An Immersed Boundary-Lattice Boltzmann Simulation of Particle Hydrodynamic Focusing in a Straight Microchannel *
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P020110307527551165137.Pdf
CONTENT 1.MESSAGE FROM DIRECTOR …………………………………………………………………………………………………………………………………………………… 03 2.ORGANIZATION STRUCTURE …………………………………………………………………………………………………………………………………………………… 05 3.HIGHLIGHTS OF ACHIEVEMENTS …………………………………………………………………………………………………………………………………………… 06 Coexistence of Conserve and Research----“The Germplasm Bank of Wild Species ” services biodiversity protection and socio-economic development ………………………………………………………………………………………………………………………………………………… 06 The Structure, Activity and New Drug Pre-Clinical Research of Monoterpene Indole Alkaloids ………………………………………… 09 Anti-Cancer Constituents in the Herb Medicine-Shengma (Cimicifuga L) ……………………………………………………………………………… 10 Floristic Study on the Seed Plants of Yaoshan Mountain in Northeast Yunnan …………………………………………………………………… 11 Higher Fungi Resources and Chemical Composition in Alpine and Sub-alpine Regions in Southwest China ……………………… 12 Research Progress on Natural Tobacco Mosaic Virus (TMV) Inhibitors…………………………………………………………………………………… 13 Predicting Global Change through Reconstruction Research of Paleoclimate………………………………………………………………………… 14 Chemical Composition of a traditional Chinese medicine-Swertia mileensis……………………………………………………………………………… 15 Mountain Ecosystem Research has Made New Progress ………………………………………………………………………………………………………… 16 Plant Cyclic Peptide has Made Important Progress ………………………………………………………………………………………………………………… 17 Progresses in Computational Chemistry Research ………………………………………………………………………………………………………………… 18 New Progress in the Total Synthesis of Natural Products ……………………………………………………………………………………………………… -
A Density Functional Study of the Gold Cages Mau16 (M=Si, Ge, And
ISSN: 0256-307X 中国物理快报 Chinese Physics Letters Volume 30 Number 7 July 2013 A Series Journal of the Chinese Physical Society Distributed by IOP Publishing Online: http://iopscience.iop.org/0256-307X http://cpl.iphy.ac.cn C HINESE P HYSICAL S OCIET Y Institute of Physics PUBLISHING CHIN. PHYS. LETT. Vol. 30, No. 7 (2013) 077102 * A Density Functional Study of the Gold Cages MAu16 (M = Si, Ge, and Sn) TANG Chun-Mei(/Sr)**, ZHU Wei-Hua(Á¥u), ZHANG Ai-Mei(张Or), ZHANG Kai-Xiao(张m骁), LIU Ming-Yi(4²熠) College of Science, Hohai University, Nanjing 210098 (Received 20 March 2013) Relativistic density functional calculations are performed to explore the promise of MAu16(M=Si, Ge, and Sn) clusters as magic clusters and building blocks in developing cluster-assembled materials. C1 and Cs, two isomers of SiAu16, GeAu16 and SnAu16 with M (Ge or Sn) at the center of the cage, named, respectively, as SiAu16–C1, SiAu16–Cs, GeAu16-center, and SnAu16-center, are calculated to be the most stable. The Au–M bond should have both ionic and covalent characteristics. Their static linear polarizabilities and first-order hyperpolarizabilities are found to be sensitive to the delocalization of the valence electrons of the M atom, as well as their structures and shapes. PACS: 71.20.Be, 31.15.xw, 36.40.Cg DOI: 10.1088/0256-307X/30/7/077102 − Au16 is a hollow cage with a slightly distorted sets including d polarization functions (DNP) that are ** tetrahedral (Td) symmetry, and has a sufficiently large comparable to Gaussian 6-31G basis sets. -
UNIVERSITY of CALIFORNIA Los Angeles the Qin
UNIVERSITY OF CALIFORNIA Los Angeles The Qin and Literati Culture in Song China A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in Asian Languages and Cultures by Meimei Zhang 2019 © Copyright by Meimei Zhang 2019 ABSTRACT OF THE DISSERTATION The Qin and Literati Culture in Song China by Meimei Zhang Doctor of Philosophy in Asian Languages and Cultures University of California, Los Angeles, 2019 Professor David C Schaberg, Chair My dissertation examines the distinctive role that the qin played in Chinese literati culture in the Song dynasty (960-1279) through its representations in literary texts. As one of the earliest stringed musical instruments in China, the qin has occupied a unique status in Chinese cultural history. It has been played since ancient times, and has traditionally been favored by Chinese scholars and literati as an instrument of great subtlety and refinement. This dissertation focuses on the period of the Song because it was during this period that the literati developed as a class and started to indulge themselves in various cultural and artistic pursuits, and record their experiences in literary compositions as part of their self-fashioning. Among these cultural pursuits, the qin playing was an important one. Although there have been several academic works on the qin, most of them focus on the musical aspects of the instrument. My project aims to reorient the perspective on the qin by revealing its close relationship and interaction with the literati class from a series of ii historical and literary approaches. During the Song, the qin was mentioned in a multiplicity of literary texts, and associated with a plethora of renowned literary figures. -
Cambridge University Press 978-1-107-02450-2 — Art and Artists in China Since 1949 Ying Yi , in Collaboration with Xiaobing Tang Index More Information
Cambridge University Press 978-1-107-02450-2 — Art and Artists in China since 1949 Ying Yi , In collaboration with Xiaobing Tang Index More Information Index Note: The artworks illustrated in this book are oil paintings unless otherwise stated. Figures 1–33 will be found in Plate section 1 (between pp. 49 and 72); Figures 34–62 in section 2 (between pp. 113 and 136); Figures 63–103 in section 3 (between pp. 199 and 238); Figures 104–161 in section 4 (between pp. 295 and 350). abstract art (Chinese) 163, 269–274, art market see commercialization of art 279 art publications (new) 86, 165–172 early 1980s 269–271 Artillery of the October Revolution 42 ’85 Movement –“China/Avant-Garde” Arts and Craft Movement 268 269–271 Attacking the Headquarters (Fig. 27) 1989 – present (post-modern) stage 273 avant-garde art (Chinese) 141, 146, 169, conceptual abstraction 273–274, 277–278 176, 181, 239, 245, 258, 264–265 expressive abstraction 273–274, 276 see also “China/Avant-Garde” material abstraction 277 exhibition schematic abstraction 245, 274 avant-garde art (Russian) 3–4 abstract art (Western) 147–148, 195–196, avant-garde art (Western) 100, 101, 267–268 see also Abstract 255–256, 257, 264 see also Modernism Expressionism; Hard-Edge / Structural Abstraction Bacon, Francis 243 Abstract Expressionism 256, 269, 274 Bao Jianfei 172 academic realism 245, 270 New Space No.1 167 academies see art academies Barbizon School 87 Ai Xinzhong 14 Bauhaus School 269 Ai Zhongxin 5 Beckmann, Max 246 amateur art/artists 35, 74–75, 106–108, Bei Dao 140 137–138, 141, -
Au Bord De L'eau
Au bord de l'eau Au bord de l'eau (chinois simplifié : 水浒传 ; chinois traditionnel : 水滸傳 ; pinyin : Shuǐ hǔ Zhuàn ; Wade : Shui³ hu³ Zhuan⁴, EFEO Chouei-hou tchouan, littéralement « Le Récit e des berges ») est un roman d'aventures tiré de la tradition orale chinoise, compilé et écrit par plusieurs auteurs, mais attribué généralement à Shi Nai'an (XIV siècle). Il relate les Au bord de l'eau exploits de cent huit bandits, révoltés contre la corruption du gouvernement et des hauts fonctionnaires de la cour de l'empereur. Auteur Shi Nai'an Ce roman fait partie des quatre grands romans classiques de la dynastie Ming, avec l'Histoire des Trois Royaumes, La Pérégrination vers l'Ouest et Le Rêve dans le Pavillon Rouge. Pays Chine Sa notoriété est telle que de nombreuses versions ont été rédigées. On peut comparer sa place dans la culture chinoise à celle des Trois Mousquetaires d'Alexandre Dumas en France, Genre roman ou des aventures de Robin des Bois en Angleterre. L'ouvrage est la source d'innombrables expressions littéraires ou populaires, et de nombreux personnages ou passages du livre servent à symboliser des caractères ou des situations (comme Lin Chong, seul dans la neige, pour dépeindre la rectitude face à l'adversité, ou Li Kui, irascible et violent mais dévoué à Version originale sa mère impotente, pour signaler un homme dont les défauts évidents masquent des qualités cachées). On retrouve, souvent sous forme de pastiche, des scènes connues dans des Langue chinois vernaculaire publicités, des dessins animés, des clips vidéo. L'illustration de moments classiques de l'ouvrage est très fréquente en peinture. -
Sedimentary Facies Characteristics and Organic Matter Enrichment Mechanism of Lower Cambrian Niutitang Formation in South China
J. Cent. South Univ. (2020) 27: 3779−3792 DOI: https://doi.org/10.1007/s11771-020-4507-7 Sedimentary facies characteristics and organic matter enrichment mechanism of lower Cambrian Niutitang Formation in South China QIN Ming-yang(秦明阳)1, 2, 3, GUO Jian-hua(郭建华)3, TAN Hui(谭慧)3, WU Shi-qing(吴诗情)3, BIAN Rui-kang(边瑞康)1 1. State Key Laboratory of Shale Oil and Gas Enrichment Mechanisms and Effective Development, Beijing 100083, China; 2. Editorial Office of Journal of Central South University (Science and Technology), Central South University, Changsha 410083, China; 3. School of Geosciences and Info-Physics Engineering, Central South University, Changsha 410083, China © Central South University Press and Springer-Verlag GmbH Germany, part of Springer Nature 2020 Abstract: The purpose of this study was to examine the sedimentary facies characteristics of lower Cambrian Niutitang Formation (1n) in South China, to reveal the mechanism of organic matter enrichment, and to guide exploration of shale gas. Macro investigation and experimental analyses were used to assess the lithology in detail, total organic matter mass fraction w(TOC), mineral composition, and trace element characteristics of 1n. The influencing factors of organic matter enrichment were discussed extensively, and a sedimentary facies mode was suggested. In the early stage of 1n, the locations of Well E’yangye 1, Well Ciye 1, Well Changye 1, and Well Anye 1 respectively develop, platform inner sag, outer shelf, Jiangnan slope belt, and South China detention basin. In the late stage of 1n, the sedimentary facies evolve with decreasing sea level. The study area presents a complete three-step basin in the Early Cambrian. -
Annual Conference Washington, D.C
Association for Asian Studies ANNUAL CONFERENCE WASHINGTON, D.C. MARCH 22-25 2018 Spatial Data Center & China Data Center UNIVERSITY OF MICHIGAN 330 Packard St, Ann Arbor, MI 48106-1248, USA TEL: (734)647-9610 / FAX: (734)763-0335 / EMAIL: [email protected] Please join the following workshop organized by China Data Center: “Recent Development and New Features of China Data Online” Time: 3:00pm - 5:30pm, Thursday, March 22, 2018 Site: Roosevelt 3, Marriott Wardman Park Hotel, Washington, D.C. New Data and Features of China Data Online The following new databases have been added to China Statistics Database and Census Database: Statistical Datasheets provides about 270,000 statistical tables from all provincial yearbooks and some other sources with full text search function and metadata, including citation information and unique table ID for direct access. Census Maps covers more than 7 million census maps with data by province, city, county or even township, including population census 2000 and 2010, economic census 2004 and 2008, basic unit census 2001, and industrial census 1995. Statistical Charts provides a rich collection of statistical charts for those monthly and yearly statistics at country, province, prefecture city and county levels with full text search function and metadata, including citation information and unique chart ID for direct access. New Features of China Geo-Explorer and US Geo-Explorer: Chinese Version of “China Map Library” is part of China Geo-Explorer. It offers about 8 million maps for the demographic and business data of China. Those maps provide comprehensive information of China at province, prefecture cities, county, and township levels. -
FM Virtual Kazuo Shiraga Water Margin Exhibition Checklist
SHIRAGA KAZUO Water Margin Hero Series Kazuo Shiraga Room 1 Tenkyusei Bossharan, 1960 Investigative Star Unrestrained 71 3/4 x 107 1/2 inches (182.2 x 273.2cm) Hyogo Prefectural Museum of Art Order 24 Mu Hong Chiyusei Byotaichu, 1962 Tranquil Star Sick Tiger 63 1/5 x 51 1/2 inches (160.6 x 130.8cm) Private Collection Order 84 Xue Yong Tenshosei Botsuusen, 1960 Agile Star Featherless Arrow 70 1/5 x 108 1/5 inches (180.0 x 275.0cm) Rachofsky Collection, Dallas Order 16 Zhang Qing Ni (Tenkosei Roshi), 1962 Skilful Star Wanderer 71 1/4 x 108 3/5 inches (181.0 x 276.0cm) Museum of Contemporary Art, Tokyo Image credit: Tokyo Metropolitan Foundation for History and Culture Image Archives Order 36 Yan Qing Tenbosei Ryotoda, 1962 Savage Star Double-headed Serpent 71 3/5 x 107 3/5 inches (182.0 x 273.3cm) The National Museum of Modern Art, Kyoto Order 34 Xie Zhen Chikensei Kendoshin, 1961 Healthy Star God of the Dangerous Road 63 3/4 x 51 1/5 inches (162.0 x 130.0 cm) Private Collection Order 105 Yu Baosi Room 2 Chimasei Unrikongo, 1960 Devil Star Giant in the Clouds 51 1/4 x 76 1/3 inches (130.3 x 193.9cm) The Museum of Fine Arts, Gifu Order 82 Song Wan Tenkusei Kyusenpo, 1962 Flight Star Impatient Vanguard 71 3/4 x 107 1/5 inches (182.2 x 272cm) Hyogo Prefectural Museum of Art Order 19 Suo Chao Tenyusei Hyoshito, 1961 Majestic Star Panther Head 71 3/5 x 107 1/4 inches (182.0 x 272.5cm) The National Museum of Art, Osaka Order 6 Lin Chong Chiinsei Botaichu, 1961 Yin Star Female Tiger 63 x 51 inches (162 × 130 cm) Guggenheim Abu Dhabi Order 101 -
Outlaws 097: Truce
Welcome to the Water Margin Podcast. This is episode 97. Last time, the Liangshan bandits returned to Zeng Family Village looking to avenge the death of their former leader Chao Gai. They mostly had the upper hand in the first two engagements, including killing the eldest of the Zeng family’s five sons. As we pick up the story, the Zeng family’s youngest son, Zeng Sheng (1), had demanded that they go avenge his brother. So the family’s arms instructor Shi (3) Wengong (2,1) led an army out to challenge for battle. He rode out on the fine horse that they had seized from Liangshan previously, which was the cause of all this kerfuffle. Shi Wengong rode out to the front of the lines to challenge for battle. On the bandits’ side, the chieftain Qin Ming the Fiery Thunderbolt wanted to claim the honor of slaying their nemesis, so he galloped out to take on Shi Wengong. The two warriors raised their weapons and exchanged blows. Now, as we have seen repeatedly in the novel, Qin Ming was one of Liangshan’s fiercest fighters. But this time, he met his match. After 20 bouts, he started to falter, so he turned and rode back toward his own lines. But Shi Wengong chased after him, and speared him in the back of the thigh, sending him tumbling off his horse. Four chieftains from Liangshan quickly charged out to occupy Shi Wengong while the lackeys rescued Qin Ming, but the Zeng family forces charged and won the day, riding the momentum from their arms instructor’s victory. -
Outlaws 094: Festival
Welcome to the Water Margin Podcast. This is episode 94. Last time, the Liangshan bandits, trying one more time to rescue Lu Junyi from Daming Prefecture, had laid out an elaborate plan to infiltrate and sack the city during the Lantern Festival on the 15th day of the first month of the new year. While our heroes were busy plotting, inside Daming Prefecture, Governor Liang had summoned his commanders Li (3) Cheng (2) and Wen (2) Da (2), along with the prefect of Daming and his other officials to discuss a pressing matter — the giant celebration that usually took place on the night of the Lantern Festival. “We usually have a huge lantern festival and celebrate with the civilians; it’s on par with what they do in the capital,” Governor Liang said. “But this year, we have been attacked twice by the Liangshan bandits. I’m worried that if we hold a festival, there could be trouble. I am thinking about foregoing the celebration this year. What do you all think?” The commander Wen Da said, “The bandits quietly retreated and only left a bunch of anonymous flyers. They must be out of ideas. My lord, there’s no need to worry. If we don’t hold the celebration this year, those knaves will laugh at us when they hear about it. You should send out a decree and tell the civilians that we will put on an even bigger show than in years past. In the center of the city, we should erect two hills of lanterns like they do in the capital. -
Proquest Dissertations
INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriterface, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, sut>standard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate ttie deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand comer and continuing from left to right in equal sections with small overlaps. Photographs included in the original manuscript have been reproduced xerographically in this copy. Higher quality 6" x9" black and white photographic prints are available for any photographs or illustrations appearing in this copy for an additional charge. Contact UMI directly to order. Bell & Howell information and Leaming 300 North Zeeb Road, Ann Arbor. Ml 48106-1346 USA UMJ 800-521-0600 SHÜIHU ZHUAtl (WATER MARGIN) AS ELITE CULTURAL DISCOURSE: READING, WRITING AND THE MAKING OF MEANING DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of the Ohio State University By Hongyuan Yu, B.A., M.A. ****** The Ohio State University 1999 Approved by Dissertation Committee: Kirk Denton (Adviser) Patricia Sieber (Co-Adviser) f— ? } Timothy Wong Department of East Asian Languages and Literatures UMI Number 9951751 UMI* UMI Microform9951751 Copyright 2000 by Bell & Howell Information and Leaming Company. -
Noms Et Surnoms Des 108 Bandits
Noms et surnoms des 108 bandits An Dao-quan, le Mire-Surnaturel. Peng Qi, l'Œil Céleste. Bai Sheng, le Rat-en-plein-jour. Qin Ming, la Foudre. Bao Xu, le Dieu des Funérailles. Ruan le deuxième, Trépas Instantanné. Cai Fu, Bras de Fer. Ruan le cinquième, Mort Prématurée. Cai Qing, la Fleur. Ruan le septième, le Yama Vivant. Cao Zheng, le Démon du Couperet. Shan Ting-Gi, le Mage de l'Eau. Chai Jin, le Petit Ouragan. Shi En, le Léopard-aux-yeux-d'or. Chen Da, le Tigre Sauteur de Ravin. Shi Jin, le Dragon Bleu. Dai Zong, le Messager Magique. Shi Qian, la Puce-sur-le-tambour. Deng Fei, le Lion aux Yeux de Feu. Shi Xiu, Brave-la-mort. Ding De-sun, Le Tigre à Raillonnade. Shi Yong, le Général-de-pierre. Dong Ping, Double Vouge. Song Jiang, le Hérault de Justice. Du Qian, Touche le Ciel. Song Quing, Eventail-de-fer. Du Xing, Face de Démon. Song Wan, le Vajra-dans-les-nuages. Duan Jing-Zhu, le Chien-à-poil-d'or Sun-la-cadette, l'Ogresse. Jiang Jing, le Dieu du Calcul. Sun Li, le Yu-Chi Malade. Jiao Ting, Connaît-personne. Sun Xin, le Petit Yu-chi. Gong-Sun Sheng, Le Dragon-entre-les- Suo Chao, le Téméraire. nuages. Tang long, le Léopard-à-taches-d'or. Gong Wang, le Tigre Bleu. Tao Zong-wang, Tortue-à-neuf-queues. Grande sœur Gu, la Tigresse. Tong Meng, le Serpent de Mer. Guan Sheng, le Grand Cimeterre. Tong Wei, le Crocodile Hors du Trou. Guo Sheng, le Rival de Ren-gui.