Out of the Shadows at Last
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COLORED VINYL Merchant Record Store, and the Influential Radio Show/Podcast BTS Radio
UBIQUITY RECORDS PRESENTS SAVE THE MUSIC 12” NO. 3 - BTS EXCLUSIVES FOR INFORMATION AND SOUNDCLIPS OF OUR TITLES, GO TO WWW.UBIQUITYRECORDS.COM/PRESS STREET DATE: 04/16/2011 feature on Gilles Peterson’s “Brownswood Save the Music – is a Electric” comp and a remix for Solar Bears Planet compilation for Record Mu debut in the last 12 months. Jed and Lucia drop a brand new sunny-styled chill wave-goes-Brazil cut Store Day that called “This is Why.”. features exclusive new music from: AM, A1. S.Maharba featuring Jed and Princess Superstar, Lucia - So Much Skin The Incredible Tabla A2. Letherette – Roses Band, S.Maharba, Letherette, B1. Dibiase – Cybertron Dibiase, Jed & Lucia, NOMO, Shawn B2. Jed and Lucia – This is Why Lee, Magnetite, and a re-issued folky funk joint from Pats People. The music from the limited edition compilation CD is LIMITED EDITION spread across 3 limited edition (500 of each only!), hand-numbered, 12” singles. HAND NUMBERED The track list for each of the 12”s was put together with the help of our musical friends Shawn Lee, The Groove COLORED VINYL Merchant record store, and the influential radio show/podcast BTS Radio. 500 COPIES ONLY Since 2003 Andrew Meza’s BTS radio has presented 12 - CATALOG UBR11289-1 some of the most original and progressive music podcasts LIST PRICE: $10.97 and is credited with spearheading the worldwide beat 12 BOX LOT: 50 movement, and introducing acts like Flying Lotus and VINYL IS NON-RETURNABLE Hudson Mohawke. BTS-partner Charles Munka designed FOR FANS OF: the album and 12” art for Save the Music. -
A Coed School. for a Coed World
fall/winter 2010 A coed school. For a coed world. Headmaster Christopher Shannon (Pre-U ’76) LION Editor Kirk LLano Copy Editor Jane Martin Louise Mills Archives, Research and Database Management 8 10 Jane Martin Adrianna Zerebecky Contributors Mark Boghen Cheryl Doxas Contents Linda Gendron LCC LION Magazine — Fall/Winter 2010 Kirk LLano Alec Mathewson ’95 Louise Mills Patrick Peotto 2 12 Christopher Shannon (Pre-U ’76) Headlines: Different but Equal Adrianna Zerebecky The Coed Advantage Voices – Student Leadership for the 21st Century Photo Credits By Christopher Shannon (Pre-U ’76) Christian Auclair Headmaster By Linda Gendron Mark Griffiths ’67 Assistant Head – Student Life Danny Lutz 4 Alec Mathewson ’95 14 Christinne Muschi Breaking the Glass Ceiling: The Role of Looking Back on When Mailing Coeducation in Preparing We Looked Forward – Automatic Mailing & Printing Inc. Young People for Dr. Paul Fournier ’61 Design the Realities of Life By Mark Boghen Origami By Patrick Peotto Media Consultant The LCC Lion is published by Assistant Head – Academics SURVEY SAYS… The Advancement Office 16 Lower Canada College 6 History of Our Move 4090, avenue Royal to Coed Q & A with Rob Tipney, COEDUCATION WORKS! Montréal (Québec) By Cheryl Doxas H4A 2M5 Director of Middle School By Mark Boghen Retired English, History Teacher A survey* of 18,000 students and parents confirms that students téléphone 514 482 9916 Media Consultant fax 514 482 8142 18 at coed schools: courriel [email protected] 8 LIONfest • Believe their school is safe and welcoming site web www.lcc.ca blog www.wearelcc.ca Sylvia Tracy – Work of Art • Hold positive impressions of their classroom environment and levels By Mark Boghen 19 Send your comments, articles, photos, Media Consultant Report to Donors of achievement CLASSifieds and other correspondence 2009 – 2010 • Are well adjusted and have positive self-image to the above address. -
A Study of Microtones in Pop Music
University of Huddersfield Repository Chadwin, Daniel James Applying microtonality to pop songwriting: A study of microtones in pop music Original Citation Chadwin, Daniel James (2019) Applying microtonality to pop songwriting: A study of microtones in pop music. Masters thesis, University of Huddersfield. This version is available at http://eprints.hud.ac.uk/id/eprint/34977/ The University Repository is a digital collection of the research output of the University, available on Open Access. Copyright and Moral Rights for the items on this site are retained by the individual author and/or other copyright owners. Users may access full items free of charge; copies of full text items generally can be reproduced, displayed or performed and given to third parties in any format or medium for personal research or study, educational or not-for-profit purposes without prior permission or charge, provided: • The authors, title and full bibliographic details is credited in any copy; • A hyperlink and/or URL is included for the original metadata page; and • The content is not changed in any way. For more information, including our policy and submission procedure, please contact the Repository Team at: [email protected]. http://eprints.hud.ac.uk/ Applying microtonality to pop songwriting A study of microtones in pop music Daniel James Chadwin Student number: 1568815 A thesis submitted to the University of Huddersfield in partial fulfilment of the requirements for the degree of Master of Arts University of Huddersfield May 2019 1 Abstract While temperament and expanded tunings have not been widely adopted by pop and rock musicians historically speaking, there has recently been an increased interest in microtones from modern artists and in online discussion. -
SUMMER 2007 TABLE of CONTENTS Voxmedal
VoSUMMER/xFALL 2007 MeDAL THE VOICE OF DALHOUSIE MEDICAL ALUMNI TTHHEE CCLLAASSSS OOFF 22000077 DDaallhhoouussiiee wweellccoommeess aa nneeww ggeenneerraattiioonn ooff ddooccttoorrss Meet Colin. A new face of Molly. Graduate students like Colin Franz are the very future of scientific research. Colin’s passion is to find a way for people with spinal cord injuries to walk again. Molly Moore also had a passion; Molly believed that today’s science is tomorrow’s cure. Every year, the Molly Appeal funds critical research like Colin’s. Thank you for supporting the health care advances of tomorrow. A few more faces of Molly... Meet Jyl. Meet Steve. Meet Margot. Jyl MacKinnon Crowell, As Director of the Neuroscience Thanks to the generosity Director of Annual Giving Institute in Dalhousie’s Faculty of Margot of Halifax, at Dalhousie Medical Research of Medicine, Dr. Steve Barnes is Dalhousie Medical School Foundation (DMRF) is grateful for the critical researchers are developing passionate about raising funds funding from Dalhousie Medical tests to better treat those to support research in the Research Foundation. Funding afflicted with Multiple Medical School. from DMRF is used to leverage Sclerosis. Donors like Jyl knows this research additional national grants for Margot are making changes lives, everyday. vital research projects. a real difference. DALHOUSIE MEDICAL RESEARCH FOUNDATION 902.494.3502 Toll-free 1.888.866.6559 www.mollyappeal.ca 5850 College Street, 1-A1 Sir Charles Tupper Medical Building, Halifax, Nova Scotia B3H 4H7 SUMMER 2007 TABLE OF CONTENTS VoxMeDAL Mailed under Canada Post Publications Mail Agreement#1442260 Editorial Board Betsy Chambers, Medical Communications Jaclyn Flemming DMSS Vice President Shawna Burgess, Dalhousie External Relations Dr. -
Still Drinking
Vol. 8 april2016 — issue 4 INSIDE: slow future - still drinking - line out: LUCA - priced outta b/cs - YOU’RE NOT PUNK & I’M TELLING EVERYONE - trauma Tuesday still poetry - Ask creepy horse - pedal pushing - QUITTING COFFEE - RICKSHAW HEART - record reviews concert calendar Priced outta b/cs I moved to College Station ten years ago. My family was somewhat unceremoni- ously kicked out of Seattle and needed somewhere to go. My wife found a job at Texas A&M so we loaded up the U-Haul and drove it 2000 979Represent is a local magazine miles in the July sun. We weren’t chased out of the for the discerning dirtbag. Emerald City because of crime or anything improper, we were chased out by the drastic increase in the cost of living and the continued stagnation of mid- Editorial bored dle class wages. We conducted a national search Kelly Minnis - Kevin Still for college towns with excellent schools to work at and communities attached that were inexpensive, low crime, and with excellent school systems. We got lucky when we landed in College Station. There Art Splendidness have been many times in recent years that we have Katie Killer - Wonko The Sane tried to move away but ultimately it did not come to fruition, most of the time because we’d say to our- Folks That Did the Other Shit For Us selves, “OK, where can we find a place in this new timOTHY danger - Mike e. downey - Jorge goyco - todd town that’s like here but not, you know, here?” and Hansen - chris Kirkpatrick - Jessica little - Amanda we could not find a satisfactory answer. -
Nightmares on Wax Album Download Nightmares on Wax Album Download
nightmares on wax album download Nightmares on wax album download. Completing the CAPTCHA proves you are a human and gives you temporary access to the web property. What can I do to prevent this in the future? If you are on a personal connection, like at home, you can run an anti-virus scan on your device to make sure it is not infected with malware. If you are at an office or shared network, you can ask the network administrator to run a scan across the network looking for misconfigured or infected devices. Another way to prevent getting this page in the future is to use Privacy Pass. You may need to download version 2.0 now from the Chrome Web Store. Cloudflare Ray ID: 67a293cf8e521669 • Your IP : 188.246.226.140 • Performance & security by Cloudflare. Nightmares on wax album download. Completing the CAPTCHA proves you are a human and gives you temporary access to the web property. What can I do to prevent this in the future? If you are on a personal connection, like at home, you can run an anti-virus scan on your device to make sure it is not infected with malware. If you are at an office or shared network, you can ask the network administrator to run a scan across the network looking for misconfigured or infected devices. Another way to prevent getting this page in the future is to use Privacy Pass. You may need to download version 2.0 now from the Chrome Web Store. Cloudflare Ray ID: 67a293d028e915e8 • Your IP : 188.246.226.140 • Performance & security by Cloudflare. -
Social Spatialisation EXPLORING LINKS WITHIN CONTEMPORARY SONIC ART by Ben Ramsay
Social spatialisation EXPLORING LINKS WITHIN CONTEMPORARY SONIC ART by Ben Ramsay This article aims to briefly explore some the compositional links that exist between Intelligent Dance Music (IDM) and acousmatic music. Whilst the central theme of this article will focus on compositional links it will suggest some ways in which we might use these links to enhance pedagogic practice and widen access to acousmatic music. In particular, the article is concerned with documenting artists within Intelligent Dance Music (IDM), and how their practices relate to acousmatic music composition. The article will include a hand full of examples of music which highlight this musical exchange and will offer some ways to use current academic thinking to explain how IDM and acousmatics are related, at least from a theoretical point of view. There is a growing body of compositional work and theoretical research that draws from both acousmatics and various forms of electronic dance music. Much of this work blurs the boundaries of electronic music composition, often with vastly different aesthetic and cultural outcomes. Elements of acousmatic composition can be found scattered throughout Intelligent Dance Music (IDM) and on the other side of the divide there are a number of composers who are entering the world of acousmatics from a dance music background. This dynamic exchange of ideas and compositional processes is resulting in an interesting blend of music which is able to sit quite comfortably inside an academic framework as well as inside a more commercial one. Whilst there are a number of genres of dance music that could be described in terms of the theories that would normally relate to acousmatic music composition practices, the focus of this article lies particularly with Intelligent Dance Music. -
Exploring Compositional Relationships Between Acousmatic Music and Electronica
Exploring compositional relationships between acousmatic music and electronica Ben Ramsay Submitted in partial fulfilment of the requirements for the degree of Doctor of Philosophy De Montfort University Leicester 2 Table of Contents Abstract ................................................................................................................................. 4 Acknowledgements ............................................................................................................... 5 DVD contents ........................................................................................................................ 6 CHAPTER 1 ......................................................................................................................... 8 1.0 Introduction ................................................................................................................ 8 1.0.1 Research imperatives .......................................................................................... 11 1.0.2 High art vs. popular art ........................................................................................ 14 1.0.3 The emergence of electronica ............................................................................. 16 1.1 Literature Review ......................................................................................................... 18 1.1.1 Materials .............................................................................................................. 18 1.1.2 Spaces ................................................................................................................. -
Black & White / Color
THE INDEPENDENT TO UNCOVER NEWSPAPER SERVING THE TRUTH NOTRE DAME AND AND REPORT SAINT MARy’S IT ACCURATELY VolUme 47, IssUE 55 | WEDNESDAY, NOVEMBER 20, 2013 | NDsmcobserver.com “In the Company of the Poor” launches at ND Dr. Paul Farmer and Fr. Gustavo Gutiérrez share their experiences in new book By JACK ROONEY to dozens of college campuses childhood. They are both heal- News Writer nationwide through the work of ers, doctors of body and soul.” Notre Dame’s Kellogg Institute Fr. Jenkins also said A standing-room-only for International Studies. Gutiérrez, a professor in the crowd attended Tuesday eve- University President Fr. John theology department, is “the ning’s book launch for “In Jenkins, who wrote the intro- father of liberation theology.” the Company of the Poor: duction to the book, introduced The book itself came about Conversations with Dr. Paul Farmer and Gutiérrez at the as a result of conversations be- Farmer and Fr. Gustavo event, praising their work and tween Farmer and Gutiérrez Gutiérrez,” which focuses on their dedication to a “preferen- when Farmer visited Notre liberation theology and the tial option for the poor.” Dame, though their friendship experiences of these famous “Paul Farmer and Fr. Gustavo dates back to the 1980s when figures. are men of rare hope and gen- they met while Farmer was The event, in the McKenna erosity whose example inspires working in Peru. Hall Auditorium, centered on the prayer and work of thou- “This has been a profoundly a discussion between Farmer, sands worldwide,” Jenkins said. positive experience writing Gutiérrez, Orbis Books Editor- “One is a physician animated this book with Fr. -
Impact Report
2 0 17- 2 0 18 IMPACT REPORT Canadian Museum of Immigration at Pier 21 Canadian Museum of Immigration at Pier 21 1055 Marginal Road Halifax, Nova Scotia B3H 4P7 T: 902-425-7770 | F: 902-423-4045 Toll free: 1-855-526-4721 Pier21.ca | [email protected] Published by Canadian Museum of Immigration at Pier 21 Table of Contents 3 Message From the Chair 4 Celebrating Your Transformational Gifts 16 Recognizing Our Patrons 20 Special Event Fundraisers 26 Impact Highlights 38 Commemorating Your Contributions 42 Ruth Goldbloom Educational Bursary 43 Donor Acknowledgement Listing This is the first Impact Report I have overseen as MESSAGE FROM Chair and I am impressed with all that has been accomplished this past year thanks to the generosity THE CHAIR of our donors. From the wonderful Refuge Canada exhibition, to the many programs that welcomed thousands to the Museum, to acting as a platform for youth education, we are truly touching hearts and minds across the Nation. We are, of course, a museum of stories and it is our privilege and honour to celebrate the story of Canadian immigration and the individual stories of immigrants to Canada. Part of that celebration is the important process of finding, collecting and archiving those stories. Moreover, we make them available for our visitors in a way that will allow them to find sparks of connection and inspiration as they encounter these stories in the Museum. Thanks to our dedicated supporters, we are able to continue this vital undertaking, bringing Canada’s immigration story to light and life through our programs and interpretations of the stories we gather. -
Trans Canada Highway (Hargitai András)
56 Figyelõ Mûvészet 57 olyanok kötelezik el magukat mel- hosszan tartó csönd követte, 2005 irány szerinti. Verbális szinten már le gõdob nagy késleltetéssel zengõ lette, mint McCloud, és remélhe- õszén azonban a hallgatás megsza- is tért a zene az elõre elvárt útról, beúszása indítja el azt a süvítõ sebes- tõleg azok a potenciális alkotó-ol- kadt, hiszen megjelent a gitárokkal is vagy talán csak most került rá iga- ségû menetet, amit a darab végig vasók, akik haszonnal forgatják tarkított The Campfire Headphase. zán, hiszen a cím szimbolizmusának megtart. Késõbb új szõnyegek kísé- könnyeden fajsúlyos mûvét. De an- 2006 júniusában az albumot köve- fõ üzenete az, hogy bárhová eljutha- retével és a dobok idõnkénti bonyo- nak sem haszontalan idõtöltés a tõ, majdnem félórás Trans Canada tunk. Dubra emlékeztetõ ritmusa lításával alkot egyre teljesebb és na- könyv olvasása, nézegetése, aki sze- Highway címû kislemez is eljutott a lassan hömpölyögve úszik be a töb- gyobb hatású frekvencián perdülõ ret eltûnõdni korunk vizuális kultú- hallgatókhoz. bi visszafelé szálló hanggal, itt-ott egészet a dal. A fokozás csúcsán ta- ráján vagy kulturálatlanságán. A cím messzemenõen funkcio- zongorafoszlányokkal, majd az ana- lán az appreggióban kecsesen lépke- P. S ZATHMÁRY ISTVÁN nálisnak hat számomra. A Trans lóg torzulásokkal megfûszerezett, a dõ rövidke analóg hangok állnak. Canada Highway egy óriási útháló- duótól jól ismert szin- Egy réveteg szõnyeg (Nyitott Könyvmûhely, Budapest, 2007, zat, amely egész Kanadát átszövi, tetizátorok szõnyegei- marad a szám végére, 224 oldal, 2600 Ft) annak minden régióját összekap- re kerül vissza a lépege- majd az is eltûnik. Is- csolva egymással. A CD-n és hófe- tõ zongora hangja. -
About Somafm
About SomaFM SomaFM is a listener-supported, commercial-free internet radio station. Launched in February 2000 from a warehouse in San Francisco, we started with just one channel, playing “ambient” music, and developed a small but dedicated audience. By 2001, we’d increased the number of channels to seven. Our audience was small by broadcast standards – our AQH ratings were under a few hundred. Interest in our station continued to grow and we now have over 16 channels – all focusing on niche genres rarely if ever heard on commercial radio. !anks to the hard work of our dedicated music directors and the generous support of our listen- ers, our high-quality MP3 and aacPlus internet broadcasts are now enjoyed by people all around the world. With over 5 million “listener hours” a month, SomaFM is one of the larger independent in- ternet-only broadcasters. Groove Salad, our most popular ambient/chill channel is the most listened to “chill out” station on the internet, with over 600,000 listener hours a week. At any given time, our station has between 5500 and 13,000 listeners, with an AQH of 7500. We have over 500,000 unique listeners a month. SomaFM plays music for a huge, previously ignored audience. Over-the-air commercial radio, now dominated by just a few corporations, plays formats geared towards mass appeal. With limited play lists, and limited genres, they seek to reach the most people with the least e"ort and risk. !is model assumes an unsophisticated and captive listener. Today’s listeners are neither. !e real listener has internet access, wildly eclectic taste, and is eager to discover new music.