Save Money—Sing with a Friend!

May 2012 Issue 40 Hemiola St George’s Singers

INSIDE THIS ISSUE: SAVE MONEY—SING WITH A FRIEND! VIVAT—concert preview 2 Fine Arts Brass 3 Beset by water shortages, eco- But the problem has now be- nomic crises, reduced public come more acute, with the re- Music for Royal Ears 4-5 spending, and rising unemploy- cent postage increase. A first- Brigit’s Musical Diary 6 ment, it may seem a little self- class stamp now costs 60p, se- VIVAT—Russian Style 7 obsessed of us to worry about cond-class 50p. So we have St George’s News 8 choir funds. But a big problem regretfully decided that this will Tips for vocal health 9 faced by all amateur choirs (and be the last issue of Hemiola post- by all arts groups and charities) ed to our registered mailing list Wakefield Music Library 10 Cheshire Consort 11 is the increasingly urgent need (though we will of course still to maximize resources and mail out concert flyers). The Quiz Night 12 minimize costs— yet still at- electronic version will continue Even if you only use the free The Coronation and me 13 tract and reward supporters. to be sent to those happy to coach facility, it could save Vietnam Diary 14-15 receive information by email, St George’s Singers is you £10 over the season—and and it will be available to down- extremely fortu- if you’re lucky enough to win load from our website. (This nate. We the prize draw, you get your will not affect Friends of have a large, next concert tickets free, pay- SGS who will still receive ST GEORGE’S SINGERS committed and ing for your subscription! hard copies.) energetic ‘sales- PRESIDENT: So, please think about becom- force’ - the choir There are two ways in ing one of our Friends. Pick Brigit Forsyth members them- which you can help us up a leaflet at our next concert VICE PRESIDENTS: selves, who pound reduce our costs. If you have (from the Friends table), or the streets distributing access to email, please let us Sue Roper contact our Friends Coordina- Mark Rowlinson leaflets, hanging up posters and email you concert information

SPECIAL POINTS OF INTEREST:Stephen Threlfall tor, Jean Egerton (tel 01625 Stephen Williams persuading friends and family in future. Secondly, please  Briefly highlight your point of interest here. 871371). We hope to see you to come to our concerts for a consider joining the Friends of  Briefly highlight your point of interest here. at our VIVAT! concert—and MUSICAL DIRECTOR: fantastic evening’s entertain- St George’s Singers. It  Briefly highlight your point of interest here. we look forward to an exciting  Briefly highlight yourNeil point of Taylor interest here. ment. In recent years the costs only £15 a year season next year: a Brit- growth of digital channels for Red Rose, and ASSISTANT MUSICAL DIRECTOR: ten centenary, a taste (email, websites, social media £30 a year for Gold Calum Fraser of France, and a truly such as Twitter and Facebook) Rose membership. ACCOMPANIST: ‘Gloria-s’ concert at the has made this easier, allowing Friends receive Monastery. Jeffrey Makinson us to distribute concert infor- invitations to

mation more quickly and our annual Season brochures will be Registered Charity no 508686 cheaply. Friends reception, available from mid-June: pick reserved seats at concerts Member of Making Music, the National However, there are still many up a copy at VIVAT!, down- when available, free coach Federation of Music Societies people who either do not wish load from our website, fill in a transport to city centre concert www.st-georges-singers.org.uk or do not have the facility to mailing list slip, or ring Jean venues, entry to a prize draw at use email, which we appreciate. Egerton. Thank you! every concert—and more. Page 2 Hemiola

Sunday 17 June 2012, 7.30 pm A RIGHT ROYAL DO—VIVAT! PREVIEW Gorton Monastery, Manchester

VIVAT! The final concert of our the words of Neil Tay- 2011/12 season fast approach- lor, ‘Bach for the Ed- Tickets: £15, £12 concessions, es—and what a finale it will be. wardians’. Stanford’s £5 students & children Gloria in Excelsis was On Sunday 17 June, St written for George V’s George’s Singers returns to the coronation in 1911, Tel: 01663 764012 Monastery to add our own and was subsequently voices to the year’s jubilee cele- Email: tickets@st-georges- played at Queen Eliza- brations, in a concert of music singers.org.uk beth II’s coronation in specially written for royal occa- Online: www.st-georges-singers.org.uk 1953; whilst his Te sions, much of it for the corona- Deum, although origi- tion of Queen Elizabeth II. nally composed in 1898 All your favourite and much for the Leeds Festival, loved royal anthems and or- was orchestrated by chestral pieces will be there: Stanford himself for Handel’s Zadok the Priest; Wal- Edward VII in 1902. ton’s Crown Imperial and Orb daughter Queen Elizabeth in Dating from around 1920, O, and Sceptre marches; Vaughan 1953. Clap Your Hands is a setting of Williams’ Old Hundredth (‘All Psalm 47, arranged by Vaughan So, whether you’re a royalist or people that on earth do dwell’); Williams for chorus, organ, a republican, come and enjoy and of course, written for Ed- brass, and percussion. The this joyful and exuberant musi- ward VII, Parry’s I Was Glad— piece is typical of Vaughan cal extravaganza in Gorton complete with ‘Vivats’ to wel- Williams' ceremonial works for Monastery, a building that, if come the new monarch. the church, its joyous mood not as large as Westminster We’ll also be singing other capitalized upon in a setting of Abbey, certainly rivals it in Westminster Abbey, founded by King Edgar I wonderful pieces by some of extroverted jubilation. This is a atmosphere and acoustic bril- and St Dunstan, and scene of royal Britain’s greatest composers, piece clearly designed to fill a liance. coronations since Harold II’s in 1066 written for coronations through cathedral—or a Monastery— If you go to only one the ages, but which may be not with a grand noise. quite as familiar. Stanford’s Jubilee celebration concert, Royal celebrations of course are glorious and opulent Magnificat then this has to be the one! Apparently, Neil sang nothing without big drums and for double choir, written in Stanford’s Te Deum brass bands—and VIVAT! wel- 1918, is widely regarded as his comes Fine Arts Brass, one of every Founder’s Day finest a capella work, and is (in the UK’s (if not the world’s) when he was at school. greatest brass ensembles to join Want to hear a sneak preview of (So he’ll be conducting us for the evening. As well as our VIVAT! concert? On Tuesday off copy then?) accompanying the choir, the 5 June, St George’s Singers band will be playing two beauti- takes part in Poynton’s Diamond ful ‘royal’ solos: Peter Maxwell Jubilee Arts Festival. Davies’ Farewell to Stromness, The festival runs from Friday 1 to and Music for a Stuart Masque, a Bass Geoff Taylor’s great uncle, Tuesday 5 June in venues in and compilation of various works, around Poynton, and will feature Vernon Taylor, was a member of in arrangements by members of the St Paul’s Cathedral Choir, music, arts and crafts from the band. individuals and groups resident and sang at the coronation of George V in 1911. Geoff St George’s Singers’ accompa- in the village. The concert on inherited the service book from nist, Jeffrey Makinson, will be 5 June forms the finale to the which he sang. It includes a rattling the organ keys in Wal- festival, and will feature St number of the items we’ll be ton’s two magnificent marches: George’s Singers with VBS singing in VIVAT, including I was Crown Imperial, written for Poynton Band. Glad, Zadok the Priest, and Stanford Gloria. George VI in 1937, and Orb and Civic Hall, 7—8.30 pm. Tickets Sceptre, composed for George’s £5, [email protected]. Issue 40 Page 3

THEY CALL HIM ZADOK An apocryphal tale?

The choir of Westminster Abbey were A thousand years before stan and set the model for the scendant of Aaron, Zadok was on tour to one of the former Eastern Woody Allen created Zelig, the coronation ritual, at which the a priest and a seer who support- bloc countries, inculcating the locals ultimate gate-crasher, someone into the wonders of English choral biblical words relating to Zadok ed David at the time of Absa- music. But every time they sang Zadok put in an appearance at a royal were spoken or sung. Since lom’s rebellion, when he was the Priest, the audience dissolved into event, and has popped up at Edgar had actually been king made custodian of the Ark of hysterics. The choir master finally every coronation since. since AD 959, the coronation the Covenant. David later ap- asked why, and was told that in their language, the word ‘zadok’ translated Zadok the Priest was Handel's was the culmination of his reign pointed Zadok as the one to as a very rude part of the human first commission as a natural- rather than the initiation—and anoint Solomon as king, and in anatomy. It is not known if the ized British citizen, and of the the guy died a mere two years return for his loyalty, Solomon programme was changed. four anthems he wrote for the after the coronation. But the made Zadok High Priest. His coronation of George II in symbolic coronation was an name comes from the verb 1727, it is by far the nation’s important event: six other kings ‘sadeq’ meaning ‘to be just or favourite. Zadok has been sung of Britain (mis-reported in the righteous’. Anglo-Saxon Chronicle as eight at every coronation since; but So as the orchestral tension kings—plus ça change!) gave its history dates back to the mounts through the opening their allegiance to Edgar shortly coronation of Edgar I (or Edgar bars, and our voices ring out ff afterwards at Chester. the Peaceful) in AD 973 at in the rousing choral entrance, Bath. The ceremony was de- So who was this bloke Zadok? we’ll know who we’re singing Edgar the Peaceful sailing up the River Dee vised by Bishop (later St) Dun- The son of Ahitub and a de- about. to Chester on his barge, rowed by eight (or six) kings

THE FINE ART OF BRAS S-BLOWING

We’re thrilled to welcome Fine to different audience require- sance and Baroque to the Arts Brass (FAB), one of the ments. These can range from sound worlds of the avant UK’s finest brass ensembles, to educational concerts for prima- garde. Equally, when they perform with St George’s Sing- ry school children to broadcasts play swing, they swing! ers at our VIVAT!! concert. suitable for BBC Radios 2, 3 or They also have a penchant 4. With the combination of Formed in 1980, and now firm- for commissioning new their unique versatility of ly established at the forefront of works (over 50 to date) and sound, eminent humour and the international brass chamber have enjoyed working closely passion for the music they play, music scene, the ensemble took with the composers who it is easy to see why they have the name of the place of its first have written for them: James toured to over 60 countries and rehearsal, The Barber Institute MacMillan, Malcolm Arnold, performed in just about every of Fine Arts at Birmingham Robin Holloway, Michael Ny- music festival in the UK. University. The group’s endur- man, John Woolrich and Mi- What the critics say: ing success is due to its uncan- Their repertoire encapsulates all chael Torke to name but a few. ‘The Fine Arts Brass ensemble play ny chameleon-like adaptability musical genres from the Renais- FAB’s discography is no less with fire and verve, adding greatly impressive with a selection of to the magnificence of the work’s 28 recordings to date with more climaxes…’

planned! In the words of Classi- ‘Dazzling … wonderfully spirited … cal Music Magazine, they are sublime with particularly well simply ‘exceptional’. matched trumpet playing.’

There can be no better band to ‘We were submerged in enjoyment accompany the wonderful mu- … and admiration for the virtuosity sic we’ll be singing. displayed.’

‘They came, they played, they conquered! Their talent, sense of humour, sensitivity, spirit and Fine Arts Brass: Angela Whelan (trumpet), Les Neish (tuba), Simon Lenton (trumpet), lyricism are remarkable.’ Chris Parkes (horn) and Katie Jones (trombone) Page 4 Hemiola

THE TRANSIT OF VENUS - MUSIC FOR ROYAL EARS BY ERIC NORTHEY Cul-de-sac theatre 1639. A tense drama of love and For some of us, of a certain age, Closer to home, Jorvik’s Viking some rather delicate pipe work, religious conflict. Two it was the coronation of Eliza- kings in their mead halls had as well as I Dreamed a Dream beth II in 1953 that introduced lyre, harp, bone flute, and pan played on the lyre. astronomers, William Crabtree us to the experience of ‘Royal pipes to help digestion. This is It’s the Middle Ages that really and Jeremiah Horrocks, wait to Music’. A tiny black and white the Danish I Dreamed a Dream establishes the link between set, in the corner of a dark Bol- carved on wood in runes – see if Venus will cross the face of royal courts and music. Wan- ton kitchen. (If you have the sun. If they're right, it makes dering musicians, often tears, dear Reader, pre- with an influence of them famous and God irrelevant. pare to shed them now, Arab love poetry, gave as I describe, in touching But will they live to see it? musical culture to the detail, scenes from early crowned and balding childhood not met with heads of many a medi- Eric Northey’s new play debuts at in literature since Dick- aeval court and left us the Buxton Fringe, ens’ account of the death the legacy of the trouba- United Reformed Church, of Little Nell.) dours and trouveres. 16-18 July 7:30pm to 9pm The flickering ghostly They slip into English £8 (Child £5, conc £6) images, 425 lines, the court life through all the occasional loss of picture inter-marrying, the Cru- Bookings via Opera House or as wind shook the aerial; sades and the fact that [email protected] the sound up full volume we owned half of or 0161 4319131 as grandma had left her France. ear trumpet at home; and Eleanor of Aquitaine – ah – the magnificent brought French musi- strains of Parry’s I Was cians to the court of Glad rattling the windows and clearly, early Eurovision Song Henry II. Their son, Richard sending the cat for cover. That Contest material here. It’s a bit the Lionheart was reported to was ‘Royal Music’ indeed, in- tum-ti-tumty and might not be something of a troubadour scribed on the inner ear and have sounded that himself, before he destined to last a life-time. great. went off for cus- But music for the delight – and tomary slaughter- Despite having sometimes pain – of royal ears, ing in the Middle Heimdallur, the clearly goes back to the dawn of East. Other mon- god of singing and time. Nothing like a thigh bone archs, King Thi- divine sound, the on a mastodon-skin drum to baut of Navarre results on earth welcome home the kingly cave and King Alfonso were not always warrior, dragging his bison and of Castile, were also reputed to satisfactory. A visitor said that issuing those time-honoured be celebrated musicians in their Viking instrumental music suf- words that women will hear own rights. We’re fortunate to fered from ‘a lack of modera- down the have that mediaeval legacy in tion in contact with alcohol’. centuries, the works of Dunstable, Jos- Clearly brass players involved ‘Cook quin and Ockegham. there then. And an Arab mer- that! I’m chant visiting the Danish Court For the English, this culminates hungry.’ in the 10th century complained, in the great flowering of the And no ‘Never before I have heard ugli- Tudors, which bound together doubt er songs than those of the Vi- music, politics and religion into some kings in Slesvig. The growling singing sound coming from their went on throats reminds me of dogs as they howling, only more untamed’. dined. Certainly King David of They clearly needed a Neil the Jews could turn a mean Taylor to knock them into hand to psalm writing and lyre shape. plucking, when taking a break from slaughtering Philistines or For a pleasanter reconstruction serenading concubines. And try http://www.youtube.com/ even in slavery, they clearly had watch?v=dI0MCvpD8uI on enough harps to decorate the good old YouTube. Or try willow trees of Babylon. http://www.vikinganswer lady.com/music.shtml to hear Issue 40 Page 5

the rich musical culture that is The next real development of still celebrated by choirs of all royal music was the German shapes and sizes, as well as invasion of the 18th century, being sung in the great cathe- with G F Handel leading the drals every Sunday. charge. George I, virtually on his death bed, passed the ‘Act It helped perhaps, that in Henry of Naturalisation for George VIII we had a monarch who Frideric Handel’ in 1727, so fancied himself as a composer that Handel could commence (and many other things be- writing the famous Four Coro- sides). He was certainly a nation Anthems – The King ‘youth [who] must have some Shall Rejoice, My Heart Is Indit- dalliance’ and his penchant for more than one or two bits on ing, Let thy Hand, and Zadok the the side gave us also the twin Priest, the latter to be used at traditions of Latin and vernacu- every Coronation, and count- lar anthems. For me, Gibbons’ less choral society dos, for the The Silver Swan—a coded la- next three hundred years. We ment for poor Anne Boleyn—is have also been blest with Music Victoria at her coronation still the simplest and most elo- for The Royal Fireworks and the have finished an anthem for quent justification for republi- Water Music, in case the fire- Queen Victoria had death not works get out of hand. inconveniently intervened. (Ah canism and women’s rights. death! That sternest Handel was The Puritans, of course, were a of critics.) miserable lot who closed the joined by theatres and whose idea of a Bach’s young- Because Victoria good time was marathon ses- est son, Jo- was such a deter- sions of psalm sing-alongs. No hann Chris- mined long-liver we wonder people welcomed back tian Bach. He don’t get another the libertine Charles II. Besides became music coronation anthem bawdy ballads about Nell master to until Parry’s mag- Gwynne (‘I’m the Protestant Queen Char- nificent I Was Glad whore,’ she cried indignantly lotte, wel- for the coronation when attacked in the Strand) coming, in of Edward VII, 1764, the recycled in 1911 for eight-year- George V, and old Wolfgang again for Elizabeth Amadeus J C Bach (aka the Quarter-Bach) II in 1953, with Mozart on his cover versions for the grand tour of weddings of Charles Europe. The Mozarts were and Diana, and William and summoned to the palace and Kate. That 1953 coronation the young prodigy played Han- also had Vaughan Williams’ O del, Bach and Abel at sight, to Taste and See which many of us the amazement of all and sun- would have warbled as boy dry. Afterwards he accompa- sopranos, as well as his arrange- nied the Queen in an aria ment of the Old Hundreth. which she sang and she also 1953 Coronation facts: As Elizabeth II also looks set to played the flute, which suggests Henry Purcell be a long-liver, perhaps it’s as  A seat in the stands along the some degree of real musical well to seize the day and take processional route to the Abbey there was the first great English accomplishment. our chance and sing these won- cost £4 opera composer Henry Purcell. Thomas Attwood – a composer derful coronation pieces in sur- Purcell actually sang at Charles who seems to have been ne- roundings (almost) as magnifi-  The coronation was attended by II’s coronation and went on to glected (and it may be the case cent as Westminster Abbey. 8,000 guests, and the musical compose versions of I Was Glad that some composers warrant forces included a choir of 400 and My Heart is Inditing for neglect) – dominates the early James II’s coronation and Come part of the 19th century corona- voices, an orchestra of 600, Ye Sons of Art as a birthday ode tions. Attwood had been a pu- plus military trumpeters for Queen Mary. He also made pil of Mozart, so clearly was no  A special dish was created for good use of his royal connec- slouch on the keyboard. He tions to earn a bob or two by wrote an I Was Glad for George the event: Coronation Chicken being organist at both the Chap- IV’s coronation in 1820, an Oh (basically cold chicken curry in el Royal and Westminster Grant the King a Long Life for a sandwich) Abbey. William IV in 1830, and would Issue 40 Page 6

BRIGIT’S MUSICAL CLASSICS

St George’s President, Brigit tango, one of the best known WHO IS BOBBY MCFERRIN? Forsyth, was a surprise guest on Argentinian tango tunes. An The son of Robert McFerrin, the first Radio 3 at the end of April, astonishing performance of African American to sing a principal when she introduced her per- Burt Bacharach’s South Ameri- role with the New York Metropolitan sonal classical favourites in can Getaway from Butch Cassidy, Opera (and who provided Sidney ‘Saturday Classics’. played by the 12 cellists of the Poitier’s voice in Porgy and Bess), Berlin Philharmonic, clearly and his wife Sara, professor of voice Brigit presented a diverse selec- moonlighting from their day tion of music, in particular illus- job. at Fullerton College in Fullerton, trating her love of the cello. All California, Bobby McFerrin is a cele- the big names were there: du And most unusual of all, the brated American singer and conduc- Pré, Casals, Yo Yo Ma, Rostro- Flight of the Bumble-Bee played tor, and a diverse musical artist who povich (whom Brigit heard live by Yo Yo Ma in a duet with has won numerous awards for his Bobby McFerrin, who uses his on his first visit to the UK, from performances and compositions, the front row of the concert voice to pretend to be a cello. including ten Grammy Awards and a hall). (An idea for a concert perhaps Bobby McFerrin …?) Peabody Award for outstanding con- Her choice included works by tributions to American music. With a Bach (she’s trying to learn all four-octave vocal range combining the cello sonatas by heart!), pop, world, folk, and jazz elements, Fauré, Shostakovich, Vivaldi, STOP PRESS! McFerrin developed a number of Elgar, Moeran and Glass. We hope that Brigit will be vocal techniques including scat Hidden away amongst the usu- able to join us at our VIVAT! singing, circular breathing, and the al masterpieces were some ra- concert, and entertain us with ability to imitate a variety of instru- ther more off-the-wall selec- commentary on some of the ments. tions. The cellist Beatrice Har- works being performed. How- rison who persuaded the BBC ever, we’re waiting to hear to record her playing in her whether she can fit this into garden at night, with nightin- her busy performance sched- gales in full voice in the back- ule—so, watch our website for ground. Astor Piazolla’s Liber- more detail!

DE-COMPOSING Discovered by Ursula Birkett: “To whom then should I better compare the singer than to a What's the first thing best fit the mood of the film. So other contemporary composer drunken man who does a composer says at work? he used the woodwind sections and rewrite all the parts back- indeed get home but does not Would you like fries with that? from three of the best jazz wards! Nobody will know…’ A in the least know by what bands and the high string sec- few months later, at the first path he returns?” - from the What do you call a composer tions of three of the best sym- rehearsal, the parts are passed treatise De Musica, dating without a significant other? phony orchestras for the work. out, the conductor gives the from about 1100 Homeless. Soon after the soundtrack had downbeat … and the opening

Why do composers have to be been added to the film, the bars of Beethoven’s 5th Sym- awake by six o'clock? Because composer received an angry phony ring out. message from the director: the most shops close by six thirty. Aaron Copland was in a Knock knock. film rating board had given his bookshop when he noticed a Who's there? family film an ‘18’ rating for What would a composer do if woman buying two books--a he won a million dollars? too much sax and violins. Phillip Glass. volume of Shakespeare, and Continue to compose until the mon- A contemporary composer Copland's What to Listen For in ey ran out. Knock knock . (who shall remain nameless) is Music. As the customer turned Who's there? A movie director hired a well commissioned to write a new to leave, he stopped her and known composer to write the orchestral work. He needs the asked, ‘Would you like me to Phillip Glass. score for his new family film. money but is unwilling to put in autograph your book?’ The After seeing the film, the com- the work required to compose a woman looked blankly at the Knock knock . poser decided that a really dif- new piece, so he comes up with proud composer and asked, Who's there? ferent instrumentation would a plan: ‘I'll take a piece by some ‘Which one?’ Phillip Glass ... Page 7 Hemiola

ВИВАТ or VIVAT RUSSIAN STYLE BY GWYNETH PAILIN

In addition to the gilded palaces could sing a low A but that the group choir had been trying to and onion-shaped domes visit- name of the group was Vivat - master. Again the quality of the ed on a Russian tour there was which was an extra reason to singing was almost unbelieva- an unexpected delight. Wander- buy a recording! ble – particularly the quietest ing round the Church of Elijah sounds imaginable – and I the Prophet in Yaroslavl we The group were founded in found myself looking round to became aware of a wonderful 2001 in Nizhny Novgorod with see what instrument was play- sound. In a corner of one of the the aim ' to revive and popular- ing the really low notes. Of rooms were four men singing ize old Russian vocal tradi- course there were CDs for sale Russian church music. The tions.' and of course I bought one –

visitors stood spellbound by the The following day there was this time of folk songs. sheer quality of the perfor- another treat in store in a for- This male ensemble were called mance – the amazing sonori- mer church in Uglich and this ties, the range of dynamics and Kovcheg and though they don't time we had chairs! The group have a website they can be the precision of the ensemble numbered six and they sang work. After they had finished found at www.russianmusic- arrangements of Russian folk fest.ru (the International Rach- we queued to buy CDs and tunes. One was of the Volga maninov Russian Music Festi- learned not only that the bass boat song which our own tour val) as well as on You Tube.

OLYMPIC ANTHEMS: FASTER, HIGHER, STRONGER—LOUDER

THE OFFICIAL OLYMPIC geles games, frequently used to in Hand, from the 1988 Seoul Anthem was written by Spyros accompany TV sporting events. games. Sung by Koreana, a Samaras (1863-1917), a Corfu- four-member group, it has been born composer. Although it THE MOST MIRACULOUS a popular tune in Asia ever was first played in 1896, the Olympic song was Barcelona, since, and is apparently often IOC didn’t name it as the offi- sung by Queen’s Freddie Mer- used for music graduation exer- cial anthem until 1958. It is cury and Spain’s opera star, cises in the Philippines. sung when the Olympic flag is Montserrat Caballé, at the raised and lowered. The words opening ceremony of the Barce- THE MOST CONTROVERSIAL were written by Greek poet lona games in 1992—indeed a music event occurred in Beijing Kostis Palamas (1859-1943), a miracle, as Freddie had died in in 2008 when 7-year old Yang fervent Greek nationalist. The 1991. He had written the song Peiyi, whose voice was heard at lyrics of the first verse are: five years earlier when Barcelo- the Opening Ceremony but Immortal spirit of antiq- na had been chosen as the who was regarded as not pretty uity,/ Father of the true, Olympic venue, but the perfor- enough to be seen, was replaced beautiful and good,/ mance had been recorded at an on stage by 9-year old Lin Mi- Descend, appear, shed earlier festival, and was shown aoke, who mimed to the song. on the stadium’s video screen over us they light / Up- THE LEAST MEMORABLE SONG? on this ground and un- during the ceremony. The actu- al theme song was the far less Pick any one from a long list of der this sky / Which has over-orchestrated, over-wrought first witnessed thy unper- miraculous Amigos para siempre (Friends for ever) and was sung and over-hyped cacophonies. ishable fame,/ Give life and animation to those by José Carreras and Sarah THE LONDON OLYMPICS noble games! Brightman—the latter popping will feature a closing ceremony up again in Beijing 2008, when played (well, mimed—it’s being The Miraculous Mercury and Monserrat THE MOST PROLIFIC she sang You and Me with Chi- pre-recorded) by London Sym- Caballé, auditioning for Die Fledermaus Olympic composer is John Wil- nese pop star Liu Huan (brave phony Orchestra and entitled liams, who wrote official tunes career choice there from the ‘A Symphony of British Music’. for the 1984, 1988, 1996 and former Mrs Lloyd Webber). Fortunately, the Sex Pistols 2002 Olympics. Particularly have turned down an invitation popular is the Olympic Fanfare THE MOST POPULAR OLYMPIC to participate. he wrote for the 1984 Los An- song (believe it or not) is Hand Page 8 Hemiola

ST GEORGE’S SINGERS’ NEWS

Sopranos in the frame book, Food Glorious Food. With St George’s Church 52 scrumptious recipes, the After the fantastic fund-raising The refurbishment of St book features favourite recipes efforts of the altos, followed by George’s Church Poynton is provided by Choir members, those (almost as amazing) of complete—and it looks fabu- with dishes for every course. the men, it’s now the sopranos’ lous. Comfortable, flexible Andrea has also provided an turn to practise their wallet- seating, more space, computer- electronic version, suitable for opening skills. So, what’s the ized lighting, new sound sys- downloading to any i-enabled difference between a soprano tem—just the place for a Pucci- gizmo. Available digitally from and a blackmailer? You can ni Singing Day! Congrats to any Choir member free of negotiate with a blackmailer. Rob the Vicar and his team. charge—though a small dona- Welcome tion to Choir funds would be Poynton Festival greatly appreciated! A warm welcome to soprano Don’t miss Poynton Festival Sarah Ashton, who joins us just Next Season over Jubilee weekend, with in time for the final concert of SGS in the final concert on 5 St George’s Singers gets a front the season. June. page mention in Manchester Food Camerata’s email about their Message to Don new season. We join them at Many thanks to Andrea Sorry to hear bass Don Sanders the Bridgewater Hall on New Millington for all her hard work is not well. All good wishes— Year’s Eve. in producing a new edition of and hope to see you back soon! the St George’s Singers’ recipe

EGG- CELLENT NEW SOPRANO JOINS ST GEORGE’S

Meet Mabel, accommodation. Virginia re- With thick feathering to protect the latest re- cently moved her into different her from the elements, a vigor- cruit to the housing with nwe flat-mates. ous constitution and immune ranks of the St This has not met with Mabel’s system, and a body large George’s wholehearted approval, and as enough to be insulated from Singers’ sopra- a result she has instigated an wet and cold, Mabel should be nos. Mabel egg-laying go-slow protest (only able to produce strong egg lives with her two eggs per week currently). shells for many years to come— owner, Virgin- However, Virginia thinks this and should continue to lay ia Fox (no will be a temporary measure, probably well into her dotage. jokes about designed as a short-term pro- As can be seen from the photo, foxes in hen- test, rather than as a negotiating Mabel is a very pretty hen, and, houses tactic for long-term additional naturally adorned in her St Researchers into the impact of please!) in Macclesfield, and Poultry Resource benefits, and George’s Singers’ colours of red music on a chicken’s egg laying has already made a big contri- is confident that Mabel will be and black, will be a splendid came to the conclusion that rock bution to the choir. Every week back to her usual cooperative addition to the sopranos, partic- music may be more effective at she provides six beautiful eggs self very soon. increasing egg production, but ularly in works such as Hen in for sale at Tuesday rehearsals in classical music (which came in a For those of a fowl inclination, Alium, Lay a Garland, Rejoice in aid of choir funds. (Mabel’s close second to rock) is actually Mabel is a Black Rock hen, a the Hen, Gloria in Eggcelsis, Eggs eggs are so eagerly sought that what chickens prefer. Rock breed that is ideally suited to Benedicamus Domino and the all- apparently stresses the birds they sometimes don’t actually roaming freely around gardens, time favourite, Now is the Month out, by annoying them. (Well, make it into the rehearsal room, and renowned as a good layer. of Laying, would you like Led Zeppelin in but are swiftly paid for and Black Rock hens are highly your ears 8 hours a day?) smuggled out by some less than Mabel has already raised her productive, and are bred from Classical music on the other community spirited Singers! initial target of £10 for the hand soothes them, resulting in very special and uniquely se- Their names have been noted.) Choir—and looks set to raise happier hens and easy-cook lected strains of Rhode Island even more in the coming eggs. Mabel lives with friends in Red and Barred Plymouth months. beautifully appointed free-range Rock in the East of Scotland. Page 9 Hemiola

This article was found on the TIPS FOR GOOD VOCAL HEALTH ‘Cardiff Singer of the World’ website. We thought it might be of use to any members of St George’s Consultant laryngologist Tom breathing pattern, reducing perform better when warmed thinking of applying—for tickets to Harris shares his top tips on main- your ability to control the up before exercise. A useful the final concert that is—and taining good vocal health. Here are breath and putting strain on selection of warm-up exercises anyone else interested in some of the many things you can do your voice. can be found on the Voice Care maintaining good vocal health. to help prevent problems developing Network website in healthy voices. Breathing (www.voicecare.org.uk). Take regular exercise to main- tain a good lung capacity. Try Warm-down Rest not to speak when you are out It is also important to warm the If you have a throat infection or of breath or speak for too long voice down after use, especially laryngitis it is best to rest your on one breath. voice. Do not speak more than Air is the fuel you absolutely have to. A day for your voice. off work when an infection is If you have too acute may save you a week off little air availa- later on, especially if you have a ble your voice vocally demanding job. can become

Steam strained and tired. Steam inhalations are very soothing for strained, laryngitic Relaxation voices. The steam reduces in- Tension in the flammation body tends to and irritation generalize and Rachel’s relaxation was so deep she was very effectively. may affect the larynx. Tight totally unaware that her Bridgewater Hall Water tense muscles do not work as debut was about to start efficiently as relaxed muscles Drink plenty of and may result in fatigue and water. Six to after singing or speaking against discomfort. Jaw, neck and eight large noise. Noisy environments tend shoulder exercises can help glasses of water to make us speak louder and keep the voice relaxed and clas- a day are usual- higher in pitch. Higher pitches ses in such things as Yoga, Tai ly recommend- are produced with stretched Chi, Pilates or Alexander Tech- ed. The mu- thinned vocal folds. If the mus- nique will help improve your cous that lubri- cles that control pitch are over- general fitness, lung capacity cates your vo- used, the voice may begin to and posture. Graham was having second thoughts cal folds, nose, throat and chest fatigue more quickly. Exercises about his vocal coach’s recommended that focus on your lower pitch depends on the water content in Warm-up steam inhalation treatment range are likely to relax the the body. If you do not drink The vocal muscles are like any enough the laryngeal mucous pitching mechanism and reduce other muscles in the body; they vocal fatigue. becomes thick and sticky and are less vulnerable to injury and may interfere with efficient voicing. Vocal folds Tom Harris is a Consultant Laryn- that are dry are also more gologist. He ran the Lewisham vulnerable to damage Multidisciplinary Voice Clinic, is with excessive or ineffi- the Founding Chairman of the cient voice use. Voice Research Society (now the British Voice Association) and Posture opened one of the first Multidiscipli- nary Voice Clinics in the UK in Efficient voice produc- 1982. Tom has been an Honorary tion is helped by main- Senior Lecturer for Guy's, King's taining good posture. and St Thomas's Hospital Trust, a Poor posture can distort Consultant to RADA and a mem- your neck/back align- ber of the editorial board of The ment affecting the reso- Journal of Voice (USA). nating spaces in the throat and the control of In view of the threatened water shortages this the laryngeal muscles. It year, the basses decided to find alternative ways can also affect your of lubricating their vocal folds Page 10 Hemiola

WAKEFIELD MUSIC LIBRARY SAVED

Wakefield Music Library, ‘ask the expert’ area on the A new website will be launched threated with closure for the website, where experts from soon, and the Library will be past few months, has been tak- various fields of music offer moving to its new location on en over by Fresh Horizons, a their knowledge and expertise Red Doles Lane, Huddersfield local social enterprise in Hud- to members and societies that on 14th May. dersfield, who will manage the need help in choosing reper- SGS Librarian Gwyneth Pailin new music service, which is to toires, or general advice about particularly wishes to thank all be renamed the Yorkshire Mu- venues, music arrangements St George’s members who sic Library. etc. The site will also provide wrote individually to their MPs, links to performances by or- They aim to provide an online Councillors and other influenc- chestras and choirs and allow reservation system where cus- ers to ensure that our serious news to be posted to the site on tomers can view the library concerns were registered, and concerts, new stock, and other catalogue and reserve music. acted upon. local support organisations. They also hope to develop an

A SEASON OF RARE DELIGHTS

St George’s 2012-13 Season is swiftly followed by best loved works Brochure will be published in New Year’s Eve, which from his youth June, detailing another exciting sees St George’s Singers through to the programme of works for the back at the Bridgewater mature works of coming season. Highlights Hall with Manchester his later life. include: Camerata in the traditional The altar of Notre Dame de Paris May will see the Choir on tour operatic knees-up, this year French sacred and secular cho- to Paris, and then we end the featuring soprano Rebecca Nel- ral music, including Fauré’s season with some Handel, Vi- sen. Requiem, and Cantique de Jean Racine. Whilst the The Singing Day in Requiem is known by January 2013 sees us all choral music lov- back at our home base, ers, the rest of the St George’s Church in programme offers Poynton, with a fabu- some rare treats, with lous day’s singing in songs by Debussy (in Puccini’s Messa di Gloria. An Old English Rose named in his 150th anniversary Puccini knows a good honour of Benjamin Britten year), Ravel, Poulenc, tune when he hears one, Villette and Saint- so if you’ve never been Saëns which may be new to to one of our Singing Days most of our audience. We’re before, this might be the year to thrilled that the 2011 Young start. Chorister of the Year, Ella Tay- valdi (and who knows what Debussy’s anniversary year is lor, will be lending her beautiful else!) at a summer concert in followed by an even bigger voice to the Requiem. the Monastery. With a concert musical celebra- title of ‘Gloria’ - you’ll get the Christmas wouldn’t be tion: the centenary general impression! the same without our of Benjamin Brit- traditional Carols and ten’s birth. Choral Download from the website, Brass by Candlelight at and orchestral mu- pick up a copy at our VIVAT St George’s Church in sic will be on the concert, or join our mailing list. Stockport, with VBS programme, with Don’t forget—a season ticket Poynton Band. This some of Britten’s saves you money! Page 11 Hemiola

Sue Taylor received a charm- ing note of thanks from the HOW MANY SINGERS DOES IT TAKE TO family, following our singing CHANGE A LIGHT BULB? BY JEAN EGERTON at the Requiem Mass. On Monday 16th April twenty to deal with a serious first aid that several movements of the “We have had numerous intrepid Singers travelled by incident, stepped in and insisted Mass were inappropriately comments from friends, col- road, rail and foot to St Chad's on taking over. There followed cheerful for a funeral service. leagues and clergy to say how Church, Cheetham Hill Road, a nerve-wracking five minutes Consequently the order of ser- fitting it was to have the Manchester where we were to which felt like thirty, especially vice we had been sent in ad- choir belting out the hymns – provide choral music for a fu- to Anne who could hardly vance was significantly different just as my Mother used to do neral. Normally The Cheshire watch. Two altos anxiously from the one that the mourners at St Chads. Consort, the group of Singers gripped the ladder as the valiant had been given—and neither of who earn funds for the choir by bass carefully climbed the step which bore a great deal of re- “I should appreciate you performing by request, have the ladder and standing precarious- semblance to the service that passing on my very best re- happy task of singing at wed- ly at full stretch on the top step, was actually conducted below. gards and tell them all that dings, so this engagement was a successfully unscrewed the old To those of us unfamiliar with they did a great job. Mum bit of a departure from our usu- bulb and fitted the new one. the complexities of the catholic would have loved it!” al role. Meanwhile Damien helpfully requiem mass, it was all very explained that the screw thread confusing. We had not had any opportuni- was very liable to cross, causing ty for rehearsal but had been the bulb (which cost £34) to Fortunately the organist proved assured the music was very blow when switched on. To to be a tower of strength. Mov- straightforward and we had all everyone’s relief the operation ing silently from his seat at the spent some time familiarising was concluded successfully and organ to whisper in Anne Fran- ourselves with the emailed copy without mishap just as the rest cis’ ear at every transition, he of an unfamiliar but rather love- of the choir arrived. shepherded us calmly and au- ly piece, Missa de Angelis, a Gre- thoritatively through the many gorian Mass arranged by Chris- From that point on the proceed- parts of the service. With his topher Moore. Was I the only ings became increasingly sur- help and a certain amount of one to find that, although the real. It was carefully explained hasty (but quiet) paper shuffling notes were easy, fitting the that there were no toilet facili- we managed to sing the right words to them was less so? ties in the church: the pub and bits at approximately the right café over the road allowed time. He even remembered to The first on the scene were church goers to use their facili- complement us on our singing! Dave and Anne Francis with ties but expected them to par- me in tow, planning to have a take of some refreshment in The deceased was a lady who discussion with the organist return. Alternatively, the toilet had been a stalwart of the before the rest of the choir ar- in the adjacent priest’s house church and was clearly remem- rived. (Sue Taylor had disap- could be used by special ar- bered with genuine affection peared to the wilds of North rangement and only under the and gratitude by the priests. She Wales, leaving Anne holding close supervision of a church had presided over the accounts How many sopranos does it take to the score!) Having eventually officer in case anyone took a of the church with great effi- change a light bulb? found our way into the church fancy to the priest’s iPod. ciency, taught in the Sunday One. She holds the bulb and the we were met by an elderly gen- school and sung her heart out’ world revolves around her. tleman (the term ‘ancient re- The choir were to sing from the in the choir for many years. Her tainer’ immediately sprang to organ loft which was reached family spoke eloquently and How many altos does it take to mind) who introduced himself via a tiny spiral staircase ac- movingly of their debt to her as screw in a light bulb? as Damien, the Sacristan. cessed through a convincing she strived to ensure they bene- None. They can't get that high. replica of the Grotto at fitted from an education to a Damien was delighted to see us Lourdes. Once in position in level far higher than she had How many tenors does it take to as he immediately spotted an the organ loft, we could see been able to access. change a light bulb? opportunity to enlist our help nothing of the body of the Four. One to change the bulb and with a little task. He led us to church but floated, out of sight, Though the experience had three to bitch that they could have the front of the church where he high above the events unfolding been at times little short of done it if they had the high notes. had been about to change a below. The powerful incense Pythonesque, it was, I felt, a light bulb. This may sound rising up to our perch accumu- privilege to have been able to How many basses does it take to simple, but the light bulb in lated to such a level that it was make a contribution to the cele- change a light bulb? question was some fifteen feet in danger of rendering singing bration of the life of such a ded- None. They're so macho they above the floor and approxi- impossible. icated and determined lady. prefer to walk in the dark and bang mately the size of a large mel- their shins. on. He asked us to hold the We were told that the musical stepladder, but gallant Dave, component of the service had probably with visions of having been changed as the priest felt Page 12 Hemiola

QUIZ NIGHT – BRAINS IN HARMONY BY DAVE FRANCIS Each section of the Clueless, Wytches of Whalley, meal for 60 people was an inter- Choir is taking it in and George Osborne Ate My esting challenge, but with the turns to organise Wallet. Rounds of questions help of kitchen supremo Peter fund-raising activi- were provided by Mark War- Farrington and a large number ties. The contribu- rington and Dave Francis. of slow cookers borrowed from tion of the tenors Mark had agreed to be the ques- various choir members, the and basses to the tion master but was unable to hungry were fed. Thanks also fund-raising cam- attend due to family illness, so to John Pears for organising the paign was a Quiz Dave took on this role, with raffle during the break. Night, held on Sat- Michael Peat as scorer. urday 28 April at The result of the quiz? The the Church Hall. It In addition to rounds of ques- clear winners, the Deaf Tones, The winning team of Lorraine, Helen and was attended by tions read by the quizmaster had just three members – Helen Rodney—with George making an invalua- about 60 people, organised into there were two table rounds, to Rollison, Lorraine and Rodney ble contribution on his specialist subject, teams of 4 (ish). be worked out throughout the Lighton. Impressive brain pow- Root Vegetable Cropping Rates in the evening, ‘Scrambled names of er, eh? Tundra, 1835 to 1969 In the best tradition of such musicians’ and ‘Name that quizzes, plenty of daft names face’. Even more impressively, the were chosen to identify the event raised around £320 for teams, such as Don’t Knows, At the interval a hotpot supper the Choir. Very well done was served. Providing a hot gentlemen!

This year’s Young Musician of LET’S HEAR IT FOR THE RECORDER the Year culminated in a final featuring three phenomenal BY HELEN ROLLISON young players: cellist Laura Van Der Heijden (the ultimate When did you last see a record- often prefer guitar or drums, as There are approximately 20 winner), pianist Yuanfan Yang (yet another Chetham’s student er player on the television or their favourite band has these, recorder orchestras in the UK, in the final), and Charlotte hear one on the radio? Now or are moved by parents and ranging from one-to-a-part Barbour-Condini, a recorder ignoring the recent prominence teachers onto other wind instru- chamber groups to 60+ player player. So seldom do we hear of Charlotte Barbour-Condini ments. This has had knock ensembles with nine different the recorder on the concert on Young Musician of the effects on the National Youth sizes of recorders. This is not platform, we thought it was the Year, when was it? The most Recorder Orchestras struggling to mention the numerous pro- ideal time to find out more likely answer is that you can’t to fill its courses and although fessional recorder soloists and about them from St George’s remember as the occurrences the majority of UK music col- ensembles working in the UK. alto Helen Rollison are few and far between. Radio leges offer recorder as a first However, concerts by many of 3 occasionally plays a baroque instrument, they are rarely these groups struggle for an recorder concerto or sonata but oversubscribed. More locally, audience. usually around 1am! There- the Stockport Recorder College Charlotte Barbour-Condini’s fore, most people’s impressions was founded for students to participation in the Young Mu- of the recorder come from pri- continue playing the recorder sician finals gave the recorder a mary school recorder groups after primary school. It contin- well needed media boost and and as a result the recorder has ues to meet every Saturday, but demonstrated that it is a proper an image problem. now caters for ages 7-18+ and instrument, not just a stepping teaches complete beginners to The recorder is a good class stone. Hopefully this will in- beyond grade VIII. In the instrument because, like sing- crease media coverage of the 1970s it had over 100 students, ing, everyone can join in with recorder and encourage record- but now struggles to get 30. little technique required. Its er players and teachers to simplicity however, is also its In contrast, however, recorder spread the joy of playing. And, downfall; you hardly ever hear courses for adults of all stand- maybe, next time you see an a recorder played well! In the ards are often full and recorder advert for concert involving the UK, school recorder playing is playing among the retired is recorder, you might just think in decline with many primaries flourishing through the U3A, of attending. not offering recorder at all. local council classes and the Where it is offered children Society of Recorder Players. Page 13 Hemiola

A video of the rehearsal for the THE CORONATION, SOPRANO FUNDRAISING 1953 coronation attended by Andrea can be found at AND ME BY ANDREA MILLINGTON http://www.britishpathe.com/ video/coronation-rehearsal/ query/01001600 I was born on 2nd June and in Westminster Abbey 1953, as a child, enjoyed the where the coronation coronation celebrations. There took place became a were street parties, a Sunday special place for me and School party, a school party my musical home. I and more. At each one anyone was fortunate to go to with 2nd June as their birthday Grey Coat Hospital a was given a present. I did very school in Westminster well!! Some of them involved (train from the suburbs) dressing up too and my mother, and our choir concerts a very good needle- with the boys of West- woman, made a minster School all took number of outfits. I place in the Abbey. particularly remem- Now, somewhat older, I ber being a Corona- am with the rest of the tion Gypsy (an odd country, celebrating the concept) and wearing coronation again. a lovely red taffeta dress and bolero all As part of the sopranos fund- Andrea as she was at the Coronation edged in red, white raising initiative Sue Sawyer in 1953 and blue ribbon. On offered a tour of Lyme Hall and reflection it looked Gardens and one of the dates like a possible sopra- Blue Peter Badge then Mabel available was 2nd June. So (Virginia’s hen) would get one no outfit for Spanish what could be better than to Gold meets VIVAT? for her delicious eggs. There are share my birthday on this Jubi- handicrafts, cards, marmalade

HM modelling one of Andrea’s lee year with Irene Gibbons etc, all contributing to fundrais- Mum’s creations Good friends and neighbours (SGS soprano) and old friends ing. took me with them to the pro- Val and Ted on a day at Lyme cession rehearsal in the Mall. Park. I What a treat that was! Every- think Mr thing happened as it would on Darcy the day but minus the Queen emerging and Royal Family. We had from the seats in a stand in the Mall and lake will a great view. England’s weath- have to be er was not kind and at some imagined point later in the day the heav- as Sue ens opened and we were all couldn’t soaked to the skin. My mother quite man- greeting us as we returned age that. home thought I had fallen in Never Lyme Park—and THAT lake the Thames, to the annoyance mind—we can dream! of our friends who had looked after me very well! The sopranos have been very

A brace of Darcys—for no particular reason busy and will continue fund- So this year on my Coronation raising through- Day birthday I hope to have a out the term. super day out, celebrate and The plants have look back nostalgically over the been in great Jubilee weekend and look for- demand and the ward to our St George’s Singers cakes, well, what Jubilee celebration concert VI- can I say, eaten VAT on 17th June. and enjoyed, just excellent. If we had an SGS equivalent of a Page 14 Hemiola

OUR VIETNAM TRIP BY ANTHEA SLATER

Hanoi is MAD. A swarm of lunch. Great motorbikes carrying everything fun, learnt from double beds to whole fam- loads, inter- ilies. Crossing the road is an esting tastes. achievement, needs courage to Astonish- walk slowly straight across, ingly every- whilst the traffic weaves around where Xmas on all sides. A colourful, differ- trees, elabo- ent way of family life on the rate ginger- streets. The sky thick with elec- bread hous- tric cables all seemingly bal- es, Santas anced on the trees. Food won- and SNOW- derful, people very friendly. MEN! Over- Packed night small ruck- train sack for ‘home stay’ and told it north to Fascinating 4-hour bus trip to would be cold and communal, Sapa. the beautiful Halong Bay. Mo- but we hardy folk from the UK Four to a peds carrying large pigs and thought the weather was good. tiny cabin assorted animals, new babies with Amazing bus journey to Mai and mountains of assorted Chau Village (isolated until bunk food; difficult see the driver. 1990s), wooden houses, ani- benches, Weather was clear and bright, mals below and sleeping above. very cosy took small boat to huge caves, People were weaving or backs with our climbed 420 steps for an amaz- bent over the rice fields. Buffalo fellow ing view. Small beach for swim; wandering around and fabulous passengers taking it in turns to fabulous. Very impressed with mountain views. our comfortable junk. Superb move! The night was very noisy; bumping, bouncing, All slept together on the floor, food, one course was a fish clanking, clanging and totally very matey! We woke at 3.30 to served in a fishing net made out devoid of sleep! Then travelled rousing chorus of cocks crow- of a whole carrot. by bus as the sun rose over the ing in three different keys, dogs Water puppets in Hanoi, musi- mountains. Beautiful. barking and assorted rural nois- cians played very beautifully on

es. However we were warm, so unusual instruments, the one Spent day dosed fitfully until coffee. stringed dunbow player was walking with Breakfast was hot bread and memorable. Small theatre, full minority eth- omelette all prepared in a tiny audience. Highly painted pup- nic groups kitchen with just a wood fire. pets were manipulated by

Black Hmong, skilled folk up to their thighs in Glay people, and the Red Dzao, wonderful insight into their very modest lives. Thick mist and shared trail with buf- falos, the red mud was very slippery. Giggles rather than views, and covered in mud, I had to go to dinner in my pyjamas! No kidding!! Cooking lesson in Hanoi. Chef took us around the fascinating market first, then on with aprons, just like Master Chef. Our efforts were to be our Issue 40 Page 15

water. Cycle ride, rickety arm- pretty streets filled with small still being born deformed chair attached to an old bike. shops Working on a farm, giv- thanks to Agent Orange. Pho- Imagine being in the middle of en traditional costumes of tos were particularly harrowing. the M25, manic! Motorbikes, brown shirt/conical hat. Pre- We crawled through the Cu mopeds, taxis, cars, buses all pared herb bed, fed with dried Chi tunnels (widened for the came within an inch. and washed seaweed, wa- tered with two cans sus- Ho Chi Minh Mausoleum. He pended from our neck. John looks in a peaceful doze, died looked wonderful and in 1969 aged 79. Saw his mod- worked harder than anyone est houses, and admired the keeping his lovely big smile! temple on one stilt. Lemongrass hot footbath afterwards, very welcome. Visited ‘Hanoi Hilton’ the very austere prison, heard of such Cookery demonstration. torture and cruelty, very sober- Fill pancake with pork and ing. Fascinating details of Viet prawn, crisp, then put in culture, history and philosophy. rice paper, fill with mixed Very impressed with their out- greens roll into a fat sau- look on life and yet they live sage, dip in chilli sauce. within a communist society. Delicious! We ate rather a Fifty-four different ethnic lot and then were brought groups all respected and pre- five other gorgeous dishes served. but always with sticky rice!

Rainy Hue was practically un- Food generally fantastic, we der water. Explored pagodas, have enjoyed Pho, hilal, temples, tombs and enjoyed all amazing seafood, BBQ of the history, but missed the wild boar (missed the goats nipples), tried snake wine, ele- non-Viet visitor!) and were stag- views. The huge numbers of gered at their ingenuity. A very motorbikes and drivers were all phant ear (fish) whole coconuts to drink. Live snake and paddy sobering experience, much swaddled in bright coloured moved by these exposures to plastic ponchos. Bewildering field chicken (rat) also offered. Tummies all okay, no nasty war atrocities. scene of fast-moving colour in the driving rain. Impressed with smells, flies or mosquito bites. Mekong Delta, travelling by how folk cope every day in Flight to Saigon. Shock to be in small boat for the day to Can such difficult circumstances, a noisy city again. Saigon was Tho. 35 degrees - humid. Chi- especially when life is lived so rocking! Party time for every- nese warehouse, beautiful tem- much on the street. one. Tiny children in red and ples, sweet ‘factory’, water white, heaving with every market and queuing to village life activity, a really post their fabulous experience. Later on letter to we climbed up Sam Mountain Santa. for a wonderful sunset. A fit- Snow tingly glorious finale to our White and Vietnamese adventure. seven San- tas on mo- tor bikes! We went to the 23rd floor of the Sheraton for the view, fantastic. Cham Museum and climbed the Marble Mountain. Deep Our excellent guide told details inside, the Vietcong had an about the life in this beautiful operating theatre during the country. Very thought provok- war. Hoi An Japanese bridge, ing and humbling that the Viet Chinese temples, Buddhist people forgive and look to the buildings, ancient houses, future whilst their children are St George’s Singers

For more information, please contact:

Peter Marcus (Chair), 01904 784455 [email protected]

Jacqui Smith (Secretary), 01625 533779 [email protected]

David Robson (Publicity), 07764 235261 [email protected]

Hemiola Editor: Susan Hodgson St George’s Singers was formed in 1956 by Rev Eric Chapman and Geoffrey Ver- [email protected] This would be a good place to insert a short paragraph about your organization.ney, organist andIt might choirmaster include of Stthe George’s purpose Church, of the Poynton organization, in Cheshire, its mis- where the Choir still rehearses every Tuesday night. Geoffrey’s dream was to build a true communitysion, founding choir, date, capable and of aperforming brief history. major You choral could works also to a includehigh standard a brief andlist ofwhich the wouldtypes attractof products, singers andservices, audiences or programs from neighbouring your organization towns. Geof- Find us on the web at: offers,frey died the in 1964,geographic but his legacyarea covered was nurtured (for byexample, his successors western Duncan U.S. Eyre, or Euro- Ray www.st-georges-singers.org.uk. peanLomax markets), and moreStephen andrecently, Williams, a profile Stephen and of is Williams.the continued types of by customers our present orMusical members Director, Neil Taylor. St George’s Singers is now recognised as one of the leading and most innovative choirsStserved. George’s in the Singers North Westis now of recognised England, performing as one of the an leading astonishingly and most varied innovative reper-

toire,choirs and in the with North around West 120 of members England, drawn performing from an astonishinglyarea far beyond varied the communi- reper- To receive a regular copy of Hemiola, It would also be useful to include a contact name for readers who want tytoire, of Poynton. and with aroundWe present 100 membersat least four drawn major from concerts an area a year,far beyond in venues the communi-including complete the Mailing List registration on the Thetymore of Bridgewater Poynton. information We Hall present about and Royal at the least organization.Northern four major College concerts of Music, a year, hold in venues annual including Singing website, or contact the Publicity Officer. Days,The Bridgewater and tour regularly Hall, Gorton in the Monastery,UK and abroad. Manchester Now under Cathedral Musical and Director Royal Neil Taylor,Northern St College George’s of SingersMusic, continueshold annual to Singingexplore andDays, expand and tour the regularlyboundaries in ofthe choralUK and music. abroad. St George’s Singers continues to explore and expand the bounda- Entryries of tochoral the Choir music. is viaEntry audition, to the Choirand new is via members audition, are and welcome new members to come arealong wel- ST GEORGE’S 2012-2013 SEASON tocome rehearsals to come at along any time. to rehearsals at any time. OUTLINE PROGRAMME

10 November 2012 Fauré Requiem, plus MANCHESTER SINGS Debussy, Poulenc, Ravel, Saint-Saëns and Villette RNCMSU Bach Ensemble Fringe with Songs of Sentiment, give one performance. Solo 8 December 2012 A word of congratulations to lovely romantic Italian songs by recitalists include baritone Carols & Brass by Candlelight the students of the RNCM for Tosti, and English songs by Mark Stone (who sang with us their terrific series of free con- Quilter and contemporaries. in St John Passion) in a pro- 31 December 2012 certs over the spring and sum- Tim and Catherine were nomi- gramme of Delius, Ireland, Orr New Year’s Eve Gala, mer in St Ann’s, Manchester. nated for a small ensemble and Quilter; soprano Claire Bridgewater Hall The RNCMSU Bach Ensemble award in last year's Fringe, so Rutter; and Gillian Keith. is organized by the Students don’t miss their lunchtime con- If masses are your thing, Bux- Union, and was created to give cert in the beautiful acoustic of 19 January 2013 ton Madrigal Singers perform students an opportunity to play St John's Church, 13 July, 1pm. Singing Day— masses by Mozart (Spatzen- and sing more Bach and to Puccini Messa di Gloria Handel’s Jephtha, with the Or- messe), Haydn (Nelson Mass) and bring more Bach performances chestra of the Sixteen and Festi- Howells (Collegium Regale) on to Manchester audiences. Next 23 February 2013 val Chorus, conducted by Har- the three festival Sundays. concert: Friday 15 June, 1pm. Britten at 100— ry Christophers, with Susan Entry free, but donation to If you prefer things out of the Caption100th describing Anniversary picture Concertor Bickley, James Gilchrist and church restoration appreciated. mainstream, there are also intri- graphic. Gillian Keith. Other operas guing concerts around Gilbert 23 June 2013 Summer is coming, and with it include Vivaldi’s L’Olimpiade, & Sullivan, a 21st century take Gloria! the festivals. Buxton Festival Britten’s Turn of the Screw, and on Handel’s arias, a homage to Vivaldi and Handel (www.buxtonfestival.co.uk, 7— Mozart’s Marriage of Figaro. Kathleen Ferrier, and an early at The Monastery 25 July) has lots of goodies this On the choral front A cappella music street band. year, amongst them: Ticket Hotline: 01663 764012 Chor Villach from Austria, and [email protected] A happy summer of singing! www.st-georges-singers.org.uk Tim Kennedy and Catherine Sveti Sedmoschislenitchi (The Hall-Smith return to Buxton Seven Saints) from Russia both