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Robert GADEN: Slim GAILLARD
This discography is automatically generated by The JazzOmat Database System written by Thomas Wagner For private use only! ------------------------------------------ Robert GADEN: Robert Gaden -v,ldr; H.O. McFarlane, Karl Emmerling, Karl Nierenz -tp; Eduard Krause, Paul Hartmann -tb; Kurt Arlt, Joe Alex, Wolf Gradies -ts,as,bs; Hans Becker, Alex Beregowsky, Adalbert Luczkowski -v; Horst Kudritzki -p; Harold M. Kirchstein -g; Karl Grassnick -tu,b; Waldi Luczkowski - d; recorded September 1933 in Berlin 65485 ORIENT EXPRESS 2.47 EOD1717-2 Elec EG2859 Robert Gaden und sein Orchester; recorded September 16, 1933 in Berlin 108044 ORIENTEXPRESS 2.45 OD1717-2 --- Robert Gaden mit seinem Orchester; recorded December 1936 in Berlin 105298 MEIN ENTZÜCKENDES FRÄULEIN 2.21 ORA 1653-1 HMV EG3821 Robert Gaden mit seinem Orchester; recorded October 1938 in Berlin 106900 ICH HAB DAS GLÜCK GESEHEN 2.12 ORA3296-2 Elec EG6519 Robert Gaden mit seinem Orchester; recorded November 1938 in Berlin 106902 SIGNORINA 2.40 ORA3571-2 Elec EG6567 106962 SPANISCHER ZIGEUNERTANZ 2.45 ORA 3370-1 --- Robert Gaden mit seinem Orchester; Refraingesang: Rudi Schuricke; recorded September 1939 in Berlin 106907 TAUSEND SCHÖNE MÄRCHEN 2.56 ORA4169-1 Elec EG7098 ------------------------------------------ Slim GAILLARD: "Swing Street" Slim Gaillard -g,vib,vo; Slam Stewart -b; Sam Allen -p; Pompey 'Guts' Dobson -d; recorded February 17, 1938 in New York 9079 FLAT FOOT FLOOGIE 2.51 22318-4 Voc 4021 Some sources say that Lionel Hampton plays vibraphone. 98874 CHINATOWN MY CHINATOWN -
JELLY ROLL MORTON's
1 The TENORSAX of WARDELL GRAY Solographers: Jan Evensmo & James Accardi Last update: June 8, 2014 2 Born: Oklahoma City, Oklahoma, Feb. 13, 1921 Died: Las Vegas, Nevada, May 25, 1955 Introduction: Wardell Gray was the natural candidate to transfer Lester Young’s tenorsax playing to the bebop era. His elegant artistry lasted only a few years, but he was one of the greatest! History: First musical studies on clarinet in Detroit where he attended Cass Tech. First engagements with Jimmy Raschel and Benny Carew. Joined Earl Hines in 1943 and stayed over two years with the band before settling on the West Coast. Came into prominence through his performances and recordings with the concert promoter Gene Norman and his playing in jam sessions with Dexter Gordon.; his famous recording with Gordon, “The Chase” (1947), resulted from these sessions as did an opportunity to record with Charlie Parker (1947). As a member of Benny Goodman’s small group WG was an important figure in Goodman’s first experiments with bop (1948). He moved to New York with Goodman and in 1948 worked at the Royal Roost, first with Count Basie, then with the resident band led by Tadd Dameron; he made recordings with both leaders. After playing with Goodman’s bigband (1948-49) and recording in Basie’s small group (1950-51), WG returned to freelance work on the West Coast and Las Vegas. He took part in many recorded jam sessions and also recorded with Louie Bellson in 1952-53). The circumstances around his untimely death (1955) is unclear (ref. -
2015 Golden Ear Award Recipients
A Mirror and Focus for the Jazz Community April 2016 Vol. 32, No. 4 EARSHOT JAZZSeattle, Washington 2015 Golden Ear Award Recipients Photo by Daniel Sheehan Front Row: Gregg Belisle- Chi, Ruby Bishop, D’Vonne Lewis, Josh Rawlings Second Row: Jovino Santos Neto, Randy Halberstadt, Emmanuel Leonard, Michael Brockman Back Row: Eugenie Jones, Raymond Larsen passIngs International Jazz/ Giant / Ernestine/ / Anderson / November 11, 1928 – March 10, 2016 Born in Houston, Texas, interna- World: Portraits of Black Women Who tional jazz great Ernestine Anderson Changed America, alongside Rosa passed away peacefully on March 10, Parks, Coretta Scott King, Sarah surrounded by her family in Seattle Vaughn, Oprah Winfrey, and others. where she had resided since the age of 16. “Ernestine was mother of Seattle’s Anderson’s career began in the early soul music,” said Congressman Jim 1940s, though she had begun to sing McDermott. “Mississippi had BB along with Bessie Smith records at King and Seattle had Ernestine An- age 3. Equally gifted at singing up- derson. Ernestine’s legacy remains beat, spirited blues, big band/swing, unmatched in Seattle’s music scene. and jazzy pop, her early career led She was a dear friend and will be her to sing alongside Russell Jacquet, greatly missed.” PHOTO BY KIP LOTT Eddie Heywood, Shifty Henry, and Anderson created many memora- Hospital and the Rise n’ Shine Foun- Johnny Otis. By the 50s, Anderson ble moments around the world and dation. had become a prominent jazz stylist in Seattle. She performed a tribute Performing with and mentoring performing with Lionel Hampton on to Ella Fitzgerald at Carnegie Hall, young musicians was a true passion the New York Club scene. -
Artist with Title Writer Label Cat Year Genre
Artist With Title Writer Label Cat Year Genre Notes Album Synopsis_c Anonymous Uncle Tom’s Cabin No Label 0 Comedy Anonymous - Uncle Tom’s Cabin, No Label , 78, ???? Anonymous The Secretary No Label 0 Comedy Anonymous - The Secretary, No Label , 78, ???? Anonymous Mr. Speaker No Label 0 Comedy Anonymous - Mr. Speaker, No Label , 78, ???? Anonymous The Deacon No Label 0 Comedy Anonymous - The Deacon, No Label , 78, ???? Anonymous First Swimming Lesson Good-Humor 10 0 Comedy Anonymous - First Swimming Lesson, Good-Humor 10, 78, ???? Anonymous Auto Ride Good-Humor 4 0 Comedy Anonymous - Auto Ride, Good-Humor 4, 78, ???? Anonymous Pioneer XXX, Part 1 No Label 0 Comedy Anonymous - Pioneer XXX, Part 1, No Label , 78, ???? Anonymous Pioneer XXX, Part 2 No Label 0 Comedy Anonymous - Pioneer XXX, Part 2, No Label , 78, ???? Anonymous Instrumental w/ lots of reverb No Label 0 R&B Anonymous - Instrumental w/ lots of reverb, No Label , 78, ???? Coy and Helen Tolbert There’s A Light Guiding Me Chapel Tone 775 0 Gospel with Guitar Coy and Helen Tolbert - There’s A Light Guiding Me, Chapel Tone 775, 78, ???? Coy and Helen Tolbert Old Camp Meeting Days R. E. Winsett Chapel Tone 775 0 Gospel with Guitar Coy and Helen Tolbert - Old Camp Meeting Days (R. E. Winsett), Chapel Tone 775, 78, ???? Donna Lane and Jack Milton Henry Brandon And His Orchestra Love On A Greyhound Bus Blane - Thompson - Stoll Imperial 1001 0 Vocal Donna Lane and Jack Milton - Love On A Greyhound Bus (Blane - Thompson - Stoll), Imperial 1001, 78, ???? G. M. Farley The Works Of The Lord Rural Rhythm 45-EP-551 0 Country G. -
243 on Entend Dans Cet Anthropology Que Dizzy Entend Déjà Faire Évoluer
On entend dans cet Anthropology que Dizzy entend déjà faire évoluer le be-bop vers une forme de classicisme moderne, moins « hystérique » que Salt Peanuts de mai 1945 par exemple. Par ailleurs, l’humour du trompettiste permet de mieux “faire passer” sa musique, fut-elle virulente auprès du public : on le verra, son approche du scat ira également dans cette direction. Entretemps, resté en Californie, Parker enregistre avec Miles Davis ses premiers chefs d’oeuvre pour la firme Dial (1946-1947) : c’est notamment le cas du titre relatif à son surnom de Bird, Ornithology, construit sur les accords de How high the moon : phrasé, sonorité, émotion, tout y est, y compris le contraste avec Miles Davis dont il a déjà été question à propos des premières séances de la fin 45. A noter l’engagement d’un troisième souffleur, le sax ténor Lucky Thompson, qui mêle une sonorité puissante à l’ancienne au phrasé bop : Charlie Parker: Ornithology CD XXIII, 14 (3’03) Miles Davis (tp) Charlie Parker (as) Lucky Thompson (ts) Dodo Marmarosa (pn) Vic Mc Millan (cb) Roy Porter (dms); rec Hollywood 28/03/46. Lors d’une de ces séances, Parker décide d’enregistrer Night in Tunisia et d’inclure un break d’alto entre l’exposé du thème et les chorus ; plusieurs prises sont mises en boite et pour Parker, il est évident que l’une d’elle dépasse les autres en ce qui concerne le break en question. Malheureusement, la suite du morceau (le solo de Miles notamment) est moins satisfaisante et les producteurs décident de privilégier pour l’édition une autre prise. -
Black History October 4 (Pdf) Download
14 - Friday, October 4, 2019 SCOOP USA M EDIA Celebrating 59 Years of Community News by Adelaide AbSdur-Rcahmoan opUSA Black HistorAyngele s,C CA. orner [email protected] 1933 Bennie Smith, blues guitarist, was born in St. Louis, MO. LIBRA - September 23 - October 22 1938 (John Arlington) Dizzy Moore, Jamaican trumpet LIBRA - The Harmonizer player, was born in Kingston, Jamaica. Nice to everyone they meet. Can’t make up their 1940 Acel Moore, journalist at The Inquirer and co- mind. Have own unique appeal. Creative, energetic founder of the National Association of Black Journalist, and very social. Hate to be alone. Peaceful, gener- was born in Philadelphia, PA. ous. Very loving and beautiful. Flirtatious. Give in 1941 Arlene Smith, singer with The Chantels (Maybe), too easily. Procrastinators. Very gullible. was born in The Bronx, NY. 1942 Richard Street, singer with The Temptations, was The Opal was the stone for the month of October born in Detroit, MI. Opal has been called the Cupid stone because it reflects the 1943 Ruth Elizabeth Jones McClendon, member of the complexion of Eros, the Greek god of love. In the Middle Texas House of Representatives, was born in Houston, TX. Ages, opal was thought to render the wearer invisible, thus Geoffrey Lamont Holder 1944 Leon Bibb, first African American primetime news it was recommended for thieves to wear opals. Ancient anchor in Ohio, was born in Butler, AL. Arab culture believed opals fell from heaven, acquiring writer (Precious: Based on the Novel Push by Sapphire), 1946 James Tim Brymn, jazz musician, dies in New their play of color from flashes of lighting. -
Ew Year Brings Crisis Lo Bands; Woody and Ithers Chop Payrolls HE N EW Year Has Brought Rad- Cal Changes in the Music Profes- Ion
IE ULW HO ¥ R O M JA N U A R Y , 1947 ew Year Brings Crisis lo Bands; Woody and Ithers Chop Payrolls HE N EW year has brought rad- cal changes in the music profes- ion. Several of the nation’s most opular maestri have junked their ands; others have disbanded tem- orarily and are awaiting reorgan- :ations with less expensive side- len. Cutting Payrolls Popular Woody Herman, Les Brown and snny Goodman are now in Holly- Dod without bands, but all hope to organize shortly with payrolls cut >m around $5,000 to $3,000. Good in is using a studio group (see page for his radio show. Harry James hopes to reorganize in e January after two months without orchestra. Tommy Dorsey also is ing off. Ditto Benny Carter. Jerry aid just reorganized completely. Jack agarden dropped his ork and formed mall combo. There is talk that Jimmy rsey soon will break up his aggrega- Bandleaders Are Worried The new year finds bandleaders wor d. The trend, for the first time in ■^HAT L IL T IN ’ Tilton gal, Martha, is back home in California to stay awhile, e years, is toward smaller orchestras, and already she is being featured regularly on the NBC Sunday “ Meet Me at d sidemen who will work for $100 Parky’s’’ program emanating from Hollywood. Opie Cates, the Arkansas her than $200 and $250 a week, maestro who raises hogs at his California ranch, conducts the orchestra piness in ballrooms, hotels and night behind La Belle Tilton’s animated chirpings on the program. -
WDR 3 Persönlich Mit Götz Alsmann Vom 07.11
WDR 3 Jazz & World, 07. November 2020 Persönlich mit Götz Alsmann 13:04-15:00 Stand: 02.11.2020 E-Mail: [email protected] WDR JazzRadio: http://jazz.wdr.de Moderation: Götz Alsmann Redaktion: Werner Wittersheim 22:04-24:00 Laufplan 1. Hot Rod Rumble K/T: Alexander Courage 3:05 ALEXANDER COURAGE Liberty 3048; LC: 00249 LP: Hot Rod Rumble 2. Playing Numbers K/T: Johnny Moore/ Mark Hurley/ Gordon 2:18 FRANKIE ERVIN Modern 910; LC: 99999 Single 3. Cloudy Skies K/T: Mark Hurley/ Carpenter 2:29 JOHNNY MOORE Route 66 KIX-33; LC: 99999 LP: Why Johnny Why 4. Prairie Dog Hole K/T: Mark Hurley 2:49 FLOYD DIXON Route 66; KIX-1 LP: Opportunity Blues 5. Are You From Dixie K/T: Jack Yellen/ George R. Cobb 2:33 MARK HURLEY Recorded In Hollywood 418; LC: 99999 Single 6. The Man I Love K/T: George & Ira Gershwin 3:21 DON FAGERQUIST Capitol 659; LC: 00148 LP: The Les Brown All Stars 7. Robbins’ Nest K/T: Thompson/ Jacquet 3:00 GREIG McRITCHIE Cadet 4058; LC: 00309 LP: Fighting Back 8. Medley: Robbin’s Nest K/T: Thompson/ Jacquet 6:02 Polka Dots And Moonbeams K/T: Burke/ Van Heusen Can’t We Be Friends K/T: Swift/James ILLINOIS JACQUET, LESTER YOUNG & FLIP PHILLIPS Verve 00602567250234; LC: 00383 LP: Jazz At The Philharmonic - Carnegie Blues 9. Fertile Desert K/T: Grundy /Lester/ Levy 2:52 SONNY LESTER Roulette 25202; LC: 00542 LP: How To Belly-Dance For Your Husband Dieses Manuskript ist ausschließlich zum persönlichen, privaten Gebrauch bestimmt. -
The World of SOUL PRICE: $1 25
BillboardTheSOUL WorldPRICE: of $1 25 Documenting the impact of Blues and R&Bupon ourmusical culture The Great Sound of Soul isonATLANTIC *Aretha Franklin *WilsonPickett Sledge *1°e16::::rifters* Percy *Young Rascals Estherc Phillipsi * Barbara.44Lewis Wi gal Sow B * rBotr ho*ethrserSE:t BUM S010111011 Henry(Dial) Clarence"Frogman" Sweet Inspirations * Benny Latimore (Dade) Ste tti L lBriglit *Pa JuniorWells he Bhiebelles aBel F M 1841 Broadway,ATLANTIC The Great Sound of Soul isonATCO Conley Arthur *KingCurtis * Jimmy Hughes (Fame) *BellE Mg DeOniaCkS" MaryWells capitols The pat FreemanlFamel DonVarner (SouthCamp) *Darrell Banks *Dee DeeSharp (SouthCamp) * AlJohnson * Percy Wiggins *-Clarence Carter(Fame) ATCONew York, N.Y. 10023 THE BLUES: A Document in Depth THIS,the first annual issue of The World of Soul, is the initial step by Billboard to document in depth the blues and its many derivatives. Blues, as a musical form, has had and continues to have a profound effect on the entire music industry, both in the United States and abroad. Blues constitute a rich cultural entity in its pure form; but its influence goes far beyond this-for itis the bedrock of jazz, the basis of much of folk and country music and it is closely akin to gospel. But finally and most importantly, blues and its derivatives- and the concept of soul-are major factors in today's pop music. In fact, it is no exaggeration to state flatly that blues, a truly American idiom, is the most pervasive element in American music COVER PHOTO today. Ray Charles symbolizes the World Therefore we have embarked on this study of blues. -
Songbook.Cwk
CHORD TRANSPOSING CHARTS POPULAR MAJOR KEYS 1 2m 3m 4 5 6m 7dim Bb Cm Dm Eb F Gm Adim F Gm Am Bb C Dm Edim C Dm Em F G Am Bdim G Am Bm C D Em F#dim D Em F#m G A Bm C#dim A Bm C#m D E F#m G#dim E F#m G#m A B C#m D#dim EQUIVALENT MINOR KEYS 1m 2dim 3 4m 5m 6 7 Gm Adim Bb Cm Dm Eb F Dm Edim F Gm Am Bb C Am Bdim C Dm Em F G Em F#dim G Am Bm C D Bm C#dim D Em F#m G A F#m G#dim A Bm C#m D E C#m D#dim E F#m G#m A B Using the above major and minor progressions as a template non-diatonic chords can be found. For example b7 indicates a major chord based on the flatted seventh note of a major key (Bb in the key of C, F in the key of G, etc.). #1dim indicates a diminished chord on the raised first degree of a key (C#dim in the key of C, G#dim in the key of G, etc.) Complex chords may be played as major or minor. For example 1+7 (major seventh) or 37 can be played as a simple major chord. 2m7 (minor seventh) may be played as a simple minor chord. (Diminished chords must be played as diminished.) MEASURES AND LINES Songs are in 4/4 time unless indicated. -
Download the GUITAR of Teddy Bunn
1 The GUITAR of THEODORE LEROY BUNN “TEDDY” Solographer: Jan Evensmo Last update: June 4, 2020 2 Born: Freeport, New York, May 7, 1909 Died: Lancaster, California, July 20, 1978 Introduction: The first time we heard Teddy Bunn was with the Port Harlem Jazzmen, Frankie Newton and Sidney Bechet, and although he seems to occasionally have been forgotten, the memory lingered in the back of my head, and by listening closer I feel a great unjustice has been made; he ws a magnificent guitar player with firm roots in the blues tradition!! History: First professional work accompanying a calypso singer, first recordings with Spencer Williams (note: not quite correct, see solography). Recorded with Duke Ellington in 1929, was later du deputise for Fred Guy on a tour of New England with Duke Ellington. Worked in the Washboard Serenaders during the early 1930s, then joined group known as Ben Bernie’s Nephews, this unit moved to New York to play a long residency at Chick Groman’s Stables and changed their name to ‘The Spirits of Rhythm’. The group played long engagements at The Onyx, Nick’s, etc., also worked in Philadelphia and Chicago as well as touring. Bunn left in 1937, worked briefly in the original John Kirby band (May 1937), then led own trio and duo at various New York clubs before joining The Spirits of Rhythm in April 1939. Prolific free-lance recordings in 1930s. After residency at New York’s World Fair the group moved to California in 1940, and for a period of 10 years disbanded and re-formed with great regularity. -
(Pdf) Download
Scoop Black History SCOOP USA M EDIA Celebrating 59 Years of Community News by Adellaiide AbSdurr--Rcahmoan opUSA Black History1963 JaClil Huotchinsr, ranp artiset witr h Whodini, was born [email protected] in Brooklyn, NY. [email protected] 1964 (Donald Matthew) Don Redman, musician, SAGITTARIUS - November 22 - December 21 arranger (music director for Pearl Bailey), and bandleader, dies in New York, NY. SAGITTARIUS – The Happy-Go-Lucky One 1968 Darwin Todd Hobbs, gospel music singer (Ever - Good-natured optimist. Doesn’t want to grow up day), was born in Cincinnati, OH. (Peter Pan syndrome). Indulges self. Boastful. Likes 1968 (Desiree Annette Weeks) Des’Ree singer (You luxuries and gambling. Social and outgoing. Impa - Gotta Be), was born in London, England. tient. Fun to be around. Having lots of friends. Flirtatious. Does 1969 Larry Brown, Jr., National Football League player, like rules. Dislikes being confined – tight space or ever-tight was born in Miami, FL. clothes. Doesn’t like be doubted. Beautiful inside and out. 1970 Walter Emanuel Jones, martial artist, dances and Turquoise was the stone for the month of December actor (Mighty Morphin Power Rangers), was born in De - In ancient Mexico, turquoise was reserved for the gods troit, MI. and could not be worn by mere mortals. In the 13th 1970 (Richard) Ricky Powers, National Football League century, turquoise was thought to protect its wearer player, was born in Akron, OH. from falling especially from horses. Legend says tears 1970 Tayari Jones, author (Leaving Atlanta), was born of joy combined with rain seeped into mother earth to in Atlanta, GA.