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A Stylistic Approach to the God of Small Things Written by Arundhati Roy
Lingnan University Digital Commons @ Lingnan University Theses & Dissertations Department of English 2007 A stylistic approach to the God of Small Things written by Arundhati Roy Wing Yi, Monica CHAN Follow this and additional works at: https://commons.ln.edu.hk/eng_etd Part of the English Language and Literature Commons Recommended Citation Chan, W. Y. M. (2007). A stylistic approach to the God of Small Things written by Arundhati Roy (Master's thesis, Lingnan University, Hong Kong). Retrieved from http://dx.doi.org/10.14793/eng_etd.2 This Thesis is brought to you for free and open access by the Department of English at Digital Commons @ Lingnan University. It has been accepted for inclusion in Theses & Dissertations by an authorized administrator of Digital Commons @ Lingnan University. Terms of Use The copyright of this thesis is owned by its author. Any reproduction, adaptation, distribution or dissemination of this thesis without express authorization is strictly prohibited. All rights reserved. A STYLISTIC APPROACH TO THE GOD OF SMALL THINGS WRITTEN BY ARUNDHATI ROY CHAN WING YI MONICA MPHIL LINGNAN UNIVERSITY 2007 A STYLISTIC APPROACH TO THE GOD OF SMALL THINGS WRITTEN BY ARUNDHATI ROY by CHAN Wing Yi Monica A thesis submitted in partial fulfillment of the requirements for the Degree of Master of Philosophy in English Lingnan University 2007 ABSTRACT A Stylistic Approach to The God of Small Things written by Arundhati Roy by CHAN Wing Yi Monica Master of Philosophy This thesis presents a creative-analytical hybrid production in relation to the stylistic distinctiveness in The God of Small Things, the debut novel of Arundhati Roy. -
The Theme of Transgressing Social Boundaries in Arundhati Roy's The
id14791789 pdfMachine by Broadgun Software - a great PDF writer! - a great PDF creator! - http://www.pdfmachine.com http://www.broadgun.com Södertörns University College C-essay English Department Spring 2005 Supervisor: Dr. Claire Hogarth Crossing Lines: The Theme of Transgressing Social Boundaries in Arundhati Roy’s The God of Small Things Naz Shakely Table of Contents Introduction 1 Ammu Transgressing Boundaries 3 Velutha Transgressing Boundaries 6 Ammu and Velutha Breaking the Love Laws 8 The Love Laws 9 The Gender Issue 10 Punishments 12 Conclusion 14 Works Cited 17 id14803105 pdfMachine by Broadgun Software - a great PDF writer! - a great PDF creator! - http://www.pdfmachine.com http://www.broadgun.com 1 Introduction Everywhere we turn, we come across moral boundaries that we at least think we are not supposed to cross, but that we do cross nonetheless. “As ye sow, ye shall reap” is a proverb we all have heard sometime (Roy 31). But is it really true? Do we get what we deserve? And if so, who decides what is right and what is wrong? Who decides what we should and should not be punished for? In Arundhati Roy’s The God of Small Things, most of the characters cross moral boundaries. Eventually, they all get punished for doing so. In this novel, Roy presents two kinds of morality. One of them is social morality, which can be defined as what a group thinks is good and right or the way one should behave. The other one is individual morality – what oneself thinks is the right way to act. -
IJRAR Research Journal
© 2019 IJRAR May 2019, Volume 6, Issue 2 www.ijrar.org (E-ISSN 2348-1269, P- ISSN 2349-5138) RACE, GENDER AND CASTE IN ARUNDHATI ROY’S THE GOD OF SMALL THINGS 1 S.Durgadevi 1 M.A English 1Department of English, 1Sri Balamurugan Arts and Science College, Tamil Nadu, India. Abstract: The article compares race and caste as two forms of inequality and argues that inequality of caste are illuminated in the same way as those of race by a consideration of gender. The nature of gender, race and caste and other influences on the economist situation of individuals and groups. Arundhati Roy’s The God of Small Tings(1997) challenges the categories of race, gender and caste. I will also elaborate and expand on how the different forms of sexual transgression –inappropriate teacher – student relationships, rape, inter-caste relationship and incestuous relationships attempt to undermine and overcome the categories that bind them. At first glance, Disgrace and The God Small of Things appear to have little in common. The authors when they were writing their novels, poignantly presenting transgression of the bodies as a social trope that redefines relationship of power and class. However, I would like to argue that even while Coetzee and Roy present this transgression as the ideological centers of both Disgrace and The God of Small Things they are not permanent solution to resolving the race, gender and caste issues, and while they appear to overcome these differences briefly, the aforementioned categories are only reinforced in the long run. Index Terms - Race, gender and caste. -
Addition to Summer Letter
May 2020 Dear Student, You are enrolled in Advanced Placement English Literature and Composition for the coming school year. Bowling Green High School has offered this course since 1983. I thought that I would tell you a little bit about the course and what will be expected of you. Please share this letter with your parents or guardians. A.P. Literature and Composition is a year-long class that is taught on a college freshman level. This means that we will read college level texts—often from college anthologies—and we will deal with other materials generally taught in college. You should be advised that some of these texts are sophisticated and contain mature themes and/or advanced levels of difficulty. In this class we will concentrate on refining reading, writing, and critical analysis skills, as well as personal reactions to literature. A.P. Literature is not a survey course or a history of literature course so instead of studying English and world literature chronologically, we will be studying a mix of classic and contemporary pieces of fiction from all eras and from diverse cultures. This gives us an opportunity to develop more than a superficial understanding of literary works and their ideas. Writing is at the heart of this A.P. course, so you will write often in journals, in both personal and researched essays, and in creative responses. You will need to revise your writing. I have found that even good students—like you—need to refine, mature, and improve their writing skills. You will have to work diligently at revising major essays. -
The Position of Women in Arundhati Roy's the God of Small Things And
Vol. 3 No. 1 December, 2014 ISSN: 2320 - 2645 THE POSITION OF WOMEN IN ARUNDHATI ROY’S THE GOD OF SMALL THINGS AND ANITA DESAI’S CLEAR LIGHT OF DAY M.C.Subhashini Research scholar, Annamalai University, Annamalai Nagar, Chidambaram- 608 002 Abstract In these novels Clear Light of Day and The God of Small Things Anita Desai and Arundhati Roy portrays Indian women as marginalized facing challenges and burdens imposed by patriarchal society. They resemble colonial subjects whose lives are fractured. Among the female characters Bim, Tara, their mother and Aunt Mira, all are subordinated by a male-dominant culture which underestimates female subjectivity. The women in The God of Small Things are mostly confronted with marital and family problems. Estha and Rahel’s mother, Ammu, marries Babu in a beautiful ceremony; however, her husband turns out to be an alcoholic and even urges her to sleep with his boss, Mr. Hollick, after which Ammu leaves him and returns with the twins, Estha and Rahel, to Ayemenem. Then she has a secret love affair with Velutha, an untouchable, and so she is banished from her home and dies in another place. Her situation could represent the typical problems an Indian woman who is dependent on her husband can face. These papers illustrate how these women manage their precarious situation and stand up to a society controlled by men. This study reflects on these women’s lives to see how they find different ways to assert their existence. One way in which these female characters survive is by entering male dominated society and adopting their language and culture. -
AP LITERATURE/COMPOSITION 2016 SUMMER READING LIST the God of Small Things by Arundhati Roy the Seven-Year-Old Twins Estha and R
AP LITERATURE/COMPOSITION 2016 SUMMER READING LIST The God of Small Things by Arundhati Roy The seven-year-old twins Estha and Rahel see their world shaken irrevocably by the arrival of their beautiful young cousin, Sophie. It is an event that will lead to an illicit liaison and tragedies accidental and intentional, exposing “big things [that] lurk unsaid” in a country drifting dangerously toward unrest The Sound and Fury by William Faulkner The Compson family is falling apart. The kids run wild, the mother locks herself in her bedroom with a hot water bottle and her Bible, and the father locks himself in the den with a nice big bottle of whiskey. In other words, life isn’t exactly the sunniest. Not to worry, though: it can always get worse. The Grapes of Wrath by John Steinbeck An unforgettable portrait of the migrants who left the dust bowl for the promised land of California. Heart of Darkness by Joseph Conrad The story tells of Charles Marlow, an Englishman who took a foreign assignment from a Belgian trading company as a ferry-boat captain in Africa. The Stranger by Albert Camus A young Algerian, Meursault, afflicted with a sort of aimless inertia, becomes embroiled in the petty intrigues of a local pimp and, somewhat inexplicably, ends up killing a man. Once he's imprisoned and eventually brought to trial, his crime, it becomes apparent, is not so much the arguably defensible murder he has committed as it is his deficient character. Sula by Toni Morrison In this brilliantly imagined novel, Toni Morrison tells the story of Nel Wright and Sula Peace, who meet as children in the small town of Medallion, Ohio. -
Time and Sense in Anne Enright's the Gathering
Time and Sense in Anne Enright’s The Gathering Marie Mianowski To cite this version: Marie Mianowski. Time and Sense in Anne Enright’s The Gathering. Bertrand Cardin et Sylvie Mikowski. Ecrivaines Irlandaises. Irish women writers, Presses Universitaires de Caen, pp.163-178, 2014, 978-2-84133-484-1. hal-01913638 HAL Id: hal-01913638 https://hal.archives-ouvertes.fr/hal-01913638 Submitted on 19 Nov 2018 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. WORKING PAPER Marie Mianowski Université de Nantes Time and Sense in Anne Enright’s The Gathering (2007) This paper is entitled “Time and Sense” in The Gathering1, after Julia Kristeva’s book Le Temps Sensible2, in which she questions the experience of time in Proust’s A la Recherche du Temps Perdu. Indeed, in The Gathering Anne Enright weaves her imagination in the folds of the past and in turn, in unfolding lost time, the narrative opens out onto the present reality and the possibility of future dreams. In the light of Henri Lefebvre’s The Production of Space3 and Edward Soja’s Postmodern Geographies4, the aim of this paper is to focus not so much on time and the experience of time in The Gathering, but on the ways in which spatiality enables the narrator to shape narrative time, as well as national and personal history. -
Roy's Inglish in the God of Small Things: a Language
Agustín Reyes Torres Roy’s Inglish in The God of Small Things: A Language... 195 ROY’S INGLISH IN THE GOD OF SMALL THINGS: A LANGUAGE FOR SUBVERSION, RECONCILIATION AND REASSERTION1 Agustín Reyes Torres, Universitat de València Email: [email protected] Abstract: In The God of Small Things, Arundhati Roy separates English from English- speakers. She reappropriates the language not only to portray complex characters and narrative themes, but also to create a postcolonial discourse that criticizes, questions and subverts the old dominance of the imperial colonizer. Mainly addressed to a western audience, the use of Inglish in this novel is a crucial factor to reveal the development of a hybrid conscience, reassert the Indian identity and make the reader feel displaced from their native tongue Keywords: English language, postcolonial, hybridity, Indian identity, discourse Título en español: El Inglish de Roy en The God of Small Things: Una lengua para la subversión, la reconciliación y la rea rmación. Resumen: En The God of Small Things, Arundhati Roy distancia al hablante-nativo de inglés de su propia lengua. El inglés que utiliza no solo presenta personajes y temas complejos, sino que crea un discurso poscolonial que critica, cuestiona y socava el antiguo dominio del colonizador. Dirigida principalmente a un lector occidental, el Inglish de Roy en esta novela es determinante para representar el desarrollo de una conciencia hibrida, rea rmar la identidad india y lograr que los hablantes nativos de inglés se sientan extraños con su propia lengua. Palabras clave: Inglés, poscolonial, mestizaje, identidad india, discurso “We cannot write like the English. -
Anthropocene Micro-Narratives: Arundhati Roy and the Ecology of Small Things
Anthropocene Micro-narratives: Arundhati Roy and the Ecology of Small Things Today Corporate Globalization needs an international confederation of loyal, corrupt, preferably authoritarian governments in poorer countries to push through unpopular reforms and quell the mutinies. It needs a press that pretends to be free … not the free movement of people, not a respect for human rights, not international treaties on racial discrimination or chemical and nuclear weapons, or greenhouse gas emissions, climate change, or god forbid, justice. —Arundhati Roy, “Come September” (2002) Big dams and nuclear bombs: what do they share? According to Arundhati Roy in “The Greater Common Good”—her second literary outing after publishing the Man Booker-prize winning God of Small Things—both products of the modern state demarcate a historical moment in which scientific and industrial thought has outpaced the human instinct for survival. “They represent,” she suggests, “the severing of the link, not just the link—the understanding— between human beings and the planet they live on. They scramble the intelligence that connects eggs to hens, milk to cows, water to rivers, air to life, and the earth to human existence” (80-81). Here Roy attends to the most basic principle of what Timothy Morton terms “the ecological thought”: a belief that “everything is connected” (1). For her, neo-imperial capitalist regimes interrupt the complex web of mutual reliance evident in the natural world; they enact an organic violence which artificially, and detrimentally, imposes distinctions between human and non- human modes of existence. Numerous commentators have observed the way in which Roy’s writing seeks to re-trace these intimate connections between disparate species: Graham Huggan, for instance, locates her work within the nascent genre of postcolonial eco-criticism, alongside writers such as J.M. -
Arundhati Roy: Reclaiming Voices on the Margin in the God of Small Things
Beteckning: Department of Humanities and Social Sciences Arundhati Roy: Reclaiming Voices on the Margin in The God of Small Things Angelika Olsson January 2011 Independent thesis Basic level (degree of Bachelor) 15 HE credits English Literature English C Supervisor: Ph D Alan Shima Examiner: Ph D Marko Modiano 1 Abstract The aim of this essay is to critically consider Arundhati Roy’s novel The God of Small Things from a postcolonial feminist perspective, with a special focus on how she models different representations of women, taking as a background the discussions within postcolonial feminism about subalternity and the representations of women from the so-called Third World in theory and literature, as well as the concept of agency from Cultural Studies. This purpose is reached by studying and comparing three main female characters in the novel: Mammachi, Baby Kochamma and Ammu, centering on their different ways of relating to the male hero of the novel, Velutha, an Untouchable in the lingering caste system of India. The essay argues that Roy has contributed with diverse representations of subaltern women in the ‘Third World’ who—despite their oppressed and marginalized status—display agency and are portrayed as responsible for their own actions. Keywords: Arundhati Roy, The God of Small Things, Subaltern, Third World women, Spivak, marginalization 2 Table of Contents Abstract ................................................................................................................................................... 1 Introduction -
The Ethics of Nostalgia in Arundhati Roy's the God of Small Things
Wright State University CORE Scholar English Language and Literatures Faculty Publications English Language and Literatures 1-2010 The Ethics of Nostalgia in Arundhati Roy's The God of Small Things Hope Jennings Wright State University - Main Campus, [email protected] Follow this and additional works at: https://corescholar.libraries.wright.edu/english Part of the English Language and Literature Commons Repository Citation Jennings, H. (2010). The Ethics of Nostalgia in Arundhati Roy's The God of Small Things. Journal of Contemporary Literature, 2 (1), 177-198. https://corescholar.libraries.wright.edu/english/204 This Article is brought to you for free and open access by the English Language and Literatures at CORE Scholar. It has been accepted for inclusion in English Language and Literatures Faculty Publications by an authorized administrator of CORE Scholar. For more information, please contact [email protected]. The Ethics of Nostalgia in Arundhati Roy's The God of Small Things Hope Jennings Wright State University-Lake Car:npus He didn't know that in some places, like the country that Rahel came from, various kinds of despair competed for primacy. And that personal despair could never be .desperate eno,ugh. That something happened when personal turmoil dropped by the wayside shrine of the vast, violent, circling, driving, ridiculous, insane, unfeasible, public turmoil of a nation .. - Arundhati Roy, The God of Small Things, 19 If ethics can be defined as rules of human conduct and relationship to others, then the ethical dimension of reflective·longing consists in resistance to paranoic (sic) projections characteristic of nationalist nostalgia, in which the other is conceived either as a conspiring enemy or as another :" nationalist. -
AP Literature and Composition
12th Grade Summer Reading 2021 AP ENGLISH IV The Brief Wondrous Life of Oscar Wao by Junot Diaz • Required for all AP ENG IV students • Multiple narrators tell the story of Dominican American Oscar de León and his friend Yunior and sister Lola. • Diaz uses flashbacks to tell how Oscar’s family escaped the dictatorship in the Dominican Republic and how they are plagued by a curse. The God of Small Things by Arundhati Roy In addition, all Mexican Gothic by Silvia Moreno-Garcia students must read one of The Blind Assassin by Margaret Atwood these titles: Salvage the Bones by Jesmyn Ward The God of Small Things Arundhati Roy is an Indian writer and activist. Her first novel, The God of Small Things, won the Booker Prize in 1997. The novel tells the story of a multi- generational household in Kerala, India. Roy explores complex issues of the caste system, British colonialism, and India’s long history of religious strife as these play out in the family of fraternal twins Estha and Rahel. Mexican Gothic • Silvia Moreno-Garcia is a Mexican-Canadian author of several books. This is a gothic horror novel set in the 1950s in the Mexican countryside. • Noemi, a debutante with a love of fashion, receives an urgent call from her cousin, asking for help. Noemi travels to the remote family home of the Doyles to rescue Catalina from her new husband and his strange family. • Strange occurrences and frightening events begin as soon as she arrives. The Blind Assassin • Margaret Atwood is a Canadian writer.