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Andy Higgins, BA
Andy Higgins, B.A. (Hons), M.A. (Hons) Music, Politics and Liquid Modernity How Rock-Stars became politicians and why Politicians became Rock-Stars Thesis submitted for the degree of Ph.D. in Politics and International Relations The Department of Politics, Philosophy and Religion University of Lancaster September 2010 Declaration I certify that this thesis is my own work and has not been submitted in substantially the same form for the award of a higher degree elsewhere 1 ProQuest Number: 11003507 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a com plete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. uest ProQuest 11003507 Published by ProQuest LLC(2018). Copyright of the Dissertation is held by the Author. All rights reserved. This work is protected against unauthorized copying under Title 17, United States C ode Microform Edition © ProQuest LLC. ProQuest LLC. 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106- 1346 Abstract As popular music eclipsed Hollywood as the most powerful mode of seduction of Western youth, rock-stars erupted through the counter-culture as potent political figures. Following its sensational arrival, the politics of popular musical culture has however moved from the shared experience of protest movements and picket lines and to an individualised and celebrified consumerist experience. As a consequence what emerged, as a controversial and subversive phenomenon, has been de-fanged and transformed into a mechanism of establishment support. -
Songs by Title
Songs by Title Title Artist Versions Title Artist Versions #1 Crush Garbage SC 1999 Prince PI SC #Selfie Chainsmokers SS 2 Become 1 Spice Girls DK MM SC (Can't Stop) Giving You Up Kylie Minogue SF 2 Hearts Kylie Minogue MR (Don't Take Her) She's All I Tracy Byrd MM 2 Minutes To Midnight Iron Maiden SF Got 2 Stars Camp Rock DI (I Don't Know Why) But I Clarence Frogman Henry MM 2 Step DJ Unk PH Do 2000 Miles Pretenders, The ZO (I'll Never Be) Maria Sandra SF 21 Guns Green Day QH SF Magdalena 21 Questions (Feat. Nate 50 Cent SC (Take Me Home) Country Toots & The Maytals SC Dogg) Roads 21st Century Breakdown Green Day MR SF (This Ain't) No Thinkin' Trace Adkins MM Thing 21st Century Christmas Cliff Richard MR + 1 Martin Solveig SF 21st Century Girl Willow Smith SF '03 Bonnie & Clyde (Feat. Jay-Z SC 22 Lily Allen SF Beyonce) Taylor Swift MR SF ZP 1, 2 Step Ciara BH SC SF SI 23 (Feat. Miley Cyrus, Wiz Mike Will Made-It PH SP Khalifa And Juicy J) 10 Days Late Third Eye Blind SC 24 Hours At A Time Marshall Tucker Band SG 10 Million People Example SF 24 Hours From Tulsa Gene Pitney MM 10 Minutes Until The Utilities UT 24-7 Kevon Edmonds SC Karaoke Starts (5 Min 24K Magic Bruno Mars MR SF Track) 24's Richgirl & Bun B PH 10 Seconds Jazmine Sullivan PH 25 Miles Edwin Starr SC 10,000 Promises Backstreet Boys BS 25 Minutes To Go Johnny Cash SF 100 Percent Cowboy Jason Meadows PH 25 Or 6 To 4 Chicago BS PI SC 100 Years Five For Fighting SC 26 Cents Wilkinsons, The MM SC SF 100% Chance Of Rain Gary Morris SC 26 Miles Four Preps, The SA 100% Pure Love Crystal Waters PI SC 29 Nights Danni Leigh SC 10000 Nights Alphabeat MR SF 29 Palms Robert Plant SC SF 10th Avenue Freeze Out Bruce Springsteen SG 3 Britney Spears CB MR PH 1-2-3 Gloria Estefan BS SC QH SF Len Barry DK 3 AM Matchbox 20 MM SC 1-2-3 Redlight 1910 Fruitgum Co. -
How Labour Wins Mapping the Routes to the Next Majority
Fabian Review www.fabians.org.uk Spring 2012 HOW LABOUR WINS Mapping the routes to the next majority The quarterly magazine of the Fabian Society Volume 124 no 1 £4.95 THE FABIAN SUMMER CONFERENCE Featuring a Q&A with Ed Miliband LABOUR'S next majority 30th June, 10am doors open for an 11am start finishing at around 5pm Millbank Media Centre, Ground Floor, Millbank Tower, 21–24 Millbank, London, SW1P 4QP Tickets for members and concessions are just £10 (£15 for non-members with six months free membership) Come and join the Fabians for our Summer Conference featuring a Question and Answer session with Ed Miliband. Debate Labour’s electoral strategy and put forward your take on some of the ideas we’ve explored in this issue of the Fabian Review. To book your tickets head to www.fabians.org.uk or call 020 7227 4900 EDITORIAL Image: Adrian Teal Age-old lessons Andrew Harrop asks if ongoing public support for pensioner benefits offers the left a way out of its welfare impasse If the polls are to be believed, benefits for pensioners (of which the the poorest get more – which the coali- cutting welfare is very popular. YouGov much-castigated winter fuel payment tion is busy unpicking though its tax reports that fewer than a third of and free bus pass make up just a tiny credit cuts. Labour voters and just 3 per cent of fraction). On top there is a generous A shared system, where every family Conservatives oppose it. This places the means-tested system which has done is a recipient, could open the way for left in a terrible bind, not least because much to reduce pensioner poverty. -
Picture Bright for Country V/Dc//Ps Ever -And a 1988 Holiday Season Bo- As Was the Case in the Early Days Nanza for MCA
Poison, Great White album art altered <i.ci<'A- .******,:c 4( c*a; DIGIT 908 after retail revolt 9AR OQHZ ' 000917973 4401, 8819 See page 8 MONTY GREENLY 'Whitney' hits another APT N 3740 ELM multiplatinum milestone LONG BE NCH CA 90807 See page 6 Getting ready for Atlantic's big bash See The Eye, page 61 I I R VOLUME 100 NO. 20 THE INTERNATIONAL NEWSWEEKLY OF MUSIC AND HOME ENTERTAINMENTr May 14, 1988/$3.95 (U.S.), $5 (CAN.) DAT- Duping Plants Sprout MCA Sets $24.95 List. Pepsi To Offer $5 Rebate In Hope Of Fertile Market `E.T.' Vid At Down -To -Earth Price heavily involved in real -time DAT MCA Inc. president Sidney Shein- price for "E.T." is considerably low- BY STEVEN DUPLER production was California -based BY CHRIS MORRIS berg and MCA Home Entertain- er than what was first anticipated. NEW YORK While mass -scale Loranger Manufacturing Corp., LOS ANGELES MCA Home Video ment Group president Gene In February, when MCA announced DAT duplication continues to await which is turning out small runs of will bring "E.T. -The Extra-Terres- Giaquinto trumpeted the home vid- the film's home video release, many both major -label acceptance of the DAT cassettes for German -based trial" home on videocassette Oct. 27 eo arrival of the 1982 Steven Spiel- industry pros assumed that MCA configuration and perfection of pro- classical label Capriccio Digital and at a suggested retail price of $24.95. berg-directed theatrical blockbuster would market the tape at $29.95 totype high -speed DAT duplicating its U.S. -
Polygram 1983-1992
AUSTRALIAN RECORD LABELS PolyGram 7”, 12” singles & LP’s 1983 to 1992 COMPILED BY MICHAEL DE LOOPER © BIG THREE PUBLICATIONS, MAY 2019 POLYGRAM 7”, 12” SINGLES & LP’S, 1983–1992 POLYGRAM PRODUCT GUIDE –1 = 12” SINGLES, LP’S –2 = CD SINGLES, CD’S (NOT LISTED) –3 = VHS VIDEO (NOT LISTED) –4 = CASSETTE SINGLES, CASSETTES (NOT LISTED) –7 = 7” SINGLES 370, 377—WINDHAM HILL 370 111-1 TEARS OF JOY TUCK & PATTI 1.90 377 008-1 LOVE WARRIORS TUCK & PATTI 1.90 390–397—A & M 390 419-7 LOVE SCARED / LOVE SCARED PART II (LET’S TALK IT OVER) LANCE ELLINGTON 3.91 390 460-7 STONE COLD SOBER / THE RETURN OF MAGGIE BROWN DEL AMITRI 7.90 390 462-7 THE MESSAGE IS LOVE (2 VERSIONS) ARTHUR BAKER 3.90 390 462-1 THE MESSAGE IS LOVE (2 VERSIONS) / THE MESSAGE IS CLUB ARTHUR BAKER 3.90 390 466-7 DIAMOND IN THE DARK / LAST NIGHT CHRIS DE BURGH 6.90 390 471-7 LOVE TOGETHER (2 VERSIONS) L.A. MIX 7.90 390 471-1 LOVE TOGETHER (2 VERSIONS) L.A. MIX 7.90 390 472-7 PERFECT VIEW / WE NEVER MET THE GRACES 3.90 390 474-7 NOTHING EVER HAPPENS / NO HOLDING ON DEL AMITRI 4.90 390 474-1 NOTHING EVER HAPPENS / NO HOLDING ON / SLOWLY, IT’S COMING BACK DEL AMITRI 5.90 390 475-7 I’M A BELIEVER / NO WAY OUT GIANT 6.90 390 476-7 INSIDE OUT / BACK TO WHERE WE STARTED GUN 4.90 390 477-7 WITH A LITTLE LOVE / WINDOW PEOPLE SAM BROWN 4.90 390 477-1 WITH A LITTLE LOVE / WINDOW PEOPLE / DOLLY MIXTURE SAM BROWN 4.90 390 480-7 A CHANGE IS GONNA COME / MY BLOOD THE NEVILLE BROTHERS 3.90 390 484-1 SUPER LOVER (2 VERSIONS) / WHEN WILL I SEE YOU AGAIN BARRY WHITE 6.90 390 486-7 TWO TO MAKE IT RIGHT -
THE JUDGMENT of PARIS Also Inside
boisdaleAUTUMN 2018 ISSUE 13 THE JUDGMENT OF PARIS The wine tasting that scandalised France THE TRIALS OF ELON MUSK Ben Oliver on Tesla's controversial genius Also inside INTO THE NICK FERRARI: WHY BULL RING! AIR TRAVEL IS HELL The Englishman BRUCE ANDERSON ON who became CHARLES DE GAULLE a matador ROGER BOOTLE'S INTEREST WWW.BOISDALE.CO.UK RATE PREDICTIONS £4.95 $7.40 STANLEY JOHNSON SEARCHES €6.70 FOR SNOW LEOPARDS ¥880 Experience the power of extraordinary. The new Continental GT. From the first 1919 prototype to the new Continental GT – Bentley has been perfecting performance to deliver the ultimate grand The new Continental GT fuel consumption – EU Drive Cycle in mpg (l/100 km): Urban 16.0 (17.7); touring experience. To experience it for yourself on a test drive call 0845 689 1624 or visit BentleyMotors.com/Continental Extra Urban 31.7 (8.9); Combined 23.2 (12.2). CO2 Emissions 278 g/km. The name ‘Bentley’ and the ‘B’ in wings device are registered trademarks. © 2018 Bentley Motors Limited. Model shown: Continental GT. Bentley_Boisdale_Life_2109_280x420.indd All Pages 24/08/2018 11:14 Experience the power of extraordinary. The new Continental GT. From the first 1919 prototype to the new Continental GT – Bentley has been perfecting performance to deliver the ultimate grand The new Continental GT fuel consumption – EU Drive Cycle in mpg (l/100 km): Urban 16.0 (17.7); touring experience. To experience it for yourself on a test drive call 0845 689 1624 or visit BentleyMotors.com/Continental Extra Urban 31.7 (8.9); Combined 23.2 (12.2). -
Raymond Campbell
Raymond Campbell School of Arts and Digital Industries University of East London Title: Comic Cultures: commerce, aesthetics and the politics of stand-up performance in the UK 1979 to 1992 Thesis submitted in fulfilment of the requirements for the degree of Doctor of Philosophy. October 2016 Abstract This thesis represents the first Cultural Studies analysis of the 1980s entertainment form commonly known as ‘alternative comedy’, which emerged against the backdrop of social, industrial and political unrest. However, the use of the term ‘alternative comedy’ has obscured a diverse movement that contained many different strands and tendencies, which included punk poets, street performers, chansonniers and improvising double acts. This thesis goes some way to addressing the complex nature of this entertainment space by recognising the subtle but important differences between New Variety and alternative cabaret. Alternative cabaret was both a movement and an entertainment genre, while New Variety grew out of CAST’s theatre work and was constructed in opposition to Tony Allen’s and Alexei Sayle’s Alternative Cabaret performance collective. Taken together, alternative cabaret and New Variety comprise one part of the alternative space that also includes post-punk music, and were the cultural expressions of the 1980s countercultural milieu. Alternative cabaret and New Variety were the products of cultural change. Each genre has its roots in the countercultural movements of the 1960s and 1970s and it was the knowledge that agents had acquired through participation in these movements that helped to shape their political-aesthetic dispositions or their weltanschauunng. As well as political activism, rock music influenced performers and promoters and contributed much to their art. -
The Portrayal of the Working-Class and Working-Class Culture in Barry Hines's Novels. TURNBULL, Simone
The portrayal of the working-class and working-class culture in Barry Hines's novels. TURNBULL, Simone. Available from Sheffield Hallam University Research Archive (SHURA) at: http://shura.shu.ac.uk/20460/ This document is the author deposited version. You are advised to consult the publisher's version if you wish to cite from it. Published version TURNBULL, Simone. (2014). The portrayal of the working-class and working-class culture in Barry Hines's novels. Doctoral, Sheffield Hallam University (United Kingdom).. Copyright and re-use policy See http://shura.shu.ac.uk/information.html Sheffield Hallam University Research Archive http://shura.shu.ac.uk 'formation Services Ity Campus i S1 1WD Sheffield Hallam University Learning and information Services Adsetts Centre, City Campus Sheffield S1 1WD REFERENCE ProQuest Number: 10701107 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. uest ProQuest 10701107 Published by ProQuest LLC(2017). Copyright of the Dissertation is held by the Author. All rights reserved. This work is protected against unauthorized copying under Title 17, United States Code Microform Edition © ProQuest LLC. ProQuest LLC. 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106- 1346 The Portrayal of the Working-class and Working-class Culture in Barry Hines’s Novels. Submitted by Simone Turnbull A thesis submitted in partial fulfilment of the requirements of Sheffield Hallam University for the degree of Doctor of Philosophy. -
The Representation of Business in English Literature [2000]
The Online Library of Liberty A Project Of Liberty Fund, Inc. Arthur Pollard, The Representation of Business in English Literature [2000] The Online Library Of Liberty This E-Book (PDF format) is published by Liberty Fund, Inc., a private, non-profit, educational foundation established in 1960 to encourage study of the ideal of a society of free and responsible individuals. 2010 was the 50th anniversary year of the founding of Liberty Fund. It is part of the Online Library of Liberty web site http://oll.libertyfund.org, which was established in 2004 in order to further the educational goals of Liberty Fund, Inc. To find out more about the author or title, to use the site's powerful search engine, to see other titles in other formats (HTML, facsimile PDF), or to make use of the hundreds of essays, educational aids, and study guides, please visit the OLL web site. This title is also part of the Portable Library of Liberty DVD which contains over 1,000 books and quotes about liberty and power, and is available free of charge upon request. The cuneiform inscription that appears in the logo and serves as a design element in all Liberty Fund books and web sites is the earliest-known written appearance of the word “freedom” (amagi), or “liberty.” It is taken from a clay document written about 2300 B.C. in the Sumerian city-state of Lagash, in present day Iraq. To find out more about Liberty Fund, Inc., or the Online Library of Liberty Project, please contact the Director at [email protected]. -
Plans for 'Free Market' Universities Revealed =====•Y=G=,=••=M=•=W=;=,,.,=N==== ~~~~Ia:Ti::~I~;~D?S~~Is
BROWN STATIONERS ~ 1 October-5 November ELIZABETH OGILVIE WE'RE BETTER SEA SANCTUARY Mon-Set10em-5pm 20X..-oa- SU'l!d }:dlnbutp ):Jl89DH Admi5$ionfree 031·6678&44 :66&380-t s.,---,~~SootriihMrCouttQ/ ST Thursday, October 6, 1988 K ampuchea-the forgotten story of the Killing Fields Plans for 'Free Market' universities revealed =====•y=G=,=••=m=•=W=;=,,.,=n==== ~~~~ia:ti::~i~;~d?s~~is.. ~~~ there "is a con'1ict between the PLANS TO introduce a free desire to increase participation markel style system of vou and also to increase private fll/ld chers to help fund univer ing, as there could be a tende,,cy sities were discussed at a fo r the less wealthy to miss 6ut'' . meeting of the Committee of Vice-Chancellors and Princi He went on to say that there was a view prevalenl throughout .JJa' S. (CVCP) in Oxford last the CVCP that '·it is not enough 10 . k. increase lhe percentage o( the The iclea°. which was proposed population sectors who tradition by Sir Graham Hills, Vice-Chan ally do not attend university by merely opening our doors - we cellor of Strathclyde University, must help !hem through.,_ wou ld involve a number Of univer sities competing for S! udcnts who Professor Wilson also' voiced would pay for their fees by cashing concern that the use of full cost in vouchers they receive from the fees, wh ich are met in whole or Government. While this proposal part by a voucher, could lead 10 is still at the fo rmative stage, its some students having acluall y to supporters aim to still retain the pay for their fees in the future. -
The Representation of Business in English Literature
The Representation of Business in English Literature The Representation of Business in English Literature Edited and with an Introduction by Arthur Pollard Liberty Fund Indianapolis Amagi books are published by Liberty Fund, Inc., a foundation established to encourage study of the ideal of a society of free and responsible individuals. The cuneiform inscription that appears in the logo and serves as a design element in all Liberty Fund books is the earliest-known written appearance of the word “freedom” (amagi), or “liberty.” It is taken from a clay document written about 2300 b.c. in the Sumerian city-state of Lagash. © 2009 by the Institute of Economic Affairs. Reprinted by permission. The Representation of Business in English Literature was first published by the Institute of Economic Affairs, London; December 2000. Book design by Rich Hendel, Chapel Hill, North Carolina All rights reserved Printed in the United States of America p 10 9 8 7 6 5 4 3 2 1 Library of Congress Cataloging-in-Publication Data The representation of business in English literature edited and with an introduction by Arthur Pollard. p. cm. Includes bibliographical references and index. isbn 978-0-86597-758-7 (pbk.: alk. paper) 1. English literature—History and criticism. 2. Business in literature. 3. Literature and society—Great Britain—History. I. Pollard, Arthur. II. Liberty Fund. pr149.b87r46 2009 820.9ʹ3553—dc22 2008043755 liberty fund, inc. 8335 Allison Pointe Trail, Suite 300 Indianapolis, Indiana 46250-1684 Contents Note on the Liberty Fund Edition vii Foreword ix John Blundell The Authors xvii Introduction 1 Arthur Pollard Eighteenth-Century Attitudes Towards Business 8 W. -
Songs by Artist
Songs by Artist Title Versions Title Versions 10 Years 2 Play & Thomas Jules Wasteland SC Careless Whisper MR 100 Proof Aged In Soul 20 Fingers Somebody's Been Sleeping SC Short Dick Man SC 10000 Maniacs 2Pac Because The Night MM SC California Love MM SC Candy Everybody Wants DK Changes SC Like The Weather MM How Do You Want It MM More Than This MM SC Runnin' (Feat. Notorious B.I.G.) SC These Are Days PI SC Thugz Mansion SC Trouble Me SC Until The End Of Time SC 101 Dalmations 3 Days Grace Cruella De Vil DI Never Too Late SC 10cc 3 Doors Down I'm Not In Love DK MM SC Away From The Sun SC The Things We Do For Love SC SF Be Like That SC Wallstreet Shuffle SF Behind Those Eyes SC 112 Citizen Soldier PH Come See Me SC Duck And Run SC Dance With Me SC Every Time You Go PH It's Over Now SC Here Without You SC SP Only You SC It's Not My Time CB PH Peaches And Cream SC Kryptonite SC SP U Already Know SC Let Me Be Myself PH 12 Gauge Let Me Go SC SI Dunkie Butt SC Live For Today SC 12 Stones Loser BS SC We Are One PH The Road I'm On SC 1910 Fruitgum Co. When I'm Gone SC 1-2-3 Redlight SC When You're Young PH Simon Says DK LC 3 Of Hearts 1975 Love Is Enough SC Chocolate MR SF 30 Seconds To Mars City MR SF Kill SC Love Me MR SF Up In The Air MR Robbers SF 311 Sex MR All Mixed Up SC Somebody Else SF Don't Tread On Me SC Sound MR Down SC The Sound SF Hey You PH UGH SF Love Song SC 2 Chainz You Wouldn't Believe SC Spend It PH 38 Special 2 Live Crew Caught Up In You MM SC Doo Wah Diddy SC Hold On Loosely SC SG Me So Horny SC If I'd Been The One MM SC We Want Some P---Y! SC Rockin' Into The Night SC 2 Pac Second Chance SC Dear Mama DK Teacher, Teacher SC 2 Pistols Wild Eyed Southern Boys SC She Got It PH 3LW You Know Me (Feat.