September 2019 Diary London Museums Galleries

Total Page:16

File Type:pdf, Size:1020Kb

September 2019 Diary London Museums Galleries BLUE BADGE TATE SOUTHWARK CATHEDRAL www.tate.org.uk 020 7887 8008 (rec. info) Main 7887 8888 www.southwarkcathedral.org.uk GUIDES’ DIARY TATE BRITAIN 020 7367 6734 Permit required for photography 020 7367 6700 Daily: 10.00-18.00. Mon-Sat 0800-1800 (le1730) Sun 1100-1700 (le 1630) To: 6/10: Mike Nelson: The Asset Strippers: Free Grps 10+ special rates depending on whether guided tour required. 11/9-2/2: William Blake: The Artist:£18/£17 Grps : Ad £4.50, Conc £3.50, Ch 1-11 £2.00 Grps 020 7367 6734. SEPTEMBER 2019 24/9-5/1: Mark Leckey: O’Magic Power of Bleakness:£13/£12 Trade: Ad £3.50. Concs £3.00 Ch £1.75 (incl BBTGs – book direct) TATE MODERN Services: Mon-Sat. 0800 (0900 Sat), 0815 HC (0915 Sat), 1230, 1245HC LONDON Sun-Thur: 10.00-18.00; Fri-Sat: 10.00-22.00 1730 Choral Evensong (1600 Sat) – said Mon/Wed To:8/9: Natalia Goncharova:£16/£15 Sun 0845, 0900 HC, 1100 HC, 1500 CHoral Evensong, 1830 ‘At Southwark’ To: 27/10: Takis: £13 Suns. 1st Trad CHoral EucHarist, 2nd Service of LigHt, ART GALLERIES To 5/1: Olafur Eliasson:£18/£17 3rd Wholeness and Healing, 4th Compline/EucHaristic Devotion To:13/9: Magdalena Abkanowicz Organ recital every Mon 1300, music recital everyTues 1515 BARBICAN ART GALLERY Closures: No information available at time of going to press, check website www.barbican.org.uk 020 7638 4141 WHITECHAPEL GALLERY Sun-Wed 10.00-18.00 Thu-Sat 10.00-21.00. www.whitechapelgallery.org 7522 7888 TEMPLE CHURCH The Curve: Sat-Wed: 11.00-20.00 Thurs/Fri: 11.00-21.00 Tue-Sun 11.00-18.00; Thur 11.00-21.00; Adm Free. www.templechurch.com 020 7353 3470 To: 1/9: Lee Krasner: Living Colour: £15/£11 To: 29/9: Artists’ Film International Ad £4 Sen/students £2 Under 18s free. 26/9-16/2: Trevor Paglen: From ”Apple” to ”Anomoly” : Free 5/9-9/9: London Art Book Fair Wed 13.15-13.45 Organ recital (free) Thurs 13.15 HC (said), 25/9- 12/1: Anna Maria Maiolino: Making Love Revolutionary Sunday HC 08.30 (said), Mattins 11.15 (choral) DULWICH PICTURE GALLERY 020 8693 5254 Tu-Sun 10.00-17.00; closed Mon except BH when open 10-17.00 Ad: £8/£7 WESTMINSTER ABBEY To: 29/9: Edward Alleyn’s Gift at DulwicH: 1619-2019:Free www.westminster-abbey.org 020 7222 5152 CHURCHES AND WORSHIP NO PHOTOGRAPHY: CLOSED FOR TOURISM SUNDAYS HAYWARD GALLERY REMEMBER ONLINE TICKETING IS ONLY FOR INDIVIDUAL ENTRY www.southbankcentre.co.uk 020 3879 9555 BEVIS MARKS SYNAGOGUE AND NOT FOR GROUPS. MAX GROUP SIZE 30 11.00-19.00 daily except Tues when gallery closed. Open til 21.00 Thurs www.bevismarks.org.uk 020 7626 1274 Mon-Fri Tickets from Chapter Office 20 Dean’s Yard, Sat North Door To: 8/9: Kiss My Genders:£14/£12.50 Opening Hours: Mon, Wed, Thurs 1030-1400, Tues, Fri 1030-1300 Mon-Fri 0930- 1500(le) for groups Sat 0900-1300 (le for gps 1230) To: 6/10: Thabiso Sekgala: A free HENI Project Space exHibition exploring Sun 1030-1230 Admission/Donation £5 adult, £4 concs £2.50 child Last entry for individuals on Weds 1700 (no guiding) home, space etc Closures: Mon 30tH JewisH New Year No groups entry or in Nave area 1200-1300 M-Fri during service Cloisters 08.00-18.00 Chap Hse / Pyx / Museum 10.30-16.00 NATIONAL GALLERY JOHN WESLEY’S CHAPEL College Garden 10.00-18.00 Tues/Wed/Thurs www.nationalgallery.org.uk 020 7747 2885 www.wesleyschapel.org.uk 020 7253 2262 Entry Charges: Ad £23.00 Conc £ 20.00 Ch 6 -16 £10.00. 5yrs & under free Daily 10.00-18.00 Fri to 2100. [NB staff training Mon to 11.00 limited accesss] Chapel Mon-Sat 1000-1600 House and Museum Mon-Sat 1000-1600 Fam 1 Ad 1 Ch £23.00 (includes Audio Guide) Each additional child £9 To: 29/9: Bartolome Bermejo: Master of the SpanisH Renaissance:Free No formal charge, donations requested. Grps: Ad £20.00, Concs £16.00 Child 6+ £8.00 Groups must be booked in advance even if only for short visit. Verger Tours 90 mins £5.00 M-Sat 10.30 / 11.00 / 14.00 / 14.30 [Sat am only] NATIONAL PORTRAIT GALLERY Services: Sun 0945 (exc 1st Sun of month) & 1100 Tues Recitals 1245-1315 Audio Tours: Eng, Fr, Ger, It, Sp, Jap, Russ, Mand, Polish, Portug, Hung. www.npg.org.uk 020 7306 0055 Wed Holy Comm 1245-1315 in Foundery Chapel. Thurs Service 1245-1315 Services: Mon-Fr 0730 Matins, 0800 + 1230 HC, 1700 Evensong (said Wed) Daily:10.00-18.00; FrIday:10.00-21.00 Sat 0800 HC, 0900 Matins, 1500 Choral Evensong ST PAUL’S CATHEDRAL To: 20/10: BP Portrait Award 2019: Free Sun 0800 HC, 1000 Matins, 1115 Sung Eucharist, 1500 Choral To: 15/9 (Wolfson and Lerner Galleries): Cindy SHerman:£20/£17 www.stpauls.co.uk 020 7236 4128 Evensong, 1745 Org. OBE an Recital, 1830 Evening Service Recorded info: 020 7246 8348. St Margaret’s Sun 1100 Eucharist QUEEN’S GALLERY www.royalcollection.org.uk 020 7766 7301 Mon-Sat 0830-1600(le), Galls. 0930-1615, rec. last grp entry 1530 Daily 10.00-17.30 Ad £20 Sen/Stu £17.50 Ch age 6-17 £8.50 Fam. (2+3) £48.50 (1+3) £34 Queen’s Diamond Jubilee Galleries To: 13/10: Leonardo da Vinci: A Life in Drawing: £13.50/£12.20/£10.80 Group Rates 10+ Ad £17.00 Sen/St. £15.00, Ch £7.20 Entry is by timed ticket (15 min intervals), available only with Abbey entry Super Tours usually available 1045, 1115, 1300, 1330, 1400 free ROYAL ACADEMY ticket. Adult £5, child u16 free. No student or senior concessions. Multimedia Hand Held Guides included with admission charge: NO free admission for BBTGs, no guiding or admission for BBTGs with clients Daily 10-18.00 Fri to 22.00 www.royalacademy.org.uk 020 7300 8000 Eng, Fr, Ger, It, Sp, Port, Rus, Polish, Korean, Jap & Man. Also BSL. Tickets available online and also on the door. To: 29/9: Felix Vallotton: Painter of Disquiet:£14 Group Guiding System available at no extra charge. To: 27/10: Helene ScHjerfbeck:£12 Services: M-Sat 0730 Matins, 0800 and 1230 HC Events/closures: 21/9-3/12: Antony Gormley: work from His 45-year career:First & final 2 Tue-Sat 1700 Choral Evensong, Mon 1700 Evening prayer (said) Sat 7th 1st Saturday of winter season (Gp entry 0900-1230) weeks: £22; all other dates: Mon-Tues: £18; We-Thurs: £20; Fri-Sun: £22 Sun. 0800 HC, 1130 Sung Eucharist, 1515 Choral Evensong, Tues 10th Closed all day for BB groups 1645 Organ Recital, 1800 Evening Service Thanksgiving service for Lord Ashdown SERPENTINE GALLERY Sat 7tH OBE CHapel closed 1000-1200 & 1300-1500 www.serpentinegallery.org.uk 020 7402 6075 Ambulatory closed 1045-1200 & 1345-1500 REMEMBER NO GROUP ENTRY BETWEEN 12.00 - 13.00 MON-FRIDAY + Serpentine Sackler Gallery, Tues-Sun : 10.00-18.00 ; Sat 14tH OBE CHapel closed 0930-1200 & 1300-1500 AND GROUPS MUST BE CLEAR OF THE NAVE BY 12.00 closed Mondays except Bank Holidays Ambulatory closed 1345-1500 To: 20/10: LucHita Hurtado (Sackler Gallery) Tues 17tH OBE Chapel & Wellington CHamber closed 1000-1200 To: 8/9: FaitH Ringgold (Serpentine gallery) Ambulatory closed 1045 – 1200 Memorial Service in OBE WESTMINSTER CATHEDRALwww.westminstercathedral.org.uk To: 6/10: Serpentine Pavilion 2019: Japanese ArcHitect Junya IsHigami Wed 25tH CatHedral opens 1015 Staff Meeting 020 7798 9055 Daily 0700-1900, closes 1730 on BHs Sat 28tH OBE CHapel closed 1030-1200 & 1300-1500 No formal charges, but Cathedral’s own tours £2.50 pp 020 7798 9055 SOMERSET HOUSE www.somerset-house.org.uk 020 7845 4600 Ambulatory closed 1345-1500 Courtauld Gallery closed for 2 years for redevelopment Embankment Galls:M, Tu, Sa, Su: 10.00-18.00; W, Th, Fri: 11.00-20.00 Bank To: 8/9: Kaleidoscope: Immigration and Modern Britain (Terrace Rooms):Free MUSEUMS & MONUMENTS QUEEN ELIZABETH OLYMPIC PARK [CONT.] IMPERIAL WAR MUSEUM 020 7416 5000 www.iwm.org.uk ArcelorMittal Orbit Slide + Skyline Views http://www.arcelmittalorbit.com 10.00-18.00 (Le 17.30) Adm Free. BRITISH LIBRARY www.bl.uk 020 7412 7332 Weekdays 11-16.00 (le 15.30); Weekends/school holidays 10-18, le 17.30 Free: every Sat and Sun - Object Conversations. Ad £16.50, Ch £10.50 (min 1.3m/8yrs old for slide) Conc £13.50, Fam £52 Mon-Thu 09.30-20:00. Fri 09:30-18:00. Sat 09:30-17:00 Sun/BH 11:00-17:00. To 5/1/20 Art in Exile : the evacuation of art during 2nd WW and Discount for grps 15+: 0333 800 8099 / email: [email protected] All reading rooms closed on Sundays and Bank Holidays. « What Remains », part of the « culture under attack » season. Free Park boat tours 12-4 daily on the hour from Aquatics pontoon: For Tours see website or phone 01937 546546 Free until 29/9/19- Robert Capa : D Day in 35 mm Ad £9, < 16 £5, Fam £22 08451162012 To 9/9 Leonardo Da Vinci’s Notebooks: a mind in motion Ad £7.00, cH £4.00 To 8/12 D’Oyly Carte: Staging Gilbert and Sullivan. Free. SCIENCE MUSEUM www.sciencemuseum.org.uk 020 7942 4000 KENSINGTON PALACE 020 3166 6000 www.hrp.org.uk Daily 10.00-18.00 (le 17.15).
Recommended publications
  • National Dimensions
    ONS NATIONAL DIM NATIONAL DIMENNATIONAL DIMENSIONS NAL DIMENSIONS DIMENSIONS NATIO This report was researched and written by AEA Consulting: Magnus von Wistinghausen Keith Morgan Katharine Housden This report sets out the collaborative work undertaken by the UK’s nationally funded museums, libraries and archives with other organisations across the UK, and assesses their impact on cultural provision across the nation. It focuses on the activities in recent years of members of the National Museum Directors’ Conference (NMDC), and is largely based on discussions with these institutions and selected partner organisations, as well as on a series of discussion days hosted by the NMDC in different regional centres in July 2003. It does not make specific reference to collaborative work between NMDC organisations themselves, and focuses on activities and initiatives that have taken place in the last few years. For the sake of simplicity the term ‘national museum’ is used throughout the report to describe all NMDC member organisations, notwithstanding the fact that these also include libraries and archives. In this report the term ‘national’ is used to denote institutions established by Act of Parliament as custodians of public collections that belong to the nation. It is acknowledged that the NMDC does not include all museums and other collecting institutions which carry the term ‘national’ as part of their name. Specific reference to their activities is not contained in this report. Published in the United Kingdom by the National Museum Directors'
    [Show full text]
  • M Caz CV Dec 2020 No Address
    Mark Cazalet 1988-9 Commonwealth Universities Scholarship: Baroda University, Gujerat State, India 1986-7 French Consul National Studentship Award: L’Ecole Nationale Superieure des Beaux- Arts, Paris; awarded one-year residency at the Cite-Internationale-des-Arts, Paris 1983-6 Falmouth School of Art: BA Fine Art 1982-3 Chelsea School of Art: foundation course Solo Exhibitions 2021 The Stillness, the Dancing, Serena Morton Gallery, London Spaces: within and without, retrospective of Mark Cazalet’s vision, Clare Hall Cambridge 2019 Quiet Radiance, Serena Morton Gallery, London 2018 Resonances, Serena Morton Gallery, London 2016 Silent colour Meditation: a great cloud of witnesses, 153 heads, St Edmundsbury Cathedral 2015 Moments of Transformation, Curwen gallery, London 2014 Too serious to be serious, Lynne Strover Gallery, Cambridge 2012 The Ocean in a Tree, The Concert Hall Gallery, Snape Maltings, Suffolk 2010 A Plot of Ground, Jason Hicklin and Mark Cazalet, Beardsmore Gallery, London 2008 Everyday Epiphany, Beardsmore Gallery, London Stations of the Cross, Salisbury Cathedral 2006 Seeing as Beleiving, Catmose Gallery, Rutland Holyland, a painted pilgrimage, Michaelhouse Centre, Cambridge 2005 Travelling with open eyes, Guildford Cathedral On Shifting Ground, Images from Palestine & Israel, All Hallows by the Tower, London 2004 An Egyptian Apocrypha, St Katherine Cree, London 2002 Bath Rugby Residency Drawings, Museum of Rugby, Twickenham The Sound of Trees, Six Chapel Row Contemporary Art, Bath 2000 West London Stations of the Cross,
    [Show full text]
  • Councils Engagement in LCIP
    London Cultural Improvement Programme has created these individual reports that detail the engagement of people within your borough with the various strands of the programme. The report predominantly features local authority staff but also details engagement from cultural organisations within your authority. For more information on the programme please visit our website: http://www.londoncouncils.gov.uk/networks/lcip/ City of London Engagement in London Cultural Improvement Programme and associated programmes Measuring Social Outcomes training Amanda Owens Children's Librarian [email protected] Niki Efstratiou Outreach Officer [email protected] Leslie King Librarian [email protected] CSIT (Culture and Sport Improvement Toolkit) training John Lake Librarian [email protected] Emma Snelling [email protected] Jan Pimblett Principal Interpretation Officer [email protected] Carol Boswarthack Support Services Manager [email protected] Community Engagement & Public Consultation Event, 23/03/2011 (CSIT/Advocacy) Carol Boswarthack Support Services Manager [email protected] LAMIP (Local Authority Museum Improvement Programme) training and network Geoff Pick Head of Public Engagement [email protected] Regeneration and Culture Event, Kings place 10/06/2009 (Advocacy) David Pearson Director of Libraries, Archives and Guildhall Art The Case for Tourism, 18/08/2009 (Advocacy) Inma Ferrer TIC Manager [email protected]
    [Show full text]
  • WILLIAM SCOTT (B.1913 Greenock, Scotland)
    WILLIAM SCOTT (b.1913 Greenock, Scotland) EDUCATION Belfast College of Art Royal Academy Schools (1935) SELECT SOLO EXHIBITIONS 2019 Paintings and Drawings: Fifties Through Eighties, Anita Rogers Gallery, New York, NY 2016 Verey Gallery, Eton College, Form – Colour – Space, Windsor, UK 2016 Fermanagh County Museum, William Scott: The Early Years, Enniskillen, Northern Ireland 2015 Fermanagh District Council Town Hall, William Scott Paintings at Enniskillen’s Town Hall, Enniskillen, Northern Ireland 2014 Pallant House gallery, Three pears and a Pan, 1955, Chichester, UK 2013 The Gordon Gallery, the Altnagelvin Mural, Derry, Northern Ireland 2013 The Ulster Museum, William Scott: Centenary Exhibition, Belfast, Northern Ireland 2013 The Hepworth Wakefield, William Scott, Wakefield, UK 2013 McCaffrey Fine Art, William Scott: Domestic Forms, New York, NY 2013 Victoria Art Gallery, William Scott: Simplicity and Subject, Bath, UK 2013 Denenberg Fine Arts, William Scott Works on Paper 1953-1986, Los Angeles, CA 2013 Karsten Schubert, William Scott 1950s Nude Drawings, London, UK 2013 Jerwood Gallery, William Scott: Divided Figure, Hastings, UK 2013 Enniskillen Castle Museum, Full-Circle: William Scott Centenary Exhibition, Enniskillen, Northern Ireland 2013 Tate St Ives, William Scott, and touring: Hepworth Wakefield; Ulster Museum, Belfast, Northern Ireland 2012 McCaffrey Fine Art at Frieze Masters, William Scott, London, UK 2010 McCaffrey Fine Art, William Scott, New York, NY 2009 F.E. McWilliam Gallery and Studio, William Scott in Ireland. Paintings, Drawings Gouaches and Lithographs 1938–1979, Banbridge, Northern Ireland 2006 Fermanagh County Museum, Celebrating William Scott: Paintings from Fermanagh County Museum, Enniskillen, Northern Ireland 2005 Denise Bibro Fine Art, William Scott Works on Paper, New York, NY 2005 Lorenzelli Arte, William Scott La voce dei colori, Milan, Italy 2005 Archeus Fine Art, William Scott.
    [Show full text]
  • A HISTORY of LONDON in 100 PLACES
    A HISTORY of LONDON in 100 PLACES DAVID LONG ONEWORLD A Oneworld Book First published in North America, Great Britain & Austalia by Oneworld Publications 2014 Copyright © David Long 2014 The moral right of David Long to be identified as the Author of this work has been asserted by him in accordance with the Copyright, Designs and Patents Act 1988 All rights reserved Copyright under Berne Convention A CIP record for this title is available from the British Library ISBN 978-1-78074-413-1 ISBN 978-1-78074-414-8 (eBook) Text designed and typeset by Tetragon Publishing Printed and bound by CPI Mackays, Croydon, UK Oneworld Publications 10 Bloomsbury Street London WC1B 3SR England CONTENTS Introduction xiii Chapter 1: Roman Londinium 1 1. London Wall City of London, EC3 2 2. First-century Wharf City of London, EC3 5 3. Roman Barge City of London, EC4 7 4. Temple of Mithras City of London, EC4 9 5. Amphitheatre City of London, EC2 11 6. Mosaic Pavement City of London, EC3 13 7. London’s Last Roman Citizen 14 Trafalgar Square, WC2 Chapter 2: Saxon Lundenwic 17 8. Saxon Arch City of London, EC3 18 9. Fish Trap Lambeth, SW8 20 10. Grim’s Dyke Harrow Weald, HA3 22 11. Burial Mounds Greenwich Park, SE10 23 12. Crucifixion Scene Stepney, E1 25 13. ‘Grave of a Princess’ Covent Garden, WC2 26 14. Queenhithe City of London, EC3 28 Chapter 3: Norman London 31 15. The White Tower Tower of London, EC3 32 16. Thomas à Becket’s Birthplace City of London, EC2 36 17.
    [Show full text]
  • Guildhall Yard, Art Gallery and Amphitheatre: Consider Archaeology and the Amphitheatre in the Guildhall Yard
    KS2 Romans 4 Roman amphitheatre and museum dual visit don 201 Partnership with Guildhall Art Gallery © Museum Lon of Contents National Curriculum links and session description 1 Timetable 2 Practical guidelines 3 Museum of London gallery plan 4 Teachers notes on Roman London gallery 5 Risk assessment advice for teachers 6 Walking trail 7 - 12 Pre-visit activities 13 Follow-up activities 14 Planning your journey 15 In addition, please see Amphitheatre activity sheets. (Please make enough copies before your visit, you may also like to use activity sheets for the Museum of London gallery visit.) © Museum of London 2014 Curriculum links your amphitheatre session. We offer a selection of activity sheets that can be KS2 History used in the Roman London gallery. Roman London gallery activity sheets Designed to support Key Stage 2 History are offered in word format so that study of Roman settlement in Britain. teachers can adapt them to the needs of This session explores Londinium, its their own class. architecture and people, focusing on two important aspects of Roman life; the Walking Trail. army and entertainment at the amphitheatre. Using evidence from a The 30 minute walk between the two variety of sources (including the Museum sites, should be used to examine the of London’s extensive collection of topography of Londinium, including Roman artefacts and the impressive seeing the remains of the Roman wall remains of London’s Roman and comparing different aspects of life in Amphitheatre preserved beneath the the city now and then. When possible Guildhall Art Gallery,) pupils will develop museum staff will support this walk, but historical enquiry skills and learn how please be prepared to lead the walk archaeology helps us to interpret the yourself.
    [Show full text]
  • 3 NOVEMBER 2017 the Hidden Layers: the Preparatory Layers And
    KATOOMBA, NSW, 1 - 3 NOVEMBER 2017 The hidden layers: the preparatory layers and their impact on the conservation of paintings. Presenter: Celine de Courlon Co-authors: Simon Ives, Paula Dredge, Andrea Nottage, Brian Singer, Gillian Osmond, Ljiljana Puskar ABSTRACT All the traditional layers of a painting, including support, sizing, ground/preparatory layers, paint film and varnish layer influence its aesthetic. They also determine the way the painting will age and how its structure may weaken or change, thereby modifying or disrupting the painted image. However the preparatory layers are less often studied and analysed than the other layers in conservation research. Hidden between the support and the paint film, they areusually only partially visible on the edges or through somedamage to the paint film. In three different cases - Hugh Ramsay’s The Foil, 1901, Tom Roberts’s Jealousy, 1889 and Frederick Leighton’sWinding the Skein, 1878 - the materials used by the artists in their preparatory layers have proven to have had a primary role in the current condition of the three paintings. The first two have extensive drying cracks and the smooth porcelain-like surface of the latter has been disrupted by the formation of a profusion of tiny lumps. All three paintings have recently undergone major conservation treatments during which the preparatory layers and paint films were analysed. The preparatory layers of Hugh Ramsay’s The Foil and Tom Roberts’s Jealousy, were analysed by FTIR and GCMS which identified in both the presence of poppy seed oil. Analysis of the preparatory layer of Frederick Leighton’s Winding the Skein, revealed the presence of zinc white as well as the detailed structure of the soaps agglomerates whose formation also seems to have involved the use of poppy seed oil.
    [Show full text]
  • Download Our Exhibition Catalogue
    FOREWORD Published to accompany the exhibition at We are delighted to welcome you to the second exhibition at Two Temple Place, London 26th January 2013 – 14th April 2013 Two Temple Place, Amongst Heroes: the artist in working Cornwall. Published in 2013 by Two Temple Place 2 Temple Place, London, wc2r 3bd The Bulldog Trust launched its Exhibition Programme at our Copyright © Two Temple Place headquarters on the Embankment in 2011. In welcoming the public to Two Temple Place we have three objectives: to raise Raising the Worker: awareness of museums and galleries around the UK by displaying Cornwall’s Artists and the Representation of Industry Copyright © Roo Gunzi part of their collections; to promote curatorial excellence by offering up-and-coming curators the opportunity to design a What are the Cornish boys to do? How Changing Industry Affected Cornwall’s Population high profile solo show with guidance from our experienced Copyright © Dr Bernard Deacon curatorial advisor; and to give the public the opportunity to Trustee of the Royal Institution of Cornwall and Honorary Research Fellow, University of Exeter visit and enjoy Two Temple Place itself. A catalogue record for this publication is available from the British Library Two Temple Place was originally built as an office for William Waldorf Astor in the late 19th century and the Bulldog Trust isbn 978-0-9570628-1-8 have been fortunate to own the house since 1999. For our curators, Designed and produced by NA Creative devising a show for the ornate and intricately decorated space is a huge challenge that calls for imagination and ingenuity.
    [Show full text]
  • To Download Contemporary Art Society's Acquisitions & Art
    Contemporary Art Society Acquisitions & Art Consultancy APRIL 2017–MARCH 2018 Contents Foreword 5 Museums Receiving Artworks 9 Contemporary Art Society 59 Central Street, London EC1V 3AF Map of Museum Members 10 Tel: +44 (0)20 7017 8400 Email: [email protected] Website: contemporaryartsociety.org Special Projects Follow us on social media — Great Works 14 /thecontemporaryartsociety contemporaryartsociety — Collections Fund at Frieze 18 @ContempArtSoc — Valeria Napoleone XX Contemporary 20 Every effort has been made to contact all copyright Art Society holders. If proper acknowledgement has not been made, please contact the Contemporary Art Society. — Art Night 24 All rights reserved. No part of this publication may be reproduced, stored in a retrieval system or transmitted in any form or by any means, electronical, Acquisitions Scheme mechanical or otherwise, without first seeking the written permission of the copyright holders and — Fine Art 27 of the Contemporary Art Society. Images cannot be reproduced without prior permission from the — Omega Fund 75 Contemporary Art Society. Date of publication: June 2018 Edited by Marcus Crofton, Charlotte dos Santos, Gifts and Bequests 91 Caroline Douglas, Nina Johnson, Fabienne Nicholas and Christine Takengny Designed by Hyperkit Cover image: Gillian Wearing, Millicent Fawcett, 2018, Art Consultancy 99 bronze, pink granite and laser-etched black granite, 400 x 120 cm. Photo: Kevin Percival. Supporters and Patrons 108 Museum Members 112 Art Consultancy Clients 114 Trustees and Staff 115 Index of Artists 117 Image Credits 119 Foreword The Trustees of the Contemporary Art Society are a hard-working group of individuals whose commitment to our mission makes an enormous difference to the way we are able to operate.
    [Show full text]
  • Edward Armitage RA, 19Th Fresco Paintings
    19th Century Fresco Paintings at St Marylebone Parish Church 1943 photographs showing war damage to windows and fabric and the frescoes painted by Edward Armitage, RA at first floor gallery level Looking to the North (Liturgical West) Looking to the South (Liturgical East) The fresco paintings (now painted over) on the first floor gallery level between the windows in St Marylebone Parish Church were carried out by the illustrious Victorian Royal Academician Sir Edward Armitage (20th May 1817 – 24th May 1896). Sir Edward Armitage, RA, Self-portrait (1882) Family background Armitage was born in London to a family of wealthy Yorkshire industrialists, the eldest of seven sons of James Armitage (1793–1872) and Anne Elizabeth Armitage née Rhodes (1788–1833), of Farnley Hall, just south of Leeds, Yorkshire. His great-grandfather James (1730–1803) bought Farnley Hall from Sir Thomas Danby in 1799 and in 1844 four Armitage brothers, including his father James, founded the Farnley Ironworks, utilising the coal, iron and fireclay on their estate. His brother Thomas Rhodes Armitage (1824– 1890) founded the Royal National Institute of the Blind. Armitage was the uncle of Robert Armitage (MP), the great-uncle of Robert Selby Armitage, and first cousin twice removed of Edward Leathley Armitage. Art Training Armitage's art training was undertaken in Paris, where he enrolled at the École des Beaux-Arts in October 1837. He studied under the history painter, Paul Delaroche, who at that time was at the height of his fame. Armitage was one of four students selected to assist Delaroche with the fresco Hemicycle in the amphitheatre of the Palais des Beaux-Arts, when he reputedly modelled for the head of Masaccio.
    [Show full text]
  • 1 History 2 NMSI Now 3 Legal Status 4
    NATIONAL MUSEUM OF SCIENCE & INDUSTRY ACCOUNT FOR 2001-02 FOREWORD AND ANNUAL REPORT 1 History The Science Museum has its origins in the South Kensington Museum set up soon after the Great Exhibition of 1851. The National Railway Museum (NRM), which opened in 1975, was established as a result of the transfer of the British Transport Commission’s railway collection to the Board of Trustees of the Science Museum. The National Museum of Photography, Film & Television (NMPFT) was established in 1983 with the support of Bradford City Council as part of the Council’s economic redevelopment. Wroughton Airfield, a former World War II airfield, was made available to the Museum by the Ministry of Defence in 1979. 2 NMSI Now The National Museum of Science & Industry (NMSI) is the world’s pre-eminent museum devoted to the history and contemporary practice of science, medicine, technology and industry. It exists to engage people in a dialogue to create meanings from the past, present and future of human ingenuity. Its collections, in the fields of science, technology, medicine, industry, transport and media, are the largest, most comprehensive and most significant in their field anywhere in the world. NMSI incorporates the Science Museum, the Science Museum Library and the Wellcome Museum of the History of Medicine at South Kensington; the National Railway Museum at York; the National Museum of Photography, Film & Television at Bradford; Wroughton Airfield near Swindon; and Concorde 002 with its associated exhibition at Yeovilton. Collections stores are at Wroughton; Blythe House in West Kensington; Foundry Lane in York and Black Dyke Mills in Bradford.
    [Show full text]
  • Our City Together New Cultural Programme Launches in Support of Londoners’ Mental Health and Wellbeing
    PRESS RELEASE OUR CITY TOGETHER NEW CULTURAL PROGRAMME LAUNCHES IN SUPPORT OF LONDONERS’ MENTAL HEALTH AND WELLBEING www.ourcitytogether.london #OurCityTogether A Londoner at the Let’s Talk exhibition in Guildhall Yard, 2019. © Charlie Clift and Kate Forrester ​ ​ Bringing together London’s world-class arts, culture and heritage across the Square Mile, the City of London Corporation is announcing a new digital cultural season. Launching during Mental ​ Health Awareness Week (18 - 24 May 2020), the free programme will feature an inspiring, positive and thoughtful mix of archive and contemporary digital content including podcasts, playlists, artworks, photography, films, talks and museum collections. Our City Together is being delivered in collaboration with THRIVE LDN and in partnership with a ​ number of major cultural organisations including the Barbican Centre, Museum of London, Guildhall Art Gallery and London Symphony Orchestra. Curated around a series of themes linked to the City of London’s 2,000 years of rich heritage, the programme will open with the theme of “Kindness” for Mental Health Awareness Week. There will be a new focus each fortnight, tying in with a programme of upcoming digital interactive and spectator events in Summer 2020. The season will kick off with a virtual panel discussion focusing on the important roles creativity and culture play in wellbeing and mental health, an event organised by Thrive LDN as part of their activities for both Mental Health Awareness Week and Creativity & Wellbeing Week. ​ ​ ​ ​ Fearne Cotton, Broadcaster, Author and founder of Happy Place, said: “As a proud Londoner, I think ​ Our City Together is a great initiative to help find inspiration through London’s world class arts and culture as well as supporting Londoners’ mental health during this extraordinary time.
    [Show full text]