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Dear READER, Winter/Spring 2021 SQUARE BOOKS TOP 100 of 2020 to Understate It—2020 Was Not Square Books’ Best Year
Dear READER, Winter/Spring 2021 SQUARE BOOKS TOP 100 OF 2020 To understate it—2020 was not Square Books’ best year. Like everyone, we struggled—but we are grateful to remain in business, and that all the booksellers here are healthy. When Covid19 arrived, our foot-traffic fell precipitously, and sales with it—2020 second-quarter sales were down 52% from those of the same period in 2019. But our many loyal customers adjusted along with us as we reopened operations when we were more confident of doing business safely. The sales trend improved in the third quarter, and November/December were only slightly down compared to those two months last year. We are immensely grateful to those of you who ordered online or by phone, allowing us to ship, deliver, or hold for curbside pickup, or who waited outside our doors to enter once our visitor count was at capacity. It is only through your abiding support that Square Books remains in business, ending the year down 30% and solid footing to face the continuing challenge of Covid in 2021. And there were some very good books published, of which one hundred bestsellers we’ll mention now. (By the way, we still have signed copies of many of these books; enquire accordingly.) Many books appear on this list every year—old favorites, if you will, including three William Faulkner books: Selected Short Stories (37th on our list) which we often recommend to WF novices, The Sound and the Fury (59) and As I Lay Dying (56), as well as a notably good new biography of Faulkner by Michael Gorra, The Saddest Words: William Faulkner’s Civil War (61). -
Ebook Download the Adventures of Pinocchio Ebook
THE ADVENTURES OF PINOCCHIO PDF, EPUB, EBOOK Carlo Collodi, Roberto Innocenti | 191 pages | 01 Sep 2005 | Creative Edition | 9781568461908 | English | Mankato, MN, United States The Adventures of Pinocchio PDF Book How it happened that Mastro Cherry, carpenter, found a piece of wood that wept and laughed like a child. Beyond hard work, he learns the virtue of self-sacrifice: on hearing that the Fairy is ill and destitute, Pinocchio sends her the money he is saving for new clothes for himself, his generosity winning him not just her forgiveness but the humanity he covets. Namespaces Article Talk. Theatrical release poster. French forces commanded by Napoleon Bonaparte had invaded Italy back in , bringing the peninsula under French control until After this latest scrape, the Fairy, with whom Pinocchio is now living, warns him against further misbehavior. Chairs for the students performing. During one job, he encounters Candlewick again, still a donkey and dying from overwork. This character clearly shows that when he is not honest with himself or others there are consequences. When he neglects his books in favor of idle entertainments, he suffers such misfortunes as being abducted, jailed, or transformed into a donkey. The Adventures of Pluto Nash. The Adventures of Don Quixote. This moral tale centers around Geppetto, a woodcarver, and his puppet Pinocchio who wants to become a real human being. Do not hit me so hard! October 16, Setting off for school, Pinocchio is almost immediately tempted to forego his duty by attending a puppet show. The Adventures of Pinocchio by Carlo Collodi. At this third lie his nose grew to such an extraordinary length that poor Pinocchio could not move in any direction. -
Pinocchio by Susan Mosley
P a g e | 1 P a g e | 2 Pinocchio By Susan Mosley CAST Pinocchio Geppetto Azzura, the Blue Fairy Dianora da Luca, the Dame Raffaele, the Principal Boy Viscard the Puppetmaster, the Baddie Florence, the Principal Girl Ladro, the Cat Fennec, the Fox Lampwick) Candlewick) comedy duo Grillo, narrator & Pinocchio’s minder PC Carrabini Angelo, the Circus Ringmaster Scene – Geppetto’s workshop, the village, the forest, school classroom, the circus Big Top. Time - whenever MUSICAL NUMBERS ACT 1 1: Opening dance number (Director’s choice – suggest current chart hit) (Chorus) 2: “Me And My Shadow”: (Whispering Jack Smith) (Lampwick & Candlewick) 3: “School’s Out”: (Alice Cooper) (Lampwick, Candlewick, Pinocchio, Florence, Raffaele, Grillo & Chorus) 4: “Bad Guys”: (Bugsy Malone) (Ladro & Fennec) 5: “Jai Ho”: (Slumdog Millionaire) (Chorus) ACT 2 6: “If I Was A Boy”: (Beyonce) (Pinocchio) (words adapted by Susan Mosley) 7: “I’m Your Puppet”: (James and Bobby Purify) (Raffaele) 8: Audience Participation Song: “Daydream Believer” (The Monkees) (Geppetto, Dianora & Grillo) 9: “Barbie Girl”: (Aqua) (Dianora, Candlewick & Lampwick) 10: “Come Follow the Band”: (Barnum) (Chorus) 11: Reprise: “Come Follow The Band” (Entire cast) P a g e | 3 ACT 1 Scene 1 Curtain opens. Grillo enters in a midst of smoke Effect 1 Grillo (to audience) Ladies and Gentlemen, boys and girls, welcome to tonight’s (name own group’s name) production of Pinocchio, the story of a puppet who wants to be a real boy. My name is Grillo and tonight’s pantomime is a magical journey into adventure, surprises and much more. But first let me ask you, have you ever wished for something so badly that with every waking breath, that one desire overtakes you? Do you have hopes and aspirations but are told that they cannot possibly happen? They say if you wish upon a star your dreams really do come true? Well come with me and journey into Panto land where together we will discover what happens when you truly believe. -
PINOCCHIO! by Dan Neidermyer
PINOCCHIO! By Dan Neidermyer Copyright © MCMXCIV by Dan Neidermyer, All Rights Reserved ISBN: 978-1-61588-124-6 CAUTION: Professionals and amateurs are hereby warned that this Work is subject to a royalty. This Work is fully protected under the copyright laws of the United States of America and all countries with which the United States has reciprocal copyright relations, whether through bilateral or multilateral treaties or otherwise, and including, but not limited to, all countries covered by the Pan-American Copyright Convention, the Universal Copyright Convention and the Berne Convention. RIGHTS RESERVED: All rights to this Work are strictly reserved, including professional and amateur stage performance rights. Also reserved are: motion picture, recitation, lecturing, public reading, radio broadcasting, television, video or sound recording, all forms of mechanical or electronic reproduction, such as CD-ROM, CD-I, DVD, information and storage retrieval systems and photocopying, and the rights of translation into non-English languages. PERFORMANCE RIGHTS AND ROYALTY PAYMENTS: All amateur and stock performance rights to this Work are controlled exclusively by Heuer Publishing. No amateur or stock production groups or individuals may perform this play without securing license and royalty arrangements in advance from Heuer Publishing. Questions concerning other rights should be addressed to Heuer Publishing. Royalty fees are subject to change without notice. Professional and stock fees will be set upon application in accordance with your producing circumstances. Any licensing requests and inquiries relating to amateur and stock (professional) performance rights should be addressed to Heuer Publishing. Royalty of the required amount must be paid, whether the play is presented for charity or profit and whether or not admission is charged. -
Read an Excerpt
Excerpt Terms & Conditions This excerpt is available to assist you in the play selection process. You may view, print and download any of our excerpts for perusal purposes. Excerpts are not intended for performance, classroom or other academic use. In any of these cases you will need to purchase playbooks via our website or by phone, fax or mail. A short excerpt is not always indicative of the entire work, and we strongly suggest reading the whole play before planning a production or ordering a cast quantity of scripts. Family Plays Pinocchio Book and lyrics by Patty Carver Music by Patty Carver and Leo P. Carusone Based on the story by Carlo Collodi © Family Plays Pinocchio Interactive musical. Book and lyrics by Patty Carver. Music by Patty Carver and Leo P. Carusone. Based on the story by Carlo Collodi. Cast: 4 to 6m., 1 to 2w. (2 to 4+ either gender optional). Meet the Blue Fairy as she leads us on a magical journey through this retelling of the classic story. One day, Geppetto, the poor, old toymaker, finds an extraordinary piece of talking wood. He brings it home and decides to make it into a puppet named Pinocchio. Disagreeable Pinocchio immediately gets into trouble and learns important lessons. When he bullies a little cricket, he’s reminded to respect others. When he runs away, gets lost and tries to find his way home, he’s reminded of the wonderful life he had with Geppetto. When Pinocchio decides he no longer wants to be a puppet but a real boy, the Blue Fairy steps in and reminds him that if he wants to be real, he has to be good. -
Shrek Audition Monologues
Shrek Audition Monologues Shrek: Once upon a time there was a little ogre named Shrek, who lived with his parents in a bog by a tree. It was a pretty nasty place, but he was happy because ogres like nasty. On his 7th birthday the little ogre’s parents sat him down to talk, just as all ogre parents had for hundreds of years before. Ahh, I know it’s sad, very sad, but ogres are used to that – the hardships, the indignities. And so the little ogre went on his way and found a perfectly rancid swamp far away from civilization. And whenever a mob came along to attack him he knew exactly what to do. Rooooooaaaaar! Hahahaha! Fiona: Oh hello! Sorry I’m late! Welcome to Fiona: the Musical! Yay, let’s talk about me. Once upon a time, there was a little princess named Fiona, who lived in a Kingdom far, far away. One fateful day, her parents told her that it was time for her to be locked away in a desolate tower, guarded by a fire-breathing dragon- as so many princesses had for hundreds of years before. Isn’t that the saddest thing you’ve ever heard? A poor little princess hidden away from the world, high in a tower, awaiting her one true love Pinocchio: (Kid or teen) This place is a dump! Yeah, yeah I read Lord Farquaad’s decree. “ All fairytale characters have been banished from the kingdom of Duloc. All fruitcakes and freaks will be sent to a resettlement facility.” Did that guard just say “Pinocchio the puppet”? I’m not a puppet, I’m a real boy! Man, I tell ya, sometimes being a fairytale creature sucks pine-sap! Settle in, everyone. -
The Prairie Wind Newsletter of the Illinois Chapter of the SCBWI
The Prairie Wind Newsletter of the Illinois Chapter of the SCBWI Spring 2015 • From the Editor Do you think fictional characters need to be likable? In this issue, by coincidence, two of our contributors explore this topic. Molly Backes in her Writer’s Tip says: “Personally, I’m in favor of unlikable characters. We are writing about teenagers, after all! They’re not the most likable creatures in the universe. Lovable, sure. But not always likable.” Juliet Bond, in her review of Blake Snyder’s book Save the Cat: The Last Book on Screenwriting You’ll Ever Need for the Writer’s Bookshelf, says, “I’m personally drawn to characters that are a bit prickly, rebellious, and less than charming. But they have to be likable.” See what you think. In our previous issue Lisa Bierman said goodbye. In this issue our new co-regional advisor Deborah Topolski introduces herself: “I’m a prepublished member, still learning how to make inroads in my career . I’m on this journey to publication with you.” Another change in this issue is in the format of our Illustrator in the Spotlight column. A panel of Illinois illustrators has compiled a set of questions that each issue’s featured illustrator will answer. This time it’s Theresa Brandon, answering such questions as “Do you ever tuck little personal homages or details in your illustrations?” and “What gets in the way of your creativity?” Our Tale from the Front, the story of a first-time author, comes from Stefanie Lyons, author of Dating Down. Stefanie has a curious tale to tell: “My first book that my agent liked but thought should be my second book while I was working on my second-supposed-to-be-first book with her turned out to be my first book anyway.” Check out Season’s Crop, compiled by Tina Stoval and Natalie Ziarnik, for a list of ten books coming out this spring by Illinois authors. -
Jonah 3:1-10 January 21, ‘18 “SWALLOWED by GRACE”
Jonah 3:1-10 January 21, ‘18 “SWALLOWED BY GRACE” THERE IS PROBABLY NO NAME THAT IS MORE ASSOCIATED WITH A SINGLE WORD THAN THE NAME “JONAH” – AND THAT WORD IS “FISH” – OR MAYBE “WHALE” – OR, IF YOU GET TWO WORDS – “LARGE FISH.” THIS MORNING, I WANT TO READ FOR YOU THE ENTIRE ACCOUNT OF THE FISH, THE WHALE, THE LARGE FISH IN THE BOOK OF JONAH. HERE GOES – “BUT THE LORD PROVIDED A LARGE FISH TO SWALLOW UP JONAH, AND JONAH WAS IN THE BELLY OF THE FISH THREE DAYS & THREE NIGHTS. THEN JONAH PRAYED TO THE LORD HIS GOD FROM THE BELLY OF THE FISH. 1 Page THEN THE LORD SPOKE TO THE FISH, AND IT SPEWED JONAH OUT ON DRY LAND.” OKAY. WE’RE FINISHED. THAT’S THE FULL EXTENT OF THE APPEARANCE OF THE FISH - THE WHALE - THE LARGE FISH IN THE BOOK OF JONAH. THREE VERSES. THAT’S IT. BUT, LET’S FACE IT – THAT’S A PRETTY INCREDIBLE THING JONAH EXPERIENCED. IT WAS PHILIPS BROOKS IN THE 19TH CENTURY, THOUGH, WHO COULDN’T HELP BUT HAVE A BIT OF FUN WITH THE STORY BY SAYING THAT WE REALLY SHOULDN’T BE SO SURPRISED THAT A WHALE COULD SWALLOW AN ENTIRE MAN SINCE JONAH WAS, AFTER ALL, JUST ONE OF THE “MINOR” PROPHETS. 2 Page I TRUST YOU KNOW THAT THE BOOK OF JONAH IS ABOUT SOMETHING MUCH MORE THAN SIMPLY A MAN BEING SWALLOWED BY A FISH. IT’S A BOOK, THOUGH, THAT’S QUITE UNLIKE MOST OTHER BOOKS OF THE BIBLE. FOR ONE THING, IT ISN’T EASY TO SIMPLY READ A FEW VERSES & UNDERSTAND THEM ASIDE FROM THE CONTEXT OF THE ENTIRE STORY. -
Script Teatring Fes Fai Egin PINOCCHIO
think haz fais Script teatring fes fai egin PINOCCHIO CHARACTERS GEPPETTO PINOCCHIO SOFIA, THE FAIRY GODMOTHER STROMBOLI TRACK * This symbol indicates the Track number on the album Canta y Haz Teatring. The album can also be found on our website www.recursosweb.com All rights whatsoeverin this script are strictly reserved. 2 PINOCCHIO SCENE 1 Some music is heard, the curtain opens. We see a puppet workshop full of wooden toys. Geppetto enters to the scene carrying a wooden trunk and he placed on a chair. Geppetto is tired. Geppetto: (Looking at his puppets) Hello, my little friends. I’m here. He puts his coat and hat on a chair. Geppetto: Look, look what I found in the woods, eh? A nice piece of wood. Grabbing the sleeve of his coat, greeting him as if it were a person. Geppetto: Hello my new friend, how are you? Geppetto goes to sit down on another chair, putting the piece of wood in front of it, but he falls onto the floor. Geppetto: Auuuu! We can hear a child giggle. Geppetto: What? Who is laughing? We hear the laughter again and Geppetto realizes that it was the tree trunk. Geppetto: Oh! It’s you! My new friend. I see!!! You like to play like a child. Mmmmm, let me see. Yes! You will be a child! Geppetto puts the wood inside a box and starts working with it. There is some music while Geppetto is working. Geppetto makes a wooden puppet. (Looking inside the box) Oh! Perfect! Now, the strings. (Geppetto puts the strings on the puppet) Perfect! You’re ready. -
The Adventures of Pinocchio
Carlo Collodi The Adventures of Pinocchio Translated by P. M. D. Panton © Fondazione Nazionale Carlo Collodi, Pescia, 2014, tutti i diritti riservati. La Fondazione Nazionale Carlo Collodi mette questo testo a disposizione degli utenti del sito web www.pinocchio.it per uso esclusivamente personale e di studio. Ogni utilizzo commerciale e/o editoriale deve essere preventivamente autorizzato in forma scritta dalla Fondazione Nazionale Carlo Collodi. In ogni caso, si prega di citare la fonte quando questo testo o sue parti vengono menzionate. © Fondazione Nazionale Carlo Collodi, Pescia, 2014, all rights reserved. The Fondazione Nazionale Carlo Collodi (National Carlo Collodi Foundation) makes this text available for its web site www.pinocchio.it users, for personal and research use and purposes only. Any commercial or publishing use of this text is to be previously authorized By the Fondazione Nazionale Carlo Collodi in written form. In any case, the source is to be credited when this text or parts of it are quoted. THE ADVENTURES OF PINOCCHIO Traduzione integrale inglese di Le Avventure di Pinocchio. Storia di un burattino , di Carlo Collodi Tradotto da P. M. D.Panton – Copyright e proprietà letteraria riservata della Fondazione Nazionale Carlo Collodi Chapter 1 How it happened that Master Cherry, the carpenter, found a piece of wood that wept and laughed like a child. There was once upon a time… "A king!" my little readers will say all at once. No, children, you are mistaken. Once upon a time there was a piece of wood. No, it was not an expensive piece of wood. Far from it. -
Pinocchio Script
Ziptales Timeless Tales Based on the classic tale by Carlo Collodi Pinocchio 1 Once upon a time there was a poor carpenter named Geppetto. He had never married, and so had no children. ‘How I wish I had a little boy of my own!” One day, he saw a puppet theatre in the street. The puppets seemed so lifelike. “I will make a child of my own.” 2 He hurried back to his workshop, and set to work immediately. He made the puppet’s head, and the eyes seemed to watch him. He made the puppet’s arms, and they seemed to move. He made the puppet’s legs and feet, and he fancied that they were ready to dance. “I will call you Pinocchio.” 3 Suddenly, the puppet leapt off the bench, and ran away, laughing. “Pinocchio, come back!” Night came, and snow began to fall. Geppetto was still looking. 4 Finally Pinocchio returned to the old man’s workshop, laughing. “It is not so funny, my friend.” “Who are you?” © Ziptales Developing Literacy | Timeless Tales Ziptales Timeless Tales “I am your conscience. And I want to help you.” “Don’t be silly.’ ‘How could you possibly help me?” “By telling you what will happen if you do not learn to behave.” “Go on.” 5 “Boys who disobey their parents come to no good.” “Nonsense, I want to have fun. No one can tell me what to do!” “Do as the old man says, for he loves you. Go to school. Be good. And then one day you may become a real boy.” “Go away!” 6 Then he settled down by the fire, and fell fast asleep. -
Pt10thenatureandfunctionofco
Welcome! • Thank you for joining us! In the light of our present circumstances, we welcome you to this series entitled An Introduction to Christian Ethics. Today’s topic is “The Nature and Function of Conscience.” • During this Zoom Video Webinar you will not be able to see other participants or interact with anyone. It is a view-only format. We hope this learning experience in the quiet and privacy of your own home will help you in your ethical decision-making. Introduction Our focus today will be on the human conscience. It is likely that you have never heard a lecture or sermon on this subject. If you have, you are one of the few, for it is a subject that has been mostly neglected in contemporary society and in the Christian church. It should not be surprising, then, that when it is mentioned in conversation, neither party typically knows what the word means or what the role of conscience should be in their lives. The reason it is important to understand the nature and function of the conscience is because it is a “priceless gift from God.” He created us in His image (imago Dei) and gave us a conscience in order that we might learn how to love Him and live under His lordship and authority. Introduction As we begin our time together, consider the following questions: • What is the conscience? • How does it work? • Does it always judge correctly? • Can it change? • How can I take care of my conscience? • How can I keep from damaging it? Introduction Just by asking these questions, we are admitting that there is something “real” about the conscience, even if it is difficult to define or describe.