The Labyrinth the Paper Factory the Butterfly House Collodi Pinocchio

Total Page:16

File Type:pdf, Size:1020Kb

The Labyrinth the Paper Factory the Butterfly House Collodi Pinocchio C.H.I.L.DCOLLODI’S HOUSE OF INTERACTIVE LEARNING & DEVELOPMENT Our aim is to redefine the traditional library experience and allow for a AUDITORIUM PERSPECTIVE SECTION more explorative approach that peaks the curiosity of visitors of any age group, providing a layered experience engaging their senses and creating a sense of anticipation. Based on different entities, a layering system was conceived. The Labyrinth The concept began with the beginning of Carlo Lorenzin, where Villa Garzoni and its complex garden were the main inspiration, “...a labyrinth of box that promises love to those who find shelter in it..”, the Library materializing as an immersive path for the inquisitive mind; a Labyrinth. In this reinterpretation of the Labyrinth the user experiences an enhance- ment of sensations and feelings based on the different paths taken, where the heart of the maze is no longer a singular destination, but a multitude of hubs that invites them to engage in different activities. The Paper Factory Considering the major role of the factory played in the growth of the area, it became the starting approach towards the site, from it, a grid was creat- ed leading to a clear alignment with the structure. Whereas the existing topography creates a segregation between the 2 areas of the intervention, we took advantage of the grid to unite the two sides and setting a basic structure to the projects layout. Starting with a block massing that links the sites, but keeps the hierarchy of the majestic factory visible, a beacon of the past, we then allotted a program to define the different areas. The Butterfly House The fascinating play of colors in this monumental element inspired the usage of colors in connection with the program, the method created inter- links the psychology of colors with the different allotted functions and creates a fusion of spaces that promote the different characteristics each color emits. The library is then interpreted as three intertwined sectors, a quiet block represented by the blue color which promotes a cool and relaxing environ- ment, an interactive block represented by the yellow color that links to feeling of happiness and stimulates intelligence in children, and lastly an application block by a red color which proves helpful in detail oriented or repetitive tasks. Collodi The village itself translates into the massing by creating a cascading effect at different moments, and recreating a diversity of corridors or alleyways reaching several unique pockets. N Pinocchio As for the final tribute to Pinocchio, the zones of the program as distribut- ed align with major settings that occur throughout the story, and the differ- ent paths of the maze are named after the main morally just characters. Program explanation & Spaces The Quiet Block – Consisting mainly of study and WALL P1 TALKING CRICKET WORKSHOP reading areas, this department gives the visitor a more peaceful environment aiding in concentration and promot- GLASS P2 GEPETTO ing a more studious atmosphere where children are OPAQUE P3 BLUE FAIRY encouraged to read and discover various nooks that they can use at their comfort. TOWN OF GEPETTO’S ISLAND OF PRETEND PLAY CATCHFOOLS WORKSHOP BUSY BEES AREA The Interactive Block – This block contains func- tions that appeal to the children’s sense of imagination where different group activities are at play. INTERACTIVE APPLICATION QUIET The Auditorium falls within this category; a space that BLOCK BLOCK BLOCK engages the user on multiple facets. Transparency and HIDDEN fluidity play a major role, a main translucent wall, SHOPS PAINTING although a physical boundary dividing the service areas POCKETS and the corridor, creates a visual dialogue keeping the RED PRAWN APPLICATION WING GROUP flow between the spaces. The stage providing two shows INN (FOOD SCULPTURE HIDDEN BOARD GAMES simultaneously, a front and back stage performance. The COURT) POCKETS interior seating area the actual finished production, where- CAFE PHOTOGRAPHY as the external one engages and entertains the viewers with what’s going on behind the scenes; a view of what’s TICKETING happening under the stage, and the sound and light LEGO MODEL contribution above. Blurring the lines between those ENTRANCE MAKING spaces, viewing pods are extruded down from the TECHNOLOGY INFO DESK audio-visual center providing the children yet another WORKSHOP perspective to watch the play from. INTERACTIVE GREAT WOOD WORK WING The Application Block – Revolving around the idea MARIONETTE of workshops, this department contains several static THEATRE THE FIELD OF spaces that teach the user different skills enhancing their (AUDITORIUM) WONDERS knowledge through classes such as: Lego Model Making, (BOTANICAL Wood work, Technology workshops in one sector, and GARDEN) FOOD COURT Painting, Sculpting, & Photography were allocated within the ground floor of Paper factory. The exhibition area COMMUNITY spreads throughout this sector and onto the second floor GARDENING of the factory. The courtyard of the paper factory contains a botanical garden, in which the guest could take part of GARDENING OUIET WING OUIET gardening classes. EXHIBITION The Hubs - The fusion points of the different colors allot different hubs throughout the project, a green hub above PRETEND PLAY the auditorium space, contains the media space, an AREAS audio-visual center. The purple hub, circulates around the idea of the different guided group pockets where the kids discover various activities hidden within, as well as sever- al browsing areas. As for the orange hub, this is a freer HUB HUB HUB space allowing the visitor to roam on their own terms and BOARD GAMES AUDIO VISUAL GROUP HIDDEN GROUND FLOOR PLAN CENTER POCKETS P2 P3 let their imagination guide them; a destination that P1 contains large sized outdoor board games, encouraging a fun yet educational environment. THE GRID BASED ON THE MASSING JOINING THE COLOR ALLOCATION PAPER FACTORY THE TWO SIDES DIVIDING THE MASSING GEPETTO’S WORKSHOP TOWN OF CATCHFOOLS ISLAND OF BUSY BEES CREATING THE HUBS BREAKING THE MASSING COLLECTIVE MASSING FROM COLOR INTERSECTION FURTHER WITH CORRIDORS SHOWING LEVELS, HUBS, & COLORS.
Recommended publications
  • Disney Pinocchio Pdf, Epub, Ebook
    LEVEL 3: DISNEY PINOCCHIO PDF, EPUB, EBOOK M Williams | 24 pages | 21 Feb 2012 | Pearson Education Limited | 9781408288610 | English | Harlow, United Kingdom Level 3: Disney Pinocchio PDF Book The Fairy cryptically responds that all inhabitants of the house, including herself, are dead, and that she is waiting for her coffin to arrive. Just contact our customer service department with your return request or you can initiate a return request through eBay. Reviews No reviews so far. The article or pieces of the original article was at Disney Magical World. Later, she reveals to Pinocchio that his days of puppethood are almost over, and that she will organize a celebration in his honour; but Pinocchio is convinced by his friend, Candlewick Lucignolo to go for Land of Toys Paese dei Balocchi a place who the boys don't have anything besides play. After Pinocchio find her tombstone instead of house she appears later in different forms including a giant pigeon. The main danger are the rocks. They can't hurt you, but if they grab you they'll knock you to a lower level. After finishing this last routine you beat the level. Il giorno sbagliato. By ryan level Some emoji powers don't change As the player levels Up, the emojis are available for fans to play 6 with a blue Emoji with The article or pieces of the original article was at Disney Magical World. Venduto e spedito da IBS. The order in which you should get the pages is: white, yellow, blue and red. To finish the level, you have to kill all the yellow moths.
    [Show full text]
  • Ebook Download the Adventures of Pinocchio Ebook
    THE ADVENTURES OF PINOCCHIO PDF, EPUB, EBOOK Carlo Collodi, Roberto Innocenti | 191 pages | 01 Sep 2005 | Creative Edition | 9781568461908 | English | Mankato, MN, United States The Adventures of Pinocchio PDF Book How it happened that Mastro Cherry, carpenter, found a piece of wood that wept and laughed like a child. Beyond hard work, he learns the virtue of self-sacrifice: on hearing that the Fairy is ill and destitute, Pinocchio sends her the money he is saving for new clothes for himself, his generosity winning him not just her forgiveness but the humanity he covets. Namespaces Article Talk. Theatrical release poster. French forces commanded by Napoleon Bonaparte had invaded Italy back in , bringing the peninsula under French control until After this latest scrape, the Fairy, with whom Pinocchio is now living, warns him against further misbehavior. Chairs for the students performing. During one job, he encounters Candlewick again, still a donkey and dying from overwork. This character clearly shows that when he is not honest with himself or others there are consequences. When he neglects his books in favor of idle entertainments, he suffers such misfortunes as being abducted, jailed, or transformed into a donkey. The Adventures of Pluto Nash. The Adventures of Don Quixote. This moral tale centers around Geppetto, a woodcarver, and his puppet Pinocchio who wants to become a real human being. Do not hit me so hard! October 16, Setting off for school, Pinocchio is almost immediately tempted to forego his duty by attending a puppet show. The Adventures of Pinocchio by Carlo Collodi. At this third lie his nose grew to such an extraordinary length that poor Pinocchio could not move in any direction.
    [Show full text]
  • PINOCCHIO! by Dan Neidermyer
    PINOCCHIO! By Dan Neidermyer Copyright © MCMXCIV by Dan Neidermyer, All Rights Reserved ISBN: 978-1-61588-124-6 CAUTION: Professionals and amateurs are hereby warned that this Work is subject to a royalty. This Work is fully protected under the copyright laws of the United States of America and all countries with which the United States has reciprocal copyright relations, whether through bilateral or multilateral treaties or otherwise, and including, but not limited to, all countries covered by the Pan-American Copyright Convention, the Universal Copyright Convention and the Berne Convention. RIGHTS RESERVED: All rights to this Work are strictly reserved, including professional and amateur stage performance rights. Also reserved are: motion picture, recitation, lecturing, public reading, radio broadcasting, television, video or sound recording, all forms of mechanical or electronic reproduction, such as CD-ROM, CD-I, DVD, information and storage retrieval systems and photocopying, and the rights of translation into non-English languages. PERFORMANCE RIGHTS AND ROYALTY PAYMENTS: All amateur and stock performance rights to this Work are controlled exclusively by Heuer Publishing. No amateur or stock production groups or individuals may perform this play without securing license and royalty arrangements in advance from Heuer Publishing. Questions concerning other rights should be addressed to Heuer Publishing. Royalty fees are subject to change without notice. Professional and stock fees will be set upon application in accordance with your producing circumstances. Any licensing requests and inquiries relating to amateur and stock (professional) performance rights should be addressed to Heuer Publishing. Royalty of the required amount must be paid, whether the play is presented for charity or profit and whether or not admission is charged.
    [Show full text]
  • Read an Excerpt
    Excerpt Terms & Conditions This excerpt is available to assist you in the play selection process. You may view, print and download any of our excerpts for perusal purposes. Excerpts are not intended for performance, classroom or other academic use. In any of these cases you will need to purchase playbooks via our website or by phone, fax or mail. A short excerpt is not always indicative of the entire work, and we strongly suggest reading the whole play before planning a production or ordering a cast quantity of scripts. Family Plays Pinocchio Book and lyrics by Patty Carver Music by Patty Carver and Leo P. Carusone Based on the story by Carlo Collodi © Family Plays Pinocchio Interactive musical. Book and lyrics by Patty Carver. Music by Patty Carver and Leo P. Carusone. Based on the story by Carlo Collodi. Cast: 4 to 6m., 1 to 2w. (2 to 4+ either gender optional). Meet the Blue Fairy as she leads us on a magical journey through this retelling of the classic story. One day, Geppetto, the poor, old toymaker, finds an extraordinary piece of talking wood. He brings it home and decides to make it into a puppet named Pinocchio. Disagreeable Pinocchio immediately gets into trouble and learns important lessons. When he bullies a little cricket, he’s reminded to respect others. When he runs away, gets lost and tries to find his way home, he’s reminded of the wonderful life he had with Geppetto. When Pinocchio decides he no longer wants to be a puppet but a real boy, the Blue Fairy steps in and reminds him that if he wants to be real, he has to be good.
    [Show full text]
  • Shrek Audition Monologues
    Shrek Audition Monologues Shrek: Once upon a time there was a little ogre named Shrek, who lived with his parents in a bog by a tree. It was a pretty nasty place, but he was happy because ogres like nasty. On his 7th birthday the little ogre’s parents sat him down to talk, just as all ogre parents had for hundreds of years before. Ahh, I know it’s sad, very sad, but ogres are used to that – the hardships, the indignities. And so the little ogre went on his way and found a perfectly rancid swamp far away from civilization. And whenever a mob came along to attack him he knew exactly what to do. Rooooooaaaaar! Hahahaha! Fiona: Oh hello! Sorry I’m late! Welcome to Fiona: the Musical! Yay, let’s talk about me. Once upon a time, there was a little princess named Fiona, who lived in a Kingdom far, far away. One fateful day, her parents told her that it was time for her to be locked away in a desolate tower, guarded by a fire-breathing dragon- as so many princesses had for hundreds of years before. Isn’t that the saddest thing you’ve ever heard? A poor little princess hidden away from the world, high in a tower, awaiting her one true love Pinocchio: (Kid or teen) This place is a dump! Yeah, yeah I read Lord Farquaad’s decree. “ All fairytale characters have been banished from the kingdom of Duloc. All fruitcakes and freaks will be sent to a resettlement facility.” Did that guard just say “Pinocchio the puppet”? I’m not a puppet, I’m a real boy! Man, I tell ya, sometimes being a fairytale creature sucks pine-sap! Settle in, everyone.
    [Show full text]
  • Teacher Guide Is Designed to Provide Both Teachers and Students with a More Comprehensive Understanding of Theater and Live Performance
    Pinocchio This teacher guide is designed to provide both teachers and students with a more comprehensive understanding of theater and live performance. Teacher Show Synopsis Curriculum Guide Connections Program Objectives Vocabulary Internet Resources Reading Recommendations Grade Level Ideas & Activities Live Performance Etiquette Styles of Puppetry Performance Specifics Show Length: 45 minute show, includes behind the scenes demonstration Audience: Pre-K thru 5th grade and families for audiences of up to 300 Technical Support: Lighting and sound support provided by the puppeteer Staging Requirements: Requires indoor space at least 15ft square and close proximity to an electrical outlet. www.puppetguy.com (404) 315-1363 Teacher Guide developed by Brainability! Show Synopsis Lee Bryan’s adaptation of Pinocchio is a clever retell- ing of the classic Italian fairy tale brought to life through the magic of found object puppetry. Rather than handcrafting re- alistic-looking puppets based on an artist’s sketches, Bryan used his imagination to construct the characters from things you might find around the house, such as mops, colanders, pots, pans, baskets, sheets, a plunger, curtains, neckties, hangers, wooden spoons, belts and a coat rack. The shape, texture and movement of the objects suggest certain human (and sometimes non-human) attributes of the characters in the play. After you’ve seen this show, you won’t look at everyday objects the same way again! This production is made possible in part by a generous grant from the Jim Henson Foundation. Curriculum *Students will gain an understanding of connections live performance and puppetry arts. Pinocchio includes content from these *Students will learn about found-object Common Core and Georgia Performance puppetry, as demonstrated through rod and Learning Standards.
    [Show full text]
  • Erature to Film
    University of Alberta Oversimplification in the Adaptation of Children’s Literature to Film by Cheryl Anne McAllister A thesis submitted to the Faculty of Graduate Studies and Research in partial fulfillment of the requirements for the degree of Master of Arts Modern Languages and Cultural Studies ©Cheryl Anne McAllister Fall 2009 Edmonton, Alberta Permission is hereby granted to the University of Alberta Libraries to reproduce single copies of this thesis and to lend or sell such copies for private, scholarly or scientific research purposes only. Where the thesis is converted to, or otherwise made available in digital form, the University of Alberta will advise potential users of the thesis of these terms. The author reserves all other publication and other rights in association with the copyright in the thesis and, except as herein before provided, neither the thesis nor any substantial portion thereof may be printed or otherwise reproduced in any material form whatsoever without the author's prior written permission. P a g e | 1 Examining Committee Dr. William Anselmi, Modern Languages and Cultural Studies Dr. Anne Malena, Modern Languages and Cultural Studies Dr. Jerry White, English and Film Studies P a g e | 2 Abstract When European children’s literature is adapted to North American film, parts of the stories are removed and changed in the hopes of producing something that will be considered acceptable in the target culture. Much of what is educational and cultural in the stories to begin with is removed through the process of adaptation leaving the finished product devoid of its originality and cultural authenticity.
    [Show full text]
  • Script Teatring Fes Fai Egin PINOCCHIO
    think haz fais Script teatring fes fai egin PINOCCHIO CHARACTERS GEPPETTO PINOCCHIO SOFIA, THE FAIRY GODMOTHER STROMBOLI TRACK * This symbol indicates the Track number on the album Canta y Haz Teatring. The album can also be found on our website www.recursosweb.com All rights whatsoeverin this script are strictly reserved. 2 PINOCCHIO SCENE 1 Some music is heard, the curtain opens. We see a puppet workshop full of wooden toys. Geppetto enters to the scene carrying a wooden trunk and he placed on a chair. Geppetto is tired. Geppetto: (Looking at his puppets) Hello, my little friends. I’m here. He puts his coat and hat on a chair. Geppetto: Look, look what I found in the woods, eh? A nice piece of wood. Grabbing the sleeve of his coat, greeting him as if it were a person. Geppetto: Hello my new friend, how are you? Geppetto goes to sit down on another chair, putting the piece of wood in front of it, but he falls onto the floor. Geppetto: Auuuu! We can hear a child giggle. Geppetto: What? Who is laughing? We hear the laughter again and Geppetto realizes that it was the tree trunk. Geppetto: Oh! It’s you! My new friend. I see!!! You like to play like a child. Mmmmm, let me see. Yes! You will be a child! Geppetto puts the wood inside a box and starts working with it. There is some music while Geppetto is working. Geppetto makes a wooden puppet. (Looking inside the box) Oh! Perfect! Now, the strings. (Geppetto puts the strings on the puppet) Perfect! You’re ready.
    [Show full text]
  • Once Upon a Time There Was a Piece of Wood. It Wasn't a Fine Type of Wood
    Once upon a time there was a piece of wood. It wasn’t a fine type of wood, the kind that’s used to make toys or furniture for the sitting room, but a cheap wood, good for burning in the fireplace. Old Geppetto, who worked as a carpenter, decided to use it to make the puppet that he had long wished for. The next day, Geppetto almost fainted when he saw Pinocchio skip around the house. “Dad, I want to go to school!” trilled the puppet in a voice that sounded like little silver bells. As he didn’t have a penny in his pockets, Geppetto rushed to sell the only coat he had to buy a spelling book, and sent him off to school. Along the way, Pinocchio heard a music of pipes and drums and discovered… a travelling show, no less! “Pinocchio, go to school!” said his When he had finished, the man rested his puppet conscience, but he on a shelf and said, admiringly: “Ah, wouldn’t it be wouldn’t listen and he nice if he was a real boy? I’ll call him “Pinocchio”. sold his spelling book In the middle of the night, the good Blue-Haired to buy a ticket for Fairy appeared in his house and, with her prodigious the puppet show. magic wand, she gave life to Pinocchio. 2 As soon as the puppets saw Pinocchio, they Seeing him in tears invited him up on stage. While Pinocchio, singing and having listened and dancing, was reaping a great success, to his story, the puppeteer, Mangiafuoco, a large man the man, who with a long beard as black as ink, deep down had rubbed his hands together a tender heart, at the sight of coins gave him five raining onto the shiny gold stage from coins and said: the enthusiastic ”Take these audience.
    [Show full text]
  • Pt10thenatureandfunctionofco
    Welcome! • Thank you for joining us! In the light of our present circumstances, we welcome you to this series entitled An Introduction to Christian Ethics. Today’s topic is “The Nature and Function of Conscience.” • During this Zoom Video Webinar you will not be able to see other participants or interact with anyone. It is a view-only format. We hope this learning experience in the quiet and privacy of your own home will help you in your ethical decision-making. Introduction Our focus today will be on the human conscience. It is likely that you have never heard a lecture or sermon on this subject. If you have, you are one of the few, for it is a subject that has been mostly neglected in contemporary society and in the Christian church. It should not be surprising, then, that when it is mentioned in conversation, neither party typically knows what the word means or what the role of conscience should be in their lives. The reason it is important to understand the nature and function of the conscience is because it is a “priceless gift from God.” He created us in His image (imago Dei) and gave us a conscience in order that we might learn how to love Him and live under His lordship and authority. Introduction As we begin our time together, consider the following questions: • What is the conscience? • How does it work? • Does it always judge correctly? • Can it change? • How can I take care of my conscience? • How can I keep from damaging it? Introduction Just by asking these questions, we are admitting that there is something “real” about the conscience, even if it is difficult to define or describe.
    [Show full text]
  • Download the Activiy Report
    ANNUAL REPORT 2018 2 "For this 70th edition of the Festival d’Aix which is Bernard Focroulle’s last festival, it is tempting to take stock of his achievements as Director in light of the greatest moments of opera that his mandate allowed the development of, whether it be for example, Written on Skin by George Benjamin or Elektra as seen by Patrice Chéreau. By his manner of bringing together talents and horizons, of bringing professionals and amateurs closer together in the same desire for high standards, of creating a dialogue between western music and oriental music, of reaching audiences without ever pandering to them, of inviting in order to enrich, it is not impossible that the Orfeo & Majnun in the long term will become an even more crucial date." AVANT-SCÈNE OPÉRA – Chantal Cazaux 3 ORFEO & MAJNUN a European project, 70 an urban procession involving YEARS 1,500 AMATEURS of the Festival a free opera d’Aix-en-Provence along the cours Mirabeau 15,000 SPECTATORS 20 YEARS SEVEN of the Académie STONES du Festival d’Aix FEDORA GENERALI Prize 86,117 100% spectators of the sets 100% eco-designed 2 WORLD PHOTO PREMIERES Seven Stones EXHIBITIONS 70 years of the Festival d'Aix & Orfeo & Majnun and 20 years of the Académie 4 261 ARTISTS from the Académie MEDINEA 40 given the label NATIONALITIES Europe Créative SPECIAL CULTURE “FAUTEUILS D’ORCHESTRE” TELEVISION PROGRAMME NUM th to celebrate the 70th 5 edition anniversary - live from Aix “The Camp” 454 YOUNG PERSONS > 47,000 TOOK PART IN “OPÉRA ON” FANS ON Facebook on the 5 first nights OPERA PLAY > 90 a new free PROJECTIONS application in France and abroad 5 Richard Strauss ARIADNE AUF NAXOS “The singing in Aix’s new Ariadne Conductor MARC ALBRECHT auf Naxos is exquisite.
    [Show full text]
  • Study Guide Pinocchio
    Study guide Pinocchio A Word from The Director Table of Contents If the story of this little puppet seems timeless, that is because it is about much more than just his nose that grows longer whenever he tells a lie. Pinocchio is one of the most beautiful representations of mankind, with About the Show – Page 1 all its faults and shortcomings but also its most touching and noble aspects. Theatre Conventions – Page 2 Collodi did not want to relate the feats of princes and princesses, rather he decided to tell the life of someone who was born at the very bottom of About the Company – Page 3 the social ladder, at the lowest rung imaginable: that of a “common block of firewood, one of those thick, solid logs that are put on the fire in Before the Show Ideas – winter”. Pinocchio is a story about the growth of a tiny being who has the Page 4 misfortune of being born into a difficult environment and who will learn, through the many hardships of life, to become what he has always Lesson 1: Human Puppet dreamt of becoming: a real boy, a good son, a righteous man. Show - Page 5 And this is a much-needed story in this dark and cynical time wh en Lesson 2: Pinocchio, Part II – descendants of the Fox and the Cat are making headlines on a daily Page 7 basis. We still need Pinocchio because life, with all the hardships and hurdles it still throws at us, nonetheless remains a magnificent Lesson 3: Taking adventure.
    [Show full text]