follows precisely Federal Rule of Civil Procedure 56. The standards for summary judgment in Greenacres follow the rulings of the U.S. Supreme Court on F.R.C.P. 56, as dictated by the -1- Greenacres Supreme Court in Itsus v. Them, 2 2 0 Gs . 175, 188 M.E. 102 (1986) . See e.g., Celotex Corp. v. Catrett, u.s. I 106 s. Ct. 2548. To support this motion, Defendants argue: (l) that the doctrine of sovereign immunity serves as an absolute bar to Plaintiff's claim; (2) that the doctrine of negligent hiring is not a recognized cause of action in Greenacres; and (3) even if the court recognized the doctrine of negligent hiring, as no genuine issue of material fact exists, Defendants are entitled to a judgment as a matter of law. On September 5, 1986, while in the athletic complex on the campus of the State University at Hooterville (hereinafter "SUH"), Arnold Ziffle, an SUH employee, intentionally injured Fred Drucker. On the day of the injury, SUH hosted a football game against its long-time rival, North Ollie Tech. The game between the Hooterville "Owls" and the Tech "Colonels'' was traditionally the most important and publicized game of the year for the two universities. These games, therefore, presented excellent recruiting opportunities for the host university. This particular year was no exception. At SUH's invitation Drucker brought his son, an All-American high school football player, to the SUH-Tech game for recruiting purposes. Drucker was touring the athletic complex while his son observed the half-time locker room activities. Upon entering an adjacent weight room, Drucker saw Ziffle receive an envelope from an SUH football player as Ziffle handed the player a -2- cellophane bag of "white powder". Startled by Dr ucker's s udde n appearance, Ziffle grabbed a dumbbell and struck Drucker in the right temple. The resulting cranial injury placed Drucker in a coma for three weeks, leaving him with severe brain damage. In January of 1985, Ziffle moved to the Town of Hooter­ ville, in the County of Hokey, State of Greenacres. After working in several part time and summer jobs, Ziffle applied for a position as "custodial engineer, sports complex-football stadium" at State University, Hooterville. Ziffle started work in this position on February 17, 1986, one week after applying. Ziffle's duties consisted of cleaning out the locker room, equipment room, weight room, and laundry room at the new football stadium during the work-week and, during the football season, on Saturdays after the game. On the day Ziffle injured Drucker, Ziffle had not yet "clocked in" and was not scheduled to do so for another two hours. When applying for the university job, Ziffle filled out a standard university support staff application form. On this form, Ziffle listed in the "past criminal convictions" section: "joyriding, State of Anxiety, 1976." Ziffle's actual criminal record differs from what he listed on the application form. On June 16, 1976, Ziffle, then living 1n the neighboring State of Anxiety, was indeed convicted of "joyriding", in that state. Then, on November 27, 1979, Ziffle was convicted on charges of shoplifting and assault in Anxiety. For these crimes Ziffle spent a total of four years in prison. -3- In the "references" section of the application form Ziffle listed Jane Dough, manager of a dry cleaners where Ziffle worked part time for three months, and Bill MacMurry, Ziffle's landlord. When contacted by the university, Dough had the following to say: "Oh yes, Arnold said you might call. Well, I did not know Arnold outside of the cleaners, but while he was here I never had any complaints about his work, and he never missed a day or came in late." MacMurry, when contacted, said: "Arnold's been renting from me for about a year now and hasn't been any later on his payments than anyone else. He seems to be a clean kind'a guy so he'd probably work out real well cleaning up around the college." As evidenced in the record of Ziffle's 1987 criminal convictions for assaulting Drucker and for trafficking in controlled substances, after Ziffle was released from prison in 1982, he was unable to secure full time employment in Anxiety. Ziffle testified that prospective employers, after learning of his criminal record, lost interest in retaining him. The State of Anxiety had, until recently, no law or policy significantly restricting employer access to prospective employees' criminal records. On January 21, 1987, Anxiety followed the State of Greenacres' lead in enacting a law severely restricting third party access to criminal records. A.S.A. 87:4-3; see O.C.G.S. § 80-26-8. The provisions of this law follow exactly those 1n O.C.G.S. § 80-26-8, as does the language in the legislative purpose section, which reads, in pertinent part: "This -4- legislative body, in ... tecognizing that former criminals h ave paid their debts to society, that their rehabilitation back into society is of common concern, and that their future employment is crucial to rehabilitation .... " A.S.A. 87:4-3(A); O.C.G.S. § 80-26-8(a). The management and control of the university is vested in a Board of Trustees (hereinafter the "Trustees"), a body whose membership is appointed by the governor with the senate's approval. O.C.G.S. § 27-3-2 (Rpl. 1978). The Trustees may bring suit under the name "Board of Trustees for State University" on behalf of any of the state's four institutions of higher learning. O.C.G.S. § 27-3-l (Rpl. 1978). To facilitate the decision-making process, the Trustees appoint three executive officers for the daily administration of SUH. O.C.G.S. § 27-3-3 (Rpl. 1978). The Trustees authorize these executive officers, known as the Board of Governors (herein­ a fter the "Governors"), to create such departments as the Governors deem necessary to fulfill their responsibility of running the university. O.C.G.S. § 27-3-4 (Rpl. 1978). To staff the positions in each department, the Trustees require each a pplicant complete a standard application form for each departmental position. The head of each department reviews the form in conducting its hiring process. In 1947, the Governors, under the direction of the SUH president, Oliver Wendell Douglas, created an Athletic Depart­ ment (hereinafter the ''Department") to supervise the univer- -5- sity's athletic and intramural programs. Prior to this Lime, SUH only operated an intramural program for its students. The Governors hoped that the creation of an Athletic Department would form and direct the university's varsity football, basket­ ball, and baseball programs. One of the Department's many responsibilities involves the hiring of all personnel necessary for SUH's football program. The Department conducts the hiring interviews and makes its recommendations to the Governors. The Governors then pass the Department's recommendations on to the Trustees in the Governors' monthly report. The Trustees generally accept the Governors' recommendations. In fact, neither the Governors nor the Trustees ever reject any of the Department's decisions involving the hiring of staff employees. In February of 1986, the Trustees voted to accept the Department's recommendation of hiring Ziffle as a custodial engineer for the football stadium. The State University of Hooterville is a state educational institution for higher learning. O.C.G.S. § 27-3-1 (Rpl. 1978). Since its founding in 1836, SUH has enjoyed an excellent reputa- tion for academic achievement. Its students have won Rhodes Scholarships and Fulbright Fellowships. Furthermore, over 35% of SUH's graduating seniors continue into prestigious graduate programs. In 1978, the mean grade point average of entering freshmen was 3.51 and the mean SAT score was 1200. Although these averages have dropped in recent years to a grade point average of 3.08 and a SAT score of 1050, SUH cont1nues its -6- strong academic tradition with an enrollme nt of 19,000 students. Of these 19,000 students, Greenacres citizens comprise 60% of the total enrollment, with an in-state tuition fee of $5000 per ac a demic year. Out-of-state tuition presently stands at $8750 per academic year. Proceeds received from tuition payments comprise 20% of SUH's budget. State taxes contribute nearly 40% to the university's budget, with the remainder supplied through alumni gifts and local endowments. In 1979, the Director of the Department, Lisa Douglas, hired Ned Haney as the SUH head football coach. Coach Haney ignited the SUH foo t ball program through aggressive recruiting techniques that netted outstanding high school football players. Prior to Coach Haney's arrival as head football coach, SUH experienced mediocre success as an "athletic powerhouse". Revenues from the 1978 season generated a profit of $15,000. The 1978 season ended with a record of 1-10.
Recommended publications
  • Crossroads Film and Television Program List
    Crossroads Film and Television Program List This resource list will help expand your programmatic options for the Crossroads exhibition. Work with your local library, schools, and daycare centers to introduce age-appropriate books that focus on themes featured in the exhibition. Help libraries and bookstores to host book clubs, discussion programs or other learning opportunities, or develop a display with books on the subject. This list is not exhaustive or even all encompassing – it will simply get you started. Rural themes appeared in feature-length films from the beginning of silent movies. The subject matter appealed to audiences, many of whom had relatives or direct experience with life in rural America. Historian Hal Barron explores rural melodrama in “Rural America on the Silent Screen,” Agricultural History 80 (Fall 2006), pp. 383-410. Over the decades, film and television series dramatized, romanticized, sensationalized, and even trivialized rural life, landscapes and experiences. Audiences remained loyal, tuning in to series syndicated on non-network channels. Rural themes still appear in films and series, and treatments of the subject matter range from realistic to sensational. FEATURE LENGTH FILMS The following films are listed alphabetically and by Crossroads exhibit theme. Each film can be a basis for discussions of topics relevant to your state or community. Selected films are those that critics found compelling and that remain accessible. Identity Bridges of Madison County (1995) In rural Iowa in 1965, Italian war-bride Francesca Johnson begins to question her future when National Geographic photographer Robert Kincaid pulls into her farm while her husband and children are away at the state fair, asking for directions to Roseman Bridge.
    [Show full text]
  • GREEN ACRES Neighborhood Plan
    GREEN ACRES Neighborhood Plan Spring, 2007 City of Bloomington, Indiana Mayor Mark Kruzan GREEN ACRES NEIGHBORHOOD VISION STATEMENT Green Acres aims to become a sustainable community that embraces neighborliness and forges partnerships within and beyond its borders. ACKNOWLEDGEMENTS An extensive amount of time, effort, and energy was committed by many individuals. The following citizens are recognized for the countless hours and tireless efforts that they contributed in order to turn a neighborhood vision into a plan. THE GREEN ACRES NEIGHBORHOOD ASSOCIATION Betty Byrne Tim Mayer, City Council member Jelene Campbell Kevin Polk Stefano Conard Stanley Routon Diane Dormant Kathy Ruesink Phil Eskew Georgia Schaich, President Noriko Hara Marian Shaaban Nathan Harman Lois Sabo-Skelton Maggie Jesseph Maggie Sullivan Ann Kreilkamp Jiangmei Wu Herschel Lentz Adam Lowe SPECIAL THANKS Chief Jeff Barlow and the City of Bloomington Fire Department for making Fire Station Number Four available for the SWOT exercise. The First United Church for hosting all of the neighborhood plan development workshops. CITY OF BLOOMINGTON, MAYOR Mark Kruzan CITY OF BLOOMINGTON, STAFF Tom Micuda, AICP, Planning Director Josh Desmond, AICP, Assistant Planning Director Scott Robinson, AICP, Long Range/Transportation Manager Nate Nickel, Senior Long Range Planner Rachel Johnson, Long Range Planner Lisa Abbott, HAND Director Vickie Provine, Program Manager I CITY OF BLOOMINGTON TABLE OF CONTENTS 1. INTRODUCTION Neighborhood Planning Initiative....................................2
    [Show full text]
  • Hooterville Liner Notes PDF 9/24/20
    1 ON MY WAY TO HOOTERVILLE - CHRISTINE LAVIN TABLE OF CONTENTS Page 1 Table of Contents 2 Album art/who’s who 3-7 Liner notes by Ira Mayer 8 Track #1: “On My Way To Hooterville, Part 1” 20 Track #2: “Wut?” 25 Track #3: “My Sister Mary & My Mother” 31 Track #4: “Ode To Clint Eastwood” 40 Track #5: “On My Way To Hooterville, Part 2” 43 Track #6: “The Quiet Car” 50 Track #7: “Until That Day” 56 Track #8: “Ramblin’ Waltz” 63 Track #9: “Ray’s Copy Shop” 76 Track #10: “First Dance/Last Dance” (song for David Ippolito) 80 Track #11: “On My Way To Hooterville, Part 3” 86-88 Thank you/photo collage Caffe Lena/Dave Van Ronk: p.59-62 Don’t ever use this pickup line p.55 Mary E p.31-40 Kerry Harter & Doug Taylor: p.29-31 Jean Claude Larrivee/Grit Laskin p.63 Ira Mayer p. 3-7 Dr. Joe Montano (audiologist) p.22-25 Joe Namath p.55 Rolling Thunder Revue p.56-62 Hillary Rollins p.71 The Webster Apts p.35-37 Mason William p.61-62 Yaddo p.38, 84 2 L-R top: Christine Lavin, Brian, Ashley, and Madelyn Bauers, Daniel Glass & Jōji the Wonder Dog, Debi Smith, and Phil Klum middle: Jody Crawford Lavin & Mary Slothower Lavin, Amelia Krinke, and David Ippolito bottom: Steve Doyle, Robin Batteau, Mary E, Brandon O’Sullivan, and Dr. Joe Montano 3 And Now, Hooterville is Pleased to Present . Christiiiiiiine Lavin! by Ira Mayer If you are already familiar with Christine Lavin, you probably know the avenue by which you got to her music.
    [Show full text]
  • Representations of Retail Work in Popula
    The Pennsylvania State University The Graduate School BEHIND THE COUNTER AND ON SCREEN: REPRESENTATIONS OF RETAIL WORK IN POPULAR MEDIA A Dissertation in American Studies by Brittany R. Clark © 2021 Brittany R. Clark Submitted in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy May 2021 The dissertation of Brittany Clark was received and approved by the following: Charles J.D. Kupfer Associate Professor of American Studies, School of Humanities Dissertation Advisor Chair of Committee John R. Haddad Professor of American Studies, School of Humanities Mary Zaborskis Assistant Professor of American Studies, School of Humanities Ozge Aybat Associate Professor Marketing, School of Business Administration Anne Verplanck Associate Professor of American Studies, School of Humanities Program Chair ii ABSTRACT The retail trade has undergone tremendous changes over the course of the 20th century in the United States. In the early part of the century the job was somewhat skilled, and seen as a legitimate career for adults to hold. Today the job has been deskilled and mechanized, and retail workers struggle with low pay and lack of concrete benefits. Media narratives have followed these changes. This dissertation seeks to examine these changes and explore the ways in which retail workers have been presented in popular media. It will largely rely on close-readings of a variety of texts including films, television shows, advertisements, and internet memes. These texts were chosen because of their prominence in society during the time periods being examined. Additionally, it uses frameworks which incorporate class and gender in the examination of these texts. In the early 20th century, the department store was the setting of many major films, spanning from the silent era to about the early 1940s.
    [Show full text]
  • The Sounds of Liberation: Resistance, Cultural Retention, and Progressive Traditions for Social Justice in African American Music
    THE SOUNDS OF LIBERATION: RESISTANCE, CULTURAL RETENTION, AND PROGRESSIVE TRADITIONS FOR SOCIAL JUSTICE IN AFRICAN AMERICAN MUSIC A Thesis Presented to the Faculty of the Graduate School of Cornell University in Partial Fulfillment of the Requirements for the Degree of Master of Professional Studies by Luqman Muhammad Abdullah May 2009 © 2009 Luqman Muhammad Abdullah ABSTRACT The cultural production of music in the Black community has traditionally operated as much more than a source of entertainment. In fact, my thesis illustrates how progressive traditions for social justice in Black music have acted as a source of agency and a tool for resistance against oppression. This study also explains how the music of African Americans has served as a primary mechanism for disseminating their cultural legacy. I have selected four Black artists who exhibit the aforementioned principles in their musical production. Bernice Johnson Reagon, John Coltrane, Curtis Mayfield and Gil Scott-Heron comprise the talented cadre of musicians that exemplify the progressive Black musical tradition for social justice in their respective genres of gospel, jazz, soul and spoken word. The methods utilized for my study include a socio-historical account of the origins of Black music, an overview of the artists’ careers, and a lyrical analysis of selected songs created by each of the artists. This study will contribute to the body of literature surrounding the progressive roles, functions and utilities of African American music. BIOGRAPHICAL SKETCH My mother garners the nickname “gypsy” from her siblings due to the fact that she is always moving and relocating to new and different places.
    [Show full text]
  • The Grapes of Wrath: a Retrospect on the Folkish Expression of Justice in Popular Culture and Family
    The Grapes of Wrath: A Retrospect on the Folkish Expression of Justice in Popular Culture and Family by Neville Buch, member of the Classics Books Club, Brisbane Meet Up 25 April 2020 Figure 1: Cover of ‘The Grapes of Wrath’ by John Steinbeck, 1902-1968, By New York: Viking - image, page, Fair use, https://en.wikipedia.org/w/index.php?curid=5177527 The Grapes of Wrath: A Popular Culture Retrospect INTRODUCTION The story of rural folk migrating in times of poverty and social injustice seeped well into my childhood history, through three popular cultural forms of entertainment:- several television series in the 1960s, a series of comedy films from the late 1940s and 1950s, and a novel published in 1939 with a classic Hollywood movie the following year. There was in my own family history points of connection to the longer story, which I would only find out many years later. The story told here will move backwards in time, and the historical settings are different; that is the particular point I am making. Different histories are linked by a common theme, and in this case, we are considering the folkish expression on social justice. Retrospectively, we can also see how popular entertainment works to thin-out the social justice message. What starts as a serious educative process of informing the public on important social justice issues, in the end, becomes a mocking and light reflection on life- changing questions. By going backwards, we dig below the surface for the gold, rather than being satisfied in panning for the golden flakes.
    [Show full text]
  • Convention Program
    MAY 23 - 26, 1991 FONTAINEBLEAU HILTON RESORT & SPA MIAMI BEACH, FLORIDA THE SOUTH FLORIDA MUSTANGS "America's Premier Gay Square Dance Club" proudly presents "CAST A SHADOW IN THE SUN 1991" The Eighth Annual Convention of THE INTERNATIONAL ASSOCIATION OF GAY SQUARE DANCE CLUBS MAY 23 - 26, 1991 FONTAINEBLEAU HILTON RESORT & SPA MIAMI BEACH, FLORIDA FEATURED CALLERS Shelby Dawson, Mike De Sisto, Bill Eyler, Harlan Kerr, Roger Loney, Chris Phillips and Joe Uebelacker DANCING & WORKSHOP Basic through C-3 INTERNATIONAL ASSOCIATION LJn1rJlllir-1~ .......... lL.J L-.1 L....I L....I L....I OF GAY SQUARE DA.t~CE CLUBS May J, 1991 Dear Fellow Square Dancers and Friends: It is with great pride and enthusiasm that I welcome you to Cast April 1, 1991 A Shadow in the sun on behalf of the south Florida Mustangs. It is so exciting to finally have the IAGSDC convention hosted by the club Dear Cast A Shadow in the Sun Convention Committee and Attendees, that gave birth to gay square dancing. Al though many of those original dancers are no longer with us, their spirit is still present Th~s wonderful convergence of square dancers from all across the and is the foundation that has fostered the South Florida Mustangs United States and the Provinces of Canada marks the eighth of since 1977. such annual celebrations of gay and lesbian square dancing. Whether this is your eighth convention or your first, I'm sure The Fontainebleau Hotel and surrounding beach are truly you'll share in the excitement and wonder of this gathering.
    [Show full text]
  • President's Report
    PRESIDENT’S REPORT July 1, 2012 to June 30, 2013 PREPARED TO EXPECT WONDERS n my inauguration speech 10 years ago, I referred to Thoreau’s line “faith in a seed” to express my faith in the potential of students, and my sense that we can expect wonders if we believe in them. My experience working with students reveals that they deserve our faith as individuals — all of them unique, with different interests and backgrounds, different ideas about learning, sharing a common sense of wonder and excitement about their future. IThoreau was a teacher, and I imagine that he, too, believed in the potential of his students. Today, discussions about quality learning are drowned out with comments about educational productivity, often expressed as formulas for student success. I understand and support initiatives to improve productivity and to measure student success, but those priorities should not come at the expense of attending to learning, motivating and supporting students. It’s a useful reminder to take stock in quality learning, as we have done for nearly 100 years at Minot State University. Teaching is never easy, but we know that good teaching and student success come from our ability to listen carefully, show that we care, offer help, challenge students to work hard and to experience the joys of discovery and understanding. These are not far-fetched ideas. They are central to who we are. I hear stories from students and graduates who tell me about MSU professors who made a difference in their lives. For 10 years, I have heard those stories and observed them in classrooms.
    [Show full text]
  • Proper 23, Year C Oct. 13, 2019 Saint James, Wheat Ridge by the Rev
    1 Proper 23, Year C Oct. 13, 2019 Saint James, Wheat Ridge By the Rev. Becky Jones It was decision day in Hooterville. Six months earlier, attorney Oliver Wendell Douglas had left his Manhattan law practice and, over his Hungarian wife, Lisa’s, horrified objections, they’d moved into the rundown old Haney place in Hooterville, so Oliver could follow his life’s ambition of becoming a farmer. And week after week, hilarity ensued as these transplanted New Yorkers attempted to make a life for themselves in rural America. Those of you of a certain age will no doubt remember the story line and beloved characters from the TV show Green Acres, which aired from 1965 to 1971, starring Eddie Albert and Eva Gabor. It’s among my Top Five favorite TV shows of all time and I still watch the reruns on Hulu, whenever I need a laugh, a gentle boost to my spirits. Those of you NOT of a certain age who don’t remember Green Acres can still watch basically the same TV show now on ABC. It’s called Bless this Mess, and it’s about a couple of clueless New Yorkers who move to a farm in Nebraska. It’s the same story just set 50 years later. But the episode I want to talk about this morning was the Green Acres episode called “The Day of Decision,” which aired Feb. 23, 1966, toward the end of the first season. 2 Lisa – even though New York was where she’d rather stay, even though she got allergic smelling hay – she had reluctantly agreed to give life on the farm six months, and Oliver had agreed that if she still wanted to leave after that amount of time, then they’d pack up and move back to New York.
    [Show full text]
  • C:\My Documents\Dailey
    The Pennsylvania State University The Graduate School College of Communications THE NEW CATHEDRALS: THE SPORTS STADIUM AND MASS MEDIA’S ROLE IN FACILITATING NEW CONSTRUCTION A Thesis in Mass Communication by Robert C. Trumpbour © 2001 Robert C. Trumpbour Submitted in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy December 2001 We approve the thesis of Robert C. Trumpbour. Date of Signature _____________________________ _____________________ Richard L. Barton Professor of Communications Associate Dean of Graduate Studies and Research Thesis Adviser Chair of Committee _____________________________ ______________________ Suzanna DeBoef Associate Professor of Political Science _____________________________ ______________________ Patrick Parsons Associate Professor of Communications _____________________________ ______________________ Ronald A. Smith Professor Emeritus of Exercise and Sport Science iii Abstract Stadium construction has occurred at record-breaking level in major metropolitan areas of the United States in the last decade. This dissertation traces media coverage of stadium construction policy throughout the twentieth century and the beginning of the twenty-first century, focusing specifically on newspaper coverage of this issue. The hypothesis that media practitioners in smaller metropolitan areas will be more likely to privilege voices supporting new stadium construction is examined. The case study method is utilized and content analysis is employed to determine media coverage trends in major American metropolitan areas. Cincinnati and Pittsburgh are examined as small market cities, while Boston and New York are explored as larger market cities. Evidence is provided that larger markets adopt a more critical position than small market cities regarding new stadium construction in newspaper opinion content. Large market publications are similar to smaller market counterparts in providing greater opportunity for expression to pro-stadium voices.
    [Show full text]
  • Ancestors of Frank Randolph CADY 12 June 2012 First Generation
    Ancestors of Frank Randolph CADY 12 June 2012 First Generation 1. Frank Randolph CADY1 was born on 8 Sep 1915 in Susanville, Lassen, California.1 He died at home on 8 Jun 2012 at the age of 96 in Wilsonville, Clackamas, Oregon.2 His obituary was published on 11 Jun 2012 in the New York Times in New York City, New York, New York. Frank Cady, a character actor best known for playing the down-home shopkeeper, Sam Drucker, on the popular 1960s sitcoms “Petticoat Junction” and “Green Acres,” died on Friday at his home in Wilsonville, Ore. He was 96. Catherine Turk, his daughter, confirmed his death. Mr. Cady played Sam Drucker for nearly a decade on the two shows, both set in the fictional town of Hooterville. Mr. Drucker was a bit of a straight man to the colorfully zany folk who populated the series, both on CBS. His general store was the closest thing Hooterville had to a social club, and unlike the shops in neighboring Pixley, Drucker’s extended credit. Mr. Cady’s Sam Drucker also appeared occasionally on a third homespun comedy, “The Beverly Hillbillies.” All three shows were produced by Paul Henning. Critics found the shows simple-minded, but in 1990 Mr. Cady defended “Green Acres,” about a city couple who move to the country. “The only thing I resent is people calling it a corny show,” he told CBS News. “It’s highly sophisticated, and it’s timeless, as I think all the reruns are establishing.” Mr. Cady had an extensive career outside of Drucker’s store.
    [Show full text]
  • DELBERT 1 the PORTRAYAL of MARRIAGE THROUGH NETWORK SITCOM TELEVISION PROGRAMMING from 1950 to 2014 by DANIELLE CELESTE DELB
    The Portrayal of Marriage Through Network Sitcom Television Programming from 1950 to 2014 Item Type text; Electronic Thesis Authors Delbert, Danielle Celeste Publisher The University of Arizona. Rights Copyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author. Download date 30/09/2021 21:43:21 Item License http://rightsstatements.org/vocab/InC/1.0/ Link to Item http://hdl.handle.net/10150/320070 DELBERT 1 THE PORTRAYAL OF MARRIAGE THROUGH NETWORK SITCOM TELEVISION PROGRAMMING FROM 1950 TO 2014 By DANIELLE CELESTE DELBERT ____________________ A Thesis Submitted to the Honors College In Partial Fulfillment of the Bachelors degree With Honors in Media Arts THE UNIVERSITY OF ARIZONA M A Y 2 0 1 4 DELBERT 2 LIBRARY RELEASE FORM DELBERT 3 TABLE OF CONTENTS Abstract 4 Introduction 5 I Love Lucy (CBS, 1951-1957) 7 The Adventures of Ozzie and Harriett (ABC, 1952-1966) 8 Father Knows Best (CBS, 1954-1960) 10 The Honeymooners (CBS, 1955-1956) 11 Green Acres (CBS, 1965-1971) 13 He & She (CBS, 1967-1968) 15 The Brady Bunch (ABC, 1969-1974) 16 All in the Family (CBS, 1971-1979) 18 The Bob Newhart Show (CBS, 1972-1978) 19 Happy Days (ABC, 1974-1984) 20 Soap (ABC, 1977-1981) 21 Family Ties (NBC, 1982-1989) 22 Growing Pains (ABC, 1985-1992) 23 Roseanne (ABC, 1988-1997) 24 Home Improvement (ABC, 1991-1999) 26 Mad About You (NBC, 1992-1999) 28 Everybody Loves Raymond (CBS, 1996-2005) 29 The King of Queens (CBS, 1998-2007) 29 Yes, Dear (CBS, 2000-2006) 30 Hope & Faith (ABC, 2003-2006) 31 ‘Til Death (FOX, 2006-2010) 32 Rules of Engagement (CBS, 2007-2013) 34 Modern Family (ABC, 2009- ) 35 Trophy Wife (ABC, 2013- ) 36 Conclusions 38 Works Cited 39 DELBERT 4 ABSTRACT Media is hugely influential in the way societal concepts are reinforced, and popular culture creates the ebb and flow of trends in the vacuum of a screen.
    [Show full text]