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Schumann Carnaval Op.9 Papillons Op.2 Sonata in G Minor Op.22 JON NAKAMATSU
SCHUMANN Carnaval op.9 Papillons op.2 Sonata in G minor op.22 JON NAKAMATSU 1 SCHUMANN Carnaval / Papillons / Sonata in G Minor / Jon Nakamatsu HMU 907503 © harmonia mundi ROBERT (1810-56) SCHUMANN Piano Sonata No. 2 in G minor, Op. 22 (1833-38) 18’13 Carnaval, Op. 9 (1832-35) 31’56 1 I. So rasch wie möglich 6’05 18 I. Préambule 2’24 2 II. Andantino. Getragen 5’17 19 II. Pierrot 2’26 3 III. Scherzo. Sehr rasch und markiert 1’34 20 III. Arlequin 1’03 4 IV. Rondo. Presto – Prestissimo 5’15 21 IV. Valse noble 2’11 Papillons, Op. 2 (1829-31) 15’02 22 V. Eusebius 1’36 23 VI. Florestan ’55 5 Introduzione ’13 24 VII. Coquette 1’37 6 No. 1 ’41 25 VIII. Réplique 1’12 7 No. 2: Prestissimo ’28 26 IX. Papillons 8 No. 3 1’00 ’48 9 No. 4 1’02 27 X. Lettres dansantes ’56 10 No. 5 ’56 28 XI. Chiarina 1’36 11 No. 6 ’58 29 XII. Chopin 1’26 12 No. 7: Semplice ’47 30 XIII. Estrella ’28 13 No. 8 1’12 31 XIV. Reconnaissance 1’50 14 No. 9: Prestissimo ’45 32 XV. Pantalon et Colombine ’57 15 No. 10: Vivo 2’05 33 XVI. Valse allemande 1’02 16 No. 11 2’52 34 XVII. Paganini 1’29 17 No. 12: Finale 2’05 35 XVIII. Aveu 1’06 36 XIX. Promenade 2’36 37 XX. Pause ’18 38 XXI. Marche des Davidsbündler contre les Philistins 4’00 JON NAKAMATSU piano 2 SCHUMANN Carnaval / Papillons / Sonata in G Minor / Jon Nakamatsu HMU 907503 © harmonia mundi Between Form and Shadow ‘The magic of music is so strong, getting stronger, that it these musical postcards in a specific world. -
Correspondences – Jean Sibelius in a Forest of Image and Myth // Anna-Maria Von Bonsdorff --- FNG Research Issue No
Issue No. 6/20161/2017 CorrespondencesNordic Art History in – the Making: Carl Gustaf JeanEstlander Sibelius and in Tidskrift a Forest för of Bildande Image and Konst Myth och Konstindustri 1875–1876 Anna-Maria von Bonsdorff SusannaPhD, Chief Pettersson Curator, //Finnish PhD, NationalDirector, Gallery,Ateneum Ateneum Art Museum, Art Museum Finnish National Gallery First published in RenjaHanna-Leena Suominen-Kokkonen Paloposki (ed.), (ed.), Sibelius The Challenges and the World of Biographical of Art. Ateneum ResearchPublications in ArtVol. History 70. Helsinki: Today Finnish. Taidehistoriallisia National Gallery tutkimuksia / Ateneum (Studies Art inMuseum, Art History) 2014, 46. Helsinki:81–127. Taidehistorian seura (The Society for Art History in Finland), 64–73, 2013 __________ … “så länge vi på vår sida göra allt hvad i vår magt står – den mår vara hur ringa Thankssom to his helst friends – för in att the skapa arts the ett idea konstorgan, of a young värdigt Jean Sibeliusvårt lands who och was vår the tids composer- fordringar. genius Stockholmof his age developed i December rapidly. 1874. Redaktionen”The figure that. (‘… was as createdlong as wewas do emphatically everything we anguished, can reflective– however and profound. little that On maythe beother – to hand,create pictures an art bodyof Sibelius that is showworth us the a fashionable, claims of our 1 recklesscountries and modern and ofinternational our time. From bohemian, the Editorial whose staff, personality Stockholm, inspired December artists to1874.’) create cartoons and caricatures. Among his many portraitists were the young Akseli Gallen-Kallela1 and the more experienced Albert Edelfelt. They tended to emphasise Sibelius’s high forehead, assertiveThese words hair were and addressedpiercing eyes, to the as readersif calling of attention the first issue to ofhow the this brand charismatic new art journal person created compositionsTidskrift för bildande in his headkonst andoch thenkonstindustri wrote them (Journal down, of Finein their Arts entirety, and Arts andas the Crafts) score. -
Thomas Augustine Arne: a Bicentenary Appreciation Author(S): Frank Kidson Source: the Musical Times, Vol
Thomas Augustine Arne: A Bicentenary Appreciation Author(s): Frank Kidson Source: The Musical Times, Vol. 51, No. 805 (Mar. 1, 1910), pp. 153-154 Published by: Musical Times Publications Ltd. Stable URL: http://www.jstor.org/stable/906730 Accessed: 03-12-2015 02:14 UTC Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at http://www.jstor.org/page/ info/about/policies/terms.jsp JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. Musical Times Publications Ltd. is collaborating with JSTOR to digitize, preserve and extend access to The Musical Times. http://www.jstor.org This content downloaded from 138.73.1.36 on Thu, 03 Dec 2015 02:14:37 UTC All use subject to JSTOR Terms and Conditions THE MUSICAL TIMES.-MARCH I, I9Io. I53 THOMAS AUGUSTINE ARNE: determination to become a musician, and wisely gave in. Free to make music his profession, he A BICENTENARY APPRECIATION. taught his sister and his brother the art, and BY FRANK KIDSON. with much success. The former, Susanna Maria Arne, who married the brutal Theophilus Cibber What was the state and condition of English in haste, had, perhaps, leisure to regret her music in the year I 7 1 ? I do not ask what was the matrimonial choice: she became a singer and an appreciation of music in England, but how it was actress of great merit. -
2005 Summer Bridge
he Sibelius Academy, located in Helsinki, Finland, was founded in T1882. The Academy is named for the internationally renowned and loved Finnish composer Jean Sibelius. As a state music academy, the Sibelius Academy enjoys university status and is an integral part of the system of higher education in Finland. It is the only university of music in Finland, and the largest in Scandinavia. World-class student musicians from the prestigious music academy are invited annually by Finlandia University to present a series of outstanding public performances. This year, three consecutive evening concerts will be presented at the historic Calumet Theatre; an additional festival concert will be presented at the Holy Cross Lutheran Church in Wheaton, IL. summer 2005 This year’s award-winning performers are solo pianist Marko Mustonen, piano-cello duo Anna Kuvaja and Alexander Gebert, and chamber music quartet Soli Amici (Annu Salminen, Performance Dates horn; Paula Kitinoja, oboe; Timo Jäntti, Calumet Theatre Holy Cross Lutheran Church bassoon; and Kaisa Koivula, clarinet; with piano Calumet, MI Wheaton, IL accompanist Jussi Rinta). on August 3 rd, 4 th, and 5 th on August 1st SEVENTH ANNUAL SIBELIUS ACADEMY MUSIC FESTIVAL TICKET ORDER FORM Name: ________________________________________________ CALUMET THEATRE 340 Sixth Stree t • P.O. Box 167 • Calumet, MI 49913 Address: ________________________________________________ Box Office: (906) 337-2610 • Fax: (906) 337-4073 Address: ________________________ Phone: ________________ E-mail: [email protected] http://www.calu mettheatre.com CALUMET THEATRE ONLY Date Artist Tickets Price Qty Best Available Seat On Total Aug. 3, 2005: Soli Amici: chamber music quartet Adult $15 ______ K Main Floor K Balcony $ ______ Jussi Rintä, piano (accompaniment) Student/Senior $10 ______ K Main Floor K Balcony $ ______ Aug. -
Josef Suk's Asrael Re-Envisioned Via Schoenberg
A STUDY IN CLARITY: JOSEF SUK’S ASRAEL RE-ENVISIONED VIA SCHOENBERG Volume I of II IVAN ARION KARST School of Arts and Media College of Arts and Social Sciences University of Salford, Salford, UK Submitted in Fulfilment of the Requirements of the Degree of Doctor of Philosophy, October 2020 i Contents Table of Figures ........................................................................................................................... 4 Acknowledgements..................................................................................................................... 7 Abstract: ‘A Study in Clarity: Suk Re-envisioned via Schoenberg’ ................................................. 8 Chapter 1: Introduction ............................................................................................................... 1 Thesis Methodology ................................................................................................................. 1 A Study in Clarity: Literature Review ......................................................................................... 4 Chapter 2: Historical Context .................................................................................................... 10 Schoenberg: Transcription and the Verein .............................................................................. 10 Chapter 3: Analysis.................................................................................................................... 12 Transcription Techniques of the Verein ................................................................................. -
Ithaca College Wind Ensemble Stephen Peterson, Conductor Joseph Alessi, Trombone
Ithaca College Wind Ensemble Stephen Peterson, conductor Joseph Alessi, trombone Ford Hall Thursday, March 8, 2012 8:15 p.m. Program Dragon Rhyme (2010) Chen Yi I. Mysteriously - Harmoniously (b. 1953) II. Energetically 15' Rumpelstilzchen "A Fairy Tale for Symphonic Wind Jess Turner Ensemble"(2009) (b. 1983) I. Spinning Straw into Gold 17' II. Night (The Maiden's Lament) III. Rumpelstilzchen's Furiant (Moto Perpetuo) Winner: 2010 Walter Beeler Memorial Composition Prize Intermission Second Suite for Military Band in F (1911) Gustav Holst I. March (1874-1934) II. Song Without Words 11' III. Song of the Blacksmith IV. Fantasia on the 'Dargason' The Alcotts from Piano Sonata No.2 (1915) Charles Ives (1874-1954) Trans. Richard Thurston 5' Harvest: Concerto for Trombone (2009) John Mackey (b. 1973) 18' Joseph Alessi, trombone Notes Dragon Rhyme Born April 4, 1953, in Guangzhou, China, into a family of doctors with a strong interest in classical music, Chen Yi started studying violin and piano at age three with Zheng Rihua and Li Suxin, and music theory with Zheng Zhong. Dr. Chen has received music degrees from the Beijing Central Conservatory (BA and MA) and Columbia University in the City of New York (DMA). She is the recipient of the prestigious Charles Ives Living Award from the American Academy of Arts and Letters (2001-04), and has served as the Lorena Searcey Cravens/Millsap/Missouri Distinguished Professor in Music Composition at the Conservatory of the University of Missouri-Kansas City since 1998. Commissioned by the National Wind Ensemble Consortium Group, and premiered by the Hart Wind Ensemble at Carnegie Hall, Chen Yi's Dragon Rhyme for symphonic band is in two movements. -
Jean Sibelius Jean Sibelius (1865–1957)
SIBELIUS TAPIOLA | EN SAGA | 8 SONGS ANNE SOFIE VON OTTER Finnish Radio Symphony Orchestra HANNU1 LINTU JEAN SIBELIUS JEAN SIBELIUS (1865–1957) 1 Tapiola, Op. 112 (1926) 18:14 2 En Saga, Op. 9 (1892, rev. 1902) 18:40 (clarinet: Christoffer Sundqvist; viola: Ilari Angervo) Eight Songs Orchestrated by Aulis Sallinen (b. 1935) 3 De bägge rosorna (The Two Roses), Op. 88 No. 2 5:40 4 Sippan (The Anemone), Op. 88 No. 4 1:31 5 Dold förening (Hidden Connection), Op. 86 No. 3 1:05 6 Under strandens granar (Under the Fir Trees on the Shore), Op. 13 No. 1 1:07 7 Kyssens hopp (The Kiss’s Hope), Op. 13 No. 2 1:11 8 Hennes budskap (Her Message), Op. 90 No. 2 2:35 9 Men min fågel märks dock icke (But my Bird is Nowhere to be Seen), Op. 36 No. 2 2:14 10 Jägargossen (The Young Huntsman), Op. 13 No. 7 2:41 Orchestrations commissioned by the Finnish Radio Symphony Orchestra and Hannu Lintu. Premiered by Anne Sofie von Otter on 6th December 2015 Anne Sofie von Otter, mezzo-soprano Finnish Radio Symphony Orchestra Hannu Lintu, conductor 3 Jean Sibelius (1865–1957) is appreciated first and foremost as a composer of symphonies, but he was equally ambitious and productive in writing tone poems. In fact, his single-movement Seventh Symphony Op. 105 (1924) and the tone poem Tapiola Op. 112 (1926) demonstrate just how close these two genres came to merging in his output. Tone poems linked Sibelius to the radical Romantic composers of the 19th century: programme music allowed composers to expand their musical idiom and to break out of the bounds of formal structures. -
John Stanley a Miracle of Art and Nature
John Stanley, “A Miracle of Art and Nature”: The Role of Disability in the Life and Career of a Blind Eighteenth-Century Musician by John Richard Prescott Doctor of Philosophy in Music in the Graduate Division of the University of California, Berkeley Committee in charge: Professor Davitt Moroney, Chair Professor James Davies Professor Susan Schweik Fall 2011 Abstract John Stanley, “A Miracle of Art and Nature”: The Role of Disability in the Life and Career of a Blind Eighteenth-Century Musician by John Richard Prescott Doctor of Philosophy in Music University of California, Berkeley Professor Davitt Moroney, Chair This dissertation explores the life and career of John Stanley, an eighteenth-century blind organist, composer, conductor and impresario. Most historians of blindness discuss Stanley but merely repeat biographical material without adding any particular insights relating to his blindness. As for twentieth-century musicologists, they have largely ignored Stanley’s blindness. The conclusion is that Stanley’s blindness, despite being present in most of his reception, is not treated as a defining factor. This study pursues new questions about Stanley’s blindness. His disability is given pride of place, and perspectives from the fields of disability studies and minority studies are central to the work. A biographical sketch precedes a discussion of the role of Stanley’s blindness in his reception. The central role of Stanley’s amanuensis and sister-in-law, Anne Arlond, leads to a discussion of issues of gender, and the general invisibility of caregivers. Chapter 2 explores those aspects of Stanley’s life that required an engagement with literate music. -
Jan 25 to 31.Txt
CLASSIC CHOICES PLAYLIST January 25 - 31, 2021 PLAY DATE: Mon, 01/25/2021 6:02 AM Antonio Vivaldi Violin Concerto No. 10 "La Caccia" 6:11 AM Franz Joseph Haydn Symphony No. 22 6:30 AM Claudio Monteverdi Madrigals Book 6: Qui rise, o Tirso 6:39 AM Henry Purcell Sonata No. 9 6:48 AM Franz Ignaz Beck Sinfonia 7:02 AM Francois Francoeur Cello Sonata 7:13 AM Wolfgang Amadeus Mozart Twelve Variations on a Minuet by Fischer 7:33 AM Alessandro Scarlatti Sinfonia di Concerto Grosso No. 2 7:41 AM Franz Danzi Horn Concerto 8:02 AM Johann Sebastian Bach Lute Suite No. 1 8:17 AM William Boyce Concerto Grosso 8:30 AM Ludwig Van Beethoven Symphony No. 8 9:05 AM Lowell Liebermann Piano Concerto No. 2 9:34 AM Walter Piston Divertimento 9:49 AM Frank E. Churchill/Ann Ronell Medley From Snow White & the 7 Dwarfs 10:00 AM Wolfgang Amadeus Mozart Eight Variations on "Laat ons Juichen, 10:07 AM Wolfgang Amadeus Mozart Symphony No. 15 10:18 AM Wolfgang Amadeus Mozart Violin Sonata No. 17 10:35 AM Wolfgang Amadeus Mozart Divertimento No. 9 10:50 AM Wolfgang Amadeus Mozart Rondo for piano & orch 11:01 AM Louise Farrenc Quintet for piano, violin, viola, cello 11:31 AM John Alan Rose Piano Concerto, "Tolkien Tale" 12:00 PM Edward MacDowell Hamlet and Ophelia (1885) 12:15 PM Josef Strauss Music of the Spheres Waltz 12:26 PM Sir Paul McCartney A Leaf 12:39 PM Frank Bridge An Irish Melody, "The Londonderry Air" 12:49 PM Howard Shore The Return of the King: The Return of 1:01 PM Johannes Brahms Clarinet Quintet 1:41 PM Benjamin Britten Young Person's Guide to the Orchestra 2:00 PM Ferry Muhr Csardas No. -
Services and Music for July 2021
Services and Music for July 2021 1 THURSDAY1000 Holy Communion (BCP) 1930 CHORAL EVENSONG Introit: If ye love me (Thomas Tallis) sung by Canticles: Magnificat (tone VI) Nunc Dimittis (tone IV) Responses: Wiliam Smith Adult Team 2 Anthem: Lord for thy tender mercies' sake (John Hilton) Psalm 8 Organ: Fugue in C BWV545 (J.S.Bach) HON 10 4 1030 Holy Communion (CW) Setting: Spatzenmesse K220 (Gloria, Sanctus and Agnus Dei) HON 321 sung by (Wolfgang Amadeus Mozart) Adult Team 1 Organ: Bourée Water Music (George Frederick Handel) 1730 CHORAL EVENSONG Responses: Thomas Ebdon sung by Canticles: Fauxbourdons (John Long) Psalm 63 Adult Team 3 Anthem: Teach me O Lord (Thomas Attwood) HON 432 Organ: Le Tombeau d'Olivier Messaien 1st Movement (Naji Hakim) 8 THURSDAY1000 Holy Communion (BCP) 1930 CHORAL EVENSONG Introit: Thou knowest Lord (Henry Purcell) sung by Canticles: Daniel Purcell in E minor Responses: Thomas Morley Adult Team 1 Anthem: Rejoice in the Lord alway (Henry Purcell) Psalm 41 Organ: Voluntary IV (William Boyce) HON 514 11 SUNDAY 1030 Holy Communion (CW) Gloria: St Michael's Mass (Alistair Fisher) HON 148 sung by the Anthem: Bist du bei mir (J.S.Bach) Boys Anthem: Litany to the Holy Spirit (Peter Hurford) Organ: Sonata IV Allegro maestoso e vivace (Felix Mendelssohn) 1730 CHORAL EVENSONG sung by the Canticles: Fauxbourdons (William Byrd) Responses: Plainsong Junior Girls Anthem: Love one another (Samuel Sebastian Wesley) Psalm 66 vv1-8 Organ: Tuba Tune (Norman Cocker) HON 27 15 THURSDAY1000 Holy Communion (BCP) 1930 CHORAL EVENSONG -
Audition Repertoire, Please Contact the Music Department at 812.941.2655 Or by E-Mail at AUDITION REQUIREMENTS for VARIOUS DEGREE CONCENTRATIONS
1 AUDITION GUIDE AND SUGGESTED REPERTOIRE 1 2 TABLE OF CONTENTS AUDITION REQUIREMENTS AND GUIDE . 3 SUGGESTED REPERTOIRE Piano/Keyboard . 5 STRINGS Violin . 6 Viola . 7 Cello . 8 String Bass . 10 WOODWINDS Flute . 12 Oboe . 13 Bassoon . 14 Clarinet . 15 Alto Saxophone . 16 Tenor Saxophone . 17 BRASS Trumpet/Cornet . 18 Horn . 19 Trombone . 20 Euphonium/Baritone . 21 Tuba/Sousaphone . 21 PERCUSSION Drum Set . 23 Xylophone-Marimba-Vibraphone . 23 Snare Drum . 24 Timpani . 26 Multiple Percussion . 26 Multi-Tenor . 27 VOICE Female Voice . 28 Male Voice . 30 Guitar . 33 2 3 The repertoire lists which follow should be used as a guide when choosing audition selections. There are no required selections. However, the following lists illustrate Students wishing to pursue the Instrumental or Vocal Performancethe genres, styles, degrees and difficulty are strongly levels encouraged of music that to adhereis typically closely expected to the of repertoire a student suggestionspursuing a music in this degree. list. Students pursuing the Sound Engineering, Music Business and Music Composition degrees may select repertoire that is slightly less demanding, but should select compositions that are similar to the selections on this list. If you have [email protected] questions about. this list or whether or not a specific piece is acceptable audition repertoire, please contact the Music Department at 812.941.2655 or by e-mail at AUDITION REQUIREMENTS FOR VARIOUS DEGREE CONCENTRATIONS All students applying for admission to the Music Department must complete a performance audition regardless of the student’s intended degree concentration. However, the performance standards and appropriaterequirements audition do vary repertoire.depending on which concentration the student intends to pursue. -
Jean Clay Radice, Organ Jean Clay Radice
Ithaca College Digital Commons @ IC All Concert & Recital Programs Concert & Recital Programs 8-31-2012 Faculty Recital: Jean Clay Radice, organ Jean Clay Radice Follow this and additional works at: https://digitalcommons.ithaca.edu/music_programs Part of the Music Commons Recommended Citation Radice, Jean Clay, "Faculty Recital: Jean Clay Radice, organ" (2012). All Concert & Recital Programs. 3894. https://digitalcommons.ithaca.edu/music_programs/3894 This Program is brought to you for free and open access by the Concert & Recital Programs at Digital Commons @ IC. It has been accepted for inclusion in All Concert & Recital Programs by an authorized administrator of Digital Commons @ IC. Faculty Recital: Jean Clay Radice, organ Ford Hall Friday, August 31, 2012 7:00 p.m. Program Four Centuries of Organ Music in the Anglican Tradition Voluntary for Double Organ Henry Purcell (1659-1695) Voluntary I in D Major William Boyce (1711-1779) On a Theme of Orlando Gibbons (Song 34) Charles Villiers Stanford The Angels' Song, Op.105, No.1 (1852-1924) Intermezzo Founded Upon an Irish Air, Op.189 On a Theme of Orlando Gibbons (Song 22), Op.105, No.4 Three Preludes Founded on Welsh Hymn Ralph Vaughan Williams Tunes (1872-1958) I. Bryn Calfaria II. Rhosymedre (or "Lovely") III. Hyfrydol Psalm-Prelude, Op.32, No.2 Herbert Howells Dalby's Fancy, from Two Pieces for Organ Manuals (1892-1983) Only Prelude on "Slane" Gerry Hancock (1934-2012) Alleluyas Simon Preston At his feet the six-winged Seraph; Cherubim with (b. 1938) sleepless eye, Veil their faces to the Presence, as with ceaseless voice they cry, Alleluya, Alleluya, Alleluya, Lord most high.