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Ralph W. Judd Collection on Cross-Dressing in the Performing Arts
http://oac.cdlib.org/findaid/ark:/13030/kt487035r5 No online items Finding Aid to the Ralph W. Judd Collection on Cross-Dressing in the Performing Arts Michael P. Palmer Processing partially funded by generous grants from Jim Deeton and David Hensley. ONE National Gay and Lesbian Archives 909 West Adams Boulevard Los Angeles, California 90007 Phone: (213) 741-0094 Fax: (213) 741-0220 Email: [email protected] URL: http://www.onearchives.org © 2009 ONE National Gay and Lesbian Archives. All rights reserved. Finding Aid to the Ralph W. Judd Coll2007-020 1 Collection on Cross-Dressing in the Performing Arts Finding Aid to the Ralph W. Judd Collection on Cross-Dressing in the Performing Arts Collection number: Coll2007-020 ONE National Gay and Lesbian Archives Los Angeles, California Processed by: Michael P. Palmer, Jim Deeton, and David Hensley Date Completed: September 30, 2009 Encoded by: Michael P. Palmer Processing partially funded by generous grants from Jim Deeton and David Hensley. © 2009 ONE National Gay and Lesbian Archives. All rights reserved. Descriptive Summary Title: Ralph W. Judd collection on Cross-Dressing in the Performing Arts Dates: 1848-circa 2000 Collection number: Coll2007-020 Creator: Judd, Ralph W., 1930-2007 Collection Size: 11 archive cartons + 2 archive half-cartons + 1 records box + 8 oversize boxes + 19 clamshell albums + 14 albums.(20 linear feet). Repository: ONE National Gay and Lesbian Archives. Los Angeles, California 90007 Abstract: Materials collected by Ralph Judd relating to the history of cross-dressing in the performing arts. The collection is focused on popular music and vaudeville from the 1890s through the 1930s, and on film and television: it contains few materials on musical theater, non-musical theater, ballet, opera, or contemporary popular music. -
The Green Sheet and Opposition to American Motion Picture Classification in the 1960S
The Green Sheet and Opposition to American Motion Picture Classification in the 1960s By Zachary Saltz University of Kansas, Copyright 2011 Submitted to the graduate degree program in Film and Media Studies and the Graduate Faculty of the University of Kansas in partial fulfillment of the requirements for the degree of Master of Arts. ________________________________ Chairperson Dr. John Tibbetts ________________________________ Dr. Michael Baskett ________________________________ Dr. Chuck Berg Date Defended: 19 April 2011 ii The Thesis Committee for Zachary Saltz certifies that this is the approved version of the following thesis: The Green Sheet and Opposition to American Motion Picture Classification in the 1960s ________________________________ Chairperson Dr. John Tibbetts Date approved: 19 April 2011 iii ABSTRACT The Green Sheet was a bulletin created by the Film Estimate Board of National Organizations, and featured the composite movie ratings of its ten member organizations, largely Protestant and represented by women. Between 1933 and 1969, the Green Sheet was offered as a service to civic, educational, and religious centers informing patrons which motion pictures contained potentially offensive and prurient content for younger viewers and families. When the Motion Picture Association of America began underwriting its costs of publication, the Green Sheet was used as a bartering device by the film industry to root out municipal censorship boards and legislative bills mandating state classification measures. The Green Sheet underscored tensions between film industry executives such as Eric Johnston and Jack Valenti, movie theater owners, politicians, and patrons demanding more integrity in monitoring changing film content in the rapidly progressive era of the 1960s. Using a system of symbolic advisory ratings, the Green Sheet set an early precedent for the age-based types of ratings the motion picture industry would adopt in its own rating system of 1968. -
(XXXIX:9) Mel Brooks: BLAZING SADDLES (1974, 93M) the Version of This Goldenrod Handout Sent out in Our Monday Mailing, and the One Online, Has Hot Links
October 22, 2019 (XXXIX:9) Mel Brooks: BLAZING SADDLES (1974, 93m) The version of this Goldenrod Handout sent out in our Monday mailing, and the one online, has hot links. Spelling and Style—use of italics, quotation marks or nothing at all for titles, e.g.—follows the form of the sources. DIRECTOR Mel Brooks WRITING Mel Brooks, Norman Steinberg, Richard Pryor, and Alan Uger contributed to writing the screenplay from a story by Andrew Bergman, who also contributed to the screenplay. PRODUCER Michael Hertzberg MUSIC John Morris CINEMATOGRAPHY Joseph F. Biroc EDITING Danford B. Greene and John C. Howard The film was nominated for three Oscars, including Best Actress in a Supporting Role for Madeline Kahn, Best Film Editing for John C. Howard and Danford B. Greene, and for Best Music, Original Song, for John Morris and Mel Brooks, for the song "Blazing Saddles." In 2006, the National Film Preservation Board, USA, selected it for the National Film Registry. CAST Cleavon Little...Bart Gene Wilder...Jim Slim Pickens...Taggart Harvey Korman...Hedley Lamarr Madeline Kahn...Lili Von Shtupp Mel Brooks...Governor Lepetomane / Indian Chief Burton Gilliam...Lyle Alex Karras...Mongo David Huddleston...Olson Johnson Liam Dunn...Rev. Johnson Shows. With Buck Henry, he wrote the hit television comedy John Hillerman...Howard Johnson series Get Smart, which ran from 1965 to 1970. Brooks became George Furth...Van Johnson one of the most successful film directors of the 1970s, with Jack Starrett...Gabby Johnson (as Claude Ennis Starrett Jr.) many of his films being among the top 10 moneymakers of the Carol Arthur...Harriett Johnson year they were released. -
El Detective (1968) Ee.Uu
MIÉRCOLES 17 21‘30 h. Entrada libre (hasta completar aforo) EL DETECTIVE (1968) EE.UU. 114 min. Ttulo Orig.- The detective. Director.- Gordon Douglas. rgumento.- a novela hom!nima de Roderick Thorp. Gui$n.- Abby Mann. Fotografa.- )oseph Biroc (Panavisi!n - De u,e). Monta(e.- Robert Simpson. M)sica.- )erry Goldsmith. Productor.- Aaron Rosenberg. Producci$n.- Arcola- Mill.ield Productions para 20th 1entury 2o,. Int-r.retes.- 2rank Sinatra (Joe Leland), ee Remick (Karen Leland), )ac4ueline Bisset (Norma McIver), Ralph Meeker (teniente Curran), )ack 5lugman (Dave Schoestein), 6orace McMahon ( arrell), 7illiam 7indom (Colin McIver), loyd Bochner (dr. Wendell Roberts), Tony Musante ( elix Tesla), Robert Duvall (Nestor), Al 2reeman )r. (Robbie Louglin). v.o.s.e. Msica de sala: El detective (The detective, 1968) de Gordon Douglas Banda sonora original de Jerry Goldsmith EL DETECTIVE, uno de los me8ores .ilms policiacos de Gordon Douglas, puede situarse en la encruci8ada del thriller polic9aco, en un momento -.inales de los sesenta, con todo lo 4ue de cambio social comportan a4uellos a:os para la sociedad estadounidense y para el sistema cinematogr;.ico hollywoodiense- en el 4ue el clasicismo sucumbe por igual al aire de los nuevos tiempos, en lo negativo (zooms innecesarios, angulaciones de c;mara m;s impuestas 4ue meditadas), y a las metamor.osis sociales y culturales, en lo positivo. Que sean Douglas y 2rank Sinatra, dos persona8es no especialmente liberales, los 4ue rubri4uen este thriller moderadamente progresista no de8a de resultar signi.icativo1. Mientras el ala iz4uierda de 6ollywood se perd9a en dis4uisiciones tem;ticas y nimiedades .ormales, gente .ormada en el sistema de los estudios y caracterizada a veces por un uso ambiguo de la violencia (Gordon Douglas, Don Siegel, Robert Aldrich) vendr9an a poner los cimientos de un nuevo g?nero policiaco 4ue miraba a ras de tierra la realidad 4ue lo envolv9a. -
George P. Johnson Negro Film Collection LSC.1042
http://oac.cdlib.org/findaid/ark:/13030/tf5s2006kz No online items George P. Johnson Negro Film Collection LSC.1042 Finding aid prepared by Hilda Bohem; machine-readable finding aid created by Caroline Cubé UCLA Library Special Collections Online finding aid last updated on 2020 November 2. Room A1713, Charles E. Young Research Library Box 951575 Los Angeles, CA 90095-1575 [email protected] URL: https://www.library.ucla.edu/special-collections George P. Johnson Negro Film LSC.1042 1 Collection LSC.1042 Contributing Institution: UCLA Library Special Collections Title: George P. Johnson Negro Film collection Identifier/Call Number: LSC.1042 Physical Description: 35.5 Linear Feet(71 boxes) Date (inclusive): 1916-1977 Abstract: George Perry Johnson (1885-1977) was a writer, producer, and distributor for the Lincoln Motion Picture Company (1916-23). After the company closed, he established and ran the Pacific Coast News Bureau for the dissemination of Negro news of national importance (1923-27). He started the Negro in film collection about the time he started working for Lincoln. The collection consists of newspaper clippings, photographs, publicity material, posters, correspondence, and business records related to early Black film companies, Black films, films with Black casts, and Black musicians, sports figures and entertainers. Stored off-site. All requests to access special collections material must be made in advance using the request button located on this page. Language of Material: English . Conditions Governing Access Open for research. All requests to access special collections materials must be made in advance using the request button located on this page. Portions of this collection are available on microfilm (12 reels) in UCLA Library Special Collections. -
List of Shows Master Collection
Classic TV Shows 1950sTvShowOpenings\ AdventureStory\ AllInTheFamily\ AManCalledShenandoah\ AManCalledSloane\ Andromeda\ ATouchOfFrost\ BenCasey\ BeverlyHillbillies\ Bewitched\ Bickersons\ BigTown\ BigValley\ BingCrosbyShow\ BlackSaddle\ Blade\ Bonanza\ BorisKarloffsThriller\ BostonBlackie\ Branded\ BrideAndGroom\ BritishDetectiveMiniSeries\ BritishShows\ BroadcastHouse\ BroadwayOpenHouse\ BrokenArrow\ BuffaloBillJr\ BulldogDrummond\ BurkesLaw\ BurnsAndAllenShow\ ByPopularDemand\ CamelNewsCaravan\ CanadianTV\ CandidCamera\ Cannonball\ CaptainGallantOfTheForeignLegion\ CaptainMidnight\ captainVideo\ CaptainZ-Ro\ Car54WhereAreYou\ Cartoons\ Casablanca\ CaseyJones\ CavalcadeOfAmerica\ CavalcadeOfStars\ ChanceOfALifetime\ CheckMate\ ChesterfieldSoundOff\ ChesterfieldSupperClub\ Chopsticks\ ChroniclesOfNarnia\ CimmarronStrip\ CircusMixedNuts\ CiscoKid\ CityBeneathTheSea\ Climax\ Code3\ CokeTime\ ColgateSummerComedyHour\ ColonelMarchOfScotlandYard-British\ Combat\ Commercials50sAnd60s\ CoronationStreet\ Counterpoint\ Counterspy\ CourtOfLastResort\ CowboyG-Men\ CowboyInAfrica\ Crossroads\ DaddyO\ DadsArmy\ DangerMan-S1\ DangerManSeason2-3\ DangerousAssignment\ DanielBoone\ DarkShadows\ DateWithTheAngles\ DavyCrockett\ DeathValleyDays\ Decoy\ DemonWithAGlassHand\ DennisOKeefeShow\ DennisTheMenace\ DiagnosisUnknown\ DickTracy\ DickVanDykeShow\ DingDongSchool\ DobieGillis\ DorothyCollins\ DoYouTrustYourWife\ Dragnet\ DrHudsonsSecretJournal\ DrIQ\ DrSyn\ DuffysTavern\ DuPontCavalcadeTheater\ DupontTheater\ DustysTrail\ EdgarWallaceMysteries\ ElfegoBaca\ -
Inventory to Archival Boxes in the Motion Picture, Broadcasting, and Recorded Sound Division of the Library of Congress
INVENTORY TO ARCHIVAL BOXES IN THE MOTION PICTURE, BROADCASTING, AND RECORDED SOUND DIVISION OF THE LIBRARY OF CONGRESS Compiled by MBRS Staff (Last Update December 2017) Introduction The following is an inventory of film and television related paper and manuscript materials held by the Motion Picture, Broadcasting and Recorded Sound Division of the Library of Congress. Our collection of paper materials includes continuities, scripts, tie-in-books, scrapbooks, press releases, newsreel summaries, publicity notebooks, press books, lobby cards, theater programs, production notes, and much more. These items have been acquired through copyright deposit, purchased, or gifted to the division. How to Use this Inventory The inventory is organized by box number with each letter representing a specific box type. The majority of the boxes listed include content information. Please note that over the years, the content of the boxes has been described in different ways and are not consistent. The “card” column used to refer to a set of card catalogs that documented our holdings of particular paper materials: press book, posters, continuity, reviews, and other. The majority of this information has been entered into our Merged Audiovisual Information System (MAVIS) database. Boxes indicating “MAVIS” in the last column have catalog records within the new database. To locate material, use the CTRL-F function to search the document by keyword, title, or format. Paper and manuscript materials are also listed in the MAVIS database. This database is only accessible on-site in the Moving Image Research Center. If you are unable to locate a specific item in this inventory, please contact the reading room. -
Catalog Sixty-Nine Royalbooks C Atalog Sixty-Nine Royal Books the CELLULOID PAPER TRAIL
catalog catalog sixty-nine royal books Royalc Booksatalog sixty-nine THE CELLULOID PAPER TRAIL Oak Knoll Press is pleased to announce the publication of Terms and Conditions Kevin R. Johnson’s The Celluloid All books are first editions unless indicated otherwise. Paper Trail. The first book All items in wrappers or without dust jackets advertised have glassine covers, and all dust jackets are protected ever published on film script by new archival covers. Single, unframed photographs identification and description, housed in new, archival mats. lavishly illustrated and detailed. In many cases, more detailed physical descriptions for archives, manuscripts, film scripts, and other ephemeral Designed for any book scholar, items can be found on our website. including collectors, archivists, Any item is returnable within 30 days for a full refund. librarians, and dealers. Books may be reserved by telephone, or email, and are subject to prior sale. Payment can be made by credit card Available now at royalbooks.com or, if preferred, by check or money order with an invoice. or by calling 410.366.7329. Libraries and institutions may be billed according to preference. Reciprocal courtesies extended to dealers. Please feel free to let us know if you would like your copy signed or inscribed by the author. We accept credit card payments by VISA, MASTERCARD, AMERICAN EXPRESS, DISCOVER, and PAYPAL. Shipments are made via USPS priority mail or Fedex Ground unless other arrangements are requested. All shipments are fully insured. Shipping is free within the United States. For international destinations, shipping is $60 for the first book and $10 for each thereafter. -
The Bearing in Tbe Above-Entitled Matter Was Reconvened Pursuant
I COPYRIGHT ROYALTY TRIBUNAL lXL UI I 1 I I In the Matter og ~ CABLE COPYRIGHT ROYALTY CRT 85-4-84CD DISTRIBUTION PHASE II (This volume contains page 646 through 733) 10 llll 20th Street, Northwest Room 458 Washington, D. C. 12 Friday, October 31, 1986 13 The bearing in tbe above-entitled matter was reconvened pursuant. to adjournment, at 9:30 a.m. BEFORE EDWARD.W. RAY Chairman 20 MARI 0 F . AGUERO Commissioner 21 J. C. ARGETSINGER Commissioner 23 ROBERT CASSLER General Counsel 24 HEAL R. GROSS COURT REPORTERS AND TRANSCRIBERS 1323 RHODE ISLAND AVENUE, IW.W. {202) 234-4433 WASHINGTON, D.C. 20005 {202) 232-6600 647 APPEARANCES: 2 On beha'lf of MPAA: DENNIS LANE, ESQ. Wilner R Scheiner Suite 300 1200 New Hampshire Avenue, Northwest Washington, D. C. 20036 6 On behalf of NAB: JOHN STEWART, ESQ. ALEXANDRA WILSON, ESQ. Crowell S Moring 1100 Connecticut Avenue, Northwest Washington, D. C. 20036 On behalf of Warner Communicate.ons: ROBERT GARRETT, ESQ. Arnold a Porter 1200 New Hampshire Avenue, Northwest Washington, D. C. 20036 13 On behalf of Multimedia Entertainment: ARNOLD P. LUTZKER, ESQ. 15 Dow, Lohnes a Albertson. 1255 23rd Street, Northwest. Washington, D. C. 20037 On bahalf of ASCAP: I, FRED KOENIGSBERG, ESQ. Senior Attorney, OGC One Lincoln Plaza New York, New York 10023 20 22 23 24 HEAL R. GROSS COURT REPORTERS AND TRANSCRI8ERS I323 RHODE ISLAND AVENUE, N.W. (202) 234-4433 WASHINGTON, D.C. 20005 (202) 232-6600 648 CONTENTS WITNESS DIRECT 'CROSS VOIR 'DI'RE TR'QBUNAL 3 , ALLEN R. COOPER 649,664 By Ms. -
BDRF Bonnevalle & Van Den Bosch
BE-A0512_106565_104509_DUT Inventaris van het archief Bonnevalle & Van Den Bosch (Cinéma Léopold e.a.) / J. Verschaeren Het Rijksarchief in België Archives de l'État en Belgique Das Staatsarchiv in Belgien State Archives in Belgium This finding aid is written in Dutch. 2 BDRF Bonnevalle & Van Den Bosch BESCHRIJVING VAN HET ARCHIEF:................................................................................3 BESCHRIJVING VAN DE SERIES EN ARCHIEFBESTANDDELEN.....................................................5 Inventaris van het archief Faling Van Den Bosch (Cinéma Léopold e.a.)............................5 BDRF Bonnevalle & Van Den Bosch 3 Beschrijving van het archief: Beschrijving van het archief: Naam archiefblok: BDRF Bonnevalle & Van Den Bosch Periode: 1928-1977 Archiefbloknummer: BE-A0512.1250 Omvang: • Laatste inventarisnummer: 2322 • Omvang geklasseerd: 38 m Archiefbewaarplaats: Rijksarchief te Beveren Archiefvormers: Bonnevalle O. en Van den Bosch S., 1933-? BDRF Bonnevalle & Van Den Bosch 5 Beschrijving van de series en archiefbestanddelen Beschrijving van de series en archiefbestanddelen Inventaris van het archief Faling Van Den Bosch (Cinéma Léopold e.a.) INVENTARIS VAN HET ARCHIEF FALING VAN DEN BOSCH (CINÉMA LÉOPOLD E.A.) 1 Aankoopdagboek, aug. 1946 - dec. 1946 1 register Bonnevalle O. en Van den Bosch S., 1933-? 2 Adressen van autocars en cafés buiten de stad Gent. Briefwisseling, 1949 1 pak Bonnevalle O. en Van den Bosch S., 1933-? 3 Adressen, 1953 1 omslag Bonnevalle O. en Van den Bosch S., 1933-? 4 Affichetten. 1 omslag Bonnevalle O. en Van den Bosch S., 1933-? 5 Art Ciné. Briefwisseling, 1950-1952 1 omslag Bonnevalle O. en Van den Bosch S., 1933-? 6 B.I.F.O. Films (The Belgian International Films Office), facturen en briefwisseling, 1969-1970 1 omslag Bonnevalle O. -
Frank Sinatra Y Rita Hayworth, En Pal Joey
Cine Llueve en Cartagena Cartagena es s la primera vez que llueve en Cartagena humedad. Las calles se vuelven ríos de aguas estan- Epara mí. Desde que nos conocimos hace 12 cadas y los aviones se retrasan o, como en el que una ciudad años, un enero, siempre había sido una ciu- venía yo, asustan a los pasajeros haciéndoles creer dad amarilla, de cielo azul y sol brillante y picante. La que ya van aterrizar y, en un golpe abrupto, el avión en la que llueve gente, sin preguntarle, explica que el problema de vuelve a montarse en las nubes, el piloto explica que Cartagena es la humedad y no el calor, pero a mí no es una maniobra sin peligro y una señora grita que poco, pero cuando me importa la diferencia, porque yo siento que todo ella no entiende que es un viento de cola, que no se Frank Sinatra y Rita Hayworth, en Pal Joey. hierve cuando estoy afuera. Esa vez, el calor me hizo quiere morir. Es una ciudad gris que no contrasta la lluvia cae, odiarla y no me acuerdo de haber visto ni las murallas con el amarillo de la Torre del reloj, y el sol no es tan VIENE DE LA PÁGINA 11 » ni el castillo de San Felipe ni la Ciudad Vieja. No vi fuerte para odiarla ni para usar sombrero. El taxis- Sinatra vuelve a estar en boga y los roles (Von Ryan’s Express, 1965). es distinta. nada. Luego volví, con cinco años más, y nos quisimos ta dijo que en noviembre era normal que lloviera, que le ofrecen ahora son de dos tipos: o en Es curioso como en sus últimos años después de dormir una noche encerrada en un cuarto que cuando los huracanes pasan por México la cola musicales o en dramas, y en estos últimos como actor se le encasillara en papeles Un recorrido por de hotel a 12 grados centígrados. -
Guide to the Donald J. Stubblebine Collection of Theater and Motion Picture Music and Ephemera
Guide to the Donald J. Stubblebine Collection of Theater and Motion Picture Music and Ephemera NMAH.AC.1211 Franklin A. Robinson, Jr. 2019 Archives Center, National Museum of American History P.O. Box 37012 Suite 1100, MRC 601 Washington, D.C. 20013-7012 [email protected] http://americanhistory.si.edu/archives Table of Contents Collection Overview ........................................................................................................ 1 Administrative Information .............................................................................................. 1 Arrangement..................................................................................................................... 2 Scope and Contents........................................................................................................ 2 Biographical / Historical.................................................................................................... 1 Names and Subjects ...................................................................................................... 3 Container Listing ............................................................................................................. 4 Series 1: Stage Musicals and Vaudeville, 1866-2007, undated............................... 4 Series 2: Motion Pictures, 1912-2007, undated................................................... 327 Series 3: Television, 1933-2003, undated............................................................ 783 Series 4: Big Bands and Radio, 1925-1998,