Winsor Newton Color Mixing Guide
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Ask a Master Gardener
ASK A MASTER GARDENER COLORFUL WINTER STEMS By Trish Grenfell, Placer County Master Gardener Q Each winter my bloodtwig dogwood has produced a spectacular show with its bright red stems, but this year the branches are a dull grey. What happened? Can you suggest another shrub/small tree with bright winter stems to replace it? A If your bloodtwig dogwood Cornus sanguinea is healthy, there is a simple method to restore its glory next winter: prune it! Late winter or early spring (February-March), before the leaves begin to appear on the stems, is the best time to prune. This allows the maximum time to enjoy the colorful stems, while encouraging vigorous new shoots and foliage for the coming season. For dogwoods with intense bark colors, the branches you want to remove are those older than three years old. Those that need pruning are identified by their lack of desired color. Usually this does not include all the stems, but if you have never pruned, it may mean they all must be pruned this spring. Cut as close as possible to the base (crown) of the plant without cutting that base. If you would like to add additional dogwoods to brighten your winter garden, consider adding a redtwig dogwood - Cornus sericea sometimes called C. stolonifera (red stems), yellowtwig dogwood – C. Flaviramea (yellow-green stems), or Tatarian dogwood – C. alba (blood red stems). Follow the same pruning rules for continued winter color as described for the bloodtwig dogwood. Many willows also provide brilliant winter interest with their colorful, curving bare branches. -
The Controllable Bee Hive and New System of Bee Management: 1887 Annual Circular
The University of Maine DigitalCommons@UMaine Maine History Documents Special Collections 1887 The Controllable Bee Hive and New System of Bee Management: 1887 Annual Circular Lizzie E. Cotton Follow this and additional works at: https://digitalcommons.library.umaine.edu/mainehistory Part of the History Commons This Monograph is brought to you for free and open access by DigitalCommons@UMaine. It has been accepted for inclusion in Maine History Documents by an authorized administrator of DigitalCommons@UMaine. For more information, please contact [email protected]. Pamp 88 i Mrs. Lizzie E. Cotton, WEST GORHAM, MAINE. the CONTROLLABLE BEE HIVE ------•—^-AND—j—•------ NEW SYSTEM Of BEE MANAGEMENT. In bringing this my Annual Circular for 1887 before the public, I wish to advise every intelli gent person who has a spot of land on which to set a hive, to keep bees. Managed on my plan in Controllable Hives, bees are more profit than any thing connected with the farm or garden. Bees will go many miles in all directions from their hives to collect honey. The sources from which bees collect honey are almost innumerable. Nearly every flower, plant, tree, shrub and vine in field, forest, garden and pasture yield honey. If it is not desired to enter largely into the production of honey for market, it is certainly very desirable to keep one or two hives of bees to produce honey for family use. There is no greater health giving lux ury than pure honey in snow white comb. Severe hoarseness, sore throats, coughs, and many other diseases are cured by the use of pure honey. -
When Fear Is Substituted for Reason: European and Western Government Policies Regarding National Security 1789-1919
WHEN FEAR IS SUBSTITUTED FOR REASON: EUROPEAN AND WESTERN GOVERNMENT POLICIES REGARDING NATIONAL SECURITY 1789-1919 Norma Lisa Flores A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY December 2012 Committee: Dr. Beth Griech-Polelle, Advisor Dr. Mark Simon Graduate Faculty Representative Dr. Michael Brooks Dr. Geoff Howes Dr. Michael Jakobson © 2012 Norma Lisa Flores All Rights Reserved iii ABSTRACT Dr. Beth Griech-Polelle, Advisor Although the twentieth century is perceived as the era of international wars and revolutions, the basis of these proceedings are actually rooted in the events of the nineteenth century. When anything that challenged the authority of the state – concepts based on enlightenment, immigration, or socialism – were deemed to be a threat to the status quo and immediately eliminated by way of legal restrictions. Once the façade of the Old World was completely severed following the Great War, nations in Europe and throughout the West started to revive various nineteenth century laws in an attempt to suppress the outbreak of radicalism that preceded the 1919 revolutions. What this dissertation offers is an extended understanding of how nineteenth century government policies toward radicalism fostered an environment of increased national security during Germany’s 1919 Spartacist Uprising and the 1919/1920 Palmer Raids in the United States. Using the French Revolution as a starting point, this study allows the reader the opportunity to put events like the 1848 revolutions, the rise of the First and Second Internationals, political fallouts, nineteenth century imperialism, nativism, Social Darwinism, and movements for self-government into a broader historical context. -
Brochure Colour Chart New Masters Classic Acrylics
New Master Classic Acryllic Colours NEW MASTERS C L S A I C S S L I C A C R Y Pigment Identification A601 TITANIUM WHITE PW6 B682 INDIGO EXTRA PB15:2 - PR177 - PBL7 B826 IRIDESCENT SILVER MICA - PBL7 - PW6 NEW MASTERS A602 ZINC WHITE PW4 B683 CYAN BLUE PW4 - PB15:2 - PB29 B827 IRIDESCENT PEWTER MICA - PBL7 - PB15:2 - PW6 C A603 TITANIUM WHITE EXTRA OPAQUE PW6 A684 OLD HOLLAND BLUE LIGHT PW6 - PB15:2 B828 IRIDESCENT BRIGHT GOLD MICA - PW6 L S A604 MIXED WHITE PW6-PW4 C685 MANGANESE BLUE EXTRA PB15 - PB35 - PG50 B829 IRIDESCENT ROYAL GOLD MICA - PW6 A C A605 OLD HOLLAND YELLOW LIGHT PW6-PY184 E686 CERULEAN BLUE PB35 B830 IRIDESCENT BRONZE MICA - PW6 S L I A606 TITANIUM BUFF LIGHT PW6-PY42 A687 OLD HOLLAND BLUE MEDIUM PW6 - PB29 - PB15:2 B831 IRIDESCENT LIGHT COPPER MICA - PW6 S Y A607 TITANIUM BUFF DEEP PW6-PY42-PBR7 B688 OLD HOLLAND BLUE-GREY PW6 - PB29 - PBL7 B832 IRIDESCENT DEEP COPPER MICA - PW6 I C C R B608 OLD HOLLAND YELLOW MEDIUM PW6-PY184 F689 CERULEAN BLUE DEEP PB36 A B609 OLD HOLLAND YELLOW DEEP PW6-PY43 B690 PHTHALO BLUE TURQUOISE PB15:6 - PG7 ‘EXTRA’ means: Traditional colour made from lightfast pigment B610 BRILLIANT YELLOW LIGHT PW6-PY53 C691 PHTHALO BLUE GREEN SHADE PB16 B611 BRILLIANT YELLOW PW6-PY53 D692 COBALT BLUE TURQUOISE PB36 Chemical Composition B612 BRILLIANT YELLOW REDDISH PW6-PY53-PR188 E693 COBALT BLUE TURQUOISE LIGHT PG50 B613 NAPLES YELLOW REDDISH EXTRA PW6-PO73-PY53 B694 PHTHALO GREEN TURQUOISE PG7 - PB15:2 PW 4 ZINC OXIDE B614 FLESH TINT PW6-PR122-PR101 B695 PHTHALO GREEN BLUE SHADE PG7 PW 6 TITANIUM DIOXIDE -
Downloaded from Brill.Com09/23/2021 09:14:00PM Via Free Access
russian history 44 (2017) 209-242 brill.com/ruhi What Do We Know about *Čьrnobogъ and *Bělъ Bogъ? Yaroslav Gorbachov Assistant Professor of Linguistics, Department of Linguistics, University of Chicago [email protected] Abstract As attested, the Slavic pantheon is rather well-populated. However, many of its nu- merous members are known only by their names mentioned in passing in one or two medieval documents. Among those barely attested Slavic deities, there are a few whose very existence may be doubted. This does not deter some scholars from articulating rather elaborate theories about Slavic mythology and cosmology. The article discusses two obscure Slavic deities, “Black God” and “White God,” and, in particular, reexamines the extant primary sources on them. It is argued that “Black God” worship was limited to the Slavic North-West, and “White God” never existed. Keywords Chernobog – Belbog – Belbuck – Tjarnaglófi – Vij – Slavic dualism Introduction A discussion of Slavic mythology and pantheons is always a difficult, risky, and thankless business. There is no dearth of gods to talk about. In the literature they are discussed with confidence and, at times, some bold conclusions about Slavic cosmology are made, based on the sheer fact of the existence of a par- ticular deity. In reality, however, many of the “known” Slavic gods are not much more than a bare theonym mentioned once or twice in what often is a late, un- reliable, or poorly interpretable document. The available evidence is undeni- ably scanty and the dots to be connected are spaced far apart. Naturally, many © koninklijke brill nv, leiden, 2017 | doi 10.1163/18763316-04402011Downloaded from Brill.com09/23/2021 09:14:00PM via free access <UN> 210 Gorbachov Slavic mythologists have succumbed to an understandable urge to supply the missing fragments by “reconstructing” them. -
All the Colours of Caran D'ache 2018
All the Colours of Caran d’Ache 2018 E N G A G E M E N T The health and safety of our employees and our customers is our first priority and is ensured mainly by the use of materials that have minimum impact on the environment. Ecology ® FSC is the abbreviation of “Forest Stewardship Council”, a Caran d’Ache, a love affair label guaranteeing that the wood used for the production of Sustainable development also plays its pencils complies with 10 principles upholding respect for with Colour part when being a Maison de Haute forestry development, the rights of local populations and Ecriture. Environmental quality and pro- long-term socio-economic well-being of forestry workers. With a worldwide reputation for the quality tection are an integral part of the manu- and beauty of its creations, Caran d’Ache facturing process with an ever increasing applies its Swiss-made expertise to share for FSC®-certified products. develop writing instruments and Fine- Arts products. For more than 100 years, Caran d’Ache Product safety through has inspired and supported several quality assurance A strict quality control guarantees compliancy of Born of the passion of its founder for generations in exploring their emotions our products with all legal requirements and go even further than minimum requirements. Colour, the Maison has remained loyal to and their artistic sensitivity. Fantasy and its roots. The pencils, pastels and paints easy-to-use for the Children’s products as that are designed, developed and manu- The CE symbol indicates that the product meets the prin- well as expertise and precision for products cipal European health and safety standards for products. -
1 President's Message
PRESIDENT’S MESSAGE by David M. Cvet Summer is upon us with a vengeance, breaking temperature records from the 1930's – at least in Toronto. The warmer weather has had some fits and starts, with warm weather followed by frost, causing newly planted peppers and tomatoes to be damaged beyond saving. However, these exciting events pale in comparison to seeing the Queen's Beasts (some depicted on the right) who will be attending the Society's formal dinner at this year's Annual General Meeting, scheduled for October 1-3, 2010 in Ottawa. The Annual Meeting itself will be held at the Delta Ottawa Hotel on Queen Street. The Saturday evening dinner will take place at the Canadian Museum of Civilization (across the Ottawa River in Gatineau, Quebec), which will provide a grand setting for our annual banquet, graced as it will be with these impressive “guests”. We are indeed grateful to David Rumball for organizing this event, and for arranging with the museum to have the Queen's Beasts available for the dinner. I encourage our members to make the necessary calendar and travel to enhance the “coolness” factor of the Society in order to attract arrangements to attend this splendid event. new members – and to retain our present ones. One important reason for having the AGM in Ottawa this year As an example, at the recent Toronto Branch AGM (combined (rather than being hosted by the Prairie Branch, as it would have with the Society's Board meeting earlier the same day) the been in the usual sequence) is the expectation that the new formal dinner at Hart House was visually recorded by a Canadian Heraldic Authority tabard (donated by the Society) photographer I had arranged as my guest. -
Flags and Banners
Flags and Banners A Wikipedia Compilation by Michael A. Linton Contents 1 Flag 1 1.1 History ................................................. 2 1.2 National flags ............................................. 4 1.2.1 Civil flags ........................................... 8 1.2.2 War flags ........................................... 8 1.2.3 International flags ....................................... 8 1.3 At sea ................................................. 8 1.4 Shapes and designs .......................................... 9 1.4.1 Vertical flags ......................................... 12 1.5 Religious flags ............................................. 13 1.6 Linguistic flags ............................................. 13 1.7 In sports ................................................ 16 1.8 Diplomatic flags ............................................ 18 1.9 In politics ............................................... 18 1.10 Vehicle flags .............................................. 18 1.11 Swimming flags ............................................ 19 1.12 Railway flags .............................................. 20 1.13 Flagpoles ............................................... 21 1.13.1 Record heights ........................................ 21 1.13.2 Design ............................................. 21 1.14 Hoisting the flag ............................................ 21 1.15 Flags and communication ....................................... 21 1.16 Flapping ................................................ 23 1.17 See also ............................................... -
128 AÜTO-HERALD a Program for the Construction of Heraldic
- 128 AÜTO-HERALD A Program for the Construction of Heraldic Drawings By C.B.Bayliss M.Sc University of Birmingham Centre for Computing and Computer Science Abstract In this paper I shall describe the main features of a program which constructs heraldic drawings. A description of a coat of arms is entered by a user in conventional heraldic terminology. The coat of arms is then constructed from a library of stored objects and fields and drawn on a terminal. Facilities exist for updating the library, and a picture editor is provided to allow a user to define new objects and fields. Contents Introduction Describing a coat of arms Method of coat of arms construction . Picture editor Library Device dependence and program structure. Conclusion Illustrations Fig I - Diagrams showing method of coat of arms constr- uction Fig 2 - Overall structure of the program - 129 Introduction In heraldry there are many different coats of arms which use a variety of objects in different combinations and colours. A coat of arms consists of a field ( the background ), which can be a colour, metal, fur or pattern which may have one or more objects placed upon it. Such objects are refered to as "charges" in heraldic terminology. A field may be divided, for example by quartering it or halving it. Each part of the field may be a different colour or pattern. Coats of arms are normally displayed on a shield. Colouring used on a coat of arras is called a tincture. There are five commonly used colours:- vert (green) azure (blue), gules (red), sable (black) and purpure (purple). -
Selecting Young Adult Texts: an Annotated Bibliography 2012
English Language Arts Grades 7-9 Selecting Young Adult Texts: An Annotated Bibliography 2012 ACKNOWLEDGEMENTS Acknowledgements The Department of Education gratefully acknowledges the contribution of the following individuals to the development of this curriculum support document: Timothy Beresford, Assistant Principal, Exploits Valley Intermediate, Grand Falls-Windsor Jewel Cousens, Alternate Formats Librarian, Department of Education Alison Edwards, Teacher, Librarian Prince of Wales Collegiate, St. John’s Amanda Gibson, Teacher, Amos Comenius, Hopedale Jill Howlett, Program Development Specialist, Department of Education Debbie Howse, Teacher, Holy Heart High School, St. John’s Ryan Kelley, Teacher, Valmont Academy, King’s Point Regina North, Program Development Specialist, Department of Education Shelly Whiteway, Teacher, Lewisporte Intermediate, Lewisporte 2012: SELECTING YOUNG ADULT TEXTS, GRADES 7 –9 I ACKNOWLEDGEMENTS II 2012: SELECTING YOUNG ADULT TEXTS, GRADES 7–9 TABLE OF CONTENTS Table of Contents Introduction Purpose ....................................................................................... 1 Literature in the Grades 7-9 Curriculum .....................................1 Expectations for Reading in the Grades 7-9 Curriculum ............. 2 Novels ......................................................................................... 4 Criteria for Selecting Young Adult Literature ...............................4 Grade Levels ................................................................................5 Alternate -
A Practical Guide to Petitioning for a Grant of Arms’
Welcome to Version 1.2 (20th September 2016) A Practical Guide to Petitioning for By Paul D Jagger a Grant of Arms 1 Welcome to ‘A Practical Guide to Petitioning for a Grant of Arms’. These materials support a face-to-face workshop on the subjects of heraldry and petitioning the Crown for arms in the Commonwealth realms, Crown Dependencies and Territories. For the sake of simplicity the following slides focus on the heraldic practices of HM College of Arms in the City of London covering England, Wales, Norther Ireland, the Crown Dependencies, Territories and the Commonwealth Realms other than Canada. Scotland has enjoyed its own heraldic authority since before the union of the crowns. Agenda An Introduction to Heraldry Petitioning for arms Displaying arms Preparing your petition Frequently Asked Questions Further reading and resources 2 Heraldry: An Introduction 3 We will now explore some of the concepts and terminology of heraldry, the law of arms and gain a brief insight in to blazon, the language of heraldry. The photo was taken by the author in the great hall at Queens’ College, Cambridge. Heraldic Myths Busted There is no such thing as a coat of arms for a surname The words crest, badge and coat of arms are not synonymous There are no fixed meaning for colours or symbols in heraldry You cannot buy your family coat of arms from a tourist shop or website You don’t have to be a Lord or a Knight to be granted arms 4 Before we proceed with the substance of this workshop it may be helpful to dispel a few common myths and misconceptions about heraldry and coats of arms. -
Heraldry in Ireland
Heraldry in Ireland Celebrating 75 years of the Office of the Chief Herald at the NLI Sir John Ainsworth Shield Vert, a chevron between three battle-axes argent Crest A falcon rising proper, beaked, legged and belled gules Motto Surgo et resurgam Did you know? Sir John Ainsworth was the NLI's Surveyor of Records in Private Keeping in the 1940s and 1950s. Roderick More OFerrall Shield Quarterly: 1st, Vert, a lion rampant or (for O Ferrall); 2nd, Vert a lion rampant in chief three estoiles or (for O More); 3rd, Argent, upon a mount vert two lions rampant combatant gules supporting the trunk of an oak tree entwined with a serpent descending proper, (for O Reilly); 4th, Azure, a bend cotised or between six escallops argent (for Cruise) Crest On a ducal coronet or a greyhound springing sable; A dexter hand lying fess-ways proper cuffed or holding a sword in pale hilted of the second pierced through three gory heads of the first Motto Cú re bu; Spes mea Deus Did you know? This four designs on the shield represent four families. Heiress Leticia More of Balyna, county Kildare married Richard Ferrall in 1751. Their grandson Charles Edward More O'Ferrall married Susan O'Reilly in 1849. Susan was the daughter of Dominic O'Reilly of Kildangan Castle, county Kildare who had married heiress Susanna Cruise in 1818. Dublin Stock Exchange Shield Quarterly: 1st, Sable, a tower or; 2nd, Vert, three swords points upwards two and one proper pommelled and hilted or; 3rd, Vert, three anchors erect two and one argent; 4th, Chequy, sable and argent, on a chief argent an escroll proper, inscribed thereon the words Geo.