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Christie's Presents Americana Week 2014

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Christie's Presents Americana Week 2014 PRESS RELEASE | NEW YORK | 1 7 DECEMBER 2013 FOR IMMEDIATE RELEASE CHRISTIE’S PRESENTS AMERICANA WEEK 2014 MASTERPIECES OF RARITY AND HISTORICAL SIGNIFICANCE TO BE OFFERED ACROSS THE SALES OF IMPORTANT AMERICAN FURNITURE, FOLK ART, SILVER AND CHINESE EXPORT ART HIGHLIGHTED BY PROPERTY FROM THE ESTATE OF ERIC MARTIN WUNSCH & FAVORITES FROM THE COLLECTION OF KRISTINA BARBARA JOHNSON Important American Silver Important American Furniture Chinese Export Art Thursday, January 23 and Folk Art Monday, January 27 Friday, January 24 New York – Christie’s is pleased to announce that Americana Week 2014, a weeklong series of auctions, viewings, and events, will be held from January 18-27. The week of sales is comprised of Important American Silver on January 23, Important American Furniture, Folk Art and Decorative Arts on January 24, and Chinese Export Art on January 27. Several prominent private collections will be highlighted, including Property from the Estate of Eric Martin Wunsch and Favorites from the Collection of Kristina Barbara Johnson. In all, Americana Week 2014 will offer over 400 lots and is expected to realize upwards of $11 million. In conjunction with the sales, Christie’s will also host the second annual Eric M. Wunsch Award for Excellence in the American Arts on January 22, honoring Richard Hampton Jenrette and Linda H. Kaufman and her husband, the late George M. Kaufman. ROPERTY FROM THE ESTATE OF ERIC MARTIN WUNSCH P Christie’s is honored to present Property from the Estate of Eric Martin Wunsch in a series of January sales including Important American Silver on January 23, American Furniture on January 24, Chinese Export Art on January 27, and Old Master Paintings Part I on January 29. Eric Martin Wunsch was a New York collector with an assiduous appetite for learning about art and antiques who was revered for his diverse mix of treasures. He was an active and important member of a number of public institutions such as the New York State Museum and the Brooklyn Museum, where he donated works, and examples of his 17th century European paintings and drawings have been extensively exhibited in museums both in Europe and North America. Wunsch was also a founding member of the Diplomatic Reception Rooms at the U.S. Department of State and the Friends of American Art at Yale University Art Gallery, as well as a trustee of the Willard Clock Property from the Estate of Eric Martin Wunsch Museum. From American furniture and silver to Dutch painting, the collection is A Chippendale Carved Mahogany Scallop-Top Tea Table, Philadelphia, 1760-1770 comprised of 59 lots, and is expected to realize in excess of $4.5 million. Please Estimate: $800,000-1,200,000 click here for the complete press release for Property from the Estate of Eric Martin Wunsch. MPORTANT AMERICAN SILVER January 23 at 10:00am I The first in the series of Americana Week sales will be Important American Silver, offering a selection of works that date back to the 17th century. Comprised of ninety-two lots, the sale is expected to realize in excess of $1 million. Among the sale’s top lots is a fine set of six large silver tablespoons with the mark of Paul Revere, Jr., Boston, 1783, engraved with the script monogram DMS (illustrated left; estimate: $60,000-90,000). The initials on these spoons are those of Daniel and Mary Sargent. Born in Gloucester, Massachusetts in 1731, Daniel Sargent became a successful merchant and ship owner who traded along the Atlantic coast and in the Caribbean. In 1763 he married Mary Turner of Salem, daughter of merchant and justice of the peace John Turner (1709-1786), whose Salem mansion, “The House of the Seven Gables,” was made famous by Nathaniel Hawthorne. Daniel and Mary Sargent had seven children, including the artist Henry Winthrop Sargent (1810-1882) and the classical scholar Lucius Manlius Sargent (1786-1867). A Silver Cocktail Shaker by Peer Smed, New York, 1931 (illustrated right; estimate: $30,000-50,000) is among the of American silver from the twentieth century. This whimsical shaker is modeled as a standing bear on a circular base, and contains a hinged and pierced ice strainer adding to its utility. Danish silversmith Peer Smed worked for Georg Jensen and the Royal silversmith, Anton Michelsen, in Copenhagen before emmigrating to the United States in 1912. During the 1930s, he worked from his Brooklyn studio, primarily in the Danish style. His work has been featured in several exhibitions of contemporary metalwork, including one at the Metropolitan Museum of Art in 1937 and at the Brooklyn Museum of Art in 1937-38. Also among the 19th century highlights is a set of three silver meat dishes from The Mackay Service with the Mark Of Tiffany And Co., in New York, circa 1878 (illustrated page 3, right; $20,000-30,000). The set belongs to a New York Gentleman who is a direct decedent of John William Mackay (1831-1902) and Marie Louise Hungerford Mackay (1843-1913), to whom the present dishes once belonged. Each of the three dishes is applied on one side with the monogram MLM, the other with the coat-of-arms, crest and motto of Hungerford. The history of the Mackay dinner service is a classic American tale. In 1873, John W. Mackay, an Irish immigrant who spent 22 years mining in the west, discovered the largest silver deposit in America deep inside the fabled Comstock Lode of Virginia City, Nevada. According to family legend, when his wife Marie Louise Hungerford Mackay visited the mine, she asked if she could have enough silver for a dinner service. Her husband obliged, sending a half ton of silver to Tiffany's with instructions to make an elaborate dinner service for twenty-four. Tiffany's records show that two hundred silversmiths worked for two years on the service, producing 1,350 pieces of which 370 were holloware items. Charles Grosjean, who designed the Mackay service, named the pattern "Indian" after its dense floral arabesques and other references to Near-Eastern design. The service was exhibited to great acclaim at the 1878 Exposition Universelle in Paris, one critic commenting that, "This splendid service alone would form a very full exhibit.” The Mackays kept a house in Paris, and later in London, where they entertained distinguished guests on a lavish scale, including the former United States President, Ulysses S. Grant. MPORTANT AMERICAN FURNITURE, FOLK ART, & DECORATIVE ARTS I January 24 at 10:00am Christie’s sale of Important American Furniture, Folk Art and Decorative Arts will present over 160 lots from the 17th, 18th, 19th, and 20th centuries and is expected to realize in excess of $4 million. Works with exquisite provenance figure prominently, with Property from the Estate of Eric Martin Wunsch, Property from the Chipstone Foundation, and Favorites from the Collection of Kristina Barbara Johnson contributing to the sale’s top lots. FAVORITES FROM THE COLLECTION OF KRISTINA BARBARA JOHNSON Christie’s is honored to have been entrusted with works from the celebrated collection of Kristina Barbara Johnson, an enthusiastic collector, whose interests were broad, though all poignantly a reflection of her unique aesthetic. Johnson first started developing her folk art collection when she became involved with the American Folk Art Museum in the mid-1960s, where she served on the board of Trustees for over four decades and was elected Board President in 1971. Her folk art collection focused on maritime arts, portraiture, paintings, sculpture and decoys and, in the early 1980s, her driving interest in hooked rugs led her to assemble one of the largest collections of hooked rugs in the country. As early as the 1970s, her interest in Outsider Art became a growing focus. She juxtaposed earlier American folk art in her home with the Outsider pieces and took pleasure in sharing her collection with others, offering guided tours through her home for students, groups, dealers, and individuals sharing her interests. Her collection was highly regarded, as her works were frequently loaned to exhibitions across the country and nearly always referenced in scholarly writings about American Folk Art. Grandma Moses’ idyllic Old Covered Bridge (illustrated right; estimate: $300,000-700,000) is a masterwork that manifests every element that has made the artist an American icon. In private hands since its creation, this work is a desirable example of a self-taught artist and presents a rare opportunity to obtain one of approximately twenty known and documented large scale paintings by Moses. Old Covered Bridge depicts her belief that men, women, and children all had a role in the daily work of the community. The scene portrays the ice harvest, an important seasonal task that requires the combined effort of the community to preserve ice for the coming summer. Though Grandma Moses never had formal training, her natural skill is clear; by weaving the various vignettes throughout the landscape, the composition becomes cohesive. William Edmonson’s Mother and Child (illustrated left; estimate: $50,000-80,000) is another work from the collection of Kristina Barbara Johnson. Edmonson’s works have crossed the aesthetic boundaries of genres ever since his 1937 solo exhibition at the Museum of Modern Art, the first of any African-American artist. Discovered in 1936 by a Vanderbilt University professor and later photographed by a Harper’s Bazaar photographer, Edmondson’s work was shown to then director of the Museum of Modern Art, resulting in his 1937 solo exhibition. Born the son of slaves near Nashville, Tennessee, Edmonson was briefly employed as a stonemason during the early years of the Great Depression. After receiving a vision from God, Edmondson began carving tombstones, “miracles,” and “critters” in limestone.
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