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Bibliographie Filmmusik Komp. V. Hans J. Wulff www.filmmusik.uni-kiel.de Kieler Beiträge zur Filmmusikforschung / Bibliographien Copyright für diese Ausgabe by Hans J. Wulff. Letzte Änderung: 4.3.2010. ISSN 1866-4768. Bibliographie Filmmusik Komp. v. Hans J. Wulff In die folgende Bibliographie sind Hinweise von Claudia Bullerjahn, Michael Hergt, Christoph Henzel, Ludger Kaczmarek, Ingo Lehmann, Birgit Leitner, Franz Obermeier, Ansgar Schlichter und Mirkko Stehn eingegangen. Die namentlich gekennzeichneten Annotationen sind uns freundlicherweise vom Projekt „Bibliographie für die Musikwissenschaft“, hrsg. v. Staatlichen Institut für Musikforschung Preußischer Kulturbesitz, Berlin, überlassen worden (online: http://www.sim.spk-berlin.de/start.php). Wir danken Herrn Carsten Schmidt für seine Kooperationsbereitschaft. Soweit die Annotate nicht anders gekennzeichnet sind, sind es Abstracts von Artikeln, Klappentexte von Büchern oder deskriptive Beschreibungen der Autoren oder der Verlage. Bibliographie: Lamberts-Piel, Christa: Der Ton zum Bild. Filmmusik im Unterricht. Eine kommentierte Literaturliste zum Hineinfinden und Hindurchfinden. In: Musik und Unterricht, 81, 2005, S. 50-53. Schramm, Helmut / Weinacht, Stefan (Hrsg.): Musik und Medien – eine Bibliografie [Music and media - a selective bibliography]. In: S. Weinacht & H. Scherer (Eds.), Wissenschaftliche Perspektiven auf Musik und Medien (Reihe Musik und Medien). Wiesbaden: VS Verlag für Sozialwissenschaften 2008, S. 207-226. Themenhefte: 1895. Revue de l’association française de recherche sur l’histoire du cinéma, 38, Oct. 2002: Musique. Èd. par François Albera et Giusy Pisano. AugenBlick, 35, 2004: „Film und Musik“. Hrsg. v. Thomas Koebner. Chigiana 42,22, 1990: Issue on film music. Cineaste 21,1-2, 1995, pp. 46-80: Sound and Music in the Movies. Cinema (Basel: Stroemfeld, Roter Stern) 37, 1991: Themenheft „Tonkörper. Die Umwertung des Tons im Film“. Cinema (Marburg: Schüren) 49, 2004: Themenheft „Musik“. Civiltà musicale (Vicchio, Firenze: LoGisma Ed.) 19,1, 2004: „La musica nel cinema. Tematiche e metodi di ricerca“, a cura di Sergio Miceli. Ecran 75, 39, [1975], 80 pp.: Themenheft „Cinéma et musique, 1960-1975". Ethnomusicology Forum 18,1, June 2009, 181 pp. Spec. Iss.: Screened Music: Global Perspectives. Guest eds.: Miguel Mera and Anna Morcom. Film History 14,1, 2002: „Film/Music“. Ed. by Richard Koszarski. Indiana Theory Review 11,1-2, 1990: Issue on film music. Music in Art 27,1-2, 2002: Themenheft „Music in Iberian art and film“ (guest ed.: Anna Cazurra). 214 pp. ￢ Bezug durch das Research Center for Music Iconography, The Graduate School and University Center of the City University of New York, 2003. Music, Sound, and the Moving Image 2,2, 2009. Spec. Iss.: The Future of Sound Studies. Guest editors: Tony Grajeda and Jay Beck ￢ Contents: Tony Grajeda and Jay Beck: Introduction: The Future of Sound Studies . -- Mark Kerins: A Statement on Sound Studies. -- Jennifer Fleeger: Projecting an Aria, Singing the Cinema: In search of a shared vocabulary for opera and film studies. -- Danijela Kulezic-Wilson: Sound Design is the New Score. -- Gregg Redner: Building a Deleuzian Bridge Between Music and Film Theories. -- Shannon Mattern and Barry Salmon: Sound Studies: Framing Noise. -- Allison Whitney: Cultivating Sonic Literacy in the Humanities Classroom. -- Martin Barnier: The Sound of the First French Television Advertisements. -- Michele Hilmes: Television Sound: Why the Silence? -- Jonathan Sterne: being `In the True of Sound Studies. -- Steve J. Wurtzler: One Future of Sound Studies Fits into the Palm of Your Hand. -- [Translation:] Antoine Hennion, trans. Jérôme Hansen: The Musicalisation of Visual Arts (1997). -- Jacob Smith: Tearing Speech to Pieces: Voice Technologies of the 1940s. -- Reviews. Musikforum 94, 2001, 149 S.: Themenheft „Filmmusik - Musik der Zukunft“. Mit Beiträgen von Sven Ahnert [...]. Mainz [...]: Schott 2001. Neue Zeitschrift fur Musik 156,4, 1995, pp. 1-47. ￢ Contents: Good Morning, Mr. Edison / Motte-Haber, Helga de la. (4-9). - Film wird Musik: Avantgardefilme der zwanziger Jahre / Goergen, Jeanpaul (10-15). - Der visuelle Ton: Der Filmkomponist Edmund Meisel / Baier, Christian (16-21). - Exponent einer Filmmusik-Zukunft Paul Dessau als Kinokapellmeister / Bolte, Marie-Luise (22-25). - Vom Tonbild zum Klassik-Video: Geschichte und Aktualitat des musikalischen Kurzfilms / Prox, Lothar (26-31). - Versiegelte Klange: Gedanken zur musikalischen Konzeption in den Filmen Andrej Tarkowskis / Thiel, Wolfgang (32-36). - Kaum Chancen fur Modernes. Filmmusik in Hollywood / Karban, Thomas (37-39). - Klang der Dunkelheit: Der Film noir und seine Musik / Ahnert, Sven (40-43). - Ein Leben fur das Trautonium: Ein Besuch bei Oskar Sala zum 85 / Kampfer, Frank (44-47). Positif, 389-390, JulyAug. 1993, pp. 116-159: Musiques des films. The Velvet Light Trap, 51, Spring 2003: Themenheft „Sound“. ￢ URL: http://muse.jhu.edu/demo/the_velvet_light_trap/. Vibrations, 4, 1987: Les musiques des films. Wespennest: Zeitschrift für brauchbare Texte und Bilder 102, 1996, S. 32-77: Themenschwerpunkt "Sound. Design. Music: Musik im Film", zusammengest. v. Bernhard Kraller. Mitarb. Regina Schlagnitweit. ￢ Inhalt: Claudia Gorbman: Film Music: Texts and Contexts (34-42). -- Walter Lehr / Erna Cuesta: Sound. Design. Music. Drei Gespräche, ein Generationskonflikt (44-49; Interviews mit Paul Haslinger, Hans Zimmer und Leonhard Rosenman). -- Wolfgang Thiel: Versiegelte Klänge [über osteuropäische Filmmusik] (50-55). -- Georg Haberl: Jazzin' the Movies. Anmerkungen zur "Verfilmung von Jazz" (56-60). -- Helmut Weihsmann: Notes from a Survivor (61-67). -- Franz Koglmann: Ich wußte nie, wo ich war - wirklich - wo sind wir jetzt? Einige Anmerkungen zum Verhältnis von Film und Jazz (68-70). -- Thomas Mieszgang: Rock'n'Movie. Roll Over Godard (72-77). ￢ Die Beiträge von Gorbman, Thiel und Mieszgang sind Vorabveröffentlichungen von Beiträgen zu einem Symposium "Film und Musik", das im Rahmen der Viennale stattfand; alle Beiträge wurden in einer eigenen Publikation (Schlagnitweit, Regina / Schlemmer, Gottfried (Hg): Film und Musik. Wien: Synema 2001) zugänglich gemacht werden. Bücher und Artikel Abbate, Carolyn: Wagner, cinema, and redemptive glee. In: Opera Quarterly 21 (2005) [2006], pp. 597-611. Abel, Richard / Altman, Rick (eds.): The sounds of early cinema. Bloomington, Ind.: Indiana University Press 2001, xvi, 327 pp. ￢ Selected papers, rev., of Domitor's four-day Fifth Biennual Conference, hosted by the Motion Picture Division of the Library of Congress, Washington, D.C., during the first week of June 1998. ￢ The Sounds of Early Cinema is devoted exclusively to a little-known, yet absolutely crucial phenomenon: the ubiquitous presence of sound in early cinema. "Silent cinema" may rarely have been silent, but the sheer diversity of sound(s) and sound/image relations characterizing the first 20 years of moving picture exhibition can still astonish us. Whether instrumental, vocal, or mechanical, sound ranged from the improvised to the pre- arranged (as in scripts, scores, and cue sheets). The practice of mixing sounds with images differed widely, depending on the venue (the nickelodeon in Chicago versus the summer Chautauqua in rural Iowa, the music hall in London or Paris versus the newest palace cinema in New York City) as well as on the historical moment (a single venue might change radically, and many times, from 1906 to 1910). Abels, Kurt: ‚Kadetten‘. Preußenfilm, Jugendbuch und Kriegslied im "Dritten Reich". Bielefeld: Aisthesis 2003, 118 S. ￢ Unter den Preußen-Filmen, die zwischen 1933 und 1945 gedreht worden sind, ist Kadetten der einzige Jugendspielfilm. Ausgehend von einer Episode des Siebenjährigen Krieges, handelt er vom Schicksal einer Gruppe junger preußischer Kadetten. Darsteller sind – neben erwachsenen Schauspielern – Kinder und Jugendliche, und an die gleiche Altersgruppe wendet sich der Film. Er propagiert die Unterordnung unter einen Führer, den ‚Großen König‘, unbedingten Gehorsam und die Bereitschaft zum Sterben im Kampf und trug so zur ,Kriegserziehung‘ im Sinne des Nationalsozialismus bei. Die vorliegende Studie untersucht den Film, das zusammen mit ihm konzipierte Jugendbuch Kadetten des Großen Königs und das durch Film und Jugendbuch populär gewordene Lied Ich habe Lust im weiten Feld zu streiten mit dem Feind, jeweils auch im Verhältnis zu den Vorlagen und Quellen. Achilli, Alberto / Boschi, Alberto / Casadio, Gianfranco (a cura di): Le sonorità del visibile. Immagini, suoni e musica nel cinema di Michelangelo Antonioni. Ravenna: Longo 1999, 188 pp. (Musica, cinema, immagine, teatro. 27.). Adorno, Theodor W. / Eisler, Hanns: Komposition für den Film. Berlin: Henschel 1949, 150, VIII S. - Nur unter dem Namen Eislers. ￢ Adorno, Theodor W. / Eisler, Hanns: Komposition für den Film. München: Europäische Verlagsanstalt 1969. ￢ Komposition für den Film. [Mit Notenbeil.]. München: Rogner u. Bernhard 1969, 215 S., nebst 1 Beil. in Rückentasche (Passagen.). ￢ Neuauflage Hamburg: Europäische Verlags-Anstalt 1996, 215, VIII S. ￢ Auch in: Theodor W. Adorno: Gesammelte Schriften. 15. Hrsg. v. Rolf Tiedemann [...]. Frankfurt: Suhrkamp 1997, 406 S. - Zuerst 1976. ￢ Repr. dieser Ausgabe: Darmstadt: Wissenschaftliche Buchgesellschaft 1998., 406 S. ￢ Taschenbuchausg.: Frankfurt: Suhrkamp 2003, 401 S. (Suhrkamp-Taschenbuch Wissenschaft. 1715.). ￢ DDR-Ausg. als kritische Ausgabe, hrsg. v. Eberhard Klemm. Leipzig: Deutscher Verlag für Musik 1977, 232 S. (Gesammelte Werke / Hanns Eisler. Serie 3. 4.). ￢ Neuausg. im Auftr.
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